Over the past two decades, techniques for advanced computing and enhanced imaging have transformed the ways planners, geographers, surveyors, and others think about and visualize the places, regions, and peoples of the earth. Ground Truth is the first book to explicitly address the role of geographic information systems (GIS) in their social context. Contributing authors consider the ideas and practices that have emerged among GIS users, demonstrating how they reflect the material and political interests of certain groups. Chapters also discuss the impact of new GIS technologies on the discipline of geography, and evaluate the role of GIS within the wider transformations of free-market capitalism.

Writers know only too well how long it can take--and how awkward it can be--to describe spatial relationships with words alone. And while a map might not always be worth a thousand words, a good one can help writers communicate an argument or explanation clearly, succinctly, and effectively. In his acclaimed How to Lie with Maps, Mark Monmonier showed how maps can distort facts. In Mapping it Out: Expository Cartography for the Humanities and Social Sciences, he shows authors and scholars how they can use expository cartography--the visual, two-dimensional organization of information--to heighten the impact of their books and articles. This concise, practical book is an introduction to the fundamental principles of graphic logic and design, from the basics of scale to the complex mapping of movement or change. Monmonier helps writers and researchers decide when maps are most useful and what formats work best in a wide range of subject areas, from literary criticism to sociology. He demonstrates, for example, various techniques for representing changes and patterns; different typefaces and how they can either clarify or confuse information; and the effectiveness of less traditional map forms, such as visibility base maps, frame-rectangle symbols, and complementary scatterplot designs for conveying complex spatial relationships. There is also a wealth of practical information on map compilation, cartobibliographies, copyright and permissions, facsimile reproduction, and the evaluation of source materials. Appendixes discuss the benefits and limitations of electronic graphics and pen-and-ink drafting, and how to work with a cartographic illustrator. Clearly written, and filled with real-world examples, Mapping it Out demystifies mapmaking for anyone writing in the humanities and social sciences. A useful guide to a subject most people probably take too much for granted. It shows how map makers translate abstract data into eye-catching cartograms, as they are called. It combats cartographic illiteracy. It fights cartophobia. It may even teach you to find your way.--Christopher Lehmann-Haupt, The New York Times

This volume of essays considers the practical and political purposes for which maps were used, the symbolic and ideological roles of maps in the history of South-Western England and the ways in which map evidence can be used to recover facts about the past for use in the writing of history. The text is accompanied by 43 pages of maps and illustrations.

Following on from Mapping New York and Mapping London, Mapping America: Exploring the Continent takes a similar approach in its presentation, thematically arranging a vivid collection of historic, demographic, cultural and artistic maps to aid the reader on their journey. Featuring four centuries of maps that depict the changing landscape of North America, Mapping America charts the continent through numerous landmark events and uprisings, including the Civil War, the Civil Rights Movement, and more recent concerns, such as the environment and terrorism. From early maps depicting the country's colonial beginnings, through to contemporary maps depicting America today, the book presents the reader with a multi-faceted view of the North American physical and cultural landscape; from maps showing the electoral routes of Presidential campaigns, to the diminishing native communities shown in census maps, to maps charting the country's health statistics. Alongside the historic, geographic, and political, the book also pays particular attention to the artistic and imaginative, documenting America's rich and descriptive literary and artistic past. The journey taken by Jack Kerouac in the seminal book On the Road is documented in a hand-drawn map, whilst numerous artists known for their interest in cartography will be featured, from the representational to the abstract, including Paula Scher with The United States and Daniel Medina with Map Cube World. Not just for cartography enthusiasts, Mapping America: Exploring the Continent appeals to the general reader, as well as specialists in the areas of geography, art, architecture and design. The book's breadth of material, with a variety of maps ranging from the historically accurate to the imaginative and entertaining, makes it accessible to all, and a perfect Christmas gift.

English Summary: This collection of essays covers all periods of cartography's history from antiquity to the present time, all kinds of maps from star maps and sea charts to land maps and street plans and all administrative, political, ideological, military and economic uses of maps. At the same time, proceeding from recent methodological changes in the field of historical-cultural studies, it focuses on the spatial knowledge generated by maps and the pictorial-diagrammatic means of this knowledge production. German Description: Der Sammelband KartenWissen ruckt das Medium der Karte in das phanomenal-semiotische Spannungsfeld von Bild und Diagramm. Dabei werden aus einer Vielzahl unterschiedlicher disziplinarer Perspektiven samtliche Typen und Funktionen von Karten sowie samtliche Epochen der Kartographiegeschichte beleuchtet. Mit Beitragen von Anna-Dorothee von den Brincken, Kai Brodersen, Edward Casey, Karl Clausberg, Franco Farinelli, Gyula Papay, Ute Schneider, Alfred Stuckelberger u.a.

