Jewish Contiguities and the Soundtrack of Israeli History revolutionizes the study of modern Israeli art music by tracking the surprising itineraries of Jewish art music in the move from Europe to Mandatory Palestine and Israel. Leaving behind cliches about East and West, Arab and Jew, this book provocatively exposes the legacies of European antisemitism and religious Judaism in the making of Israeli art music.
Shelleg introduces the reader to various aesthetic dilemmas involved in the emergence of modern Jewish art music, ranging from auto-exoticism through the hues of self-hatred to the disarticulation of Jewish musical markers. He then considers part of this musics' translocation to Mandatory Palestine, studying its discourse with Hebrew culture, and composers' grappling with modern and Zionist images of the self. Unlike previous efforts in the field, Shelleg unearths the mechanism of what he calls "Zionist musical onomatopoeias," but more importantly their dilution by the non-western Arab Jewish oral musical traditions (the same traditions Hebrew culture sought to westernize and secularize).
And what had begun with composers' movement towards the musical properties of non-western Jewish musical traditions grew in the 60s and 70s to a dialectical return to exilic Jewish cultures. In the aftermath of the Six-Day War, which reaffirmed Zionism's redemptive and expansionist messages, Israeli composers (re)embraced precisely the exilic Jewish music that emphasized Judaism's syncretic qualities rather than its territorial characteristics. In the 70s, therefore, while religious Zionist circles translated theology into politics and territorial maximalism, Israeli composers deterritorialized the national discourse by a growing return to the spaces shared by Jews and non-Jews, devoid of Zionist appropriations."

In London Yiddishtown: East End Jewish Life in Yiddish Sketch and Story, 1930-1950, Vivi Lachs presents a selection of previously un-translated short stories and sketches by Katie Brown, A. M. Kaizer, and I. A. Lisky, for the general reader and academic alike. These intriguing and entertaining tales build a picture of a lively East-End community of the 30s and 40s struggling with political, religious, and community concerns. Lachs includes a new history of the Yiddish literary milieu and biographies of the writers, with information gleaned from articles, reviews, and obituaries published in London's Yiddish daily newspapers and periodicals. Lisky's impassioned stories concern the East End's clashing ideologies of communism, Zionism, fascism, and Jewish class difference. He shows anti-fascist activism, political debate in a kosher caf? (R), East-End extras on a film set, and a hunger march by the unemployed. Kaizer's witty and satirical tales explore philanthropy, upward mobility, synagogue politics, and competition between Zionist organizations. They expose the character and foibles of the community and make fun of foolish and hypocritical behavior. Brown's often hilarious sketches address episodes of daily life, which highlight family shenanigans and generational misunderstandings, and point out how the different attachments to Jewish identity of the immigrant generation and their children created unresolvable fractures. Each section begins with a biography of the writer, before launching into the translated stories with contextual notes. London Yiddishtown offers a significant addition to the literature about London, about the East End, about Jewish history, and about Yiddish. The East End has parallels with New York's Lower East Side, yet London's comparatively small enclave, and the particular experience of London in the 1930s and the bombing of the East End during the Blitz make this history unique. It is a captivating read that will entice literary and history buffs of all backgrounds.

