The full beauty and depth of 500 years of Sikh culture is explored in this lavishly illustrated collection of essays on the religion's art and literature. The collection is accompanied by more than 100 black-and-white photos and 24 color plates depicting the finest Sikh art, some of it reproduced for the first time.
Sikh culture emerged with the dawn of the modern age in a land that was a thoroughfare of invading armies, ideas, religions, and arts from the East and West. The poetry of scriptures, the illustrated life stores of Guru Nanak, the paintings from various early artistic schools and regions, the dazzling treasures of the Sikh Kingdoms, the romantic artworks of visiting European dignitaries, and the serenity of Sikh sacred architecture all provide doorways to this heroic and revolutionary faith. Journal excerpts, new translations of early twentieth-century poetry, popular poster art, and a depiction of the 1984 storming of the Golden Temple, add depth and originality to this fully accessible volume. Often overlooked, the importance of art, poetry and literature is crucial to our understanding of Sikh religions. Together this collection of remarkable essays and exquisite art illustrates the impact and value of Sikh culture-with its blend of tolerance, egalitarianism and rational mysticism-in the Modern Age.

Improbasen is a Norwegian private learning centre that offers beginner's instrumental tuition within jazz improvisation for children between the ages of 7 and 15. This book springs out of a two-year ethnographic study of the teaching and learning activity at Improbasen, highlighting features from the micro-interactions within the lessons, the organisation of Improbasen, and its international activity. Music teachers, students, and scholars within music education as well as jazz research will benefit from the perspectives presented in the book, which shows how children systematically acquire tools for improvisation and shared codes for interplay. Through a process of guided participation in jazz culture, even very young children are empowered to take part in a global, creative musical practice with improvisation as an educational core. This book critically engages in current discussions about jazz pedagogy, inclusion and gender equity, beginning instrumental tuition, creativity, and authenticity in childhood.

In this major new book, renowned art historian Griselda Pollock makes a compelling intervention into a debate at the very centre of feminist art history: should the traditional canon of the Old Masters be rejected, replaced or reformed? What difference can a feminist approach to art history make?
Differencing the Canon moves between feminist re-readings of modern masters - Van Gogh, Toulouse-Lautrec and Manet - and the canonical artists of feminist art history Artemisia Gentileschi and Mary Cassatt. Pollock asks both how women read and what might be different about art made by a woman. Pollock unpacks the representation of culturally resonant female figures in a range of texts, from Manet's depiction of the model Jeanne Duval in his painting Olympia, to Charlotte Brontë's Lucy Snowe, artists representations of Cleopatra and Angela Carter's Black Venus. She argues that it is not enough simply to read as a woman; we must also acknowledge the differences between women shaped by racist and colonial hierarchies.

Auditioners often complain of seeing the same speeches over and over again. Director, Simon Dunmore, has seen well over ten thousand audition speeches performed, and has drawn on his experience to select and edit a new collection of fascinating, fresh and unusual audition speeches from Shakespeare's plays. This book brings together fifty speeches for women from plays frequently ignored such as Coriolanus, Pericles and Love's Labours Lost. It also includes good, but over-looked speeches from the more popular plays such as Diana from All's Well That Ends Well, Perdita from The Winter's Tale and Hero from Much Ado About Nothing. Each speech is accompanied by a character description, brief explanation of the context, and notes on obscure words, phrases and references - all written from the viewpoint of the auditioning actor.

