"Engaged Journalism" explores the changing relationship between news producers and audiences and the methods journalists can use to secure the attention of news consumers. Based on Jake Batsell's extensive experience and interaction with more than twenty innovative newsrooms, this book shows that, even as news organizations are losing their agenda-setting power, journalists can still thrive by connecting with audiences through online technology and personal interaction.

Batsell conducts interviews with and observes more than two dozen traditional and startup newsrooms across the United States and the United Kingdom. Traveling to Seattle, London, New York City, and Kalamazoo, Michigan, among other locales, he attends newsroom meetings, combs through internal documents, and talks with loyal readers and online users to document the successes and failures of the industry's experiments with paywalls, subscriptions, nonprofit news, live events, and digital tools including social media, data-driven interactives, news games, and comment forums. He ultimately concludes that, for news providers to survive, they must constantly listen to, interact with, and fulfill the specific needs of their audiences, whose attention can no longer be taken for granted. Toward that end, Batsell proposes a set of best practices based on effective, sustainable journalistic engagement.

Seit Jahrhundertbeginn boomt der Markt popularer Geschichtsmagazine in Europa und anderen Weltregionen. Ihre Vielfalt und Auflagenhoehe machen sie zu bislang weithin unterschatzten Agenten der oeffentlichen Geschichtskultur und des "Histotainments". Dieser Band widmet sich dem Phanomen aus geschichtsdidaktischer, medienpsychologischer sowie kultur- und kommunikationswissenschaftlicher Perspektive. Daruber hinaus analysieren zehn Landerstudien die Marktbedingungen und die Geschichtsprasentationen auf den Coverseiten von 20 internationalen Magazinen. Von Interesse ist das Buch fur Vertreter/-innen der Geschichts-, Politik- und Mediendidaktik, der Kultur- und Kommunikationswissenschaften sowie des (Geschichts-)Journalismus und der Lehrerbildung.

Business journalism is of critical importance to society, though it may appear to some that it concerns only big business and big investors. A Quick Guide to Writing Business Stories helps students acquire the marketable writing skills required to succeed in this competitive and vibrant segment of print and online journalism. This hands-on, practical text provides step-by-step guidance on how to write business articles such as the corporate quarterly earnings story, small business profiles, and business or consumer trend stories. Mathewson's book, based on Northwestern University's highly successful business journalism program, guides students in the use of data, documents and sophisticated expert sources. With A Quick Guide to Writing Business Stories as their resource, students will be able to write challenging stories with clarity and speed, greatly enhancing the journalist's ability to tackle stories on other complex topics, in any medium.

Performative Listening: Hearing Others in Qualitative Research offers an alternative theory of listening - as a performative act, or as a relational stance and performance in which listeners ethically engage in an act of learning from others across difference. This theory emerges from an interdisciplinary approach to performance studies, communication, musicology, and critical pedagogy in order to present a nuanced theory of listening as performance that is always linked to questions of context, individual experiences, and cultural expectations. Working from examples of the music and autobiography of Miles Davis, this book offers a clear and practical guide for applying performative listening in the contexts of qualitative, narrative, and arts-based approaches to research and inquiry. By emphasizing the embodied, relational, and creative functions of the highly contextual and cultural performance of listening, Performative Listening presents a theory and method that can be used to rethink the ways scholars and students engage with others in a wide variety of qualitative research and educational contexts.

Journalism is under ever-increasing pressure, due in large part to the phenomenon of media convergence. Not only does media convergence redefine the tasks of journalists and newsrooms, it also re-shapes the business environments of media companies. In this book, international media practitioners and researchers describe and analyze the relationships between media convergence and advertising, public relations, social media and other areas of communication posing a challenge to journalism.

The Handbook of Journal Publishing is a comprehensive reference work written by experienced professionals, covering all aspects of journal publishing, both online and in print. Journals are crucial to scholarly communication, but changes in recent years in the way journals are produced, financed, and used make this an especially turbulent and challenging time for journal publishers - and for authors, readers, and librarians. The Handbook offers a thorough guide to the journal publishing process, from editing and production through marketing, sales, and fulfilment, with chapters on management, finances, metrics, copyright, and ethical issues. It provides a wealth of practical tools, including checklists, sample documents, worked examples, alternative scenarios, and extensive lists of resources, which readers can use in their day-to-day work. Between them, the authors have been involved in every aspect of journal publishing over several decades and bring to the text their experience working for a wide range of publishers in both the not-for-profit and commercial sectors.

