El autor nos cuenta de su gran atracci n por la ingenier a mec nica que representan las m quinas de escribir y calcular.

A los nueve a a os visita con su padre el taller del se or ngel Salas y siente un gran impacto al ver la variedad de herramientas necesarias en la reparaci n de las m quinas de escribir y calcular. Esta fuerte atracci n se convierte en su profesi n y con ella trabajar en Montevideo, Buenos Aires, Madrid, Paris y Nueva York.

Jos nos cuenta de la situaci n peronista en Buenos Aires en los a os 1948-1952. En Madrid, con el se or Barranco adem?'s de compartir sus conocimientos sobre la Olimpia SGE y Facit este le relata sus recuerdos vividos en al ciudad Universitaria durante la Guerra Civil en Espa a. En Paris, monsieur Hasold, quien bajo la primera impresi n de ser una persona fr a, se escond a una persona afable y c lida, quien llega a apreciar la camarader a que se establece en ellos entre las reparaciones de Facit y Hamann, monseiur Klasser le cuenta sus experiencias durante la ocupaci n Nazi. Compa ero de trabajo el austriaco Wondell, quien manualmente construye y regala un reloj a Alvar. Jos nos cuenta de sus an cdotas durante los varios viajes que disfrut durante los fines de semana y vacacione desde Paris a Espa a, Marruecos y el sur de Alemania. De regreso a Uruguay, Jos pasa por Nueva York a visitar su hija Cristina y ah establece contacto con la compa a Bruce Business Machines. Treinta a os de acumulada experiencia en una variedad de m quinas de escribir y calcular, pagan su fruto, Bruce Business Machines ofrece un contrato de trabajo, que Jos acepta. Regresa a Montevideo a organizar su retorno permanente a Nueva York, mientras su visa est en tr mite. En Montevideo, con su hija Cristina que tambi n regresa despu?'s de un a o en Nueva York, le esperan sus hijos Jos Luis y Alvar. Esta es una etapa crucial en su vida, pues es el momento de separarse de su ciudad natal, familia y amistades. En 1969 retorna a Nueva York y el departamento de trabajo, al no poder conseguir un mec nico con la experiencia de Jos le otorga la visa de residente. M?'s de setenta a os han pasado y una atracci n que se convierte en una profesi n y continua hasta hoy con un promedio de una o dos reparaciones por semana

Convicci n de entender y aceptar la vocaci n en cada uno, en este caso su admiraci n por la ingenier a mec nica que representan las m quinas de escribir y calcular.

Dedicaci n a aprender a cada paso que la oportunidad se presente, en las diferentes ciudades en que vivi .

Esp ritu positivo para aceptar los altos y bajos que siguen el uno al otro, diferentes idiomas y modalidades de vida.

Esta combinaci n es esencial en el car cter de la persona para salir adelante y realizar la utop a de sus sue os.

The Stillness of Space and Line is a collection of images inspired by early Chinese painting. Discover the quiet stillness within each image. The lines arise from the empty space and remain part of the connection to the presence of the moment. The space is the yin and the line is the yang energy. Use the Stillness of Space and Line as a visual Meditation Guide. There are no distractions to the flow of energy. The images are timeless and alive with presence.

Ella is a young fairy. For most of her existence, she's had little to worry about. She was just a normal, beautiful fairy-like all of her friends-until one day, blue streaks showed up in her wings. Suddenly, she was shunned by friends and fellow fairies.The elders know of a legend that speaks of a blue-winged fairy. In the well-known prophecy, there is significance to this added color, but Ella always thought the prophecy was mere legend, not truth. She could not have been more wrong, as she comes to realize the prophecy is about her. With this news, Ella must leave her village and go on a quest to seek the meaning behind her newly discovered gift.Ella's only companion is Brogan, a warrior wolf, sent to keep her safe as she searches the wide world for her destiny. There are those who would hurt Ella and Brogan, yet there are also those who await their arrival with joy. The legend of the blue wings is finally coming true. Ella must accept her destiny and learn to be a Blue Wing Princess. Will she live to fulfill the prophecy, or will she fall into fearful darkness, just like all the other blue-winged fairies that came before?