Studies the Bharata Natyam dance genre "padam" and focuses on its patrons and composers and its formal structure, texts, and music Examines the "rewriting" of South Indian dance and the decades-long debates over the classicization and ownership of South Indian music The text includes 30 Tamil language songs, minutely translated and annotated together with a documentation of their performance history in the 20th century

Bringing together theory and practice, this collection critically examines emerging conceptual, methodological and production frameworks for the study of immersive journalism. Having first begun in academia, the practice of virtual reality/360Ëš video immersive journalism has seen a steep rise in the professional arena in recent years. Uniting contributions from scholars and practitioners at the cutting-edge of this vibrant field, this book provides a summary of the history, development and key debates in immersive journalism and considers issues such as conceptualising and researching immersive journalism, teaching and producing immersive journalism, and situating immersive journalism in a wider theoretical and ethical context. Each chapter introduces readers to the key terms and concepts in that area and provides study questions to help them engage with the text. Encouraging further enquiry and theorisation, and experimental design and production, Insights on Immersive Journalism is an invaluable resource for students and scholars interested in Immersive Journalism and Media.

A comprehensive survey of research methods in the field of performance studies Edited by leading scholar in the field Craig Gingrich-Philbrook Examines not only types of performance but also theories (e.g. feminist theory, queer theory) as performance research methodologies. Explores a range of peformance studies, including poetry, plays, and stand-up comedy.

By fusing traditional formative script analysis with devised theatre strategies and a variety of digital, written, visual, and performance-based modes of expression, readers will learn how to approach the script analysis process from multiple angles. The book is structured to fit a typical semester Script Analysis course, and features online companion content with video samples and editable templates. This text is unique to the other script analysis texts currently available because it is written through a social justice and diversity lens, focusing on predominantly contemporary female, LGBTQ+, and playwrights of color, with acknowledgments of identity, power, and privilege woven throughout the course content.

The creative and cultural industries represent a growing and important sector in the global economy. Thriving in these industries is particularly tough and organizations face unique challenges in the digital age. This textbook provides a vivid initiation into the creative industries workplace. Managing Organizations in the Creative Economy is the first textbook of its kind, introducing organizational behaviour theories and applying them to the creative world. The text is underpinned by the latest research and theoretical insights into creative industries management and organizational behaviour, covering key topics such as structure, culture and the management of change and creativity as well as contemporary issues such as diversity, sustainability, managing stress, wellbeing and self-care, and remote working. The authors bring theory to life through practical examples and cases provided by industry experts, supported by specially created companion videos featuring managerial responses to the cases. This second edition textbook provides readers with an updated applied theoretical understanding of organizational behaviour that will be of particular benefit to those looking to work in the creative and cultural industries. Students on courses such as arts business, arts management and music business, and even students within the broader study of the entertainment and creative industries, will find this to be a vital read.

Exploring everything from company incorporation and marketing, to legal, finance and festivals, Starting a Theatre Company is the complete guide to running a low-to-no budget or student theatre company. Written by an experienced theatre practitioner and featuring on-the-ground advice, this book covers all aspects of starting a theatre company with limited resources, including how to become a company, finding talent, defining a style, roles and responsibilities, building an audience, marketing, the logistics of a production, legalities, funding, and productions at festivals and beyond. The book also includes a chapter on being a sustainable company, and how to create a mindset that will lead to positive artistic creation. Each chapter contains a list of further resources, key terms and helpful tasks designed to support the reader through all of the steps necessary to thrive as a new organisation. An eResource page contains links to a wide range of industry created templates, guidance and interviews, making it even easier for you to get up and running as simply as possible. Starting a Theatre Company targets Theatre and Performance students interested in building their own theatre companies. This book will also be invaluable to independent producers and theatre makers.

- Written by a team of scholars who developed the first major Black Digital Humanities program at a research institution (the African American Digital Humanities Initiative at the University of Maryland). - Written for an audience of practitioners, researchers, and graduate students to help prepare them to take on their own research and projects. - Each chapter features guiding questions, bullet lists of practical advice, and resources readers can use to implement best practices in their own work.

Provides a wide range of case studies of music in film scenes, allowing instructors to pick and choose examples to focus on. Each case study is accessibly written and follows the same format, breaking down elements of the scene for students in a clear manner that invites comparisons. Organized by the type of musical use, allowing instructors to readily find examples of different types of music functions, and compare across different films.

