‘n Boeiende historiese fiksie met hart. Dit dek ‘n fassinerende tyd in ons land se geskiedenis: die eeuwending van 1900. Die Tweede Vryheidsoorlog woed en in Parys is die sentimente oorheersend pro-Boer en anti-Brit.

Paul Roux is ‘n jong Afrikaanse argitek wat help ontwerp en oprig aan die ZAR se pawiljoen by die Paryse wêreldskou. Die leser beleef saam met hom die oorweldigende kleure, geure en teksture van die stad van liefde. Hy raak verstrik in absint en in die nagklubs van guitige Parys raak hy die spoor byster, maar hy het ‘n geliefde tuis, ‘n Joodse meisie.

Dis tegelyk liefdesverhaal en historiese roman, met volronde karakters en ‘n trefseker gevoel vir lokaliteit.

Dit is die jaar 1901. Die son het gesak oor 'n verskroeide landskap, en die landskap verwelkom die duister. Die doringdraad en tentrye van die konsentrasiekamp is nog net 'n swart vlek op die vlakte. En aan die rand hiervan gloei 'n tent soos 'n lantern. Diegene wat vanuit die duister na hierdie tent sou staar, sou teen die helder tentdoek die silhoeet sien van 'n man wat oor die klawerbord van 'n klavier buig. Die een wat vanuit die nag sou kyk, sou ook op die kampbed die regop gestalte van 'n sittende vrou kon uitmaak. Diegene wat vanuit die kamp sou luister, hulle wat nie reeds volledig deur die stryd tussen lewe en dood ingeneem is nie, sou dalk agter die onbeholpe klavierspel van die man die vergeefse smagting hoor, agter die wankelende note die stilte wat groter is as enige geluid. Jare later buig majoor Philip Brooks in 'n biblioteek oor 'n vergelende foto. En hy probeer vasstel wat dit is wat hy op daardie foto sien. Hy probeer onthou wat gebeur het. Dit was hy in daardie tent. Die vrou op die bed was die mooiste vrou wat hy nog gesien het. Die klavier het gekom uit haar huis, een van die plaashuise wat sy soldate afgebrand het. Nou probeer hy kyk met die oog van Joey Drew, die skeeloog sukkelaar van Somerset, Engeland, wat die foto’s geneem het. Hy kyk na ’n foto van ’n vrou met ’n baba in haar arms. Hy weet wat die pa van die kind nie geweet het toe hý die foto gesien het nie, dat die kind dood was. Dat hy een van die duisende slagoffers van die konsentrasiekampe was. Hy kyk na ’n familiefoto van die Van Wyks, en nog een keer, voordat die vergetelheid so koud soos die graf self oor alle geheue sak, probeer hy deur Joey se foto’s die verhaal van die Van Wyks agterhaal.

Coenraad de Buys was the most dangerous man around in the Cape of the late 1700s.

At eight he crossed his first frontier and left his mother’s house behind. Left his home (the first of many); left the Cape; left civilisation.

From the Langkloof Buys roves – a giant, a legend, polygamist and swindler; the bane of government, father to chieftains and a Buysvolk of his own. Everywhere his wild oats are sown; everywhere renegades and criminals join his band of outcasts. He interprets between Xhosa and English but speaks only his own words.

And everywhere on his travels, always there is the pack of dogs and the earless red leader that put Buys on his restless path. In Buys’ tracks, in his head, around his camp fires the slavering jaws snap.

He was born in the Langkloof. He died on the banks of the Limpopo. But Buys is not dead.

Red Dog is a novel about frontiers and borders. The Afrikaans original Buys was hugely acclaimed in 2014. Now it has been masterfully translated by Michiel Heyns.

Hoe gebeur dit dat ’n hele gevestigde gemeenskap sy tentpenne uitruk en die wildernis intrek?

In Geknelde land gee FA Venter ’n diep-menslike antwoord op dié en ook op baie ander vrae oor die Groot Trek. Dit is die verhaal van die Dreyer-gesin van Grensplaas en vertel van die ontberings en terugslae wat dié boeregesin moes verduur voor hulle uiteindelik ook besluit om te trek.