What does it feel like to be featured, quoted, or just named in a news story? A refugee family, the survivor of a shooting, a primary voter in Iowa-the views and experiences of ordinary people are an important component of journalism. While much has been written about how journalists work and gather stories, what do we discover about the practice of journalism and attitudes about the media by focusing on the experiences of the subjects themselves? In Becoming the News, Ruth Palmer argues that understanding the motivations and experiences of those who have been featured in news stories-voluntarily or not-sheds new light on the practice of journalism and the importance many continue to place on the role of the mainstream media. Based on dozens of interviews with news subjects, Becoming the News studies how ordinary people make sense of their experience as media subjects. Palmer charts the arc of the experience of "making" the news, from the events that brought an ordinary person to journalists' attention through the decision to cooperate with reporters, interactions with journalists, and reactions to the news coverage and its aftermath. She explores what motivates someone to talk to the press; whether they consider the potential risks; the power dynamics between a journalist and their subject; their expectations about the motivations of journalists; and the influence of social media on their decisions and reception. Pointing to the ways traditional news organizations both continue to hold on to and are losing their authority, Becoming the News has important implications for how we think about the production and consumption of news at a time when Americans distrust the news media more than ever.

Pick up the Sunday paper and consider how many stories it takes to fill all those pages. How can any newspaper staff produce so many stories every day, every week, every month of the year and keep up with breaking news, too? They can't.They use freelancers. This book serves as a guide to newspaper freelancing both for beginners and for more experienced writers who want to expand their markets. Table of Contents: Newspapers as a Freelance Market Developing Newspaper Article Ideas Types of Newspaper Articles Queries: Pitching Your Ideas Researching Your Article Interviews Writing the Article Working with the Editor Through Rewrites and Proofs Get Paid and Get More Assignments The Business of Being a Freelance Writer

This title is your transportation of choice to your destination of becoming a published travel writer. It draws upon Solange Hando's expert knowledge as she shares the tips and tricks she's learned in the course of her career.

This book provides an overview of the history of LGBT community newspapers and magazines in America. It provides a specific focus on weekly and biweekly newspapers, but also assesses the LGBT state of print media overall. Finalist for the 2013 Lambda Literary Awards; Top 10 selection for the American Library Association Over the Rainbow Project Book List, a committee of the GLBT Round Table of the ALA. The book starts with an in-depth look into the reasons a gay press started in the 1900s--as a response to either absent or anti-gay coverage by the mainstream media. It then explores the early gay media and journalists working in the gay press from the 1950s to the 1980s. The book includes chapters on some of the longer-lasting LGBT newspapers, such as the Washington Blade, Bay Area Reporter and Philadelphia Gay News. There is also an in-depth exploration of advertising and marketing in LGBT media, and a look at the future of queer media in America. Quotes about Gay Press, Press Power: "Tracy Baim's Gay Press, Gay Power: The Growth of LGBT Newspapers in America is a complete treasure for anyone interested in queer history, the intricacies of social movements, or media in the United States. Comprehensive, well written, and well researched, this media journey from homosexual to gay to queer is eye-opening and inspiring. If you thought you knew about this aspect of the gay movement -guess again: You will be endlessly surprised. The bravery of individuals, groups, collectives, and organizations here is breathtaking and vital. You can't understand queer life today without understanding the history of the LGBT media. This book is endlessly entertaining and extremely important." -Michael Bronski, author of A Queer History of the United States, Professor of the Practice in Activism and Media, Harvard University. "Gay Press, Gay Power is a meticulous and prodigious work, long overdue. It will be a reference source-but, more importantly, a source of inspiration." - Barbara Ettorre, former reporter for The New York Times, New York Daily News and Chicago Today. Founder and editor, LetterBalm.com. "This meticulously researched book captures the flavor and nuance of a myriad of specific events and times, such as the coverage of LGBT issues in Chicago in the 1980s and 1990s, through compelling interviews with the people involved, gay and straight, backed up with insightful analysis. Hundreds of images of magazine covers, news clips, photos and ads from the 1800s to today present a comprehensive, stunning visual history of the evolving relationship between the media and the LGBT community. Belongs on everyone's bookshelf." -Jean Latz Griffin, former Chicago Tribune reporter, author ofIn the Same Breath and One Spirit: A Creation Story for the 21st Century. "For the past two hundred years no oppositional movement has succeeded without the involvement of an engaged community press.The political successes of the gay liberation movement, and the defeats, were reported in the pages of the lesbian and gay press while the mainstream press ignored or denigrated our efforts. Today, in the age of presidential evolution towards recognition of our humanity, and in the era of the Internet, Facebook and Twitter, it is possible to presume that the need for an independent GLBT press is past. But this would be a mistake. As we learned during the AIDS epidemic, when push comes to shove - as it reliably does - there is no substitute for a focused, relentless and smart GLBT press. Tracy Baim has long represented the best of the GLBT press, and this book will be a valuable resource in the struggle not to forget our history as we continue to fight for our future." -- Larry Gross, USC Annenberg School for Communication & Journalism, Author, Up From Invisibility: Lesbians, Gay Men and the Media in America.

