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Books > Social sciences > Sociology, social studies > Ethnic studies > Jewish studies
This book retells the history of Israeli film in the 1960s and
1970s in sex scenes. Through close readings of the first sex scenes
in mainstream Israeli movies from this period, it explores the
cultural and social contexts in which these movies were made. More
specifically, it discusses how notions of collective identity,
individual agency, and the public and private spheres are inscribed
into and negotiated in sex scenes, especially in light of the
historical events that marked these decades. This study thus pushes
away from the traditional academic perception of Israeli film and
opens up new ways of understanding how it has developed in recent
decades. It draws on a growing international body of academic
literature on the cinematic representation of sex in order to
illuminate the particularities of the Israeli context in the 1960s
and 1970s. Apart from film scholars and scholars of Israeli film,
this study also addresses readers interested in Israeli cultural
history more broadly.
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Broken Memories
(Hardcover)
Yosef Kutner; Cover design or artwork by Rachel Kolokoff Hopper
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R1,144
R973
Discovery Miles 9 730
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In this thoroughly researched work David M. Gitlitz traces the
lives and fortunes of three clusters of sixteenth-century
crypto-Jews in Mexico's silver mining towns. Previous studies of
sixteenth-century Mexican crypto-Jews focus on the merchant
community centered in Mexico City, but here Gitlitz looks beyond
Mexico's major population center to explore how clandestine
religious communities were established in the reales, the
hinterland mining camps, and how they differed from those of the
capital in their struggles to retain their Jewish identity in a
world dominated economically by silver and religiously by the
Catholic Church. In Living in Silverado Gitlitz paints an unusually
vivid portrait of the lives of Mexico's early Settlers. Unlike
traditional scholarship that has focused mainly on macro issues of
the silver boom, Gitlitz closely analyzes the complex workings of
the haciendas that mined and refined silver, and in doing so he
provides a wonderfully detailed sense of the daily experiences of
Mexico's early secret Jews.
In this haunting memoir, Yvette Melanson tells of being raised to believe that she was white and Jewish. At age forty-three, she learned that she was a "Lost Bird," a Navajo child taken against her family's wishes, and that her grieving birth mother had never stopped looking for her until the day she died. In this haunting memoir, Yvette Melanson tells of being raised to believe that she was white and Jewish. At age forty-three, she learned that she was a "Lost Bird," a Navajo child taken against her family's wishes, and that her grieving birth mother had never stopped looking for her until the day she died.
New perspectives on Anglo-Jewish history via the poetry and song of
Yiddish-speaking immigrants in London from 1884 to 1914. Archive
material from the London Yiddish press, songbooks, and satirical
writing offers a window into an untold cultural life of the Yiddish
East End. Whitechapel Noise: Jewish Immigrant Life in Yiddish Song
and Verse, London 1884-1914 by Vivi Lachs positions London's
Yiddish popular culture in historical perspective within
Anglo-Jewish history, English socialist aesthetics, and music-hall
culture, and shows its relationship to the transnational
Yiddish-speaking world. Layers of cultural references in the
Yiddish texts are closely analysed and quoted to draw out the
complex yet intimate histories they contain, offering new
perspectives on Anglo-Jewish historiography in three main areas:
politics, sex, and religion. The acculturation of Jewish immigrants
to English life is an important part of the development of their
social culture, as well as to the history of London. In the first
part of the book, Lachs presents an overview of daily immigrant
life in London, its relationship to the Anglo-Jewish establishment,
and the development of a popular Yiddish theatre and press,
establishing a context from which these popular texts came. The
author then analyzes the poems and songs, revealing the hidden
social histories of the people writing and performing them. Lachs
also explores how themes of marriage, relationships, and sexual
exploitation appear regularly in music-hall songs, alluding to the
changing nature of sexual roles in the immigrant London community
influenced by the cultural mores of their new location. In the
theme of religion, Lachs examines how ideas from Jewish texts and
practice were used and manipulated by the socialist poets to
advance ideas about class, equality, and revolution; and satirical
writings offer glimpses into how the practice of religion and
growing secularization was changing immigrants' daily lives in the
encounter with modernity. The detailed and nuanced analysis found
in Whitechapel Noise offers a new reading of Anglo-Jewish, London,
and immigrant history. It is a must-read for Jewish and
Anglo-Jewish historians and those interested in Yiddish, London,
and migration studies.
