Business journalism is of critical importance to society, though it may appear to some that it concerns only big business and big investors. A Quick Guide to Writing Business Stories helps students acquire the marketable writing skills required to succeed in this competitive and vibrant segment of print and online journalism. This hands-on, practical text provides step-by-step guidance on how to write business articles such as the corporate quarterly earnings story, small business profiles, and business or consumer trend stories. Mathewson's book, based on Northwestern University's highly successful business journalism program, guides students in the use of data, documents and sophisticated expert sources. With A Quick Guide to Writing Business Stories as their resource, students will be able to write challenging stories with clarity and speed, greatly enhancing the journalist's ability to tackle stories on other complex topics, in any medium.

The new edition of Subediting and Production for Journalists is a concise, clear and contemporary introduction to the skills required for subediting newspapers, magazines and websites. Tim Holmes describes how subediting has developed, from the early days of print to the modern era of the internet browser and social media, and explores the many challenges for the sub working today. Using numerous practical examples drawn from print and online, Subediting and Production for Journalists introduces the various techniques employed by the sub to help make the written word stand out on the page, including: subbing news and features for sense and style writing headlines and sells making copy legally safe understanding production, using software packages and content management systems editing and rewriting stories for online publication creating suitable page furniture for websites handling and sizing pictures digitally handling audio and video. Subediting and Production for Journalists is the perfect guide for all those with an interest in subbing in today's multimedia environments, as well as anyone wanting to see their words come to life.

Performative Listening: Hearing Others in Qualitative Research offers an alternative theory of listening - as a performative act, or as a relational stance and performance in which listeners ethically engage in an act of learning from others across difference. This theory emerges from an interdisciplinary approach to performance studies, communication, musicology, and critical pedagogy in order to present a nuanced theory of listening as performance that is always linked to questions of context, individual experiences, and cultural expectations. Working from examples of the music and autobiography of Miles Davis, this book offers a clear and practical guide for applying performative listening in the contexts of qualitative, narrative, and arts-based approaches to research and inquiry. By emphasizing the embodied, relational, and creative functions of the highly contextual and cultural performance of listening, Performative Listening presents a theory and method that can be used to rethink the ways scholars and students engage with others in a wide variety of qualitative research and educational contexts.

Pick up the Sunday paper and consider how many stories it takes to fill all those pages. How can any newspaper staff produce so many stories every day, every week, every month of the year and keep up with breaking news, too? They can't.They use freelancers. This book serves as a guide to newspaper freelancing both for beginners and for more experienced writers who want to expand their markets. Table of Contents: Newspapers as a Freelance Market Developing Newspaper Article Ideas Types of Newspaper Articles Queries: Pitching Your Ideas Researching Your Article Interviews Writing the Article Working with the Editor Through Rewrites and Proofs Get Paid and Get More Assignments The Business of Being a Freelance Writer

What does it feel like to be featured, quoted, or just named in a news story? A refugee family, the survivor of a shooting, a primary voter in Iowa-the views and experiences of ordinary people are an important component of journalism. While much has been written about how journalists work and gather stories, what do we discover about the practice of journalism and attitudes about the media by focusing on the experiences of the subjects themselves? In Becoming the News, Ruth Palmer argues that understanding the motivations and experiences of those who have been featured in news stories-voluntarily or not-sheds new light on the practice of journalism and the importance many continue to place on the role of the mainstream media. Based on dozens of interviews with news subjects, Becoming the News studies how ordinary people make sense of their experience as media subjects. Palmer charts the arc of the experience of "making" the news, from the events that brought an ordinary person to journalists' attention through the decision to cooperate with reporters, interactions with journalists, and reactions to the news coverage and its aftermath. She explores what motivates someone to talk to the press; whether they consider the potential risks; the power dynamics between a journalist and their subject; their expectations about the motivations of journalists; and the influence of social media on their decisions and reception. Pointing to the ways traditional news organizations both continue to hold on to and are losing their authority, Becoming the News has important implications for how we think about the production and consumption of news at a time when Americans distrust the news media more than ever.