Successfully entering the TV industry can be difficult to navigate. Breaking into Factual TV will guide you through the process from how to get your first job to how to make it at the top. Written in a clear and accessible way, author Zenia Selby demystifies the TV industry for new entrants and covers all the key roles including runner, researcher, assistant producer, producer and director. Selby reveals what no one ever tells you when you start working at a TV production company – the chain of hierarchy, the most effective ways to network, and the best way to structure your work. The book will travel with you up your career ladder: as you progress from runner to researcher to producer to director, each section provides you with the blueprint you need to excel with every promotion and warns you of the pitfalls to avoid. Perspectives from industry professionals are provided throughout, with interviews with Mitchell Langcaster-James (The Only Way is Essex, QI, and Celebs Go Dating), Jeremy Turner (Edward Snowden: Whistleblower or Spy?, and Women in Prison), Alec Lindsell (Inside the Factory, and The One Show), and Sophie Smith (Albert: The Power Behind Victoria, and Digging for Britain) to offer insight into the reality of their roles. The book is ideal for emerging professionals and graduates of television courses looking to take their first step in the TV industry.

This is the true story of a standout artist in the field of pop and sentimental song; a star entertainer who rose to fame in Cape Town, South Africa. The world reflected in this book has several genealogical strands reaching back to other histories – to the nineteenth century theatre, to the rise of racism in South Africa, and the ways people were forced to negotiate the contradictions of being human against impossible odds. We encounter a biographer with a subject which is close to him, and which he has meticulously researched over a course of time. The book offers insights into the musical world of the phonograph, of the global popular culture after the Second World War and how this was absorbed into Cape Town’s popular culture.

Geometry for the Artist is based on a course of the same name which started in the 1980s at Maharishi International University. It is aimed both at artists willing to dive deeper into geometry and at mathematicians open to learning about applications of mathematics in art. The book includes topics such as perspective, symmetry, topology, fractals, curves, surfaces, and more. A key part of the book's approach is the analysis of art from a geometric point of view-looking at examples of how artists use each new topic. In addition, exercises encourage students to experiment in their own work with the new ideas presented in each chapter. This book is an exceptional resource for students in a general-education mathematics course or teacher-education geometry course, and since many assignments involve writing about art, this text is ideal for a writing-intensive course. Moreover, this book will be enjoyed by anyone with an interest in connections between mathematics and art. Features Abundant examples of artwork displayed in full color. Suitable as a textbook for a general-education mathematics course or teacher-education geometry course. Designed to be enjoyed by both artists and mathematicians.

The International Institute for Asian Studies (IIAS) in Leiden has compiled a bibliographic database documenting publications on South and Southeast Asian art and archaeology. Twenty editors and documentalists in Leiden, Colombo, Bangkok, Dharwad, and Jakarta have collected the material in this first volume, and over 1,000 records describe monographs, articles in monographs, and articles in periodicals including reviews and Ph.D. dissertations published in 1996 and 1997. The records are arranged geographically and according to subject: pre- and proto-history, historical archaeology, ancient and modern art history, material culture, epigraphy and paleography, numismatics and sigillography.

For Hemingway and Fitzgerald, there was Paris in the twenties. For others, later, there was Greenwich Village, Big Sur, and Woodstock. But for an even later generation-one defined by the likes of Jimmy Buffett, Tom McGuane, and Hunter S. Thompson-there was another moveable feast: KeyWest, Florida. The small town on the two-by-four-mile island has long been an artistic haven, a wild refuge for people of all persuasions, and the inspirational home for a league of great American writers. Some of the artists went there to be literary he-men. Some went to re-create themselves. Others just went to disappear-and succeeded. No matter what inspired the trip, Key West in the seventies was the right place at the right time, where and when an astonishing collection of artists wove a web of creative inspiration. Mile Marker Zero tells the story of how these writers and artists found their identities in Key West and maintained their friendships over the decades, despite oceans of booze and boatloads of pot, through serial marriages and sexual escapades, in that dangerous paradise. Unlike the "Lost Generation" of Paris in the twenties, we have a generation that invented, reinvented, and found itself at the unending cocktail party at the end-and the beginning-of America's highway.

