From nineteenth-century American art and literature to comic books of the twentieth century and afterwards, Chad A. Barbour examines in From Daniel Boone to Captain America the transmission of the ideals and myths of the frontier and playing Indian in American culture. In the nineteenth century, American art and literature developed images of the Indian and the frontiersman that exemplified ideals of heroism, bravery, and manhood, as well as embodying fears of betrayal, loss of civilization, and weakness. In the twentieth century, comic books, among other popular forms of media, would inherit these images. The Western genre of comic books participated fully in the common conventions, replicating and perpetuating the myths and ideals long associated with the frontier in the United States. A fascination with Native Americans also emerged in comic books devoted to depicting the Indian past of the US In such stories, the Indian remains a figure of the past, romanticized as a lost segment of US history, ignoring contemporary and actual Native peoples. Playing Indian occupies a definite subgenre of Western comics, especially during the postwar period when a host of comics featuring a ""white Indian"" as the hero were being published. Playing Indian migrates into superhero comics, a phenomenon that heightens and amplifies the notions of heroism, bravery, and manhood already attached to the white Indian trope. Instances of superheroes like Batman and Superman playing Indian correspond with depictions found in the strictly Western comics. The superhero as Indian returned in the twenty-first century via Captain America, attesting to the continuing power of this ideal and image.

Readings in the Anthropocene brings together scholars from German Studies and beyond to interpret the German tradition of the last two hundred years from a perspective that is mindful of the challenge posed by the concept of the Anthropocene. This new age of man, unofficially pronounced in 2000, holds that humans are becoming a geological force in shaping the Earth's future. Among the biggest challenges facing our future are climate change, accelerated species loss, and a radical transformation of land use. What are the historical, philosophical, cultural, literary, and artistic responses to this new concept? The essays in this volume bring German culture to bear on what it means to live in the Anthropocene from a historical, ethical, and aesthetic perspective.

For Georgia, the signing of the Association Agreement and the DCFTA with the European Union in 2014 was an act of strategic geopolitical significance. Of all the EU's eastern partners, the country distinguished itself since the Rose Revolution of 2003 by pushing ahead with a radical liberalisation and economic reform agenda. Georgia is unique among the countries in the region for having largely cleansed its economy of corruption in the post-Rose Revolution period, although its political system is marked by oligarchal state capture since the change of government in 2012. The purpose of this Handbook is to make the complex political, economic and legal content of the Association Agreement readily understandable. This third edition, published seven years since signature of after entry into force of the Agreement's implementation is substantially new in content, both updating how Georgia has been implementing the Agreement, and introducing new dimensions (including the Green Deal, the Covid-19 pandemic, cyber security, and gender equality). The Handbook is also up to date in analysing Georgia's troubled democracy. Two teams of researchers from leading independent think tanks, CEPS in Brussels and Reformatics in Tbilisi, collaborated on this project, with the support of the Swedish International Development Agency (Sida). This Handbook is one of a trilogy examining similar Association Agreements made by the EU with Ukraine and Moldova.

In the years between the Harlem Renaissance and World War II, African American playwrights gave birth to a vital black theater movement in the U.S. It was a movement overwhelmingly concerned with the role of religion in black identity. In a time of profound social transformation fueled by a massive migration from the rural south to the urban‑industrial centers of the north, scripts penned by dozens of black playwrights reflected cultural tensions, often rooted in class, that revealed competing conceptions of religion's role in the formation of racial identity. Black playwrights pointed in quite different ways toward approaches to church, scripture, belief, and ritual that they deemed beneficial to the advancement of the race. Their plays were important not only in mirroring theological reflection of the time, but in helping to shape African American thought about religion in black communities. The religious themes of these plays were in effect arguments about the place of religion in African American lives. In Staging Faith, Craig R. Prentiss illuminates the creative strategies playwrights used to grapple with religion. With a lively and engaging style, the volume brings long forgotten plays to life as it chronicles the cultural and religious fissures that marked early twentieth century African American society. Craig R. Prentiss is Professor of Religious Studies at Rockhurst University in Kansas City, Missouri. He is the editor of Religion and the Creation of Race and Ethnicity: An Introduction (New York University Press, 2003).

