This multi-disciplinary volume is one of the few collections about social change covering various cases of mass violence and genocide. In life under persecution, social relations and social structures were not absent and not simply replaced by an ethno-racial order. The studies in this book show the influence of social structures like gender, age and class on life under persecution. Exploring practices in family and labor relations and of collective action, they counter claims of an atomization of society or total uprootedness of victims. Despite being exposed to poverty and want and under the permanent threat of political violence, persecuted people tried to develop their own agency. Case studies are about the Jewish and Armenian persecutions, Rwanda, the war of decolonization in Mozambique and civilian refuges in Belarus during World War II. The authors are a mix of experienced scholars and young researchers.

This book retells the history of Israeli film in the 1960s and 1970s in sex scenes. Through close readings of the first sex scenes in mainstream Israeli movies from this period, it explores the cultural and social contexts in which these movies were made. More specifically, it discusses how notions of collective identity, individual agency, and the public and private spheres are inscribed into and negotiated in sex scenes, especially in light of the historical events that marked these decades. This study thus pushes away from the traditional academic perception of Israeli film and opens up new ways of understanding how it has developed in recent decades. It draws on a growing international body of academic literature on the cinematic representation of sex in order to illuminate the particularities of the Israeli context in the 1960s and 1970s. Apart from film scholars and scholars of Israeli film, this study also addresses readers interested in Israeli cultural history more broadly.

Called "enriching" and "profoundly moving" by Elie Wiesel, "The Jewish Way "is a comprehensive and inspiring presentation of Judaism as revealed through its holy days.
In thoughtful and engaging prose, Rabbi Irving Greenberg explains and interprets the origin, background, interconnections, ceremonial rituals, and religious significance of all the Jewish holidays, including Passover, Yom Kippur, Purim, Hanukkah, Holocaust Remembrance Day, and Israeli Independence Day. Giving detailed instructions for observance--the rituals, prayers, foods, and songs--he shows how celebrating the holy days of the Jewish calendar not only relives Jewish history but puts one in touch with the basic ideals of Judaism and the fundamental experience of life.
Insightful, original, and engrossing, "The Jewish Way "is an essential volume that should be in every Jewish home, library, and synagogue.

This volume is written in the context of trauma hermeneutics of ancient Jewish communities and their tenacity in the face of adversity (i.e. as recorded in the MT, LXX, Pseudepigrapha, the Deuterocanonical books and even Cognate literature. In this regard, its thirteen chapters, are concerned with the most recent outputs of trauma studies. They are written by a selection of leading scholars, associated to some degree with the Hungaro-South African Study Group. Here, trauma is employed as a useful hermeneutical lens, not only for interpreting biblical texts and the contexts in which they were originally produced and functioned but also for providing a useful frame of reference. As a consequence, these various research outputs, each in their own way, confirm that an historical and theological appreciation of these early accounts and interpretations of collective trauma and its implications, (perceived or otherwise), is critical for understanding the essential substance of Jewish cultural identity. As such, these essays are ideal for scholars in the fields of Biblical Studies-particularly those interested in the Pseudepigrapha, the Deuterocanonical books and Cognate literature.

Best known for her Eisner Award-winning graphic novels, Exit Wounds and The Property, Rutu Modan's richly colored compositions invite readers into complex Israeli society, opening up a world too often defined only by news headlines. Her strong female protagonists stick out in a comics scene still too dominated by men, as she combines a mystery novelist's plotting with a memoirist's insights into psychology and trauma. The Comics of Rutu Modan: War, Love, and Secrets conducts a close reading of her work and examines her role in creating a comics arts scene in Israel. Drawing upon archival research, Kevin Haworth traces the history of Israeli comics from its beginning as 1930s cheap children's stories, through the counterculture movement of the 1970s, to the burst of creativity that began in the 1990s and continues full force today. Based on new interviews with Modan (b. 1966) and other comics artists, Haworth indicates the key role of Actus Tragicus, the collective that changed Israeli comics forever and launched her career. Haworth shows how Modan's work grew from experimental mini-comics to critically acclaimed graphic novels, delving into the creative process behind Exit Wounds and The Property. He analyzes how the recurring themes of family secrets and absence weave through her stories, and how she adapts the famous clear line illustration style to her morally complex tales. Though still relatively young, Modan has produced a remarkably varied oeuvre. Identifying influences from the United States and Europe, Haworth illustrates how Modan's work is global in its appeal, even as it forms a core of the thriving Israeli cultural scene.

In May 1933, a young man named Rudolf Schwab fled Nazi-occupied Germany. His departure allegedly came at the insistence of a close friend who later joined the Party. Schwab eventually arrived in South Africa, one of the few countries left where Jews could seek refuge, and years later, resumed a relationship in letters with the Nazi who in many ways saved his life. From Things Lost: Forgotten Letters and the Legacy of the Holocaust is a story of displacement, survival, and an unlikely friendship in the wake of the Holocaust via an extraordinary collection of letters discovered in a forgotten trunk. Only a handful of extended Schwab family members were alive in the war's aftermath. Dispersed across five continents, their lives mirrored those of countless refugees who landed in the most unlikely places. Over years in exile, a web of communication became an alternative world for these refugees, a place where they could remember what they had lost and rebuild their identities anew. Among the cast of characters that historian Shirli Gilbert came to know through the letters, one name that appeared again and again was Karl Kipfer. He was someone with whom Rudolf clearly got on exceedingly well-there was lots of joking, familiarity, and sentimental reminiscing. ""That was Grandpa's best friend growing up,"" Rudolf's grandson explained to Gilbert; ""He was a Nazi and was the one who encouraged Rudolf to leave Germany. . . . He also later helped him to recover the family's property."" Gilbert takes readers on a journey through a family's personal history wherein we learn about a cynical Karl who attempts to make amends for his ""undemocratic past,"" and a version of Rudolf who spends hours aloof at his Johannesburg writing desk, dressed in his Sunday finest, holding together the fragile threads of his existence. The Schwab family's story brings us closer to grasping the complex choices and motivations that-even in extreme situations, or perhaps because of them-make us human. In a world of devastation, the letters in From Things Lost act as a surrogate for the gravestones that did not exist and funerals that were never held. Readers of personal accounts of the Holocaust will be swept away by this intimate story.