Gedurende die Eerste Wêreldoorlog staan Susan Nell voor die deur van een van die private sale van ’n Britse militêre hospitaal. Op die deur is ’n enkele naam aangebring. Sy ken daardie naam. Sestien jaar tevore was sy gedurende die Anglo-Boereoorlog in die Winburgse konsentrasiekamp, en dit is waar sy daardie naam leer ken het. Sy lig haar hand om daardie deur oop te maak. Haar hand bewe onbeheerbaar. Maar sy is ’n psigiatriese verpleegster en dit is wat sy moet doen, getraumatiseerde soldate terugbring na die lig. As daardie soldaat egter die een is wat sestien jaar te vore met sy heupe alle lig uit jou gestamp het, is dit nie so voor die hand liggend nie. Susan Nell huiwer voordat sy die deur oopmaak, sy wik en weeg desperaat – sy wankel op die drumpel tussen lewe en dood.

Kamphoer is die ware verhaal van ’n vrou wat gedurende die Anglo-Boereoorlog wreedaardig verkrag en vir die aasvoëls weggegooi is. Met die hulp van ’n reeks weldoeners ontsnap sy aan die kloue van die dood en wy uiteindelik haar lewe aan die genesing van presies die soort trauma waaraan sy onderworpe was. En in die proses kom sy weer haar verkragters teë . . .

In Kamphoer word die weerbarstigheid van die menslike gees opgeweeg teen die ewe blywende invloed van trauma. Dit is ’n sielkundige riller wat jou tot op die laaste bladsy in sy yskoue greep sal hou.

A story of a woman’s coming of age in war-torn Paris. Her challenges, adventures and passions.

Odette is a young, highly intelligent, headstrong Parisian woman, from a bourgeois military background. She finds herself flirting around the edges of a bohemian lifestyle during the heady days of resistance fighters and WWII. Her story takes us through her work in Paris at the French Ministry of Defence, their relocation to make way for German occupation, her meeting of an enigmatic man, her journey into a world of resistance fighters and espionage during which time she discovers the pleasures of womanhood and love.

Jean is Mauritian-born of a German father and an Irish/French mother. He is an enigma. Nobody really knows who he works for. Is he a spy or not, if so, for friend or foe? He is charismatic, a born leader and undertakes daring missions as lead of a Parisian resistance cadre. He is captured and interred at Gurs internment camp. His story takes us from Mauritius to the heart of Parisian artistes and intellectual bohemians, and to the underground resistance movement, where as a leader, he sets up escape routes for the Jews of Paris.

This is their story.

In 1909, four women board a ship in Madras to cross the Kala Pani, the ‘black water’, to Natal. Lutchmee, a young widow, has escaped her vengeful mother-in-law and self-immolation on her husband’s funeral pyre. Vottie, from the Brahmin caste, is an educated girl whose abusive husband tries to hold on to his caste at all costs. Chinmah, heavily pregnant when she boards the ship, is married to an older man as part of an unpaid debt. Dazzling but shy Jyothi is single. On board the ship, the women will form friendships and alliances. They will help each other through trial and trauma, even after they arrive and are separated.

Like many Indians desperate to escape unbearable conditions in their home country, these women are only too eager to believe what they’ve been told: that a better life awaits them in South Africa, where caste doesn’t matter, food is plentiful, and liberty will be theirs after just five years. But the reality of life on the plantations reveals the truth about the crossing: that it is usually a one-way journey, rife with misery, and that the hardship doesn’t end after the ship has dropped anchor in Durban harbour.

The epic stories of these immigrants – the brave, the bold, the kind; the weak, the cruel, the cowardly – are woven into the fabric of South Africa’s Indian population today. Shevlyn Mottai has drawn on her ancestors’ history to highlight the bonds formed between women during adversity, and to celebrate their journeys of tragedy and triumph.

South Africa, 1820.

When Ann Waite discovers a battered longboat washed ashore in Algoa Bay, she is stunned to find two survivors: a badly scarred sailor and a little boy. As the man walks away into the morning mist alone, refusing to take the child - Harry - with him, Ann is left with no choice but to raise the boy as her own.

After two years of disaster and hardship in the African interior, desperation drives Ann and Harry back into the path of the mysterious shipwrecked man. Ralph Courtney has recently escaped from Robben Island and is determined to seek his fortune in Nativity Bay, the hidden harbour that his father told him about when he was a boy.

But it isn't long before Ralph, Ann and their fellow settlers learn that Nativity Bay now lies on the borders of a mighty kingdom, where the warrior king Shaka rules. With no means of making their way back to Algoa Bay, Ralph is forced into a bargain with the Zulu king which will lead him to confront the past that he has been running from for his entire life.

