Intersectional Lives explores the varied experiences of Chinese Australian females across time and place during the White Australia Policy era (1901-1973). Chinese Australian women's personal reflections are examined alongside postcolonial feminist readings of official records to illustrate how their everyday lives were influenced by multiple and fluid identities and subject positions including migrant, mother, daughter, wife, student, worker, entrepreneur and cultural custodian. This book provides new ways to conceptualise Chinese females in the diaspora as gendered, classed, culturally varied and racialised individuals with multiple forms of oppression, agency and mobility. It offers a revision of patriarchal understandings of Chinese Australian history and broader understandings of overseas Chinese migrations and settlement experiences. It also demonstrates how historical geography, informed by postcolonial feminist approaches, can facilitate more nuanced understandings of past (and present) times and places that include women's diverse experiences at the domestic, local, national and international scale. This book will appeal to social and cultural geographers with additional audiences of interest in history and historical geography, ethnic and racial studies, gender studies, diaspora studies, migration studies, and gender and feminist studies.

This is a first of its kind book which examines the remittances in the two largest corridors in the World: India-Saudi Arabia and Mexico-U.S.A. This book aims to treat remittances as an act of social norm involving individuals, nation-states, and diaspora communities. It treats remittances both as an act of individual obligation as well as a social fact that needs to be understood from the perspective of the actors, i.e., the givers and recipients. Using theories of motives of giving, policy analysis, international development, and international relations, the authors offer a compelling narrative of how and why remittances occur and the impacts on both the giver and recipient. The authors - both scholars of philanthropy and remittances - bring their shared perspective and understanding of this crucial phenomenon and delve deep into examining its impacts on community development and the relations between the nation-states. This book offers a sophisticated understanding of how vital remittances are to the world we live in. The book sheds light on this important social reality and will be of value to researchers, academics, and students interested in remittances, as well as to practitioners working in the international development sector, NGO actors, and policy makers.

WeChat (the international version of Weixin), launched in 2012, has rapidly become the most favoured Chinese social media. Globally available, equally popular both inside and outside China and widely adopted by Chinese migrants, WeChat has fundamentally changed the ways in which Mandarin-speaking migrants conduct personal messaging, engage in group communication and community business activities, produce and distribute news, and access and share information. This book explores a wide range of issues connected to the ways in which WeChat works and is used, across the world among the newest members of the Chinese diaspora. Arguing that digital/social media afford a great degree of individual agency, as well as a collective capacity for sustaining an 'imagined community', the book shows how WeChat's assemblage of infrastructure and regulatory frameworks, technical capabilities, content and sense of community has led to the construction of a particular kind of diasporic Chinese world, at a time marked both by China's rise, and anxiety about Chinese influence in the West.

This volume brings together important articles from the Cambridge historian A. G. Hopkins and reflect the enlargement and evolution of historical studies during the last half century. The essays cover four of the principal historiographical developments of the period: the extraordinary revolution that has led to the writing of non-Western indigenous history; the revitalization of new types of imperial history; the now ubiquitous engagement with global history, including a reinterpretation of American Empire, and the current revival of economic history after several decades of neglect.

This book challenges the long-held conventional wisdom that Africa is a post-colonial society of sovereign nation-states despite the outward attributes of statehood: demarcated territories, permanent populations, governments, national currencies, police, and armed forces. While it is true that African nation-states have been gifted flag independence by their respective colonial masters, few have reached fully developed status as a secure nation-state. Most African nation-states have, since independence, been grappling with the crisis of state-building, nation-building, governance, and myriad security challenges which have been chronically exacerbated by the dynamics of the post-Cold War era. To focus merely on the agency of the African political elite and their inability to sustain functional modern nation-states misses the point. The central argument of the book is that an understanding of Africa's contemporary governance and security challenges requires us to historicize the discourse surrounding nation-building and state-building throughout Africa.