About 350,000 Jewish children are currently enrolled in Jewish day schools, in every continent other than Antarctica. This is the first book-length consideration of life in such schools and of their relationship both to the Jewish community and to society as a whole. It provides a rich sense of how community is constructed within Jewish schools, and of how they contribute to or complicate the construction of community in the wider society. The volume reframes day-school research in three ways. First, it focuses not just on the learner in the day-school classroom but sees schools as agents of and for the community. Second, it brings a truly international perspective to the study of day schools, viewing them in relation to the socio-cultural contexts from which they emerge and where they have impact. Third, it considers day-school education in relation to insights derived from the study and practice of non-parochial education. This cross-cultural and genuinely comparative approach to the study of Jewish schooling draws on research from the United States, the former Soviet Union, South America, and Europe, making it possible to arrive at important and original insights into parochial Jewish schooling. With contributions from outstanding scholars as well as practitioners of public education and of Jewish parochial schooling, the volume reveals conflicting conceptions of the social functions of schooling and also produces original insights into the capacity of schools to build community. The book is timely in that it studies questions about faith-based schooling and the public good that today are as much questions of public policy as they are of academic inquiry. It will appeal first and foremost to those with a particular interest in Jewish schooling but will also attract the attention of academics and professionals concerned with the place of parochial education in contemporary society. Contributors: Ami Bouganim, Erik H. Cohen, Ira Dashefsky, Howard Deitcher, Jay Dewey, Joshua Elkin, Yoel Finkelman, Zvi Gitelman, Scott J. Goldberg, Ellen B. Goldring, Yossi J. Goldstein, Eli Kohn, Jeffrey S.Kress, Binyamin Krohn, Jon A. Levisohn, Ilana Maryles Sztokman, Deborah Meier, Helena Miller, Christine Muller, Michal Muszkat Barkan, Alex Pomson, Joseph Reimer, Randal Schnoor, Susan L. Shevitz, Asher Shkedi, Claire Smrekar, Uriel Ta'ir, Michael Turetsky, Rahel Wasserfall.

The Festschrift Darkhei Noam: The Jews of Arab Lands presented to Norman (Noam) Stillman offers a coherent and thought-provoking discussion by eminent scholars in the field of both the history and culture of the Jews in the Islamic World from pre-modern to modern times. Based on primary sources the book speaks to the resilience, flexibility, and creativity of Jewish culture in Arab lands. The volume clearly addresses the areas of research Norman Stillman himself has considerably contributed to. Research foci of the book are on the flexibility of Jewish law in real life, Jewish cultural life particularly on material and musical culture, the role of women in these different societies, antisemitism and Jewish responses to hatred against the Jews, and antisemitism from ancient martyrdom to modern political Zionism.

This volume is written in the context of trauma hermeneutics of ancient Jewish communities and their tenacity in the face of adversity (i.e. as recorded in the MT, LXX, Pseudepigrapha, the Deuterocanonical books and even Cognate literature. In this regard, its thirteen chapters, are concerned with the most recent outputs of trauma studies. They are written by a selection of leading scholars, associated to some degree with the Hungaro-South African Study Group. Here, trauma is employed as a useful hermeneutical lens, not only for interpreting biblical texts and the contexts in which they were originally produced and functioned but also for providing a useful frame of reference. As a consequence, these various research outputs, each in their own way, confirm that an historical and theological appreciation of these early accounts and interpretations of collective trauma and its implications, (perceived or otherwise), is critical for understanding the essential substance of Jewish cultural identity. As such, these essays are ideal for scholars in the fields of Biblical Studies-particularly those interested in the Pseudepigrapha, the Deuterocanonical books and Cognate literature.

From Catalonia to the Caribbean: The Sephardic Orbit from Medieval to Modern Times is a polyphonic collection of essays in honor of Jane S. Gerber's contributions as a leading scholar and teacher. Each chapter presents new or underappreciated source materials or questions familiar historical models to expand our understanding of Sephardic cultural, intellectual, and social history. The subjects of this volume are men and women, rich and poor, connected to various Sephardic Diasporas-Spanish, Portuguese, North African, or Middle Eastern-from medieval to modern times. They each, in their own way, challenged the expectations of their societies and helped to define the religious, ethnic, and intellectual experience of Sephardim as well as surrounding cultures throughout the world.

