This title provides a forum for the significant policy debates which have informed and shaped television broadcasting since the publication in 1986 of the Peacock Committee Report on the financing of the BBC. The Reader presents key documents and critically analyzes their impact on the organization, financial resources, programme content, editorial philosophy and the regulatory environment of television broadcasting. Recognizing that policy making is not wholly a prerogative of government, "British Television Policy" provides readers with access to a wide range of statutory and non-governmental documents which have affected British broadcasting legislation: Acts of Parliament; Private Members' Bills; Select Committee reports; official statements by ministers; Parliamentary inquiries such as the Davies Report; policy documents prepared by interest groups such as the Campaign for Quality Television and the Voice of the Listener and Viewer; strategic announcements from the ITC; statements from the BBC and ITV; public lectures by media owners and executives such as Rupert Murdoch and Richard Eyre; and commentaries from media academics and media analysts. Beginning with a comprehensive

In examining the links between gender and the media, this volume asks questions involving the relationship between global media flows, gender and modernity in the region.

Impossible Bodies investigates issues of ethnicity, gender, and sexuality in contemporary Hollywood. Examining stars from Arnold Schwarzenegger and Clint Eastwood, to Whoopi Goldberg and Jennifer Lopez, Chris Holmlund focuses on actors whose physique or appearance marks them as unusual or exceptional, and yet who occupy key and revealing positions in today's mainstream cinema.
Exploring a range of genres and considering both stars and their sidekicks, Holmlund examines ways in which Hollywood accommodates - or doesn't - a variety of 'impossible' bodies, from the 'outrageous' physiques of Dolph Lundgren and Dolly Parton, to the almost-invisible bodies of Asian-Americans, Latinas and older actors. From the Pumping Iron documentaries to The Quick and the Dead and Boys on the Side, Holmlund traces the broad shifts and startling disjunctures in what count as desirable images of masculinity and feminity in mainstream cinema.
From lesbian killers to Swedes who never play Swedes, Impossible Bodies considers how representations of ethnicity and race, gender and sexuality are played out in contemporary Hollywood films, and shows how popular cinema reflects and communicates contemporary values for audiences.

This book focuses on how African-American identity is enconstructed, maintained, and represented in mass media and how African-Americans negotiate these presentations. Say It Loud! promises to provide a rare, in-depth exploration into African American audiences and their response to media's presentation of Black identity.

Originally published in 1991. "A photojournalist is a mixture of a cool, detached professional and a sensitive, involved citizen. The taking of pictures is much more than F-stops and shutter speeds. The printing of pictures is much more than chemical temperatures and contrast grades. The publishing of pictures is much more than cropping and size decisions. A photojournalist must always be aware that the technical aspects of the photographic process are not the primary concerns." This book addresses ethics in photojournalism in depth, with sections on the philosophy in the discipline, on pictures of victims or disaster scenes, on privacy rights and on altering images. As important and interesting today as when it was first in print.

WINNER OF THE 2022 EISNER AWARD FOR BEST COMICS-RELATED BOOK 'Magnificently marvellous' Junot Diaz 'An account of how a motley gang of accidental collaborators created a vernacular mythology out of the dodgiest of commercial occasions ... a revelation' Jonathan Lethem Every schoolchild recognises their protagonists: the Avengers, the X-Men, your friendly neighbourhood Spider-Man. The superhero comics that Marvel has published since 1961 make up the biggest self-contained work of fiction ever created: over half a million pages and counting. Eighteen of the 100 highest-grossing movies of all time are based on it. And not even the people telling the story have read the whole thing. But Douglas Wolk did. In All Of The Marvels, a critic and superfan takes on the epic to end all epics. What he finds is a magic mirror of the past 60 years, from the atomic terrors of the Cold War to the political divides of our present. The result is an irresistible travel guide to the magic mountain at the heart of popular culture.

The purpose of this edited volume is to explore the contributions of women to European, Mexican, American and Indian film industries during the years 1900 to 1950, an important period that signified the rise and consolidation of media technologies. Their pioneering work as film stars, writers, directors, designers and producers as well as their endeavors to bridge the gap between the avant-garde and mass culture are significant aspects of this collection. This intersection will be carefully nuanced through their cinematographic production, performances and artistic creations. Other distinctive features pertain to the interconnection of gender roles and moral values with ways of looking, which paves the way for realigning social and aesthetic conventions of femininity. Based on this thematic and diverse sociocultural context, this study has an international scope, their main audiences being scholars and graduate students that pursue to advance interdisciplinary research in the field of feminist theory, film, gender, media and avant-garde studies. Likewise, historians, art and literature specialists will find the content appealing to the degree that intermedial and cross-cultural approaches are presented.

