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Books > Language & Literature > Literary & linguistic reference works > Writing & editing guides > Journalistic style guides
The human interest stories and reviews in this book are woven from
the author's forty-plus years of experience as a prize-winning
reporter, an author, an editor-publisher, a college professor and
an undercover investigator for local, state and federal law
enforcement agencies, and for the East Tennessee Attorney General.
The stories are set in the often mysterious and closed-in back
mountain country of Western North Carolina before it began filling
up with outlanders, and the relatively cosmopolitan
Asheville-Buncombe County area of another time, which includes
interviews with Carl Sandburg, Martin Luther King Jr., Julian Bond,
etc. The stories range from the subtle and wry political wit of the
mountaineers to often hilarious trials in Superior Court to the
trial in Federal Court of the man who sold off most of the Great
Smoky Mountains National Park in the 1960s to bloody demonic
murders and the tragedy of simple people growing old. There are
lawyers and cops, political and law-enforcement corruption. The
author handles much of it with the blunt irony and wit of a native
writer.
Find yourself in the midst of a heated battle over a sitcom laugh
track. Learn to get away with spectacular crimes. Get lost with the
reindeer people in the mountains of Mongolia.
In Lost in Mongolia a collection of Tad Friend's most original,
witty, and wide-ranging articles and essays from "The New Yorker,
Esquire, " and "Outside" we are taken on a cultural tour of global
proportions. Friend reports from the entertainment mecca of
Hollywood on topics that range from the life and death of River
Phoenix to the widespread plagiarism of movie ideas, to why
celebrity profiles are always dreadful. He critiques the larger
American culture with articles such as "White Trash Nation," " In
Praise of Middlebrow, " and a brief rumination on what it means
when your girlfriend steals and wears your favorite shirt. Readers
will also journey to foreign lands and American outposts, as Friend
goes on the trail of the Marcos dynasty in the Philippines, is
harassed in Morocco, and digs up buried treasure in Sun Valley.
Lost in Mongolia is a one-of-a-kind collection from a refreshingly
candid and well-traveled journalist.
What basic ethical principles should guide American journalists
to help them justify their invasion of an individual's privacy, to
be objective in their reporting, to avoid being influenced by
government or economic controls? A wire service and newsroom
veteran and a sociologist and scholar in mass media/communications
have designed a philosophical guide for students, scholars, and
practitioners to use as a kind of moral compass. Key excerpts from
some of the most important writings on the subject from Milton to
Louis Brandeis, from Plato to Sissela Bok, and from Adam Smith to
John Merrill deal with some of the most serious contemporary issues
in journalism today. This short text also includes the Society of
Professional Journalists' Code of Ethics and a full index.
The Basics of Media Writing: A Strategic Approach helps readers
develop the essential writing skills and professional habits needed
to succeed in 21st-century media careers. This research-driven,
strategy-based media writing textbook digs deeply into how media
professionals think and write in journalism, public relations,
advertising, and other forms of strategic communication. Authors
Scott A. Kuehn and Andrew Lingwall have created two comprehensive
writing models to help students overcome their problems in finding
and developing story topics by giving them "starting points" to
begin writing. The Professional Strategy Triangle model shows
students how to think critically about the audience, the situation,
and the message before starting a news story or persuasive piece
and the FAJA four-point model asks students a series of questions
about their story type (Fact, Analysis, Judgment, or Action) to
guide them to the right angle or organizational structure for their
message. Rooted in classical rhetorical methods, this step-by-step
technique enables readers to strategically approach each writing
task, no matter the format.
Canadian journalist and political insider Dalton Camp left
behind a powerful legacy, including books, essays, and newspaper
columns on Canadian politics and public policy.
To both celebrate his career and continue his passionate efforts
to encourage and support the practice of journalism, St. Thomas
University has held the annual Dalton Camp Lecture in Journalism
since 2002. In cooperation with CBC Radio's "Ideas," the series has
become an annual highlight for listeners across the country.