Growing up in Bakerton, Springs in the 1950s and '60s, Smita (Smeets) Maharaj is puzzled by a great deal of adult behaviour. Why must her tall, handsome father be so obsequious to the police? Why must brown people sit in separate train carriages from white people? Why can't her mother see how much more important it is for her to get a good education than to learn to make the perfect roti?

Caught between the beloved traditions of India and life in a quickly modernising South Africa, between family roots in Natal and a prosperous present in the Transvaal; between the madness of apartheid and the pull of her own desires, Smita struggles to find her feet in a world beset by contradictions.

As the Maharaj family expands and grows, and her mother's twin obsessions with producing a son and finding suitable boys for her daughters to marry dominate the family's discourse, Smita wrestles with satisfying her parents' wishes and following her own path as she navigates her way through school and life - and comes to terms with a long-held, painful family secret.

Novel set in the Cape before the arrival of the colonists.

Kanu, a young man from the Ofuru tribe, leaves his newly pregnant wife Afua, his hut and his tribe and goes into the mountains in search of his identity and to listen for the name of his son.

For Kanu, the quest for his child's name can only begin through the ritual of first understanding who he is. As he journeys in a search for his own identity and his child's future, he must reexamine his place in the world and the implications for those around him.

Set in precolonial Africa, Kanu must navigate the questions of meaning and identity for the individual, the relationships between individuals, the conflicting interests between groups, and the tensions between individuals and the group. He does so by using his understanding of the history and culture of his people built on the foundations of duty and compassion.

In 1996’s Cape Town, at the Truth and Reconciliation Commission Hearings, an Afrikaner doctor seeks forgiveness from a Xhosa family, uncovering a dark truth.

Truth & Conciliation is set in Cape Town in 1996 during the South African Truth and Reconciliation Commission hearings, where a Xhosa police detective, Thembisa Dlamini, and an Afrikaner doctor, Pieter Marais, begin a tenuous relationship.

Both have suffered the loss of loved ones and been scarred by South African violence. Will the truth about a deadly crime committed during the apartheid era bring them together or split them apart?

Brutal yet tender, Truth & Conciliation is a searing account of the impact that racism had on South African life, and poses the question whether telling the truth will set you free.

February 1942. With the Nazis triumphant in Europe, North Africa and much of the USSR, control of the shipping lanes off the southernmost tip of Africa is an Allied imperative. At the urging of Prime Minister Jan Smuts, South Africa’s parliament has narrowly voted to join the British war effort, but the country remains bitterly divided.

Feisty university student Anna van der Vliet returns to her family farm near Cape Agulhas during the holidays. Noticing strange comings and goings in the area, she begins to suspect that her father, a prominent Member of Parliament, may be involved in a clandestine operation to aid the enemy. As a patriot, Anna feels compelled to inform the authorities, but what if this means betraying her family and lover?

Drawing on extensive historical research, Subversion is a unique tapestry of suspense, wartime intrigue and romance.

(Previously published as Featherstream by Ian Sutherland)

Ben se ma sterf toe sy hom as jong seun seun uit 'n vuur red. Dit leit tot verdere spanning in sy reeds moeilike verhouding met sy pa. Ben se broer, die windmakerige Andries, word sy pa se gunsteling. Andries pleeg later op 'n bisarre wyse selfmoord tydens 'n veldslag in die Anglo-Boereoorog. In 'n poging om sy broer te red word Ben gewond, en deur die Britte gevange geneem.

Ben ontmoet die pragtige verpleegsuster, Kate, in die hospitaal op Deelfontein. Hy raak verlief op haar, maar Kate het egter 'n donker geheim: morfienverslawing. Na vele probleme en omswerwinge, vind Ben onder valse voorwendsels verblyf in Montagu waar hy vir Kate wag. Hier ontmoet hy vir Helen, wie se man 'n Kaapse rebel was en wat ook na St. Helena verban was. Hy begin 'n vriendskap met Helen en gou is daar verwikkelinge.

Intussen probeer Ben en sy pa elk op sy eie manier ook om hul verhouding te red en leer baie lewenslesse in die proses. Hierdie verhaal spreek tema's van swaarkry en verlies aan, maar ook van hoop en die krag van liefde.

Two sets of cousins, Boer and Brit, find their destinies inexorably intertwined in the politics and mayhem that led up to and encompassed the Anglo Boer War of 1899-1902. From Transvaal to Victorian England, the cousins form strong bonds, which are tested on the battlefields of South Africa.

