This book looks back to the early days of new and social media, to examine the potential threat that such technologies and platforms posed to the mainstream corporate media's gatekeeping, and its ability to exploit, humiliate, and even violate famous women Drawing on her own experiences working as part of this gatekeeping system, Stephanie Patrick argues that, in order to combat this threat, the mainstream media doubled down on gendered narratives of meritocracy that legitimized certain (male) celebrities over others Using a range of case studies spanning "old" media sites and "new," including Disney, Playboy, and reality television, this book demonstrates that sexual exploitation and violation could be considered constitutive of female celebrity, rather than a side effect Patrick's case studies include some of America's most (in)famous celebrities, including Miley Cyrus, Lindsay Lohan, Anna Nicole Smith, Paris Hilton, and Donald Trump, urging readers to question their assumptions about these figures and their public trajectories This nuanced exploration of patriarchal capitalism and women's ongoing sexual exploitation by the media will be an important reference for scholars and students of digital and new media, journalism, celebrity studies and gender studies

This book looks at the origins and the many contemporary meanings of the virtual. Rob Shields shows how the construction of virtual worlds has a long history. He examines the many forms of faith and hysteria that have surrounded computer technologies in recent years. Moving beyond the technologies themselves he shows how the virtual plays a role in our daily lives at every level. The virtual is also an essential concept needed to manage innovation and risk. It is real but not actual, ideal but not abstract. The virtual, he argues, has become one of the key organizing principles of contemporary society in the public realms of politics, business and consumption as well as in our private lives.

This issue of Trends in Communication will inspire researchers to take up the matter of convergence as a topic for research. We are entering a world--literally--without technical borders, and we need to adapt our markets as well as our economic and political institutions to that world. Whereas the scientific community has the luxury of being able to sit back and contemplate the issue from every possible angle, bureaucrats, legislators, and regulators are already working out the solutions to practical problems. This issue will hopefully also inform them about convergence and its problems.

In this special issue of Trends in Communication management scholars share their ideas and research findings about the use of the community concept in the areas of knowledge management, organizational learning, innovation, and virtual learning. This fine collection of "community of practice" papers shows a variety of perspectives and applications on a new organizational phenomenon.

Now You See It, Richard Dyer's groundbreaking study of films by and about lesbians and gay men, has been revised for a second edition, and features an introduction by Juliane Pidduck outlining developments in lesbian and gay cinema since 1990. Now You See It examines familiar titles such as Girls in Uniform, Un Chant D'Amour, and Word Is Out, in their lesbian / gay context as well as bringing to light many other forgotten but remarkable films. Each film is examined in detail in relation to both film type and tradition and the sexual subculture in which it was made.
Now You See It is also a case study in the dynamics of lesbian and gay cultural production. These films were formed from the filmic and sub-cultural images, assumptions and styles available to lesbians and gay men which both made the films possible and delimited the forms they could take and what they could say. They carry a special charge for lesbians and gay men seeking both to break free from and be heard in the languages of a homophobic society.

Psychology of the Image outlines a theoretical framework bringing together the semiotic concepts developed by Charles Peirce, the sociological insights of Ervin Goffman and the psychoanalytic ideas of Jacques Lacan. Image studies in fashion, advertising, photography, film studies and psychology have been influenced by these theorists in significant ways. The framework presented helps the reader understand how these ideas relate to the study of different domains of the image: the internal imagery of dreams, external images such as the photograph and image processes which span both contexts, e.g., images we have about ourselves. The topics discussed are organised into three themes. The first considers mental imagery, including sound and dreams. The second addresses the interdependent nature of internal and external images, e.g., the gendered self and social identity. In the third theme, attention turns to external images including television, film, photography, the computer and the internet. Psychology of the Image will be of interest to undergraduates, postgraduates, lecturers and researchers in the fields of psychology, media studies and sociology.

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This book is concerned with the media's role in everyday life, power relations and the construction of masculine identities in the context of prisons. It is based upon unique research into the nature, impact and consequences of a situation where most prisoners in English prisons have access to some media resource, whether radio or television, or with communal or individual access to it. Captive Audience charts for the first time the way in which prisons use media in coping - or failing to cope - with the pressures of prison life, exploring the impact of the media in terms of prisoner identities, shaping power relations between prisoners and other prisoners, and in helping prisoners 'get through' a prison sentence. At the same time this book raises a range of broader issues of theory and practice on the nature of the relationship between prisons, criminal justice systems and society more generally, and on the ways in which the media are conceived in everyday life. It will be of interest to all those concerned with prisons, criminology and the criminal justice system, the social role of the media, and the construction of identity.