This book is both a retrospective history of the gay community's use of electronic media as a way of networking and creating a sense of community, and an examination of the current situation, an analysis and critical assessment of gay/lesbian electronic media. Keith and Johnson use original interviews and oral history to delineate the place of electronic media in the lives of this increasingly visible and vocal minority in America.

This study serves three major aims: the first is to provide a thorough and critical review of the now extensive literature on advertising in sociology and cultural studies; the second is to present the major results of research conducted by the authors at the Centre for Advertising Studies at the University of East London, in which changes in advertisment content over the last 50 years have been analyzed; the third aim is to develop a method for the psychosocial study of all forms of public communication, and of other aspects of everyday life, which brings together an understanding of contemporary cultural change with a sensitivity to the profound forces at work within the individual. The authors suggest that advertisements, while important in our daily emotional self-management, are far more closely linked to the pragmatics of everyday life than their symbolic richness might suggest. Trends in advertisement content point to an important shift in our relationship to goods that reflects an increasing preoccupation with risk management.

"I would rather live in a country with newspapers and without a government, than in a country with a government but without newspapers" - Thomas Jefferson. This is the first volume in a set traces the development of American journalism from its early beginnings in the 17th century up until 1940. Together the books outline the enormous changes which the industry underwent, from the production techniques to journalistic practices and changes in distribution methods. Media historians considered Hudson's history, "Journalism in the United States, from 1600-1872 (1873)", to be the authoritative text for the study of the development of American journalism, a subject previously neglected by American historians. The work has remained an important source for modern day scholars. Hudson (1819-75) became known as "the father of journalism" for his innovative news-gathering practices and was managing editor of the New York Herald, which by the outbreak of the Civil War was the most widely read newspaper in the United States. Alfred McClung Lee's "The Daily Newspaper in America. The Evolution of a Social Instrument" is an extensive examination of the newspaper industry from 1710 to 1936, from a

"Understanding Audiences" helps readers to recognize the important role that media plays in their lives and suggests ways in which they may use media constructively. Author Robert H. Wicks considers the relationship between the producers and the receivers of media information, focusing on how messages shape perceptions of social reality. He analyzes how contemporary media--including newspapers, film, television, and the Internet--vie for the attention of the audience members, and evaluates the importance of message structure and content in attracting and maintaining the attention of audiences. Wicks also examines the principles associated with persuasive communication and the ways in which professional communicators frame messages to help audiences construct meaning about the world around them.
Among other features, this text:
* describes the processes associated with human information processing;
* presents an analysis of the principles associated with social learning in children and adults and explores the possibility that media messages may cultivate ideas, attitudes, and criticisms of this perspective;
* explains how most media messages are framed to highlight or accentuate specific perspectives of individuals or organizations--challenging the notion of objectivity in media information messages;
* considers the effects of media exposure, such as whether the contemporary media environment may be partially responsible for the recent rash of school violence among young people;
* analyzes the Internet as an interactive medium and considers whether it has the potential to contribute to social and civic disengagement as it substitutes for human interaction; and
* evaluates the principles of the uses and gratifications approach as they apply to the new media environment, including traditional media as well as popular genres like talk shows and developing media systems such as the Internet.
Intended for upper-level undergraduate and graduate students who need to understand the nature of the media and how they interact with these messages, "Understanding Audiences" promotes the development of media literacy skills and helps readers to understand the processes associated with engaging them in media messages. It also offers them tools to apply toward the shaping of media in a socially constructive way.

American mass media are the world's most diverse, rich, and free. Their dazzling resources, variety, and influence arouse envy in other countries. Their failures are commonly excused on the grounds that they are creatures of the market, that they give people what they want. Commercial Culture focuses not on the glories of the media, but on what is wrong with them and why, and how they may be made better.

This powerful critique of American mass communication highlights four trends that sound an urgent call for reform: the blurring of distinctions among traditional media and between individual and mass communication; the increasing concentration of media control in a disturbingly small number of powerful organizations; the shift from advertisers to consumers as the source of media revenues; and the growing confusion of information and entertainment, of the real and the imaginary. The future direction of the media, Leo Bogart contends, should not be left to market forces alone. He shows how the public's appetite for media differs from other demands the market is left to satisfy because of how profoundly the media shape the public's character and values. Bogart concludes that a world of new communications technology requires a coherent national media policy, respectful of the American tradition of free expression and subject to vigorous public scrutiny and debate.

Commercial Culture is a comprehensive analysis of the media as they evolve in a technological age. It will appeal to general readers interested in mass communications, as well as professionals and scholars studying American mass media.