The West's cherished dream of social harmony by numbers is today disrupting all our familiar legal frameworks - the state, democracy and law itself. Its scientistic vision shaped both Taylorism and Soviet Planning, and today, with 'globalisation', it is flourishing in the form of governance by numbers. Shunning the goal of governing by just laws, and empowered by the information and communication technologies, governance champions a new normative ideal of attaining measurable objectives. Programmes supplant legislation, and governance displaces government. However, management by objectives revives forms of law typical of economic vassalage. When a person is no longer protected by a law applying equally to all, the only solution is to pledge allegiance to someone stronger than oneself. Rule by law had already secured the principle of impersonal power, but in taking this principle to extremes, governance by numbers has paradoxically spawned a world ruled by ties of allegiance.

This volume reveals how religion interfaces with inequality in different African contexts. Some contributors undertake detailed analyses of how religion creates (and justifies) different forms of inequality that holds back individuals, groups and communities across the continent from flourishing, while others show how religion can also mitigate inequality in Africa. Topics addressed include gender inequality, economic inequality, disability, ageism and religious homophobia. Specifically focusing on the United Nation's Sustainable Development Goal 10 to reduce inequality within and among countries, this book highlights the extent to which Africa's 'notoriously religious' identity needs to be taken into account in discourses on development.

The making, eating, and sharing of food throughout society represents an important and exciting area of study with the potential to advance the field of scholarship, particularly in the context of Scandinavian Studies. This book analyses the historical, legal, and literary sources of the region during the medieval period to explore different aspects of Scandinavian culture relating to food and drink: production, consumption (including feasts), trading (distribution), and the associated social rituals. Using new and innovative approaches, this collection of studies offers broad insights into a great variety of social practices and includes fresh information on not only social history but also traditional topics such as trade, commercial exchange, legal regulation, and political organisation. The book unites contributors from a variety of backgrounds, further enriching the content of a collection that promises to make a significant contribution to the state of current research.

Violence has only increased in Mexico since 2000: 23,000 murders were recorded in 2016, and 29,168 in 2017. The abundance of laws and constitutional amendments that have cropped up in response are mirrored in Mexico's fragmented cultural production of the same period. Contemporary Mexican literature grapples with this splintered reality through non-linear stories from multiple perspectives, often told through shifts in time. The novels, such as Jorge Volpi's Una novela criminal [A Novel Crime] (2018) and JuliAn Herbert's La casa del dolor ajeno [The House of the Pain of Others] (2015) take multiple perspectives and follow non-linear plotlines; other examples, such as the very short stories in !Basta! 100 mujeres contra la violencia de gEnero [Enough! 100 Women against Gender-Based Violence] (2013), also present multiple perspectives. Few scholars compare cultural production and legal texts in situations like Mexico, where extreme violence coexists with a high number of human rights laws. Unlawful Violence measures fictional accounts of human rights against new laws that include constitutional amendments to reform legal proceedings, laws that protect children, laws that condemn violence against women, and laws that protect migrants and indigenous peoples. It also explores debates about these laws in the Mexican house of representatives and senate, as well as interactions between the law and the Mexican public.

Sapiens showed us where we came from. In uncertain times, Homo Deus shows us where we’re going.

Yuval Noah Harari envisions a near future in which we face a new set of challenges. Homo Deus explores the projects, dreams and nightmares that will shape the twenty-first century and beyond – from overcoming death to creating artificial life.

It asks the fundamental questions: how can we protect this fragile world from our own destructive power? And what does our future hold?

'Homo Deus will shock you. It will entertain you. It will make you think in ways you had not thought before’ Daniel Kahneman, bestselling author of Thinking, Fast and Slow

Marc Gopin offers a groundbreaking exploration of Arab/Israeli peace partnerships: unlikely friendships created among people who have long been divided by bitter resentments, deep suspicions, and violent sorrows. In Bridges Across an Impossible Divide, Gopin shows how the careful examination of their inner spiritual lives has enabled Jewish and Arab individuals to form peace partnerships, and that these partnerships may someday lead to peaceful coexistence. The peacemakers in this book have no formal experience in conflict resolution or diplomacy. Instead, through trial and error, they have devised their own methods of reaching out across enemy lines. The obstacles they face are unimaginable, the pressure from both sides to desist is constant, and the guilt-ridden thoughts of betrayal are pervasive and intense. Peace partners have found themselves deserted by their closest friends, family members, and neighbors. Bridges Across an Impossible Divide tells their stories - stories not of saints, but of singular people who overcame seemingly unbeatable odds in their dedication to work toward peace with their estranged neighbors. Gopin provides insightful analysis of the lessons to be learned from these peacebuilders, outlining the characteristics that make them successful. He argues that lasting conflict and misery between enemies is the result of an emotional, cognitive, and ethical failure to self-examine, and that the true transformation of a troubled society is brought about by the spiritual introspection of extraordinary, determined individuals.