This book examines the legacies and depictions of monarchs in an international context, focusing on both self-representation and commemoration by others. Spanning ancient India through to eighteenth-century Russia, this volume offers several case studies to demonstrate trends and patterns in how different societies chose to commemorate and remember their rulers in a variety of mediums. Contributions highlight several lesser known rulers, alongside more famous ones such as Henry VIII of England, to develop a deeper understanding of how memory and monarchy functioned when drawn together. Memorialising Premodern Monarchs brings to the fore the importance of memory and memorialisation when considering the legacies and records of past rulers and their societies, and allows a deeper reflection on how these rulers live on through the historical record and popular culture.

This book reveals how the critique of the domination of capitalism inaugurated by the Frankfurt School becomes pluriversal, motivating the historical Critical Theory of Coloniality (CTC) dialogue between the Global South and the Global North. CTC expresses the emergence and historical actuality of a set of intellectual fields aimed at denouncing domination and promoting emancipatory ideas at the borders of colonial capitalism. The book argues that the actuality of the CTC relies on the importance of valuing theoretical and methodological pluralism in the context of the necessary redefinition of the directions of global society. It reveals a plural reflection of scientific, moral, and aesthetic character in different areas of former planetary colonisation such as Asia, Africa, and America but also on the borders of Europe. This book is aimed at researchers and students in the social sciences as well as in interdisciplinary studies. It is attractive to those who are interested in the plural development of theoretical criticism outside the European universe and who seek to understand how capitalist power has metamorphosed with planetary coloniality. Considering this book implies important reflections on topics such as development, modernity, tradition, imperialism, dependency, and democracy, it is interesting to specialists in development issues, international relations, and policymakers.

This book is an original, systematic, and radical attempt at decolonizing critical theory. Drawing on linguistic concepts from 16 languages from Asia, Africa, the Arab world, and South America, the essays in the volume explore the entailments of words while discussing their conceptual implications for the humanities and the social sciences everywhere. The essays engage in the work of thinking through words to generate a conceptual vocabulary that will allow for a global conversation on social theory which will be necessarily multilingual. With essays by scholars, across generations, and from a variety of disciplines - history, anthropology, and philosophy to literature and political theory - this book will be essential reading for scholars, researchers, and students of critical theory and the social sciences.

Curating empire explores the diverse roles played by museums and their curators in moulding and representing the British imperial experience. This collection demonstrates how individuals, their curatorial practices, and intellectual and political agendas influenced the development of a variety of museums across the globe. Taken together, these contributions suggest that museums are not just sites for accessing history but need to be considered as historical sites of significance in themselves. Individual essays examine the work of curators in museums in Britain and the colonies, the historical display and interpretation of empire in Britain, and the establishment of 'museum networks' in the British imperial context. Curating empire sheds new light on the relationship between museums, as repositories for objects and cultural institutions for conveying knowledge, and the politics of culture and the formation of identities throughout the British Empire. -- .

From the height of 'New Imperialism' until the Second World War, three generations of heroes of the British and French empires in Africa were selected, manufactured and packaged for consumption by a metropolitan public eager to discover new horizons and to find comfort in the concept of a 'civilising mission'. This book looks at imperial heroism by examining the legends of a dozen major colonial figures on both sides of the Channel, revisiting the familiar stories of Livingstone, Gordon and Kitchener from a radically new angle, and throwing light on their French counterparts, often less famous in the Anglophone world but certainly equally fascinating. -- .

The Land Act of 1820 made it possible for settlers to begin to populate the West and added to the confiscation of land from Native Americans. Former landowners - a mix of Native American, African and European ancestry - migrated to the northern frontier and founded at least thirty well-defined free black communities between 1820 and 1850 in the Old Northwest, becoming an important safe haven and beacon of freedom. Its notoriety and size grew as slaves often migrated to these locations after they were granted emancipation in the wills of slave owners who purchased land in the area for them to settle on. The newly free people found sanctuary as these communities were also rumored to shelter runaway slaves in their role as active participants in the Underground Railroad Movement. However, the prosperity of blacks living in these villages angered some of the local whites - many of whom were migrating at the same time and were connected to local law officials and politicians. Archival documents reveal continued acts of terrorism perpetuated against blacks which heightened the importance of the strength of the communities they founded - specifically schools, churches, businesses, and intergenerational family structures - in providing a unified front that allowed them to bond and thrive in an environment that was not always conducive to their survival. Invisible in Plain Sight: Self-Determination Strategies of Free Blacks in the Old Northwest provides a rare detailed examination of an often overlooked piece of the American tapestry. It is perfect reading for history classes in high school and college, as well as for history enthusiasts looking for something new.