Impossible Bodies investigates issues of ethnicity, gender and sexuality at the margins of contemporary Hollywood. Examining stars from Arnold Schwarzenegger and Clint Eastwood to Whoopi Goldberg and Jennifer Lopez, Chris Holmlund focuses on actors whose physique or appearance marks them as unusual or exceptional, and yet who occupy key and revealing positions in today's mainstream cinema. Exploring a range of genres and considering both stars and their sidekicks, Holmlund examines ways in which Hollywood accommodates - or doesn't - a variety of 'impossible bodies' from the 'outrageous' physiques of Dolph Lundgren and Dolly Parton, to the almost invisible bodies of Asian-Americans, Latinas and older actors. From the Pumping Iron documentaries to The Quick and the Dead and Boys on the Side, Holmlund traces the broad shifts and startling disjunctures in what count as desirable images of masculinity and femininity in mainstream cinema.
From lesbian killers to Swedes who never play Swedes, Impossible Bodies considers how representations of ethnicity and race, gender and sexuality are played out in contemporary Hollywood films, and shows how popular cinema reflects and communicates contemporary values for audiences.

This book is an upper-level student source book for contemporary approaches to media studies in Asia, which will appeal across a wide range of social sciences and humanities subjects including media and communication studies, Asian studies, cultural studies, sociology and anthropology. Drawing on a wide range of perspectives from media and communications, sociology, cultural studies, anthropology and Asian studies, it provides an empirically rich and stimulating tour of key areas of study. The book combines theoretical perspectives with grounded case studies in one up-to-date and accessible volume, going beyond the standard Euro-American view of the evolving and complex dynamics of the media today.

Media and Power addresses three key questions about the relationship between the media and society.
* How much power do the media have?
* Who really controls the media?
* What is the relationship between media and power in society? In this major new book, James Curran reviews the different answers which have been given, before advancing original interpretations in a series of groundbreaking essays.
The book also provides a guided tour of the major debates in media studies. What part did the media play in the making of modern society? How did 'new media' change society in the past? Is public service television the dying product of the nation in an age of globalization?
Written by one of the field's leading scholars, Media and Power provides both a clear introduction to media research and an innovative analysis of media power.

Ozu Yasujiro's moving family drama, Tokyo monogatari/Tokyo Story (1953), is universally acknowledged as one of the most significant Japanese films ever made, and regularly cited as one of the greatest films of all time in polls of leading critics and filmmakers around the world. Telling the story of an elderly couple who travel to Tokyo to visit their grown-up children, the film contrasts the behaviour of their children, who are too busy to pay their parents much attention, and their widowed daughter-in-law who treats them with hospitable kindness. In its complex portrait of human motivation and lively sense of social space, it offers a profound and poignant insight into the generational shifts of postwar Japan. Alastair Phillips combines a close analysis of the film and its key locations - the city of Tokyo, the town of Onomichi and the coastal resort of Atami - with a discussion of its representation of Japanese society at a time of great cultural change. Drawing upon Japanese and English language sources, he situates the film within various contemporary critical and industrial contexts and examines the multiple international dimensions of Tokyo Story's long after-life to understand its enormous contribution to global film culture.

Illustrates how filmmakers can implement aesthetic decision making by using the screenplay and translate this into a powerful film. Focuses on how films can be crafted stylistically from beat-to-beat and empowers filmmakers to do this. Covers all aspects of the filmmaking process to create a comprehensive guide for filmmakers wanting to ensure that they can make the right decision at all stages of the filmmaking process, including directing, acting, cinematography, lighting, production design, sound, and editing.

Tavistock Press was established as a co-operative venture between the Tavistock Institute and Routledge & Kegan Paul (RKP) in the 1950s to produce a series of major contributions across the social sciences. This volume is part of a 2001 reissue of a selection of those important works which have since gone out of print, or are difficult to locate. Published by Routledge, 112 volumes in total are being brought together under the name The International Behavioural and Social Sciences Library: Classics from the Tavistock Press. Reproduced here in facsimile, this volume was originally published in 1978 and is available individually. The collection is also available in a number of themed mini-sets of between 5 and 13 volumes, or as a complete collection.

This revised second edition of "The Matter of Images" searches through the resonances of the term "representation", analysing images in terms of why they matter, what they are made of and the material realities they refer to. Richard Dyer's analyses consider representations of "out" groups and traditionally dominant groups alike, and encompass the eclectic texts of contemporary culture, from royalty to serial killers, political correctnesss, representations of Empire and films such as "Gilda", "Papillon" and "The Night of the Living Dead".;Essays new to the second edition discuss Lillian Gish as the ultimate white movie star, the representation of whiteness in the south in "Birth of a Nation", and society's fascination with serial killers.