In the age of ubiquitous media and globalization, the entertainment industry has changed dramatically to accommodate a more comprehensive and diverse audience. As such, research into the influence of culture on entertainment and the media is necessary in order to facilitate further developments in the industry. Handbook of Research on the Impact of Culture and Society on the Entertainment Industry provides a review of the academic and popular literature on the relationship between communications and media studies, cinema, advertising, public relations, religion, food tourism, art, sports, technology, culture, marketing, and entertainment practices. Founded on international research, this publication is essential for upper-level students, researchers, academicians, business executives, and industry professionals seeking knowledge on the current scope of the entertainment industry.

This book follows the ways in which women negotiate and navigate between their feminist identities and their belonging to science fiction fandoms that at times disregard or dismiss them. It explores frictions and discords, including those between feminist women fans and other members in their communities, and between the fan and the object of her fandom. This book examines the intersection of fandom and feminism through the lenses of gender, ethnicity and age, and provides an in-depth and intersectional perspective on fan communities and the layered discrimination and marginalization enfolded in them. Based on 40 in-depth interviews with women fans of Star Wars and Doctor Who, this book highlights the different aspects of a feminist woman fan's identity: becoming, being, belonging, representing, and reconciling. Each chapter in this book unravels the complexity, ambivalence, and contradictions between feminism and fandom, and reveals the tactics women develop to overcome and harmonize them.

This book looks at the question of what makes for successful change in developing countries. It focuses on people at every level in six developing countries in Africa and Asia who have helped foster positive change and development, most of which has been successful. Here, in contrast to so much academic writing on development which focuses on leadership alone, the author tries to get beyond that elite focus and highlight the people at all levels who make change possible. He examines the role and significance of these ordinary citizens and groups as well as leaders. Transformation almost always requires action and support at multiple levels from individuals, communities, and local leaders. The project analyses the cases of Afghanistan, Madagascar, Sierra Leone, Ghana, Pakistan, and South Africa.

A volume in Peace Education Series Editors Jing Lin, University of Maryland, Edward Brantmeier, James Madison University, and Ian Harris, University of Wisconsin, Milwaukee This edited book is a new and valuable resource for students, teachers, and practitioners, providing a detailed exploration of how qualitative research can be applied in the field of peace and conflict studies. This book explores considerations and components of designing, conducting, and reporting qualitative research in this field, and also provide exemplars of recent empirical research in peace and conflict studies that employed qualitative methods. Scholars and researchers in peace and conflict studies and peace education face unique challenges in teaching, designing, and conducting qualitative research in these fields. This edited book discusses tips in designing qualitative studies in this area and for teaching emerging peace researchers best practices of qualitative inquiry. In addition, the book discusses some of the trends, challenges, and opportunities associated with research in peace and conflict studies and peace education. Written at a level appropriate for both graduate students and active researchers, the primary audience for this book is those teaching and learning about the application of qualitative methods to peace and conflict studies, as well as those conducting research in this field. There are currently approximately 230 graduate programs in peace and conflict studies. This book also provides a useful tool for researchers and students in other academic disciplines who are interested in qualitative research. Such disciplines might include education, sociology, criminology, gender studies, psychology, political science, and others.

This volume explores how the interpretation of material from the ancient Near East is enriched through the application of diverse methodological and theoretical approaches to studying gender. The contributors to this collection include both established and up-and-coming scholars whose work brings gender studies theories-from Butler's theory of gender as a performance to more recent theories that consider gender as a spectrum-to bear on varied materials and contexts. Their essays increase the visibility of women in ancient history, untangle constructions of masculinity and femininity in diverse contexts, and grapple with big-picture questions, such as the suitability of applying third-wave or postfeminist theories to the ancient Near East. Studying Gender in the Ancient Near East points to a need for-and provides a model of-a more productive agenda for gender studies in furthering our understanding of ancient Near Eastern societies. In addition to the editors, the contributors are Julia M. Asher-Greve, Stephanie Lynn Budin, Megan Cifarelli, M. Erica Couto-Ferreira, Amy Rebecca Gansell, Katrien De Graef, Amelie Kuhrt, Stephanie M. Langin-Hooper, Brigitte Lion, Natalie N. May, Beth Alpert Nakhai, Martti Nissinen, Omar N'Shea, Maria Rosa Oliver, Frances Pinnock, Eleonora Ravenna, Allison Karmel Thomason, Luciana Urbano, Niek Veldhuis, and Ilona Zsolnay.