The largest maps in the world are to be found in the floor of the Citizens' Hall, in the heart of the Royal Palace Amsterdam. The three circular mosaics, each measuring over six metres in diameter, together depict the known world and the night sky. They remain to this day an iconic and beloved part of the majestic palace, which was originally built in the mid-17th century to serve as Amsterdam's town hall. At that time, the city was the world's leading cartography centre. The prominent place of the floor maps relates directly to that primacy. This book tells the story of these unique maps and of the flourishing of cartography in Amsterdam in the 17th and 18th centuries.

Through a detailed study of the work of three of the leading figures of the era - Augustus Petermann, Physical Geographer Royal to Queen Victoria; cartographer Charles Meredith van de Velde, who produced the finest map of the region at the time; and Edward Robinson, founder of modern Palestinology - the authors explore the complex cultural, cartographic and technical processes that shaped and determined the resulting maps of the region. Making full use of newly discovered archival material, and richly illustrated in both colour and black and white, Mapping the Holy Land is essential reading for cartographers, historical geographers, historians of mapmaking, and for all those with an interest in the Holy Land and the history of Palestine.

The map is a central element of our visual culture. It has also been a vital representation technology in many scholarly disciplines for hundreds of years, as well as a practical tool for navigation and a means for the government of territory. But, as the editor of this new four-volume collection from Routledge explains, the rhetorical power and technical complexity of how maps work are relatively underappreciated and not well analysed across the social sciences and beyond. Now, to enable researchers and advanced students to make better sense of a vast corpus of scholarship, Mapping brings together all the important literature in a comprehensive and coherently edited compendium. The carefully selected texts demonstrate how cartography works as a powerful representational form; they also explore how different mapping practices have been conceptualized. The four volumes are structured by theme-including 'definitions and paradigms'; 'design and communication'; 'technologies and techniques'; and 'people and politics'-and the gathered materials include major works from leading cartographers, as well as classic and cutting-edge pieces from scholars and researchers in cognate subject areas.

China at the Center focuses on two masterpieces of seventeenth-century map-making that illustrate the exchange of information (and misinformation) between Europe and Asia. The world maps created by Jesuit priests Matteo Ricci (1602) and Ferdinand Verbiest (1674) for the Chinese courts tell fascinating stories about the meeting of two worldviews. They provided Europeans with greater knowledge of China and the Chinese with new ideas about geography, astronomy, and the natural sciences. The maps also show the ways that certain myths were perpetuated, especially as seen in the vivid and imaginative descriptions of the peoples and places of the world and in their depictions of exotic fauna.

The Charter of the United Nations was signed in 1945 by 51 countries representing all continents, paving the way for the creation of the United Nations on 24 October 1945. The Statute of the International Court of Justice forms part of the Charter. The aim of the Charter is to save humanity from war; to reaffirm human rights and the dignity and worth of the human person; to proclaim the equal rights of men and women and of nations large and small; and to promote the prosperity of all humankind. The Charter is the foundation of international peace and security.

Founded by the British Cartographic Society (BCS) and first published in June 1964, The Cartographic Journal was the first general distribution English language journal in cartography. This volume of classic papers and accompanying invited reflections brings together some of the key papers to celebrate 50 years of publication. It is a celebration of The Cartographic Journal and of the work that scholars, cartographers and map-makers have published which have made it the foremost international journal of cartography. The intention here is to bring a flavor of the breadth of the journal in one volume spanning the history to date. As a reference work it highlights some of the very best work and, perhaps, allows readers to discover or re-discover a paper from the annals. As we constantly strive for new work and new insights we mustn t ignore the vast repository of material that has gone before. It is this that has shaped cartography as it exists today and as new research contributes to the discipline, which will continue to do so."