The book is largely focused on biennales, which it argues are the contemporary exhibition models with the greatest capacity to offer new perspectives and propose alternative ways of connecting with our social and natural environments. The author demonstrates this by showing how curators of these high-profile exhibitions are responding in creative and engaging ways to the issues that preoccupy artists and society more broadly, of which the ecological crisis is paramount. Drawing on case studies from different parts of the world, the author reveals how biennales can make a constructive contribution to debates and attitudes around climate change, and how the role of the curator has evolved to embrace a duty of care not just to art but to the natural world. Curating in a Time of Ecological Crisis investigates how large-scale exhibitions of contemporary international art can become agents of change. As such, the book will be essential reading for scholars, students and practitioners with an interest in exhibitions, curating, contemporary art and environmental sustainability.

While most music lovers are familiar with the famous scores of Tchaikovsky, Delibes, and Stravinsky, many other lesser-known composers also wrote for the ballet. Several of these composers wrote almost exclusively for the ballet--and all enriched the world of dance. Minor Ballet Composers presents biographical sketches of 66 underappreciated ballet composers of the 19th and 20th centuries from around the world, along with selected stories from the ballets they helped create. While the composers'contributions to ballet music are emphasized, all aspects of their lives and works are touched upon. Plot summaries and excerpts from reviews of many of the ballets are also provided. Other topics of interest you'll find covered in Minor Ballet Composers include: Les Six: Darius Milhaud, Louis Durey, Georges Auric, Arthur Honegger, Francis Poulenc, and Germaine Tailleferre--and their relationship with Erik Satie and Jean Cocteau how politics, revolutions, and wars have affected composers and their works who studied with whom; who collaborated with whom schools, movements, and musical renaissance the importance of opera to ballet music the relationship between film scores and ballet music which books, plays, stories, and folk tales certain ballets are based upon where many of these ballets premieredMinor Ballet Composers emphasizes the importance of second-tier composers and their influence on the rich tradition of music written for the dance (though in some cases the music was appropriated for the ballet from other original designs). The gathering of these composers in a single volume in appreciation of their ballet music, with a glossary of choreographers and an index of ballet titles, makes this book a useful volume for ballet aficionados, music librarians, musicians, and others interested in dance and dance music.

Secrets of Screen Acting Fourth Edition is a step-by-step guide to the elements of successful screen acting. When it was first published in 1993, Secrets of Screen Acting broke new ground in explaining how acting for the camera is different from acting on stage. Reaction time is altered, physical timing and placement are reconceived, and the proportions of the digital frame itself become the measure of all things, so the director must conceptualize each image in terms of this new rectangle and actors must 'fit' into the frame. Based on a revolutionary non-Method approach to acting, this book shows what actually works: how an actor, an announcer, or anyone working in front of the cameras can maximise the effectiveness of their performances on screen. This fourth edition is completely updated to cover new techniques, film references, and insights, including: Updated information on vocal work outside acting, such as audio books and voice overs; Guidance on the technique of "whisper acting"; New information about working with video games, Facebook, TikTok, Twitter, and other non-traditional forms of screen work; Updated guidance on self-taping auditions; Coverage of working with CGI and invisible acting partners in green screen; Information on typecasting and stereotyping; A quick History of Theatre and Film in 10 pictures; A new emphasis on illustrations depicting acting techniques; Information on and best practices for presenting oneself to the industry; Many new illustrations, all specifically drawn for this edition. This book is perfectly suited for Acting for the Screen university courses, actors training on their own, and actors involved in all forms of screen work, including Zoom, Skype, Vox Pops, and more.