As the publishing, film and music industries are dominated by Big Media conglomerates, there is often recourse to simplistic ideological and conspiratorial readings of industry dynamics. Copyright, Creativity, Big Media and Cultural Value: Incorporating the Author explains why copyright is much more than a creator's private property right or a mechanism through which corporations control cultural production and influence mass consumption choices. The volume is grounded in extensive, painstakingly detailed and colourful original archival research into business histories of major successful artists including Conan Doyle, Hall Caine, Margaret Atwood, Dame Nellie Melba, Radiohead and Banksy, and the industries and genres that grew up around their activities. Chapters address big questions about how copyright generates income and how distributions of profits are allocated in the publishing, film and music industries. It includes discussion of the creation of new formats, the interplay between old media and new technologies, international copyright reform and cross-industry relations. Copyright, Creativity, Big Media and Cultural Value is a wide-ranging and important resource for students and practitioners of law and policy, media studies, cultural studies and literary history.

Originally published in 1954, this was the first factual history of comedy films and the men and women who had since 1894 kept us laughing in the cinema. It traces the beginning of comic motion pictures and the pioneer work of Paul, Gaumont, Hepworth, Pathe and Zecca. Then comes the picture palace craze and the success of the early Italian and French comedies and trick films. The work of Al Christie and Mack Sennett in America, and the rise of American films, is fully described, as knockabout gives way to slapstick, and salaries and box-office receipts soar. Now come Chaplin, Harold Lloyd and all the other bright figures of the Roaring Twenties, with favourites like Buster Keaton and Will Rogers to the fore. The development of sound and its effect on the comedians is explained, and the story comes up to date through the thirties and forties to 1954. Some of the hundreds of names to whom tribute is paid include Mabel Normand, Larry Semon, Roscoe Arbuckle, Monty Banks, Max Linder, Harry Langdon, Will Hay, the Marx Brothers, Bob Hope, Fernandel and Alec Guinness. These are only a few of the many whose careers are traced. The book is illustrated by a number of carefully selected photographs, many of which are unique. This edition, first published in 1968 has been revised but the period it covers remains the same, 1894-1954, sixty years of film humour.

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Broadcast News Toolkit focuses on the writing, shooting, and production of broadcast news across multimedia platforms in a non-technical and visually engaging way. Covering a range of different story forms in broadcast news (RDR, FS, VO, VO/SOT, PKG and Liveshots), this book illustrates basic audio/video shooting and editing techniques through straightforward examples, including online video tutorials that can be accessed via a QR code within the book. Specific issues relating to online content, social media, and audience engagement are discussed in detail, and the authors further explore why trust in news media is declining, the impact that fake news and deep fake videos have on media credibility, diversity and inclusion in newsrooms, and what can be done to increase the perceived credibility of the news. Students will also learn how to write leads and teases that will keep viewers engaged. This is an ideal text for undergraduate and graduate students of Broadcast and Multimedia Journalism who are looking for a clear and concise guide to the modern digital newsroom

This indispensable collection offers 51 chapters, each focused on a distinct American independent film. Screening American Independent Film presents these films chronologically, addressing works from across more than a century (1915-2020), emphasizing the breadth and long duration of American Independent Cinema. The collection includes canonical examples as well as films that push against and expand the definitions of "independence." The titles run from micro-budget films through marketing-friendly indiewood projects, from auteur-driven films and festival darlings to B-movies, genre pics, and exploitation films. The chapters introduce students to different approaches within film studies from historical and contextual framing, industrial and institutional analysis, politics and ideology, genre and authorship, representation, film analysis, exhibition and reception, and technology. Written by leading international scholars and emerging talents in film studies, this volume is the first of its kind. Paying particular attention to issues of diversity and inclusion for both the participating scholars and the content and themes within the selected films, Screening American Independent Film is an essential resource for anyone teaching or studying American cinema.

Experimenting with Emerging Media Platforms teaches students in media tracks - journalism, advertising, film and public relations - how to independently field-test and evaluate emerging technologies that could impact how media is produced, consumed and monetized in the future. Taking a unique trial-and-error approach, the author encourages students to go against their desire for perfection and instead plunge into exercises with the full expectation that they will "fail" many times before they succeed. Through focused assignments, this book provides pointers on how to familiarise yourself with current technology including extended reality (XR, VR, AR, and MR), open-source coding, photogrammetry, aerial imagery using drones, automation, and artificial intelligence. Readers are invited to create and test their own hypotheses and work outside of their comfort zones to reach conclusions on how a technology could enhance storytelling for a particular audience. Through experimentation guided by workbook exercises, case studies from students and media practitioners, practical tips and reminders about ethical decision-making, students will learn how to work like explorers and civic hackers to enact change in the media landscape. Readers are invited to share their final field test results online through the book's companion website and social media channels, where the author will post links to further reading, coding templates for simple projects, and short video tutorials. Built around an established course being taught by the author and informed by over 20 years' experience in media industries, Experimenting with Emerging Media Platforms is essential reading for aspiring media professionals and students undertaking courses such as Emerging Media, Media Innovation and Media Startups. For additional resources, please see the companion website: https://www.emergingmediaplatforms.com/