In today's practices of urban design, the map acts as a documentary and design tool as well as a legal document. Its usefulness hinges on its perceived truthfulness and objectivity in the representation of reality. Yet this has not always and everywhere been the case. There was a time in Western and non-Western societies where the nature of the map and the acts of mapping were very different. This study traces this difference in an attempt to understand the process of change and its impact on the nature and quality of human settlements. To do this, Dr. Nichol's new monograph explores points of intersection between urban design and urban history. Focusing on Southeast Asia, it examines the transition from pre-modern to modern modes of mapping enabled through the mediation of Western intervention. The aim is to comparatively trace the map's historical evolution in intertwining Western and non-Western contexts. Using archival materials, the study brings together Southeast Asian urban history, history of urban cartography, and urban design theories. It shows how different forms of mappings reveal culturally specific ways of seeing and understanding the world. Pre-modern maps typically prioritised sacred and profane space and the proliferation of religious knowledge over the need to satiate any geographical enquiries. As technological developments in Europe brought about new forms of cartography, Western ideas about space, previously dominated by socio-religious beliefs, were openly challenged by science and exploration. The Enlightenment period's embrace of reasoned knowledge and rational thought filtered into mapping practices, which was eventually embraced globally to the demise of sacred space. Yet the past survived in urban history, and between the retrospective view of urban history and the projective view of urban design a new schism emerged. By examining the role of the map at a conjunction of urban history and urban design, the study attempts to show how the Enlightenment's rational mapping proliferated into the non-Western world, how the production of urban space shifted from a socio-culturally motivated style to a highly theorised framework, how the concept of the modern city was born alongside the emergence of modern urban planning, how the emergence of modern thinking about the city corresponded with new ways of designing, and how theorists reacted to the modernist urban design rationalism which was anchored in the authority of scientific mapping. Through this path of enquiry the study strives to uncover some of the lost meanings and functions of the map, and to examine new approaches to dealing with the loss of quality and identity in today's urban environments.

Though tourism now plays a recognized role in historical research and regional studies, the study of popular touristic images remains sidelined by chronological histories and objective statistics. Further, Arizona remains underexplored as an early twentieth-century tourism destination when compared with nearby California and New Mexico. With the notable exception of the Grand Canyon, little has been written about tourism in the early days of Arizona's statehood.
"Mapping Wonderlands" fills part of this gap in existing regional studies by looking at early popular pictorial maps of Arizona. These cartographic representations of the state utilize formal mapmaking conventions to create a place-based state history. They introduce illustrations, unique naming conventions, and written narratives to create carefully visualized landscapes that emphasize the touristic aspects of Arizona.
Analyzing the visual culture of tourism in illuminating detail, this book documents how Arizona came to be identified as an appealing tourism destination. Providing a historically situated analysis, Dori Griffin draws on samples from a comprehensive collection of materials generated to promote tourism during Arizona's first half-century of statehood. She investigates the relationship between natural and constructed landscapes, visual culture, and narratives of place. Featuring sixty-six examples of these aesthetically appealing maps, the book details how such maps offered tourists and other users a cohesive and storied image of the state. Using historical documentation and rhetorical analysis, this book combines visual design and historical narrative to reveal how early-twentieth-century mapmakers and map users collaborated to imagine Arizona as a tourist's paradise.

The Self-Made Map argues that during the Renaissance in France a "new cartographic impulse" affected both the "graphic and imaginary forms of literature." In this wide-ranging and fascinating work, Tom Conley demonstrates that as new maps were plotted during this period, a new sense of self emerged, one defined in part by the relationship of the self to space. Conley traces the explosion of interest in mapmaking that occurred with the discovery of the New World, and discusses the commensurate rise of what he defines as cartographic writing-writing that "holds, penetrates, delineates, and explores space." Considering the works of such writers as Rabelais, Montaigne, and Descartes, Conley provides a "navigation" through the printed page, revealing the emerging values of Renaissance France. In his examination of the placing of words, letters, and graphic elements in books, he exposes the playful and sometimes enigmatic relation between spatial organization and text. Conley also exposes the ideological exercise inherent in mapmaking, arguing that Renaissance cartography is inseparably bound up with the politics of the era. He undertakes close readings of maps and illustrations, discussing the necessity of viewing Renaissance maps in the context of their typographic layout, graphic reproduction, and literary and ideological import. Richly illustrated throughout, The Self-Made Map combines studies of art, geography, history, literature, and printing to show a clear historical transformation, along the way linking geographical discoveries, printing processes, and political awareness. Conley's provocative analysis discloses how early modern printed literature and cartography worked together to crystallize broader issues engaging the then emergent status of cultural identity, nation, and individuality.