How does one read across cultural boundaries? The multitude of creative texts, performance practices, and artworks produced by Indigenous writers and artists in contemporary Australia calls upon Anglo-European academic readers, viewers, and critics to respond to this critical question. Contributors address a plethora of creative works by Indigenous writers, poets, playwrights, filmmakers, and painters, including Richard Frankland, Lionel Fogarty, Lin Onus, Kim Scott, Sam Watson, and Alexis Wright, as well as Durrudiya song cycles and works by Western Desert artists. The complexity of these creative works transcends categorical boundaries of Western art, aesthetics, and literature, demanding new processes of reading and response. Other contributors address works by non-Indigenous writers and filmmakers such as Stephen Muecke, Katrina Schlunke, Margaret Somerville, and Jeni Thornley, all of whom actively engage in questioning their complicity with the past in order to challenge Western modes of knowledge and understanding and to enter into a more self-critical and authentically ethical dialogue with the Other. In probing the limitations of Anglo-European knowledge-systems, essays in this volume lay the groundwork for entering into a more authentic dialogue with Indigenous writers and critics.

From Bay Ridge to Astoria, explore political action in Arab New York Arab Americans are a numerically small proportion of the US population yet have been the target of a disproportionate amount of political scrutiny. Most non-Arab Americans know little about what life is actually like within Arab communities and in organizations run by and for the Arab community. Big political questions are central to the Arab American experience-how are politics integrated into Arab Americans' everyday lives? In Arab New York, Emily Regan Wills looks outside the traditional ideas of political engagement to see the importance of politics in Arab American communities in New York. Regan Wills focuses on the spaces of public and communal life in the five boroughs of New York, which are home to the third largest concentration of people of Arab descent in the US. Many different ethnic and religious groups form the overarching Arab American identity, and their political engagement in the US is complex. Regan Wills examines the way that daily practice and speech form the foundation of political action and meaning. Drawing on interviews and participant observation with activist groups and community organizations, Regan Wills explores topics such as Arab American identity for children, relationships with Arab and non-Arab Americans, young women as leaders in the Muslim and Arab American community, support and activism for Palestine, and revolutionary change in Egypt and Yemen. Ultimately, she claims that in order to understand Arab American political engagement and see how political action develops in Arab American contexts, one must understand Arab Americans in their own terms of political and public engagement. They are, Regan Wills argues, profoundly engaged with everyday politics and political questions that don't match up to conventional politics. Arab New York draws from rich ethnographic data and presents a narrative, compelling picture of a community engaging with politics on its own terms. Written to expand the existing literature on Arab Americans to include more direct engagement with politics and discourse, Arab New York also serves as an appropriate introduction to Arab American communities, ethnic dynamics in New York City and elsewhere in urban America, and the concept of everyday politics.

This excellent reference source brings together hard-to-find information on the constituent units of the Russian Federation. The introduction examines the Russian Federation as a whole, followed by a chronology, demographic and economic statistics, and a review of the Federal Government. The second section comprises territorial surveys, each of which includes a current map. This edition includes surveys covering the annexed (and disputed) territories of Crimea and Sevastopol, as well as updated surveys of each of the other 83 federal subjects. The third section comprises a select bibliography of books. The fourth section features a series of indexes, listing the territories alphabetically, by Federal Okrug and Economic Area. Users will also find a gazetteer of selected alternative and historic names, a list of the territories abolished, created or reconstituted in the post-Soviet period, and an index of more than 100 principal cities, detailing the territory in which each is located.

The Kremlin's ability to shape global affairs appeared decimated following the collapse of the Soviet Union in 1991. Coupled with the internal instability that gripped Russia in the 1990s, Moscow struggled to develop a coherent and effective foreign policy for almost a decade. But under President Vladimir Putin, Russia has steadily reemerged as one of the most significant countries in the world-and one that is increasingly willing to challenge the United States. In Budget Superpower, geopolitics journalist John P. Ruehl explores how Russia has achieved this feat, despite its relatively limited economic strength. The book is divided into eight chapters, each exploring a tool or approach of the Kremlin's and how and where it has used this method to maximize Russia's influence. Each chapter also analyzes the weaknesses and vulnerabilities of Russia's strategies, as well as cautious predictions for how they may evolve in the future. Russia's determination to confront the United States has become increasingly apparent over the last decade, culminating in the 2022 invasion of Ukraine. In addition to demonstrating how Russia has effectively undermined the American-led global order, Budget Superpower will help readers understand why Russia has committed to this policy in the face of increasing push back and globally destabilizing consequences.