Praised by both students and journalists for its no-nonsense instructional approach, accessible writing style, and extensive supply of practical exercises, Air Words is a comprehensive newswriting text that is designed to help students learn the fundamental sentence structure and grammar required to write for broadcast news. It is carefully designed to guide students through a progression of news situations, from a simple lead story to a complex remote video field report. The fourth edition brings the book up to date with numerous changes that have occurred in the last decade of broadcast journalism.

When we encounter a news story, why do we accept its version of events? Why do we even recognize it as news? A complicated set of cultural, structural, and technological relationships inform this interaction, and Journalistic Authority provides a relational theory for explaining how journalists attain authority. The book argues that authority is not a thing to be possessed or lost, but a relationship arising in the connections between those laying claim to being an authority and those who assent to it. Matt Carlson examines the practices journalists use to legitimate their work: professional orientation, development of specific news forms, and the personal narratives they circulate to support a privileged social place. He then considers journalists' relationships with the audiences, sources, technologies, and critics that shape journalistic authority in the contemporary media environment. Carlson argues that journalistic authority is always the product of complex and variable relationships. Journalistic Authority weaves together journalists' relationships with their audiences, sources, technologies, and critics to present a new model for understanding journalism while advocating for practices we need in an age of fake news and shifting norms.

Including comprehensive coverage on both print and online, consumer and free magazines, Magazine Editing looks at how magazines work and explains the dual role of the magazine editor. John Morrish and Paul Bradshaw consider the editor both as a journalist, having to provide information and entertainment for readers, and as a manager, expected to lead and supervise successfully the development of a magazine or periodical.

Looking at the current state of the magazine market in the twenty-first century, the third edition explains how this has developed and changed in recent years, with specific attention paid to the explosion of apps, e-zines, online communities and magazine websites. Featuring case studies, interviews with successful editors, examples of covers and spreads, and useful tables and graphs, this book discusses the editor s many roles and details the skills needed to run a publication.

Magazine Editing offers practical guidance on:

• how to create an editorial strategy
• how to lead and manage an editorial team
• researching a market and finding new readers
• dealing with budgets and finance
• working with designers and production staff
• legal, technological and ethical dilemmas
• online distribution, social media and search engine optimisation
• managing information overload
• how to become an editor.

Joseph Pulitzer founded the Pulitzer Prizes and was one of the most talented publishers in American history. For the last twenty years of his life, he wanted to transform journalism into a profession much like medicine and law. In this book, first published by Columbia University in 1904, Pulitzer explained his vision for university-level schools of journalism. A classic in the history of journalism, it is an excellent and thought-stimulating resource for those wanting to understand just what it means to be a journalist.

What is the difference between choking and panicking? Why are there dozens of varieties of mustard-but only one variety of ketchup? What do football players teach us about how to hire teachers? What does hair dye tell us about the history of the 20th century?

In the past decade, Malcolm Gladwell has written three books that have radically changed how we understand our world and ourselves: The Tipping Point; Blink; and Outliers. Now, in What the Dog Saw, he brings together, for the first time, the best of his writing from "The New Yorker" over the same period.

Here is the bittersweet tale of the inventor of the birth control pill, and the dazzling inventions of the pasta sauce pioneer Howard Moscowitz. Gladwell sits with Ron Popeil, the king of the American kitchen, as he sells rotisserie ovens, and divines the secrets of Cesar Millan, the "dog whisperer" who can calm savage animals with the touch of his hand. He explores intelligence tests and ethnic profiling and "hindsight bias" and why it was that everyone in Silicon Valley once tripped over themselves to hire the same college graduate.

"Good writing," Gladwell says in his preface, "does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head. What the Dog Sawis yet another example of the buoyant spirit and unflagging curiosity that have made Malcolm Gladwell our most brilliant investigator of the hidden extraordinary.