Grounded in the fact that Gunai Kurnai people have never ceded sovereignty, the text reorients dominant temporal and colonial approaches of museum studies to document and theorise Gunai Kurnai self-presentation and community engagement in the Krowathunkooloong Keeping Place. Researched and co-authored by the Cultural Manager of the Keeping Place, Gunai Kurnai Monero Ngarigo man Robert Hudson, and white Historian Shannon Woodcock, the book traces the temporal, social and cultural considerations of the Elders who curated the permanent exhibition in the early 1990s. Discussing community management of a collection growing through the ongoing repatriation of tools, art and Ancestor remains, the text also explores how Robert Hudson engages with visitors to the Keeping Place and local colonial history museums, and theorises the power of Gunai Kurnai work with individuals and institutions in the small museum context. Finally, Hudson and Woodcock demonstrate that the Keeping Place articulates sophisticated Gunai Kurnai-grounded methodologies of museum practice in relation to international critical Indigenous studies scholarship. Self-determined First Nations Museums and Colonial Contestation provides a vital case study of an Indigenous museum space written from an inside perspective. As such, the book will be essential reading for scholars and students engaged in the study of museums and heritage, Indigenous peoples, decolonisation, race, anthropology, culture and history

Leading scholars in the sociology of migration, Michaela Benson and Karen O'Reilly, re-theorise lifestyle migration through a sustained focus on postcolonialism at its intersections with neoliberalism. This book provides an in-depth analysis of the interplay of colonial traces and neoliberal presents, the relationship between residential tourism and economic development, and the governance and regulation of lifestyle migration. Drawing on ethnographic fieldwork undertaken by the authors among lifestyle migrants in Malaysia and Panama, they reveal the structural and material conditions that support migration and how these are embodied by migrant subjects, while also highlighting their agency within this process. This rigorous work marks an important contribution to emerging debates surrounding privileged migration and mobility. It will appeal to sociologists, social theorists, human and cultural geographers, economists, social psychologists, demographers, social anthropologists, tourism and migration studies specialists.

This book explores the political construction of imperial frontiers during the reigns of Ferdinand the Catholic and Charles V in the Iberian Peninsula and the Mediterranean. Contrary to many studies on this topic, this book neither focuses on a specific frontier nor attempts to provide an overview of all the imperial frontiers. Instead, it focuses on a specific individual: Juan Rena (1480-1539). This Venetian clergyman spent 40 years serving the king in several capacities while travelling from the Maghreb to northern Spain, from the Pyrenees to the western fringes of the Ottoman Empire. By focusing on his activities, the book offers an account of the Spanish Empire's frontiers as a vibrant political space where a multiplicity of figures interacted to shape power relations from below. Furthermore, it describes how merchants, military officers, nobles, local elites and royal agents forged a specific political culture in the empire's liminal spaces. Through their negotiations and cooperation, but also through their competition and clashes, they created practices and norms in areas like cross-cultural diplomacy, the making of the social fabric, the definition of new jurisdictions, and the mobilization of resources for war.

Music and World-Building in the Colonial City investigates how nineteenth-century migrants to Australia used music as a resource for world-building, focusing on coalmining regions of New South Wales. It explores how music-making helped British migrants to create communities in unfamiliar country, often with little to no infrastructure. Its key themes are as follows: people's relationships to music within specific contexts; how music-making intersects with class, gender and ethnic background; identity through music. Situated within a wider discourse on music and identity, music and well-being and music and emotions, this is an authoritative study of historical communities and their relationship with music. It will be of particular interest to scholars and researchers working in the fields of sociomusicology, colonial studies and cultural studies.