Drawing upon the existing scholarship of period drama and emerging research into new media ecologies, instigated by television streaming services such as Netflix, this book establishes a critical framework for understanding the representation of nationhood and cultural identity in television drama. By formalising the term 'post-heritage' the book proposes a methodology which recognises the interplay of traditional and innovative elements within period drama productions. The book applies this critical perspective to popular British period drama productions from the 2010s, with examples including The Crown, the 'society dramas' of Upstairs Downstairs and Downton Abbey, Steven Knight's Dickens adaptations, and Stephen Poliakoff's recent oeuvre, to demonstrate the benefits of evaluating period drama as part of twenty-first century television's developments. It challenges the assumptions around characteristics and ideological purpose that period drama discourse often contends with, and offers new perspectives on understanding the past through televisual representations. This book will be important reading for students and scholars of television studies, film studies, and cultural studies.

Gidget: Origins of a Teen Girl Transmedia Franchise examines the multiplicity of books, films, TV shows, and merchandise that make up the transmedia Gidget universe from the late 1950s to the 1980s. The book examines the Gidget phenomenon as an early and unique teen girl franchise that expands understanding of both teen girlhood and transmedia storytelling. It locates the film as existing at the historical intersection of numerous discourses and events, including the emergence of surf culture and surf films; the rise of California as signifier of modernity and as the epicentre of white American middle-class teen culture; the annexation of Hawaii; the invention of Barbie; and Hollywood's reluctant acceptance of teen culture and teen audiences. Each chapter places the Gidget text in context, looking at production and reception circumstances and intertexts such as the novels of Francoise Sagan, the Tammy series, La Dolce Vita, and The Patty Duke Show, to better understand Gidget's meaning at different points in time. This book explores many aspects of Gidget, providing an invaluable insight into this iconic franchise for students and researchers in film studies, feminist media studies, and youth culture.

Thoroughly revised and updated to cover key developments in the digital publishing business such as the growth of audiobooks, reading apps and eBooks as well as new relationships with markets, developing digital products, and open access models. Provides students with the digital literacy required to understand the growth of new publishing models and the challenges faced by the industry. Includes a range of cutting edge international case studies that address digital first publishing, SharePoint usage, crowdsourcing and royalty systems across Europe.

This book examines how Chinese-language newspapers across greater China report on severe mental illness, and why they do so in the ways they do, given that reporting in local newspapers can strongly influence how Chinese readers view the illness. By assessing how the reporting in three leading broadsheet newspapers from mainland China, Hong Kong, and Taiwan constructs the illness, the book considers how the distinct social and political histories of the three culturally Chinese communities shape the reporting, and whether it bears out or contests the intense stigma against the illness that prevails locally. The findings can usefully encourage and inform attempts to humanise, include, and empower those with a severe mental illness across greater China and the global Chinese diaspora. Employing a well-tested, transparent discourse analytic approach, the book also includes numerous Chinese-English bilingual news report extracts to illustrate its claims. As such, Reporting Mental Illness in China will be of interest to sinologists, discourse analysts, mental health professionals and public health authorities across the globe, especially in places where there are large Chinese-speaking populations.

This title provides a forum for the significant policy debates which have informed and shaped television broadcasting since the publication in 1986 of the Peacock Committee Report on the financing of the BBC. The Reader presents key documents and critically analyzes their impact on the organization, financial resources, programme content, editorial philosophy and the regulatory environment of television broadcasting. Recognizing that policy making is not wholly a prerogative of government, "British Television Policy" provides readers with access to a wide range of statutory and non-governmental documents which have affected British broadcasting legislation: Acts of Parliament; Private Members' Bills; Select Committee reports; official statements by ministers; Parliamentary inquiries such as the Davies Report; policy documents prepared by interest groups such as the Campaign for Quality Television and the Voice of the Listener and Viewer; strategic announcements from the ITC; statements from the BBC and ITV; public lectures by media owners and executives such as Rupert Murdoch and Richard Eyre; and commentaries from media academics and media analysts. Beginning with a comprehensive