Journeys Through The Twentieth Century, Stories From One Family is a fascinating study of memory and identity, spanning almost two centuries, using the unique archive of one extended Jewish family.

Journeys Through The Twentieth Century, Stories From One Family is a fascinating study of memory and identity, spanning almost two centuries, using the unique archive of one extended Jewish family.

This collection of book reviews from the pen of Michael Milston brings together the great minds of twentieth-century Jewish philosophy and offers up critical but compassionate interpretations of their works. Milston's approach is not neutral but he has recognised and put into practice that most important aspect of book reviewing: 'the sublimation of the ego of the reviewer to the book'. The result is a body of essays that refuse to be in conflict or collusion, preferring a dialogic relationship with influential philosophers such as Fackenheim, Amery and Hannah Arendt. A Critical Review is a profound and eloquent introduction to post-Holocaust Jewish thought.

In this definitive new biography, Carol Ann Lee provides the answer to one of the most heartbreaking questions of modern times: Who betrayed Anne Frank and her family to the Nazis? Probing this startling act of treachery, Lee brings to light never before documented information about Otto Frank and the individual who would claim responsibility -- revealing a terrifying relationship that lasted until the day Frank died. Based upon impeccable research into rare archives and filled with excerpts from the secret journal that Frank kept from the day of his liberation until his return to the Secret Annex in 1945, this landmark biography at last brings into focus the life of a little-understood man -- whose story illuminates some of the most harrowing and memorable events of the last century.

This volume focuses on the migration and acculturation of images in Jewish culture and how that reflects intercultural exchange. Gender aspects of Jewish art are also highlighted, as is the role of images in interreligious encounters. Other topics covered include the history, codicology, and iconography of a Haggadah produced in the late fifteenth century.

This book begins with an audacious question: Has there ever been a better home for Jews than Canada? By certain measures, Canada might be the most socially welcoming, economically secure, and religiously tolerant country for Jews in the diaspora, past or present. No Better Home? takes this question seriously, while also exploring the many contested meanings of the idea of "home." Contributors to the volume include leading scholars of Canadian Jewish life as well as eminent Jewish scholars writing about Canada for the first time. The essays compare Canadian Jewish life with the quality of life experienced by Jews in other countries, examine Jewish and non-Jewish interactions in Canada, analyse specific historical moments and literary texts, reflect deeply personal histories, and widen the conversation about the quality and timbre of the Canadian Jewish experience. No Better Home? foregrounds Canadian Jewish life and ponders all that the Canadian experience has to teach about Jewish modernity.

The Secular Rabbi is an intellectual biography of Philip Rahv, co-founder of Partisan Review, which T.S. Eliot called the best American literary periodical. It focuses on the ambivalent ties that Rahv, a Russian immigrant, retained to his Jewish cultural background. Drawing on letters Rahv wrote to her mother from 1928 to 1931, when he was still named Philip Greenberg, Doris Kadish delves into the complex and enigmatic character of a man admired by luminaries as diverse as George Orwell, Mary McCarthy, Saul Bellow, Elizabeth Hardwick, and William Styron. Textual analyses of Rahv's works are woven together with other disparate materials: historical accounts, genealogical records, memoirs by Rahv's colleagues, friends, and associates, interviews with persons who knew him, and the abundant body of secondary scholarship devoted to the New York intellectuals, the history of Partisan Review, and Jewish studies. Kadish positions herself in relation to Rahv in attempting to understand her own Jewish identity. In tracing Rahv's personal, political, and literary evolution, Kadish sheds light on such literary movements as modernism, proletarian literature, and Jewish writing as well as movements that defined American political history in the 20th century: immigration, socialism, communism, fascism, the cold war, feminism, and the New Left.

Traveling in Europe in August 1938, one year before the outbreak of World War II, David Kurtz, the author's grandfather, captured three minutes of ordinary life in a small, predominantly Jewish town in Poland on 16 mm Kodachrome colour film. More than seventy years later, through the brutal twists of history, these few minutes of home-movie footage would become a memorial to an entire community, an entire culture that was annihilated in the Holocaust. Three Minutes in Poland traces Glenn Kurtz's remarkable four year journey to identify the people in his grandfather's haunting images. His search takes him across the United States to Canada, England, Poland, and Israel. To archives, film preservation laboratories, and an abandoned Luftwaffe airfield. Ultimately, Kurtz locates seven living survivors from this lost town, including an eighty six year old man who appears in the film as a thirteen year old boy. Painstakingly assembled from interviews, photographs, documents, and artifacts, Three Minutes in Poland tells the rich, funny, harrowing, and surprisingly intertwined stories of these seven survivors and their Polish hometown. Originally a travel souvenir, David Kurtz's home movie became the sole remaining record of a vibrant town on the brink of catastrophe. From this brief film, Glenn Kurtz creates a riveting exploration of memory, loss, and improbable survival, a monument to a lost world.