Some maps help us find our way; others restrict where we go and what we do. These maps control behavior, regulating activities from flying to fishing, prohibiting students from one part of town from being schooled on the other, and banishing certain individuals and industries to the periphery. This restrictive cartography has boomed in recent decades as governments seek regulate activities as diverse as hiking, building a residence, opening a store, locating a chemical plant, or painting your house anything but regulation colors. It is this aspect of mapping--its power to prohibit--that celebrated geographer Mark Monmonier tackles in "No Dig, No Fly, No Go."
Rooted in ancient Egypt's need to reestablish property boundaries following the annual retreat of the Nile's floodwaters, restrictive mapping has been indispensable in settling the American West, claiming slices of Antarctica, protecting fragile ocean fisheries, and keeping sex offenders away from playgrounds. But it has also been used for opprobrium: during one of the darkest moments in American history, cartographic exclusion orders helped send thousands of Japanese Americans to remote detention camps. Tracing the power of prohibitive mapping at multiple levels--from regional to international--and multiple dimensions--from property to cyberspace--Monmonier demonstrates how much boundaries influence our experience--from homeownership and voting to taxation and airline travel. A worthy successor to his critically acclaimed "How to Lie with Maps, " the book is replete with all of the hallmarks of a Monmonier classic, including the wry observations and witty humor.
In the end, Monmonier looks far beyond the lines on the page to observe that mapped boundaries, however persuasive their appearance, are not always as permanent and impermeable as their cartographic lines might suggest. Written for anyone who votes, owns a home, or aspires to be an informed citizen, "No Dig, No Fly. No Go" will change the way we look at maps forever.

From the Preface by Tetsuya Iseki:

A Survey of London was originally published by John Stow (c. 1525 1605) in 1598. Stow was a chronicler and antiquary who edited literary works and archaeological texts (his first publication was Chaucer s Canterbury Tales, newly edited in 1561). In 1603 Stow published a new edition with corrections and additions, and it achieved immediate popular success. Even after his death, the work was reprinted in 1618 (Anthony Munday s new edition), and again in 1633, but then disappeared from print until the end of the century. (The 1603 edition which was re-edited by C. L. Kingsford was issued by Oxford University Press in 1908, and later reprinted as the facsimile edition in 2000.)

After the Great Fire of 1666, the state of London depicted and recorded in Stow s Survey was greatly transformed. In 1694 Richard Blome (who published a new edition of William Camden s Britannia) made an attempt to publish his new edition of Stow s Survey with maps and many additions to describe the rebuilding of London after the Fire, but this was not successful. In 1702 John Strype (1643 1737), who had already achieved fame as an editor of historical and biographical documents, started editing Blome s abortive work and created a new edition to answer the need for a current version of Stow s Survey. Strype was said to have completed his edition (in two folio volumes) by November 1707, while a similar, rival book, A New View of London by Edward Hatton, was going to be published the following year. The booksellers gave up Strype s Survey because Hatton s publication was a smaller and cheaper edition. As it turned out, however, Hatton s View of London could not satisfy the demand for a more scholarly updated edition of Stow s Survey, and Strype s project was revived in 1716 and finally published in December 1720.

Strype s Survey of London is basically an enlarged edition of Stow s Survey, but the main body of the text and the maps are essentially taken from Blome s 1694 edition. A mere reading of Strype s Survey will reinforce the claim that the work is full of information about the late Stuart capital: the economics, politics, religion, architecture, and moral life of his day. Maps and plates of Strype s Survey retain vivid visual details and, more than any other previous attempts, successfully remap the prosperous state of London. Pre-Fire maps were pictorial bird s-eye views, in which buildings and landmarks are privileged over topographical accuracy, but alleys and yards are often obscured. The two-dimensional maps were published by John Ogilby and William Morgan after the fire in 1677. A large number of illustrations in Strype s new edition show the details of the capital s parishes and wards, including important historical buildings within and without the City both in two dimensions and bird s-eye views.

Strype s Survey of London was priced at six guineas, and some 700 copies were published. Now the original is rarely found and the condition of the copies in the British Library or the ones in some other big libraries are not sound enough for reprint use. The present reprint is from my personal unspoiled copy of the 1720 edition. All texts and visual images derive from this copy. The work was originally published in two volumes: Volume 1 contains Books 1 3 and Volume 2 contains Books 4 6, plus appendices. This reprinted edition consists of three volumes: Volume 1 (Books 1, 2), Volume 2 (Books 3, 4), and Volume 3 (Books 5, 6). The texts are in the original fount and all illustrations and maps are inserted as foldouts.