"Engaged Journalism" explores the changing relationship between news producers and audiences and the methods journalists can use to secure the attention of news consumers. Based on Jake Batsell's extensive experience and interaction with more than twenty innovative newsrooms, this book shows that, even as news organizations are losing their agenda-setting power, journalists can still thrive by connecting with audiences through online technology and personal interaction.

Batsell conducts interviews with and observes more than two dozen traditional and startup newsrooms across the United States and the United Kingdom. Traveling to Seattle, London, New York City, and Kalamazoo, Michigan, among other locales, he attends newsroom meetings, combs through internal documents, and talks with loyal readers and online users to document the successes and failures of the industry's experiments with paywalls, subscriptions, nonprofit news, live events, and digital tools including social media, data-driven interactives, news games, and comment forums. He ultimately concludes that, for news providers to survive, they must constantly listen to, interact with, and fulfill the specific needs of their audiences, whose attention can no longer be taken for granted. Toward that end, Batsell proposes a set of best practices based on effective, sustainable journalistic engagement.

Ever wonder how politics turned into a take-no-prisoners blood sport? The New York Times bestselling author of Stonewalled pulls back the curtain on the shady world of opposition research and reveals the dirty tricks those in power use to influence your opinions.

Behind most major political stories in the modern era, there is an agenda; an effort by opposition researchers, spin doctors, and outside interests to destroy an idea or a person. The tactic they use is the Smear. Every day, Americans are influenced by the Smear without knowing it. Paid forces cleverly shape virtually every image you cross. Maybe you read that Donald Trump is a racist misogynist, or saw someone on the news mocking the Bernie Sanders campaign. The trick of the Smear is that it is often based on some shred of truth, but these media-driven "hit pieces" are designed to obscure the truth. Success hinges on the Smear artist’s ability to remain invisible; to make it seem as if their work is neither calculated nor scripted. It must appear to be precisely what it is not.

Veteran journalist Sharyl Attkisson has witnessed this practice firsthand. After years of being pitched hit jobs and puff pieces, she’s an expert at detecting Smear campaigns. Now, the hard-hitting investigative reporter shares her inside knowledge, revealing how the Smear takes shape and who its perpetrators are—including Clinton confidant Sidney Blumenthal and, most influential of all, "right-wing assassin turned left-wing assassin" (National Review) political operative David Brock and his Media Matters for America empire.

Attkisson exposes the diabolical tactics of Smear artists, and their outrageous access to the biggest names in political media—operatives who are corrupting the political process, and discouraging widespread citizen involvement in our democracy.

American novelists and poets who came of age in the early twentieth century were taught to avoid journalism "like wet sox and gin before breakfast." It dulled creativity, rewarded sensationalist content, and stole time from "serious" writing. Yet Willa Cather, W. E. B. Du Bois, Jessie Fauset, James Agee, T. S. Eliot, and Ernest Hemingway all worked in the editorial offices of groundbreaking popular magazines and helped to invent the house styles that defined McClure's, The Crisis, Time, Life, Esquire, and others. On Company Time tells the story of American modernism from inside the offices and on the pages of the most successful and stylish magazines of the twentieth century. Working across the borders of media history, the sociology of literature, print culture, and literary studies, Donal Harris draws out the profound institutional, economic, and aesthetic affiliations between modernism and American magazine culture. Starting in the 1890s, a growing number of writers found steady paychecks and regular publishing opportunities as editors and reporters at big magazines. Often privileging innovative style over late-breaking content, these magazines prized novelists and poets for their innovation and attention to literary craft. In recounting this history, On Company Time challenges the narrative of decline that often accompanies modernism's incorporation into midcentury middlebrow culture. Its integrated account of literary and journalistic form shows American modernism evolving within as opposed to against mass print culture. Harris's work also provides an understanding of modernism that extends beyond narratives centered on little magazines and other "institutions of modernism" that served narrow audiences. And for the writers, the "double life" of working for these magazines shaped modernism's literary form and created new models of authorship.