This book offers an engaging and accessible introduction to data visualization for communicators, covering everything from data collection and analysis to the creation of effective data visuals. Straying from the typical "how to visualize data" genre often written for technical audiences, Big Data in Small Slices offers those new to data gathering and visualization the opportunity to better understand data itself. Using the concept of the "data backstory," each chapter features discussions with experts, from marine scientists to pediatricians and city government officials, who produce datasets in their daily work. The reader is guided through the process of designing effective visualizations based on their data, delving into how datasets are produced and vetted, and how to assess their weaknesses and strengths, ultimately offering readers the knowledge needed to produce their own effective data visuals. This book is an invaluable resource for anyone interested in data visualization and storytelling, from journalism and communications students to public relations professionals. A detailed accompanying website features additional material for readers, including links to all the original datasets used in the text, at www.bigdatainsmallslices.com

Most of the public and academic debate over the media in Britain focuses on the national state-of-play - as a result, the local media are marginalised or ignored all-together. The second edition of What Do We mean By Local? (edited by John Mair and Richard Lance Keeble with Neil Fowler) tackles that problem head-on: both analysing and celebrating the local media - in its historical, national and international contexts - with all its extraordinary diversity and current dilemmas. Bringing together the work of top academics and journalists, it amounts to the most comprehensive survey of local media in the UK ever published. A number of contributors highlight the rise of hyperlocals across the country. Could the industry be on the cusp of a revival? Former Guardian editor Peter Preston focuses on the role newspapers still hold within local communities; David Baines deconstructs the industry's narrative of victimisation while New York University academic Jay Rosen provides a US perspective, arguing for a '100 per cent solution for innovation in the news'. In addition, this edition of What Do We Mean By Local? incorporates many new and many updated chapters: They include: Matthew Engel painting a colourful picture of his life and times in the industry 'D Notice' Secretary Andrew Vallance on the highs and lows of editing a parish magazine David Banks, former tabloid editor, on the pleasures of editing a free e-paper with 500 subscribers Other contributors are: Andrew Adamson, Marc Astley, Simon Bucks, Ian Carter, Jim Chisholm, Barnie Choudhury, Tor Clark, Richard Coulter, Andrew David, Tim Dickens, Tom Felle, Neil Fowler, Alan Geere, Agnes Gulyas, Lee Hall, Ross Hawkes, David Hayward, David Jackman, Nick Jones, Thomas Joseph, Stuart Littleford, Anthony Longden, Tim Luckhurst, James Marley, John Meehan, Chris Oakley CBE, Damian Radcliffe, Mike Rawlins, Paul Robertson, Max Sydney-Smith, Bob Satchwell, Richard Tait CBE, Sir Ray Tindle and Mark Woodward "Totally fascinating for anyone committed to, or interested in, the importance of regional reporting and accountability" Michael Wilson, Managing Director of UTV Television

Berlin Berlin is a satirical selection from the man with the acid pen and the perfect pitch for hypocrisy, who was as much the voice of 1920s Berlin as Georg Grosz was its face. It shines a light on the Weimar Republic and the post-World War I struggle, which fore-shadowed the Third Reich. Kurt Tucholsky was a brilliant satirist, poet, storyteller, lyricist, pacifist, and Democrat; a fighter, lady's man, reporter, and early warner against the Nazis who hated and loathed him and drove him out of his country. He was a "small, fat Berliner," who "wanted to stop a catastrophe with his typewriter," wrote his contemporary, Erich Kastner. When he began to write, he had five voices-in the end, he had none. He was one of the most famous journalists in Weimar Germany, surrounded by women, but he died alone in Sweden, an enemy of the state, among the first authors whose books were burned and banned by the Nazis in 1933. But he is not forgotten. This book collects Tucholsky's news stories, features, satirical pieces, and poems about his home town Berlin, never published in America before. With a foreword by New York author Anne Nelson and an introduction by Ian King, the chair of the Kurt-Tucholsky-Society.