PICTURE FRAMING- MODERN METHODS OF MAKING AND FINISHING PICTURE FRAMES by EDWARD LANDON. Contents include: I ABOUT PICTURE FRAMES i II TOOLS AND EQUIPMENT 9 III MOULDINGS 28 IV MTTER CUTTING 34 V JOINING THE FRAME 42 VI INSERTS OR LININGS 51 VII FINISHES 57 VIII DECORATIONS 88 IX REPAIRING DAMAGES 93 X MATS AND MAT-CUTTING 97 XI MOUNTING PICTURES 105 XII PASSE-PARTOUT 116 XIII GLASS-CUTTING 118 XIV ASSEMBLING 121 XV EXPERIMENTAL FRAMES ORIGINAL DESIGNS . . . 134 XVI SOURCES OF SUPPLIES . 141 XVII INDEX 144. CHAPTER ONE. ABOUT PICTURE FRAMES. THE PICTURE FRAME, as it exists today, is derived from the doorway or entrance to temples, palaces and cathedrals. From a functional viewpoint, it might have been more practical to place doors at the sides of these buildings, but the impor tance of the door framing an impressive picture of the interior was never overlooked. The need to enhance a picture or bas-relief with a frame is evidenced from the earliest times. The first decorations were necessarily crude a raised line some times being the only ornament The earliest examples of frame-like decorations or borders bear a great resemblance to door frames. They were composed of two columns surmounted by a con necting entablature and this form persisted into the i5th century. Even the decorations painted by the artists around the edges of pictures before the intro duction of movable frames were similar in form. As a matter of fact, frames without pictures eventu ally came into existence because the desire to embel lish with mouldings was so strong. Rooms in palaces were arbitrarily panelled with mouldings and their vestigial remains are to be seen today in the senselessly panelled walls ofapartments in modern cities. Movable picture frames for easel paintings gained quickly in popularity once they were introduced. About Picture Frames sides the elaborate and intricate wood-carving, ebony, ivory, tortoise shell and mother of pearl were used for inlaid decoration. Gold, silver and every other metal have also been used for frames. With the perfection of the technique of making large sheets of glass which were in turn used to cover and protect pictures, frame-making received a big im petus in the lyth century. In the i8th century, when cheaper mirrors were introduced, frames were in greater demand than ever. This century also saw an invention that was to revolutionize the art of frame decoration that of the development of moulded composition ornaments. The use of this easily handled material, which did away with the need for laborious and expensive hand-carv ing, drove artisans to other fields. Since then, there has been no large group of wood-carvers devoted solely to frame decoration. It is interesting to note that during the Renaissance period, when movable frames were first introduced, book decoration reached its highest form. Undoubted ly, the early carvers and framers, besides using archi tectural designs, took many of their ideas from early illuminated manuscripts. The frames of the Louis periods certainly got their inspiration from typograph ical decorative motifs. Before then, architects and sculptors designed much of the scroll-work, but later goldsmiths were employed for decoration. Over-elabo ration became the order of the day until all forms were lost beneath the gingerbread. With the French revolution, people turned away from all evidences of bourgeois wealthand returned About Picture Frames to a refreshing simplicity. Until 1850 all mouldings were cut from rough boards by hand, but with the invention of laborsaving machinery, frames could be put on the market for what the raw material had cost previously. This country was fortunately spared from the use of moulded ornaments until the advent of the Victorian era...

In this open access book, seventeen scholars discuss how contemporary Scandinavian art and media have become important arenas to articulate and stage various forms of vulnerability in the Scandinavian welfare states. How do discourses of privilege and vulnerability coexist and interact in Scandinavia? How do the Scandinavian countries respond to vulnerability given increased migration? How is vulnerability distributed in terms of margin and centre, normality and deviance? And how can vulnerability be used to move audiences towards each other and accomplish change? We address these questions in an interdisciplinary study that brings examples from celebrated and provocative fiction and documentary films, TV-series, reality TV, art installations, design, literature, graphic art, radio podcasts and campaigns on social media.

PROLOGUE: Michael Izzo was born on 6/3/1987 in San Diego, CA. to be put up for adoption; but, was quickly moved back to LI, New York for reasons unknown... Michael's Grandparents were of German, Jewish decent, and his mother was the 1st generation American. Erna Avramavich was born and lived in Germany from April 8, 1928 to the mid 1950's. Erna Avram, a child of 12 moved solely to America, fleeing Germany, and escaped the damage caused by Adolph Hitler; as it's been told. Hitler's primary mission, was to kill all Jews & oppressors; because he was consumed by the Devil's mission to prevent the 2nd birth of Jesus Christ. Although, his motives are widely debated. However, God knew of this treachery and decided it would be best to disguise Jesus' new ancestors as German-Jews. Allowing Michael to be born one day in a free country, ridden of persecution to uncover his truth of being Jesus Christ. Similar to Jesus Christ, Michael Izzo also became quickly known at the age of 12; when he was published in the local town's newspaper: As a well known, local aggressive roller skater. In addition, no formal records are kept of Michael's teenage or young adult life; other than schooling and some medical records. However, Michael Izzo being who he is in nature, quickly started questioning & rebelling against society. As a result, he would fall into the hands of the law and even worse; the Devil & his mighty temptations. However, being as blessed and powerful as he is through trials, error, and sheer faith; Michael kept strong and asked God to forgive him in every testament of his faith. As of today, there are no official records of Michael's past dealings with criminal behavior or acts of Demonic pleasures. However, Michael finds the need for speaking only the truth through his music: as a form of forgiveness, for such trials of faith for Gods Will. He quoted to me - "I believe that there are no records of these days; meaning after turning 12, from than and now; because God didn't want the world to remember me for the bad times, only for the good ones. It is only on Earth that we SIN; but in Heaven we are Sinless." In Jesus' first existence, his mission was to bridge the gap between Heaven & Earth, and to be crucified in the process. Michael's mission is to finish what was started, by defeating Satan's evil eternally. In this autobiography, we shall embark upon the lost chapters of the life and times of Jesus Christ from age 13-26; with insights of Michael's proposed plans for himself, after his current age of 26. Such plans, can only be revealed with time and through the permission of God. However, Michael shall reveal his current mission to us; which is to salvage the remaining souls of humanity, during the end of days. Whilst destroying the Devil or known as the anti-Christ; creating, an eternal kingdom of peace in both Heaven and on the new Earth, AKA New Jerusalem. Aside from his lost journals; we shall see his prophecy revealed, through Michael's music of scriptures. This novel, shall uncover many secrets & truths of what is to come for the world; during the end of times, in order for a new world to begin. These truths, shall describe the outcome for all things; including, righteous followers of Jesus Christ, followers of the Devil, as well as everyone else thereof... In the bible, under (Luke 21:7-25) it states the following: (21:16) - "And ye shall be betrayed both by parents, & brethren & kinsfolk, & friends; and some of you shall they cause to be put to death." (21:17) - "And ye shall be hated of all men for my name's sake." (21:18) - "But there shall not an hair of your head perish." (21:20) - "And when ye shall see Jerusalem compassed with armies, then know that the desolation thereof is nigh." (21:21) - "Then let them which are in Judea flee to the mountains; and let them which are in the midst of it depart out; and let not them that are in the countries enter thereinto."