"Home Territories" examines how traditional ideas of home, homeland and nation have been destabilized both by new patterns of migration and by new communication technologies which routinely transgress the symbolic boundaries around both the private household and the nation state. David Morley analyses the varieties of exile, diaspora, displacement, connectedness, mobility experienced by members of social groups, and relates the microstructures of the home, the family and the domestic realm, to contemporary debates about the nation, community and cultural identities. He explores issues such as the role of gender in the construction of domesticity, and the conflation of ideas of maternity and home, and engages with recent debates about the 'territorialisation of culture'.

Therapeutically Applied Role-Playing Games provides a comprehensive approach to implementing TA-RPG groups for mental health practitioners. When facilitated by a trained professional, therapeutically applied role-playing games (TA-RPG) are a powerful tool for insight, growth, and change for individuals and communities. The Game to Grow Method of Therapeutically Applied Role-Playing Games is a transdiagnostic, transtheoretical, group intervention developed over a decade of practice using Dungeons & Dragons and other popular tabletop role-playing game systems, as well as leveraging therapeutic factors from acceptance and commitment therapy, marriage and family therapy, drama therapy, and interpersonal process groups. TA-RPGs are conceptualized as a gaming system layered on top of established intervention techniques. They can accommodate a multitude of game systems and align with theoretical mechanisms for change found across therapeutic orientations. This work serves as a comprehensive training manual for TA-RPGs, providing a valuable resource for mental health professionals interested in incorporating TA-RPGs into their practice.

Most documentaries deal with men, but what do they actually say about masculinity? In this groundbreaking volume Sara Martin analyses more than forty 21st century documentaries to explore how they represent American men and masculinity. From Jennifer Siebel Newsom's The Mask You Live In to Raoul Peck's I Am not Your Negro, this volume explores sixteen different faces of American masculinity: the good man, the activist, the politician, the whistleblower, the criminal, the sexual abuser, the wrongly accused, the dependent man, the soldier, the capitalist, the adventurer, the sportsman, the architect, the photographer, the musician, and the writer. The collective portrait drawn by the documentaries discloses a firm critical stance against the contradictions inherent in patriarchy, which makes American men promises of empowerment it cannot fulfill. The filmmakers' view of American masculinity emphasizes the vulnerability of disempowered men before the abuses of the patriarchal system run by hegemonic men and a loss of bearings about how to be a man after the impact of feminism, accompanied nonetheless by a celebration of resilient masculinity and of the good American man. Firmly positioning documentaries as an immensely flexible, relevant tool to understand 21st century American men and masculinity, their past, present, and future, this book will interest students and scholars of film studies, documentary film, American cultural studies, gender and masculinity.

Celluloid Mischief examines the portrayal of wrongdoing and 'deviant' behavior in film. The premise is that films are material products of both individual and collective imagination that reflect the values and norms of the society that produce them. On this basis, it is possible to perceive how society understands and classifies particular kinds of behavior and assigns or designates classes of people and actions as 'good' or 'bad'. So-called 'wrongdoing' in movies, then, tells us about real-life norms, the violation of those norms, and the efforts to punish and control the perpetrators of those violators. Motion pictures embody information about the social world; they constitute a universe of raw particulars that await excavation and analysis. By applying the appropriate approach, what happens on the screen can guide us to an understanding of society and culture. Films are commercial products; the people who make them are members of a society, influenced by that society, who attempt to appeal to lots of other members of that society by producing something that that they want to see. A society's films tell us a great deal about the taste and proclivities of the society that produce and consume them. Using postwar and contemporary Hollywood cinema as case studies, this book demonstrates the complex and evolving nature of modern America's social, economic, and political values.

Entrepreneurial Cosplay takes a comprehensive and insightful look at the business of cosplay, exploring the ways that artists and fans engage in entrepreneurial and intrapreneurial practices to gain personal and professional success. Centred around the concept of entrepreneurship and the newly emerging concept of intrapreneurship - using entrepreneurial principles to enhance or further an existing concept, organization or product - the book showcases the ways in which cosplayers create new ideas, new ways of working, and new ways of doing things, exploiting their knowledge to create new opportunities. By analyzing the numerous motivations driving cosplay behavior (self-expression, external recognition, and financial gain), this volume provides a unique view of current cosplay practice and its relationship to economic activity. Offering important insight into this emerging area, this book will be of interest to scholars seeking to learn how entrepreneurial and economic models may be used to understand the emerging field of cosplay studies, as well as students and scholars working in the fields of Entrepreneurship, Business, Fan Studies, Visual Art Studies, and Gender Studies.