This special edition of Ethical Space addresses the lack of ethnic diversity in the British media. With a focus on newspapers, the book identifies the reasons for a shortage of minority ethnic groups in mainstream journalism and newsroom management. It also considers the effects of this shortage on media representations of minority groups. The project arose from an Economic and Social Research Council-funded seminar series on Widening Ethnic Diversity in Journalism. The seminars were unique in assembling diverse perspectives and fostering interactions across the social, industrial, academic and educational landscape. The contributors to this special double edition reflect this diversity by representing key dimensions of the subject: the mainstream and minority ethnic media industry, journalism education and academic research. While focusing mainly on the British context, the volume also contains a major section on international perspectives and outcomes which echo several issues about workforce diversity identified in the UK news industry. The aims of this book are to: assess industry-led strategies to address under-recruitment of Black and ethnic minority (BEM) journalists; to facilitate dialogue between educators, employers and BEM representatives about increasing BEM recruitment; advance scholarship about under-representation of BEM groups; identify policies and schemes to attract BEM recruitment into key roles in the media; and inform the development of policy and practice in government, media industries and journalism education and training to increase the representation of Black and ethnic minority communities in mainstream newsrooms and raise their participation and profile in civil society. Guest editors: David Baines leads the Journalism section of the Media and Cultural Studies group at Newcastle University while Deborah Chambers is Professor of Media and Cultural Studies at Newcastle University

In Covering Washington, veteran national security reporter and author Bill Gertz presents a helpful and entertaining handbook for new journalists navigating the nation's capital. Peppering the book with anecdotes from his long career, Gertz dispenses the kind of wisdom you'd pick up if you were lucky enough to work alongside a journalist who's seen it all-in Washington and in capitals around the world. Covering Washington is a perfect companion for someone launching a career as a reporter.

George Wronkow worked as a journalist with the Mosse publishing house in Berlin in the 1920s and 30s; in the Spring of 1933 he had to leave Germany and fled first to Denmark and then to France, before emigrating to the USA in 1941. In his autobiography he presents a poignant account not only of his own life but of contemporary political developments from the Second Empire to the Nazi regime. He paints an impressive picture of his life in exile in Paris, where among other things he worked for the Pariser Tageblatt and as a radio journalist.

This book examines issues of citizenship, citizenship education, and social change in China, exploring the complexity of interactions among global forces, the nation-state, local governments, schools, and individuals - including students - in selecting and identifying with elements of citizenship and citizenship education in a multileveled polity. It also provides a clear, detailed guide to studies on China, discussing the country's responses to global challenges and social transitions for over a century - from its military defeats by foreign powers in the 1840s to its rise as a world power in the early 21st century - on its path toward reviving the nation and making a modern Chinese citizenry. Citizenship and Citizenship Education in a Global Age is accessible to readers in the fields of sociology, globalization, citizenship studies, comparative education, and China's development.

What is the difference between choking and panicking? Why are there dozens of varieties of mustard-but only one variety of ketchup? What do football players teach us about how to hire teachers? What does hair dye tell us about the history of the 20th century?

In the past decade, Malcolm Gladwell has written three books that have radically changed how we understand our world and ourselves: The Tipping Point; Blink; and Outliers. Now, in What the Dog Saw, he brings together, for the first time, the best of his writing from "The New Yorker" over the same period.

Here is the bittersweet tale of the inventor of the birth control pill, and the dazzling inventions of the pasta sauce pioneer Howard Moscowitz. Gladwell sits with Ron Popeil, the king of the American kitchen, as he sells rotisserie ovens, and divines the secrets of Cesar Millan, the "dog whisperer" who can calm savage animals with the touch of his hand. He explores intelligence tests and ethnic profiling and "hindsight bias" and why it was that everyone in Silicon Valley once tripped over themselves to hire the same college graduate.

"Good writing," Gladwell says in his preface, "does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head. What the Dog Sawis yet another example of the buoyant spirit and unflagging curiosity that have made Malcolm Gladwell our most brilliant investigator of the hidden extraordinary.