* Describes the creative energy of two highly respected 20th century artists, Iannis Xenakis both as engineer and composer, and Roger Reynolds, Pulitzer prize winning musician in 1989 * Will appeal to the professional sector of musicians and architects, and students in both of these disciplines * Connects the creative path of architecture and music, i.e., Xenakis' treatment of "light" in an architectural context parallels his use of varying textural density in his music. * Analyzes chamber works Achorripsis, Thallein, and his string quartet, Tetras, which pertain to the interactive house design

In this second edition of Investing in Movies, industry veteran Joseph N. Cohen provides investors and producers with an analytical framework to assess the opportunities and pitfalls of film investments. The book traces macroeconomic trends and the globalization of the business, including the rise of streamers, as well as the impact these have on potential returns. It offers a broad range of guidelines on how to source interesting projects and advice on what kinds of projects to avoid, as well as numerous ways to maximize risk-adjusted returns. While focusing primarily on investments in independent films, Cohen also provides valuable insights into the studio and independent slate deals that have been marketed to the institutional investment community. As well, this new edition has been updated to fully optimize the current film industry climate including brand new chapters on the Chinese film market, new media/streaming services, and the effects of COVID-19 on the global film market. Written in a detailed and approachable manner, this book is essential for students and aspiring professionals looking to gain an insider perspective against the minefield of film investing.

Despite efforts of contemporary reformers to curb the availability of dime novels, series books, and paperbacks, Pioneers, Passionate Ladies, and Private Eyes reveals how many readers used them as means of resistance and how fictional characters became models for self-empowerment. These literary genres, whose value has long been underestimated, provide fascinating insight into the formation of American popular culture and identity. Through these mass-produced, widely read books, Deadwood Dick, Old Sleuth, and Jessie James became popular heroes that fed the public's imagination for the last western frontier, detective tales, and the myth of the outlaw. Women, particularly those who were poor and endured hard lives, used the literature as means of escape from the social, economic, and cultural suppression they experienced in the nineteenth century. In addition to the insight this book provides into texts such as "The Bride of the Tomb," the Nick Carter Series, and Edward Stratemeyer's rendition of the Lizzie Borden case, readers will find interesting information about: the roles of illustrations and covers in consumer culture Bowling Green's endeavor to digitize paperback and pulp magazine covers bibliographical problems in collecting and controlling series books the effects of mass market fiction on young girls Louisa May Alcott's pseudonym and authorship of three dime novels special collections competition among publishersA collection of work presented at a symposium held by the Library of Congress, Pioneers, Passionate Ladies, and Private Eyes makes an outstanding contribution to redefining the role of popular fiction in American life.

An in-depth account of making theatre that involves people with intellectual disabilities, based on 18 years of experience. Written for a growing market of theatre-makers, company leaders and performers making contemporary theatre with an inclusive attitude. Distinct from other books in this area by virtue of being an insider account from a highly experienced practitioner, drawing on the voices of his company as a whole.

Anarchic street performances in late-1950s Japan; inauguration of the first Happenings in Antwerp and charging of the "magic circle" in Amsterdam; Bauhaus Situationiste and anti-national art exchanges, networks and communes. As "Happener" and "Art Missionary," Yoshio Nakajima’s storied career traverses an astounding range of locations, scenes, movements, media, and performance modes in the global 1960s and 1970s in ways that challenge our notions of the possibilities of art. Nakajima repeatedly plays a role in jump-starting spaces of possibility, from Tokyo to Ubbeboda, from Spui Square and the Dutch Provos to Antwerp and Sweden. Despite this, Nakajima’s work has paradoxically been largely excluded from accounts where it might have justifiably featured. The present volume represents an international collaboration of researchers working to remedy this oversight. Nakajima’s work demands a reconceptualization of narratives of this art and politics and their specific interrelation to consider his exemplary nonconformity—and its exemplary exclusion. This history demonstrates the inadequacy of notions of specificity that would oppose an authentic local or national frame to an inauthentic transnational one. Conversely, Nakajima manifests a key dimension of the 1960s as a global event in the interrelation between eventfulness itself and the redrawing of categories of practice and understanding.