This book is based on real life experiences and fictional imaginative visions of the author. These poems reflect the mind of a young adult growing up in many different aspects of life. There are poems of pain, love, sorrow, ambition, race and many other factors that makeup the author's thinking process. "As a writer, one's thoughts an beliefs change overtime, tomorrow the way I see things will change but that's how evolution occurs. Some poems are a documentation of those changes, and as my mindset enhances, so does its thoughts upon which it sits over time."

Kenneth Fly went from town living to the life of a farm boy during the 1940s, 1950s, and early 1960s. It was a life of hard work without luxury. Instead of watching television and playing video games, he grew up working in the fields of North Carolina, handling firearms, operating machinery, and participating in other activities and tasks that are foreign to the youngsters, youth, and even men of today. In this series of personal narratives and anecdotes, Fly recalls those days with detail and humor. Life wasn't always easy, but his mother did whatever was necessary to make a good home and loving environment for her family. His dad was a hardworking master carpenter whose behavior showed anyone watching that life is about morals, hard work, and self-respect. The Fly family is special because they so rarely complained and always managed to stay happy. For them, life wasn't fancy, but relying on common sense and each other made it sweet.

Kelly Ives explores the worlds sexual representation in art and pornography, from a feminist viewpoint.

The book includes chapters on the depiction of sexuality in art, from contemporary art and pornography back through the Renaissance to prehistory; on the problematic relations between showing sexuality and censorship; the history of porn; and women's art and how women artists have depicted sexual acts and identities.

Fully illustrated, with images from the history of representing sexuality from prehistory to the present day.

Includes notes and bibliography.

KELLY IVES has written widely on feminism, philosophy and art. Her previous books include Cixous, Irigaray, Kristeva: The Jouissance of French Feminism, Julia Kristeva and Helene Cixous.

EXTRACT FROM THE INTRODUCTION

Firstly, there are as many definitions of art and pornography as there are people. Everyone has their own opinions, their own interests and realms to defend. There are the liberals who say that nothing should be censored, including pornography. Pornography is seen as part of artistic expression, and if people want to express themselves, they should, and if they want pornography, they should have it. This is the view of liberals such as Peter Webb, who campaigns for freedom of expression, and an art that should 'celebrate' eroticism. This is a familiar viewpoint, which we have heard made many times. In the (male) liberal view, sex is OK, so sexual art must be OK, so that much of pornography must be OK. The 'experts' on sex, the so-called 'sexologists' (Eduard Fuchs, Richard von Krafft-Ebbing, Sigmund Freud, Wilhelm Reich) argue that sex is a normal part of life, so it is natural that it should abound in art. Fuchs wrote; ' a]rt has treated erotic themes at almost all periods... it] lies at the root of all human life.'

Everyone seems to have their cut-off points, however, their 'standards' of 'taste' and 'decency'. It's a very subjective business, the debates between art and pornography, and between pornography and censorship. As Wendy Moore writes: ' c]ensorship like freedom is an entirely subjective term'. What you like defines yourself. As Pierre Bourdieu put it: ' t]aste classifies, and it classifies the classifier.'

Taste, choice, categorization and classification, then, defines the viewer, the reader, the consumer. Censorship, you might say, defines the culture. And 'sensitive' novelists are wary of writing 'sex scenes', because they know that what they write defines themselves. Yet sex is crucial to art, many artists say. As Gertrude Stein wrote: ' l]iterature - creative literature - unconnected with sex is inconceivable.'

Exploring everything from company incorporation and marketing, to legal, finance and festivals, Starting a Theatre Company is the complete guide to running a low-to-no budget or student theatre company. Written by an experienced theatre practitioner and featuring on-the-ground advice, this book covers all aspects of starting a theatre company with limited resources, including how to become a company, finding talent, defining a style, roles and responsibilities, building an audience, marketing, the logistics of a production, legalities, funding, and productions at festivals and beyond. The book also includes a chapter on being a sustainable company, and how to create a mindset that will lead to positive artistic creation. Each chapter contains a list of further resources, key terms and helpful tasks designed to support the reader through all of the steps necessary to thrive as a new organisation. An eResource page contains links to a wide range of industry created templates, guidance and interviews, making it even easier for you to get up and running as simply as possible. Starting a Theatre Company targets Theatre and Performance students interested in building their own theatre companies. This book will also be invaluable to independent producers and theatre makers.