Now, for the first time, the Dalton Camp Lectures have been
gathered together in one remarkable compilation. Commencing with
the foundational address "The Best Game in Town" by journalist and
social activist June Callwood, about her love affair with
journalism, and ending with the 2013 lecture "The Next Big Thing
Has Finally Arrived" by "New York Times" business, media, and
culture writer David Carr, the contributors collectively forecast
the future of news and the public discussion of ideas in a vastly
changing world.
Featuring contributions by Callwood and Carr as well as Nahlah
Ayed, Sue Gardner, Chantal H#&233;bert, Naomi Klein, Roy
MacGregor, Stephanie Nolen, Neil Reynolds, Joe Schlesinger, and Ken
Whyte, "The Next Big Thing" addresses the contemporary practice of
journalism like no other book.
What we don't know can hurt us-and does so every day. Climate
change, health care policy, weapons of mass destruction, an aging
infrastructure, stem cell research, endangered species, space
exploration-all affect our lives as citizens and human beings in
practical and profound ways. But unless we understand the science
behind these issues, we cannot make reasonable decisions-and worse,
we are susceptible to propaganda cloaked in scientific rhetoric. To
convey the facts, this book suggests, scientists must take a more
active role in making their work accessible to the media, and thus
to the public. In Am I Making Myself Clear? Cornelia Dean, a
distinguished science editor and reporter, urges scientists to
overcome their institutional reticence and let their voices be
heard beyond the forum of scholarly publication. By offering useful
hints for improving their interactions with policymakers, the
public, and her fellow journalists, Dean aims to change the
attitude of scientists who scorn the mass media as an arena where
important work is too often misrepresented or hyped. Even more
important, she seeks to convince them of the value and urgency of
communicating to the public. Am I Making Myself Clear? shows
scientists how to speak to the public, handle the media, and
describe their work to a lay audience on paper, online, and over
the airwaves. It is a book that will improve the tone and content
of debate over critical issues and will serve the interests of
science and society.
What does it feel like to be featured, quoted, or just named in a
news story? A refugee family, the survivor of a shooting, a primary
voter in Iowa-the views and experiences of ordinary people are an
important component of journalism. While much has been written
about how journalists work and gather stories, what do we discover
about the practice of journalism and attitudes about the media by
focusing on the experiences of the subjects themselves? In Becoming
the News, Ruth Palmer argues that understanding the motivations and
experiences of those who have been featured in news
stories-voluntarily or not-sheds new light on the practice of
journalism and the importance many continue to place on the role of
the mainstream media. Based on dozens of interviews with news
subjects, Becoming the News studies how ordinary people make sense
of their experience as media subjects. Palmer charts the arc of the
experience of "making" the news, from the events that brought an
ordinary person to journalists' attention through the decision to
cooperate with reporters, interactions with journalists, and
reactions to the news coverage and its aftermath. She explores what
motivates someone to talk to the press; whether they consider the
potential risks; the power dynamics between a journalist and their
subject; their expectations about the motivations of journalists;
and the influence of social media on their decisions and reception.
Pointing to the ways traditional news organizations both continue
to hold on to and are losing their authority, Becoming the News has
important implications for how we think about the production and
consumption of news at a time when Americans distrust the news
media more than ever.
Essential English is a brisk and pungent guide to the use of words as tools of communication. It is written primarily for journalists, yet its lessons are of immense value to all who face the problem of giving information, whether to the general public or within business, professional or social organizations. What makes a good English sentence? How should you rewrite a bad one?What cliches and other word-traps are to be avoided? How do you shorten unnecessarily verbose source-material? How is the essence of what you have to say be conveyed, and placed in proper relation to any background information? These are questions for all. Using a wealth of examples, all drawn from newspapers in Britain and the United States, ESSENTIAL ENGLISH is an indispensable guide for all who have to convey information by the written or printed word.
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