Alfred Nobel made his name as an inventor and successful entrepreneur and left a legacy as a philanthropist and promoter of learning and social progress. The correspondence between Nobel and his Viennese mistress, Sofie Hess, shines a light on his private life and reveals a personality that differs significantly from his public image. The letters show him as a hypochondriac and workaholic and as a paranoid, jealous, and patriarchal lover. Indeed, the relationship between the aging Alfred Nobel and the carefree, spendthrift Sofie Hess will strike readers as dysfunctional and worthy of Freudian analysis. Erika Rummel's masterful translation and annotations reveal the value of the letters as commentary on 19th century social mores: the concept of honour and reputation, the life of a "kept" woman, the prevalence of antisemitism, the importance of spas as health resorts and entertainment centres, the position of single mothers, and more generally the material culture of a rich bourgeois gentleman. A Nobel Affair is the first translation into English of the complete correspondence between Alfred Nobel and Sofie Hess.

Examining a wide range of comics and graphic novels - including works by creators such as Will Eisner, Leela Corman, Neil Gaiman, Art Spiegelman, Sarah Glidden and Joe Sacco - this book explores how comics writers and artists have tackled major issues of Jewish identity and culture. With chapters written by leading and emerging scholars in contemporary comic book studies, Visualizing Jewish Narrative highlights the ways in which Jewish comics have handled such topics as: *Biography, autobiography, and Jewish identity *Gender and sexuality *Genre - from superheroes to comedy *The Holocaust *The Israel-Palestine conflict *Sources in the Hebrew Bible and Jewish myth Visualizing Jewish Narrative also includes a foreword by Danny Fingeroth, former editor of the Spider-Man line and author of Superman on the Couch and Disguised as Clark Kent..

Dzailoszyce in Polish is also known as Zaloshitz in Yiddish, Dzyaloshitse in Russian, and Dzialoshitz, Zalazhtsy, Zaleshits, Zaloshits and Salshits. Dzia oszyce is a small town in southeastern Poland, 27 miles northeast of Krakow, that sits on a fertile plain surrounded by mountains. The first Jews arrived there in the 16th century, attracted perhaps by the fact that Dzia oszyce was on the trade route from Krakow to the north. By 1820, 75 percent of the town's 1700 residents were Jews; in the late 1930s, more than 80 percent of its 8,000 residents were Jewish. Most Jews in Dzia oszyce made their living through trade or crafts. The town was surrounded by small villages inhabited by peasants. Jewish peddlers went from village to village selling merchandise and purchasing agricultural products. While most Jews in Dzia oszyce were not very prosperous, some owned large estates in the surrounding areas, and the proprietors of most flour and barley mills, the oil refinery, and the town power plant were Jews. Religious life centered around the beautiful town synagogue and the small Hasidic houses of prayer. Communal life was organized through the kahal community council] and khevres societies] with various functions. In the interwar period, theater productions and sports events were popular. Zionist organizations sprang up and trained young people to be pioneers; a sizeable number emigrated to Palestine. During the war, mass killings and deportations virtually destroyed the Jewish community. Some were sent to their deaths at the Be ec camp, others to the Krakow ghetto and then to P aszow. Today, the formerly Jewish town has no Jews and only 1200 inhabitants. This Yizkor book, written originally in Yiddish and Hebrew by former residents as a memorial to their beloved town, provides a vivid portrayal of what Jewish life was like in Dzia oszyce before and during the war.

This book is a translation of the Ruzhany Memorial (Yizkor) Book that was published in 1957 in Hebrew and Yiddish; it is based upon the memoirs of former Jewish residents of the town who had left before the war. Ruzhany, called Rozana in Polish and Ruzhnoy in Yiddish, is now a small town in Belarus. It was part of Russia at the time of World War I and Poland afterwards for a short period, and then the Soviet Union. In 1939, the Jewish population was at its peak 3,500, comprising 78% of the town's population. In November 1942, every Jewish resident was murdered by the Nazis and their collaborators. Founded in the mid-1500s, Jews were welcomed by the private owner, the Grand Chancellor, Duke Leu Sapeiha. He valued Jewish settlers who would create a variety of businesses that would produce profits and generate collectable taxes. They opened schools, built many small synagogues, and the Great Synagogue in the main square. In addition they established many social institutions. The market town thrived. Starting in the early 1900s, many young Jews immigrated to the United States so that the young men could avoid prolonged conscription into the Czar's army.