Is it possible to think of a counter-hegemonic, progressive nostalgia that celebrates and helps sustain the marginalised? What might such a nostalgia look like, and what political importance might it have? Homemaking: Radical Nostalgia and the Construction of a South Asian Diaspora examines diasporic life in south Asian communities in Europe, North America and Australia, to map the ways in which members of these communities use nostalgia to construct distinctive identities. Using a series of examples from literature, cinema, visual art, music, computer games, mainstream media, physical and virtual spaces and many other cultural objects, this book argues that it is possible, and necessary, to read this nostalgia as helping to create a powerful notion of home that can help to transcend international relations of empire and capital, and create instead a pan-national space of belonging. This homemaking represents the persistent search for somewhere to belong on one's own terms. Constructed through word, image and music, preserved through dreams and imagination, the home provides sustenance in the continuing struggle to change the present and the future for the better.

Jack Tar to Union Jack examines the intersection between empire, navy, and manhood in British society from 1870 to 1918. Through analysis of sources that include courts-martial cases, sailors' own writings, and the HMS Pinafore, Conley charts new depictions of naval manhood during the Age of Empire, a period which witnessed the radical transformation of the navy, the intensification of imperial competition, the democratisation of British society, and the advent of mass culture. Jack Tar to Union Jack argues that popular representations of naval men increasingly reflected and informed imperial masculine ideals in Victorian and Edwardian Britain. Conley shows how the British Bluejacket as both patriotic defender and dutiful husband and father stood in sharp contrast to the stereotypic image of the brave but bawdy tar of the Georgian navy. This book will be essential reading for students of British imperial history, naval and military history, and gender studies. -- .

Deconstructing the Myths of Islamic Art addresses how researchers can challenge stereotypical notions of Islam and Islamic art while avoiding the creation of new myths and the encouragement of nationalistic and ethnic attitudes. Despite its Orientalist origins, the field of Islamic art has continued to evolve and shape our understanding of the various civilizations of Europe, Africa, Asia, and the Middle East. Situated in this field, this book addresses how universities, museums, and other educational institutions can continue to challenge stereotypical or homogeneous notions of Islam and Islamic art. It reviews subtle and overt mythologies through scholarly research, museum collections and exhibitions, classroom perspectives, and artists' initiatives. This collaborative volume addresses a conspicuous and persistent gap in the literature, which can only be filled by recognizing and resolving persistent myths regarding Islamic art from diverse academic and professional perspectives. The book will be of interest to scholars working in art history, museum studies, visual culture, and Middle Eastern studies.

This volume explores the experiences of a wide variety of middle-class migrant groups across the globe, including 'ethnic entrepreneurs' building new businesses in cosmopolitan neighbourhoods in Sydney; Chinese grandparents shuttling between Australia, China and Singapore to support their extended families; well-off young Indians in Mumbai strategising their future education pathways overseas; and Japanese mothers finding ways to belong in a London middle-class neighbourhood. This book asks how relatively privileged migrant groups negotiate their life trajectories, relationships and aspirations while 'on the move' and how they transform the communities and societies that they move between across time and space. The book's chapters consider motives for migration, as well as experiences of risk, uncertainty and insecurity in diverse local contexts. A fresh look at the migration of those who possess skills and resources that can bring about significant economic, social and cultural change, this book engages critically with the notions of 'middling' migration, social mobility and mobile privilege in the global context of hardening borders and immigration complexity. It will appeal to scholars with interests in contemporary forms of migration and mobility and their local and transnational consequences.

This book is the first study of writers who are both Victorian and indigenous, who have been educated in and write in terms of Victorian literary conventions, but whose indigenous affiliation is part of their literary personae and subject matter. What happens when the colonised, indigenous, or 'native' subject learns to write in the literary language of empire? If the romanticised subject of colonial literature becomes the author, is a new kind of writing produced, or does the native author conform to the models of the coloniser? By investigating the ways that nineteenth-century concerns are adopted, accommodated, rewritten, challenged, re-inscribed, confronted, or assimilated in the work of these authors, this study presents a novel examination of the nature of colonial literary production and indigenous authorship, as well as suggesting to the discipline of colonial and postcolonial studies a perhaps unsettling perspective with which to look at the larger patterns of Victorian cultural and literary formation.