How best to turn yourself from sports fan to professional sports journalist? Quickly moving beyond general guidance about sports writing, Joe Gisondi focuses on the nitty-gritty, with hands-on, practical advice on covering 20 specific sports. From auto racing to wrestling, you'll find tips on the seemingly straightforward-where to stand on the sideline and how to identify a key player-along with the more specialized-figuring out shot selection in lacrosse and understanding a coxswain's call for a harder stroke in rowing. The new edition adds a new section on sports reporting across multimedia platforms with new chapters on social media, mobile media, visual storytelling, writing for television, and writing for radio, along with a new chapter on sabermetrics. Fully revised with new examples and updated information to prepare you for just about any game, match, meet, race, regatta or tournament you're likely to cover, Field Guide to Covering Sports, Second Edition is the ideal go-to resource to have on hand as you master the beat.

Climate Change and the Media brings together an international group of scholars to discuss one of the most important issues in human history: climate change. Since public understanding of the issue relies heavily on media coverage, the media plays a pivotal role in the way we address it. This edited collection - the first scholarly work to examine the relationship between climate change and the media - examines the changing nature of media coverage around the world, from the USA, the UK, and Europe, to China, Australasia, and the developing world. Chapters consider the impact of public relations and fictional programming, the relationship between public understanding and media coverage, and the impact of the media industries themselves on climate change. At a time when governments must take action to alleviate the catastrophic risk that climate change poses, this collection expertly details the pivotal role the media plays in this most fundamental of issues.

Including comprehensive coverage on both print and online, consumer and free magazines, Magazine Editing looks at how magazines work and explains the dual role of the magazine editor. John Morrish and Paul Bradshaw consider the editor both as a journalist, having to provide information and entertainment for readers, and as a manager, expected to lead and supervise successfully the development of a magazine or periodical.

Looking at the current state of the magazine market in the twenty-first century, the third edition explains how this has developed and changed in recent years, with specific attention paid to the explosion of apps, e-zines, online communities and magazine websites. Featuring case studies, interviews with successful editors, examples of covers and spreads, and useful tables and graphs, this book discusses the editor s many roles and details the skills needed to run a publication.

Magazine Editing offers practical guidance on:

• how to create an editorial strategy
• how to lead and manage an editorial team
• researching a market and finding new readers
• dealing with budgets and finance
• working with designers and production staff
• legal, technological and ethical dilemmas
• online distribution, social media and search engine optimisation
• managing information overload
• how to become an editor.

A Dictionary of Journalism is an accessible and authoritative quick reference dictionary. It covers over 1,400 wide-ranging entries on the terms that are likely to be encountered by students of the subject, and aims to offer a broad, accessible point of reference on an ever-topical and constantly-changing field that affects everyone's knowledge and perception of the world. Assuming little or no prior knowledge of the subject, it covers terminology relating to the practice, business, and technology of journalism, as well as its concepts and theories, organizations and institutions, publications, and key events. Related topic areas are covered where they impact on or offer explanations of journalism: for example in law, where legislation affects journalistic activity; and where sociological studies seek to aid the understanding of journalism. Appendices include a timeline of journalistic developments, contextualising the ever-evolving nature of journalism, as well as an index of significant individuals in the field. It is an essential companion to all students taking courses in Journalism and Journalism Studies, as well as related subjects such as Communications Studies, Media Studies, and Television and Radio Production.

"Engaged Journalism" explores the changing relationship between news producers and audiences and the methods journalists can use to secure the attention of news consumers. Based on Jake Batsell's extensive experience and interaction with more than twenty innovative newsrooms, this book shows that, even as news organizations are losing their agenda-setting power, journalists can still thrive by connecting with audiences through online technology and personal interaction.

Batsell conducts interviews with and observes more than two dozen traditional and startup newsrooms across the United States and the United Kingdom. Traveling to Seattle, London, New York City, and Kalamazoo, Michigan, among other locales, he attends newsroom meetings, combs through internal documents, and talks with loyal readers and online users to document the successes and failures of the industry's experiments with paywalls, subscriptions, nonprofit news, live events, and digital tools including social media, data-driven interactives, news games, and comment forums. He ultimately concludes that, for news providers to survive, they must constantly listen to, interact with, and fulfill the specific needs of their audiences, whose attention can no longer be taken for granted. Toward that end, Batsell proposes a set of best practices based on effective, sustainable journalistic engagement.