This multi-disciplinary volume is one of the few collections about
social change covering various cases of mass violence and genocide.
In life under persecution, social relations and social structures
were not absent and not simply replaced by an ethno-racial order.
The studies in this book show the influence of social structures
like gender, age and class on life under persecution. Exploring
practices in family and labor relations and of collective action,
they counter claims of an atomization of society or total
uprootedness of victims. Despite being exposed to poverty and want
and under the permanent threat of political violence, persecuted
people tried to develop their own agency. Case studies are about
the Jewish and Armenian persecutions, Rwanda, the war of
decolonization in Mozambique and civilian refuges in Belarus during
World War II. The authors are a mix of experienced scholars and
young researchers.
In May 1933, a young man named Rudolf Schwab fled Nazi-occupied
Germany. His departure allegedly came at the insistence of a close
friend who later joined the Party. Schwab eventually arrived in
South Africa, one of the few countries left where Jews could seek
refuge, and years later, resumed a relationship in letters with the
Nazi who in many ways saved his life. From Things Lost: Forgotten
Letters and the Legacy of the Holocaust is a story of displacement,
survival, and an unlikely friendship in the wake of the Holocaust
via an extraordinary collection of letters discovered in a
forgotten trunk. Only a handful of extended Schwab family members
were alive in the war's aftermath. Dispersed across five
continents, their lives mirrored those of countless refugees who
landed in the most unlikely places. Over years in exile, a web of
communication became an alternative world for these refugees, a
place where they could remember what they had lost and rebuild
their identities anew. Among the cast of characters that historian
Shirli Gilbert came to know through the letters, one name that
appeared again and again was Karl Kipfer. He was someone with whom
Rudolf clearly got on exceedingly well-there was lots of joking,
familiarity, and sentimental reminiscing. ""That was Grandpa's best
friend growing up,"" Rudolf's grandson explained to Gilbert; ""He
was a Nazi and was the one who encouraged Rudolf to leave Germany.
. . . He also later helped him to recover the family's property.""
Gilbert takes readers on a journey through a family's personal
history wherein we learn about a cynical Karl who attempts to make
amends for his ""undemocratic past,"" and a version of Rudolf who
spends hours aloof at his Johannesburg writing desk, dressed in his
Sunday finest, holding together the fragile threads of his
existence. The Schwab family's story brings us closer to grasping
the complex choices and motivations that-even in extreme
situations, or perhaps because of them-make us human. In a world of
devastation, the letters in From Things Lost act as a surrogate for
the gravestones that did not exist and funerals that were never
held. Readers of personal accounts of the Holocaust will be swept
away by this intimate story.
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Krynki In Ruins
(Hardcover)
A Soifer; Translated by Beate Schutzmann-Krebs; Cover design or artwork by Nina Schwartz
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R1,190
R1,013
Discovery Miles 10 130
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Called "enriching" and "profoundly moving" by Elie Wiesel, "The
Jewish Way "is a comprehensive and inspiring presentation of
Judaism as revealed through its holy days.
In thoughtful and engaging prose, Rabbi Irving Greenberg explains
and interprets the origin, background, interconnections, ceremonial
rituals, and religious significance of all the Jewish holidays,
including Passover, Yom Kippur, Purim, Hanukkah, Holocaust
Remembrance Day, and Israeli Independence Day. Giving detailed
instructions for observance--the rituals, prayers, foods, and
songs--he shows how celebrating the holy days of the Jewish
calendar not only relives Jewish history but puts one in touch with
the basic ideals of Judaism and the fundamental experience of life.
Insightful, original, and engrossing, "The Jewish Way "is an
essential volume that should be in every Jewish home, library, and
synagogue.
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The Will To Tell
(Hardcover)
Yitzhak Weizman; Cover design or artwork by Jan Fine; Edited by Leon Zamosc
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R972
R828
Discovery Miles 8 280
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