The first Australian cricket tour to India possesses an inherent intrigue that, for inexplicable reasons, has fallen into obscurity. Megan Ponsford rectifies this through her investigation of the uneasy relationships between Australia, British India and Indian nationalism during the interwar period, using the 1935/36 tour as a case study. The unique liaison between the entrepreneurial tour manager Frank Tarrant and the Maharaja of Patiala, who financed the exercise, led the way. From the palaces of the Raj to the foothills of the Himalayas, the evolving racial consciousness of the ragtag team of Australia cricketers defines the tour. The cricket establishment was also challenged as the tour defied the amateur game with participation encouraged by the Maharaja's deep pockets. Employing a unique methodology, this book interprets the material culture located in the archives of the Australian and Indian cricketers. In the absence of first-hand accounts, these artefacts enable insight into the forgotten and overlooked sportspeople who are finally given the voice and acknowledgement they deserve. It is a brilliant new contribution to the study of both cricket and history, and will be a great resource for academics, researchers, and advanced students of History, Politics, Sports, Sociology, and Cultural Studies. The chapters in this book were originally published as a special issue of Sport in Society.

Jacob Gorender's (1923-2013) 1978 book, Colonial Slavery (O Escravismo Colonial), comes alive for English language readers thanks to Bernd Reiter and Alejandro Reyes's brilliant translation. Gorender argued that slave-holding societies produced an economic system sui generis, not fitting into any of the established societal categories offered by Karl Marx and Max Weber. As such, Gorender proposed a theory of colonial slavery as the structuring force of slave-holding societies. For him, slave-holding societies are different from other societies in that slavery structured them differently. This is of the utmost relevance to this day as it allows for a new and different way to explain contemporary racial inequalities in post-slavery societies. An accomplished interpreter of Brazilian social formation, Gorender was motivated by the need to understand the historical roots of class domination and the emergence of Brazilian capitalist society. His presentation of rich historical data, rigorous theoretical and analytical framework, and militant action as an active member of the Brazilian Communist Party are the hallmarks of his writing. Colonial Slavery: An Abridged Translation is a must-read for researchers, teachers, and students of history, sociology, economics, politics, as well as activists of the Black movement and other movements committed to anti-racism.

Jacob Gorender's (1923-2013) 1978 book, Colonial Slavery (O Escravismo Colonial), comes alive for English language readers thanks to Bernd Reiter and Alejandro Reyes's brilliant translation. Gorender argued that slave-holding societies produced an economic system sui generis, not fitting into any of the established societal categories offered by Karl Marx and Max Weber. As such, Gorender proposed a theory of colonial slavery as the structuring force of slave-holding societies. For him, slave-holding societies are different from other societies in that slavery structured them differently. This is of the utmost relevance to this day as it allows for a new and different way to explain contemporary racial inequalities in post-slavery societies. An accomplished interpreter of Brazilian social formation, Gorender was motivated by the need to understand the historical roots of class domination and the emergence of Brazilian capitalist society. His presentation of rich historical data, rigorous theoretical and analytical framework, and militant action as an active member of the Brazilian Communist Party are the hallmarks of his writing. Colonial Slavery: An Abridged Translation is a must-read for researchers, teachers, and students of history, sociology, economics, politics, as well as activists of the Black movement and other movements committed to anti-racism.

This book takes up a question that has rarely been raised in the field of management: “Could modern Western colonialism have important implications for the practices and theories that inform management and organizations?” Employing the framework of postcolonial theory, an international group of scholars addresses this question, and offers remarkable insights about the implications of the colonial encounter for management. Wide-ranging in scope, the book covers major topics like cross-cultural management, control and resistance, corporate culture, the discourse of exoticization in museums and tourism, and stakeholder issues, and sheds new light on the troubling legacy of colonialism.

Theorizing Colonial Cinema is a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia. The volume engages new perspectives by asking how prior discussions on film form, theory, history, and ideology may be challenged by centering the colonial question rather than relegating it to the periphery. To that end, contributors begin by excavating little-known archives and perspectives from the colonies as a departure from a prevailing focus on Europe's imperial histories and archives about the colonies. The collection pinpoints various forms of devaluation and misrecognition both in and beyond the region that continue to relegate local voices to the margins. This pathbreaking study on global film history advances prior scholarship by bringing together an array of established and new interdisciplinary voices from film studies, Asian studies, and postcolonial studies to consider how the present is continually haunted by the colonial past.