Martin de Winter, nurtured to lead his country of birth, Transvaal, into the twentieth century, instead finds himself excelling as a gifted young general, fighting a desperate war to keep his nation from ruins, all the while being haunted by his love for a British woman. James Henderson, cavalry officer, is forced by his father, a military aristocrat, to marry or face expulsion from his regiment. Bound for India, the regiment is diverted to South Africa to fight the Boers. James rides to glory and honor but is at the mercy of his loyalty to his country and his compassion for his Boer family.

In the drawing rooms of Cape Town and Pretoria, Stefanie de Winter, celebrated pianist, is viewed from both sides with suspicion. Fiercely loyal to her brother Martin but in love with a British officer, she embarks on a dangerous path to keep them both. Dr. Charles Henderson tends to the slaughter on the battlefields. He is devastated by the willful destruction of his adopted country, Transvaal, and anguished by the part his brother, James, plays in this. Karel and Rudolf de Winter, twin brothers devoted to each other and their horses to the exclusion of all else, fight a battle against the bullet that might separate them forever.

Through anger, injustice, and betrayal, the family discovers that there is a force stronger than war. They only have to call on it to find that love transcends all.

Die donker het 'n manier om jou in te haal.

Op die plaas Die Laagte in die hartjie van die Boland, waar vyf geslagte Jouberts 'n bestaan gemaak het, word Tina in 'n huis vol donkerte groot: Daar is haar bullebakpa, Servaas, haar sagte, maar swakkelingma, Annie, en haar outboet, Sarel, die “sondekind”.

Wanneer haar pa sy woede op hulle uithaal, paai haar ma: “Vergewe hom maar. Sy kindertyd was donker.” In 'n poging om van haar eie donker kindertyd te vlug, word Tina uiteindelik 'n verpleegster. In stede van haat, sal sy heling bring.

Sy kom egter gou agter dis nie so maklik om van jou verlede te ontsnap nie, en die donker het 'n manier om jou in te haal.

Original and forceful, At Fire Hour delivers Bheki Makhathini, a South African character study for the ages.

Suspected of betraying the ANC, the young poet leaves home for exile in 1976, and until his return home after the unbannings in 1990, Bheki writes the story of a revolution – an unfinished one.

Gilder allows Bheki the freedom to deal with the big ideas of art and love, freedom and struggle in a shrewd and vivid way, the result being an unforgettable and deeply moving tale.

South Africa – 1976 to 1994. A time of turbulence as the struggle against apartheid reaches its zenith, pushing South Africa to the brink.

But for a one small boy in the leafy northern suburbs of Johannesburg ... his beloved housekeeper is serving fish fingers for lunch. This is the tale of Hamish Charles Sutherland Fraser – chorister, horse rider, schoolboy actor and, in his dreams, 1st XV rugby star and young ladies’ delight. A boy who loves climbing trees in the spring and a girl named Reggie.

An odd child growing up in a conflicted, scary, beautiful society. A young South African who hasn’t learnt the rules.

Lija is ’n meisie van Joods-Romeinse afkoms en die aangenome dogter van Pontius Pilatus. Sy bevind haar in ’n gereëlde verlowing met Silva, ’n Romeinse tribuun. Eers dink sy hy is nes al die ander Romeinse mans, harteloos en ongenaakbaar.

Tot haar verbasing begin liefde egter in beide van hulle harte vir mekaar ontwaak ...

Silva en Lija het uiteenlopende gevoelens oor die man wat die Jode soveel hoop gee en die Romeine omkrap. Lija glo die man wat hulle die messias noem bring genesing en ’n nuwe begin. Sy skaar haar by die Selote om wapens uit ’n Romeinse arsenaal te steel om die skaal van gesag te laat kantel. Sy doen dit met die wete dat dit Silva se lewe ook in gevaar kan stel, maar haar oortuigings vuur haar aan. En Silva doen die onvergeetlike ... hy is deel van die groep soldate wat die Jode en Lilja se hoop – die messias – kruisig.

Albei is diep seergemaak en ontnugter deur die ander se optrede en die vertroue tussen hulle lê aan skerwe. Is hulle liefde vir mekaar vir altyd verlore? Of sal Lija en Silva vanuit die as kan opstaan en vir hul liefde veg ...

Koos Sas, Khoi plaaswerker op Touwsrivier smag na die vryheid wat sy voorouers gehad het.

Terwyl hy dros van sy werk op die plaas, kom hy tot die besef dat Suiderlike Afrika nou opgedeel is in plase wat aan individuele eienaars behoort.