With the widespread use of GIS, multi-scale representation has become an important issue in the realm of spatial data handling. However, no book to date has systematically tackled the different aspects of this discipline. Emphasizing map generalization, Algorithmic Foundation of Multi-Scale Spatial Representation addresses the mathematical basis of multi-scale representation, specifically, the algorithmic foundation. Using easy-to-understand language, the author focuses on geometric transformations, with each chapter surveying a particular spatial feature. After an introduction to the essential operations required for geometric transformations as well as some mathematical and theoretical background, the book describes algorithms for a class of point features/clusters. It then examines algorithms for individual line features, such as the reduction of data points, smoothing (filtering), and scale-driven generalization, followed by a discussion of algorithms for a class of line features including contours, hydrographic (river) networks, and transportation networks. The author also addresses algorithms for individual area features, a class of area features, and various displacement operations. The final chapter briefly covers algorithms for 3-D surfaces and 3-D features. Providing a thorough treatment of low-level algorithms, Algorithmic Foundation of Multi-Scale Spatial Representation supplies the mathematical groundwork for multi-scale representations of spatial data.

The Great Basin was the last region of continental North America to be explored and mapped, and it remained largely a mystery to European-Americans until well into the nineteenth century. In Mapping and Imagination in the Great Basin, geographer-historian Richard Francaviglia shows how the Great Basin's gradual emergence from its ""large cartographic silence"" both paralleled the development of the sciences of surveying, geology, hydrology, and cartography, and reflected the changing geopolitical aspirations of the European colonial powers and the United States. Francaviglia's compelling, wide-ranging discussion combines an explanation of the physical realities of the Great Basin with a cogent examination of the ways humans, from early Native Americans to nineteenth-century surveyors to twentieth-century highway and air travelers, have understood, defined, and organized this space, psychologically and through the medium of maps. This book explores the relationship between mapmakers from various cultures and nations - Spain, Mexico, France, England and the Americas - and shows how their maps of the Great Basin reflected attitudes and beliefs about what lay in the interior American West. These maps run the gamut, from the manuscript maps of early explorers to printed maps used to promote rail and air travel across the Great Basin, as well as satellite and computer-derived maps of the very recent past. This rich interdisciplinary account of the mapping of the Great Basin combines a chronicle of the exploration of the region with a history of the art and science of cartography and of the political, economic, and social contexts in which maps are created. The result is an impressive contribution to the canon of American Western history and of the evolution and multifarious functions of maps, ancient and modern. Mapping and Imagination in the Great Basin will be irresistible to historians, geographers, lovers of maps, and anyone who thrills to the exploits of early Western explorers.

This work argues for the adoption of sociotechnology as a unified concept where both social and technical aspects are approached simultaneously.

This volume offers twenty-four papers on subjects such as: groundwater potential assessment through the application of GIS; geophysical methods and remote sensing techniques; groundwater pollution and its remediation measures; aquifer characterisation of continuum and fracture media; modelling of groundwater flow and mass transport; and community based groundwater resources management.

This two-volume set explains the technology, performance, and applications of the Global Positioning System (GPS). Presenting the history of GPS development, the basic concepts and theory of GPS, and the recent developments and numerous applications of GPS, each chapter is authored by experts in their area of GPS.

The Practical Handbook of Digital Mapping Terms and Concepts offers easy-to-read, alphabetically cross-referenced terms, illustrated with maps (including 8 pages in full color) produced through digital mapping technology. Thorough explanations provide novices and experts alike with the most comprehensive study of its kind, drawing together terms and concepts from the business, academic, and development communities.
One of the book's unique features is a practical introduction to digital mapping, explaining its original application in the international development community and the third world issue of guinea worm. This study is balanced by theoretical perspectives on digital mapping as well as possible directions for future exploration. Internally cross-referenced appendices cover topics often ignored in the conventional academic curriculum, but which are critical to success in other digital mapping arenas. These appendices discuss railroad terminology, desktop digital mapping (with French translation), maps on CD-ROM (with French translation), tools used in the global positioning system (with French translation), and Intelligent Vehicle Highway Systems.

First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.