Der judische Tanz- und Theaterkritiker Artur Michel gehoerte zu den kenntnis- und einflussreichsten Tanzberichterstattern der Weimarer Republik. In diesem Band ist sein Hauptwerk - die Tanzkritiken aus der Vossischen Zeitung zwischen 1922 und 1934 - abgedruckt. Es liest sich als eine spannende und ausserst lebendige Tanzgeschichte des modernen kunstlerischen Tanzes in Europa. Artur Michel entwickelte ab 1922 in der Vossischen Zeitung systematisch die Tanzkritik. Er engagierte sich fur den modernen kunstlerischen Buhnentanz und trat damit den Freunden des klassischen Balletts kampferisch entgegen. Sein Idol war Mary Wigman. Ihre Auffassungen eines "absoluten Tanzes" unterstutzte er nach Kraften. Die Vossische Zeitung war eine der wichtigsten uberregionalen Berliner Tageszeitungen. Sie galt als Sprachrohr des liberalen Burgertums. Als das Blatt 1934 aus Protest gegen die von den Nationalsozialisten gleichgeschaltete Presse sein Erscheinen einstellte, verlor Michel sein wichtigstes Publikationsorgan. Erst 1941 erkannte er, dass er in Nazi-Deutschland nicht mehr sicher leben konnte und floh in letzter Minute auf abenteuerlichem Weg nach New York. Bis zu seinem Tod im Jahr 1946 schrieb er nunmehr in der deutsch-judischen Emigrantenzeitschrift Aufbau uber den modernen kunstlerischen Tanz in den USA.

When we encounter a news story, why do we accept its version of events? Why do we even recognize it as news? A complicated set of cultural, structural, and technological relationships inform this interaction, and Journalistic Authority provides a relational theory for explaining how journalists attain authority. The book argues that authority is not a thing to be possessed or lost, but a relationship arising in the connections between those laying claim to being an authority and those who assent to it. Matt Carlson examines the practices journalists use to legitimate their work: professional orientation, development of specific news forms, and the personal narratives they circulate to support a privileged social place. He then considers journalists' relationships with the audiences, sources, technologies, and critics that shape journalistic authority in the contemporary media environment. Carlson argues that journalistic authority is always the product of complex and variable relationships. Journalistic Authority weaves together journalists' relationships with their audiences, sources, technologies, and critics to present a new model for understanding journalism while advocating for practices we need in an age of fake news and shifting norms.

Writing for Public Relations and Strategic Communication equips students with the knowledge, skills, and tools they need to write persuasively. The book underscores the importance of strategic analysis at the beginning of the writing process. Utilizing an audience-centered perspective, it shows how persuasive writing emerges organically after critically assessing the goals of an organization's message in light of its intended audience. Students learn essential strategic thinking and planning skills to create effective and intentional writing. The book presents the theoretical underpinnings of behavior, which students can then employ to generate prose that prioritizes the audience's reasons for attending to the message. The book is unique in presenting a primer on communication, persuasion, and moral theories that provides students a roadmap for constructing effective, ethical arguments. Throughout, anecdotes, examples, quizzes, and assignments help connect theory to practical, real-world applications. Writing for Public Relations and Strategic Communication helps readers build their persuasive writing skills for professional and effective public relations, employing unique strategies and tactics, such as: A generative writing system that helps students identify and organize important information to produce quality prose, then adapt it to various media, on deadline. Interactive walkthroughs of writing examples that deconstruct prose, offering students insights not just into what to write, but how and why practitioners make strategic choices-down to the word level. Long-form scenario prompts that allow students to hone their persuasive writing, editing, and communication management skills across an array of platforms. Three two-chapter modules where the first chapter demonstrates how to write effective prose for a particular channel and the second offers practical help in delivering those products through message-delivery channels. Detailed case studies demonstrating how to translate research and planning into storytelling that addresses organizational problems. Unique chapters building important analytical literacies, such as search engine optimization tactics, marketing statistics analysis and data-driven audience targeting methods.

How best to turn yourself from sports fan to professional sports journalist? Quickly moving beyond general guidance about sports writing, Joe Gisondi focuses on the nitty-gritty, with hands-on, practical advice on covering 20 specific sports. From auto racing to wrestling, you'll find tips on the seemingly straightforward-where to stand on the sideline and how to identify a key player-along with the more specialized-figuring out shot selection in lacrosse and understanding a coxswain's call for a harder stroke in rowing. The new edition adds a new section on sports reporting across multimedia platforms with new chapters on social media, mobile media, visual storytelling, writing for television, and writing for radio, along with a new chapter on sabermetrics. Fully revised with new examples and updated information to prepare you for just about any game, match, meet, race, regatta or tournament you're likely to cover, Field Guide to Covering Sports, Second Edition is the ideal go-to resource to have on hand as you master the beat.