Britse imperialisme en die mag van die gereg bring hom in botsing met die samelewing. Kort voor lank word hy berug in die kolonie. Sy situasie word oornag gekompliseer met die ontmoeting van ‘n Khoi meisie wat self opsoek is na vryheid.

Die soeke na vryheid word vererger deur Koos se miskenning van die mitologie van die Khoi, wat hom op ‘n dwaalspoor plaas.

Deborah (1923/1924, Tamara se middelste dogter) is 'n buitengewoon slim vrou met 'n passie vir argeologie.

Hoe kry 'n vrou dit in daardie jare reg om op 'n argeologiese terrein aanvaar te word en wat gemaak as sy vermoed dat die man wat sy liefhet argeologiese skatte steel en verkwansel vir eie gewin?

Wat maak ʼn ma as haar sesjarige kind ontvoer word en 20 jaar later weer verskyn?

Erin se dogter wat op ses verdwyn het, klop 20 jaar later aan haar deur. Maryna praat vlotter Chinees as Afrikaans, sy is grotesk, het ’n daggagewoonte, is stuurs en stil.

Erin is nie ’n emosionele mens nie, haar greep op die werklikheid is glibberig en sy praat moeilik oor haar gevoelens. Sy is obsessief oor die man wat haar verlaat het en die jeugvriend wat steeds na haar hunker. Hoe gemaak met die kuiken wat onder haar vlerk uit gesteel is, wat deur vreemdelinge hanteer is sodat sy haar reuk nie meer eien nie, wat grootgeword en tuisgekom het om te broei?

Wie lê op loer na haar kind? As jy van moord droom voel dit dikwels asof jy in ’n parallelle werklikheid inderdaad gemoor het; jy word met ’n knaende skuldgevoel wakker en wonder waartoe jy regtig in staat is.

Erin het haarself beskou as iemand aan wie moederinstink ontbreek, maar toe haar kind verdwyn het, het haar lewe alle betekenis verloor. Nou is Maryna terug, maar hoe dring sy tot hierdie woedende vreemdeling deur?

En wat sal sy doen om haar dié keer te beskerm?

Hier is ’n karaktergedrewe blitsblaaier vol noir en stokou raaisels.

Gideon Lancaster, a New Zealand soldier fighting for the British, infiltrates a Boer commando. He soon finds himself entangled in a confusion of loyalties as he becomes better acquainted with the men and, worse, falls in love with Esther Calitz, a Boer woman of considerable mettle who demands his loyalty over every other allegiance.

Between Esther and Commandant Jacob Eksteen, his taciturn rival in love and a man of clear black-and-white convictions, Lancaster navigates his way only with great difficulty.

So powerful are the conflicting demands of fidelity and love that he seizes a quixotic opportunity when a large British battalion is mobilised in what is to be the final triumph of the imperial forces.

Gideon Lancaster, 'n Nieu-Seelander wat vir die Britte veg, infiltreer 'n Boerekommando. Hy word gou verstrengel in verwarrende lojaliteite wanneer hy die boeresoldate beter leer ken en boonop verlief raak op Esther Calitz, 'n eiesinnige Boeremeisie wat sy trou bo alle ander eis.

Tussen Esther en kommandant Jacob Eksteen, sy swygsame mededinger in die liefde en 'n man met swart-en-wit beginsels, vind hy sy weg met groot moeite. Die teenstrydige eise van trou en liefde dryf hom tot onbesonnenheid. Hy gryp die kans op 'n groot waagstuk aan toe 'n Britse bataljon gemobiliseer word om die oorlog tot 'n klinkende einde te bring.

Halfpad Een Ding is 'n meesleurende leeservaring, 'n liefdesverhaal en oorlogsavontuur neergepen deur 'n ervare, subtiele skrywershand.

Hierdie verhaal word deur twee vroue vertel: Miesa, dogter van ’n boer op ’n plaas naby Vryburg, en Siena, die vrou wat Miesa help grootmaak het.

Na die grensoorlog keer Miesa se pa as ’n gebroke man terug. Hy sit op die stoep en drink en kaarte speel, terwyl die plaas vergaan. In die aande kom hy na Miesa se kamer, waar sy sy onmag moet ontgeld. Miesa se ma maak ’n plaaswinkeltjie oop en Miesa vind ’n mate van ontvlugting daar. Dis ook in hierdie winkel waar sy haar eerste minnaares ontmoet en haar weg na die buitewêreld vind.

Wanneer sy ’n outistiese dogtertjie aanneem, begin haar lewe sin kry en vind sy uiteindelik blywende liefde.