American novelists and poets who came of age in the early twentieth century were taught to avoid journalism "like wet sox and gin before breakfast." It dulled creativity, rewarded sensationalist content, and stole time from "serious" writing. Yet Willa Cather, W. E. B. Du Bois, Jessie Fauset, James Agee, T. S. Eliot, and Ernest Hemingway all worked in the editorial offices of groundbreaking popular magazines and helped to invent the house styles that defined McClure's, The Crisis, Time, Life, Esquire, and others. On Company Time tells the story of American modernism from inside the offices and on the pages of the most successful and stylish magazines of the twentieth century. Working across the borders of media history, the sociology of literature, print culture, and literary studies, Donal Harris draws out the profound institutional, economic, and aesthetic affiliations between modernism and American magazine culture. Starting in the 1890s, a growing number of writers found steady paychecks and regular publishing opportunities as editors and reporters at big magazines. Often privileging innovative style over late-breaking content, these magazines prized novelists and poets for their innovation and attention to literary craft. In recounting this history, On Company Time challenges the narrative of decline that often accompanies modernism's incorporation into midcentury middlebrow culture. Its integrated account of literary and journalistic form shows American modernism evolving within as opposed to against mass print culture. Harris's work also provides an understanding of modernism that extends beyond narratives centered on little magazines and other "institutions of modernism" that served narrow audiences. And for the writers, the "double life" of working for these magazines shaped modernism's literary form and created new models of authorship.

Der judische Tanz- und Theaterkritiker Artur Michel gehoerte zu den kenntnis- und einflussreichsten Tanzberichterstattern der Weimarer Republik. In diesem Band ist sein Hauptwerk - die Tanzkritiken aus der Vossischen Zeitung zwischen 1922 und 1934 - abgedruckt. Es liest sich als eine spannende und ausserst lebendige Tanzgeschichte des modernen kunstlerischen Tanzes in Europa. Artur Michel entwickelte ab 1922 in der Vossischen Zeitung systematisch die Tanzkritik. Er engagierte sich fur den modernen kunstlerischen Buhnentanz und trat damit den Freunden des klassischen Balletts kampferisch entgegen. Sein Idol war Mary Wigman. Ihre Auffassungen eines "absoluten Tanzes" unterstutzte er nach Kraften. Die Vossische Zeitung war eine der wichtigsten uberregionalen Berliner Tageszeitungen. Sie galt als Sprachrohr des liberalen Burgertums. Als das Blatt 1934 aus Protest gegen die von den Nationalsozialisten gleichgeschaltete Presse sein Erscheinen einstellte, verlor Michel sein wichtigstes Publikationsorgan. Erst 1941 erkannte er, dass er in Nazi-Deutschland nicht mehr sicher leben konnte und floh in letzter Minute auf abenteuerlichem Weg nach New York. Bis zu seinem Tod im Jahr 1946 schrieb er nunmehr in der deutsch-judischen Emigrantenzeitschrift Aufbau uber den modernen kunstlerischen Tanz in den USA.

Journalism is under ever-increasing pressure, due in large part to the phenomenon of media convergence. Not only does media convergence redefine the tasks of journalists and newsrooms, it also re-shapes the business environments of media companies. In this book, international media practitioners and researchers describe and analyze the relationships between media convergence and advertising, public relations, social media and other areas of communication posing a challenge to journalism.

There is increasing awareness of the development of newer "smart" and more interactive media, at precipitate speed, in many parts of the world. The concept of change-as opposed to continuity-is central to the increasing interest in digital media. However, this focus has not yet been matched by substantive theoretical discussions, or by extensive empirical examinations of computer-mediated communication and intercultural communication. Against such a backdrop, this volume offers theoretical insights, fresh evidence and rich applications as it assesses the nature of digital culture(s) in order to address assumptions about the present state of mediated global society(ies) and their future trajectory. Chapters explore what happens in praxis when digital media are implemented across cultures and are contested and negotiated within complex local and political conditions. The book showcases interpretative and critical research from voices with diverse backgrounds, from locations around the world. As such, this volume presents a rich and colorful tapestry that provides opportunities for comparative analyses and deepened international understandings of digital media connections, particularly in the areas of identity, community and politics.