This updated edition of a best-selling classic shows you how to structure your visuals as carefully as a writer structures a story or composers structure their music. The Visual Story teaches you how to design and control the structure of your production using the basic visual components of space, line, shape, tone, color, movement, and rhythm. You can use these components to effectively convey moods and emotions, create a visual style, and utilize the important relationship between the visual and the story structures.

Using over 700 color illustrations, author Bruce Block explains how understanding the connection between story and visual structures will guide you in the selection of camera angles, lenses, actor staging, composition, set design and locations, lighting, storyboard planning, camera coverage, and editing.

The Visual Story is an ideal blend of theory and practice. The concepts and examples in this new edition will benefit students learning cinematic production, as well as professional writers, directors, cinematographers, art directors, animators, game designers, and anyone working in visual media who wants a better understanding of visual structure.

Table of Contents

CONTENTS

ACKNOWLEDGEMENTS

INTRODUCTION

CHAPTER ONE

THE BASIC VISUAL COMPONENTS

CHAPTER TWO

CONTRAST & AFFINITY

CHAPTER THREE

SPACE Part One

SPACE Part Two

CHAPTER FOUR

LINE & SHAPE

CHAPTER FIVE

TONE

CHAPTER SIX

COLOR

CHAPTER SEVEN

MOVEMENT

CHAPTER EIGHT

RHYTHM

CHAPTER NINE

STORY & VISUAL STRUCTURES

CHAPTER TEN

PRACTICE, NOT THEORY

APPENDIX

BIBLIOGRAPHY

PICTURE CREDITS

INDEX/

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

This book is based on real life experiences and fictional imaginative visions of the author. These poems reflect the mind of a young adult growing up in many different aspects of life. There are poems of pain, love, sorrow, ambition, race and many other factors that makeup the author's thinking process. "As a writer, one's thoughts an beliefs change overtime, tomorrow the way I see things will change but that's how evolution occurs. Some poems are a documentation of those changes, and as my mindset enhances, so does its thoughts upon which it sits over time."

Combining the International Who's Who in Classical Music 2023 and the International Who's Who in Popular Music 2023, this two-volume set provides a complete view of the whole of the music world. Within the International Who's Who in Classical Music, each biographical entry comprises personal information, principal career details, repertoire, recordings and compositions, and full contact details where available. Appendices provide contact details for national orchestras, opera companies, music festivals, music organizations and major competitions and awards. The International Who's Who in Popular Music boasts detailed entries, including full biographical information, such as principal career details, recordings and compositions, honours and contact information.

Kenneth Fly went from town living to the life of a farm boy during the 1940s, 1950s, and early 1960s. It was a life of hard work without luxury. Instead of watching television and playing video games, he grew up working in the fields of North Carolina, handling firearms, operating machinery, and participating in other activities and tasks that are foreign to the youngsters, youth, and even men of today. In this series of personal narratives and anecdotes, Fly recalls those days with detail and humor. Life wasn't always easy, but his mother did whatever was necessary to make a good home and loving environment for her family. His dad was a hardworking master carpenter whose behavior showed anyone watching that life is about morals, hard work, and self-respect. The Fly family is special because they so rarely complained and always managed to stay happy. For them, life wasn't fancy, but relying on common sense and each other made it sweet.