Edgar Degas the Realist Artist with his contemporaries including, Monet, Renoir, Gauguin, Cesanne, Cassatt, Morrisot, Pissaro and others rebelled from the harsh criticism of the Salon Judges. These artists started their own breakthrough in art called the "Impressionist School." Mary Cassatt and American Painter living in Paris befriends Edgar Degas and leads us through this story of a revolution in art involving challenge, rejection, dedication and ultimately world fame.

This book examines the treatment of Dante Gabriel Rossetti and his work in twentieth and twenty-first century fiction, drama, music, and film, specifically since 1950. The author uses these genres to examine how text, music, performance, and visual images work as a system of representation. In this book, the author strives to clarify the many Dante Gabriel Rossettis, using thirteen of the thirty easily identifiable roles in this system of representation which the author has identified herself-roles by which Rossetti is described and portrayed. The identified portrayals of Rossetti fall easily into five groupings: first, the Italian-English man who is a brother and a loyal friend; second, the poet who is a painter and co-founder of an art movement which afforded him the chance to be a mentor; third, the lover, seducer, husband, oppressor; fourth, the murderer; and fifth, the tortured artist and addict who was mentally ill. These are the portrayals are used throughout this work. Several have chronological boundaries and are discrete representations while others reoccur across the time period covered. Using these categories, the author examines seven works of prose fiction, a feature-length film, two television series, a stage play, and the songs and lyrics of a contemporary band.

Art is a concept that has been used by researchers for centuries to explain and realize numerous theories. The legendary artist Leonardo da Vinci, for example, was a profound artist and a genius inventor and researcher. The co-existence of science and art, therefore, is necessary for global appeal and society's paradigms, literacy, and scientific movements. Contemporary Art Impacts on Scientific, Social, and Cultural Paradigms: Emerging Research and Opportunities provides emerging research exploring the theoretical and practical aspects of present post-aesthetic art and its applications within economics, politics, social media, and everyday life. Featuring coverage on a broad range of topics such as media studies, contemporary storytelling, and literacy nationalism, this book is ideally designed for researchers, media studies experts, media professionals, academicians, and students.

This is a revised, expanded, and updated edition of the highly successful Visual Culture. Like its predecessor, this new version is about visual literacy, exploring how meaning is both made and transmitted in an increasingly visual world. It is designed to introduce students and other interested readers to the analysis of all kinds of visual text, whether drawings, paintings, photographs, films, advertisements, television or new media forms. The book is illustrated with examples that range from medieval painting to contemporary advertising images, and is written in a lively and engaging style. The first part of the book takes the reader through differing theoretical approaches to visual analysis, and includes chapters on iconology, form, art history, ideology, semiotics and hermeneutics. The second part shifts from a theoretical to a medium-based approach and comprises chapters on fine art, photography, film, television and new media. These chapters are connected by an underlying theme about the complex relationship between visual culture and reality. New for the second edition are ten more theoretically advanced Key Debate sections, which conclude each chapter by provoking readers to set off and think for themselves. Prominent among the new provocateurs are Kant, Baudrillard, Althusser, Deleuze, Benjamin, and Foucault. New examples and illustrations have also been added, together with updated suggestions for further reading. The book draws together seemingly diverse approaches, while ultimately arguing for a polysemic approach to visual analysis. Building on the success of the first edition, this new edition continues to provide an ideal introduction for students taking courses in visual culture and communications in a wide range of disciplines, including media and cultural studies, sociology, art and design.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This book is about the enjoyment and preservation of riddles. There are many more than i have presented here, but these are a few of my favorites which i feel are worth preserving.

This book examines how the nation - and its (fundamental) law - are 'sensed' by way of various aesthetic forms from the age of revolution up until our age of contested democratic legitimacy. Contemporary democratic legitimacy is tied, among other things, to consent, to representation, to the identity of ruler and ruled, and, of course, to legality and the legal forms through which democracy is structured. This book expands the ways in which we can understand and appreciate democratic legitimacy. If (democratic) communities are "imagined" this book suggests that their "rightfulness" must be "sensed" - analogously to the need for justice not only to be done, but to be seen to be done. This book brings together legal, historical and philosophical perspectives on the representation and iconography of the nation in the European, North American and Australian contexts from contributors in law, political science, history, art history and philosophy.