This anthology examines maternity in contemporary performance at the intersection of a wide range of topics from nationhood to mental health, queer parenting, embodied dramaturgy, cultural practice, and immigration. Across the breadth of these themes, we interrogate the cultural implications and politics of how we script, perform, receive, and define mothers, challenging many of the normalizing and patriarchal tropes associated with the mother-as-character. This book includes critical essays examining twenty-first century dramatic literature, first-hand ethnographic accounts of motherhood in practice, interviews, feminist manifestos, and artist reflections. In its deliberately curated variety, this collection seeks to resist homogeneity and offer instead a range of approaches to key questions: what versions of motherhood get staged, and why? And what do dramatic representations tell us about the role of mothers in our own fraught contemporary moment? This collection will be of great interest to those in academia who are teaching, researching, or studying in the fields of Theatre and Performance Studies, American Studies, and Feminist and Gender Studies.

The rise of Asia has changed the world, now shaped by greater global connectivity, geopolitics and shifting spheres of influence. Tapping into research and decades of experience in the world's fastest-moving markets, this book makes a compelling case for a new and future-ready approach to communications planning and implementation, which the Asian Century demands. Facing a new operating environment, policymakers and business leaders have to act quickly. This book outlines the necessary adjustments to long-established practices and value propositions in both corporate and government communications and provides a step-by-step plan for strategy development, laid out in a two-pronged approach designed to appeal to a multicultural audience. It is an essential read for global practitioners and students in international relations and mass communications.

First published in 1992, The Creatures Time Forgot examines the representation of disabled people - in advertising, particularly that produced by disability charities, and in the work of photographers such as Diane Arbus and Gary Winogrand. He shows how such images construct disabled people as 'creatures,' the tragic-but-brave objects of photographic gaze, or as the ''appy 'andicapped' of 'positive imagery' advertising. As a disabled photographer and writer, David Hevey has been a pioneer in challenging such visual representations of disabled people. His work advocates a move away from medical, charity or impairment-fixated imagery towards a visual equivalent of 'Rights not Charity'. The book outlines David Hevey's own photographic practice and includes wide-ranging selections from his work to create a visual form which reflects the new social presence of disabled people. This book will be of interest to students of media studies, cultural studies, and disability studies.

"I would rather live in a country with newspapers and without a government, than in a country with a government but without newspapers" - Thomas Jefferson. This is the sixth volume in a set traces the development of American journalism from its early beginnings in the 17th century up until 1940. Together the books outline the enormous changes which the industry underwent, from the production techniques to journalistic practices and changes in distribution methods. Media historians considered Hudson's history, "Journalism in the United States, from 1600-1872 (1873)", to be the authoritative text for the study of the development of American journalism, a subject previously neglected by American historians. The work has remained an important source for modern day scholars. Hudson (1819-75) became known as "the father of journalism" for his innovative news-gathering practices and was managing editor of the New York Herald, which by the outbreak of the Civil War was the most widely read newspaper in the United States. Alfred McClung Lee's "The Daily Newspaper in America. The Evolution of a Social Instrument" is an extensive examination of the newspaper industry from 1710 to 1936, from a

"I would rather live in a country with newspapers and without a government, than in a country with a government but without newspapers" - Thomas Jefferson. This is the fifth volume in a set traces the development of American journalism from its early beginnings in the 17th century up until 1940. Together the books outline the enormous changes which the industry underwent, from the production techniques to journalistic practices and changes in distribution methods. Media historians considered Hudson's history, "Journalism in the United States, from 1600-1872 (1873)", to be the authoritative text for the study of the development of American journalism, a subject previously neglected by American historians. The work has remained an important source for modern day scholars. Hudson (1819-75) became known as "the father of journalism" for his innovative news-gathering practices and was managing editor of the New York Herald, which by the outbreak of the Civil War was the most widely read newspaper in the United States. Alfred McClung Lee's "The Daily Newspaper in America. The Evolution of a Social Instrument" is an extensive examination of the newspaper industry from 1710 to 1936, from a

"I would rather live in a country with newspapers and without a government, than in a country with a government but without newspapers" - Thomas Jefferson. This is the fourth volume in a set traces the development of American journalism from its early beginnings in the 17th century up until 1940. Together the books outline the enormous changes which the industry underwent, from the production techniques to journalistic practices and changes in distribution methods. Media historians considered Hudson's history, "Journalism in the United States, from 1600-1872 (1873)", to be the authoritative text for the study of the development of American journalism, a subject previously neglected by American historians. The work has remained an important source for modern day scholars. Hudson (1819-75) became known as "the father of journalism" for his innovative news-gathering practices and was managing editor of the New York Herald, which by the outbreak of the Civil War was the most widely read newspaper in the United States. Alfred McClung Lee's "The Daily Newspaper in America. The Evolution of a Social Instrument" is an extensive examination of the newspaper industry from 1710 to 1936, from

"I would rather live in a country with newspapers and without a government, than in a country with a government but without newspapers" - Thomas Jefferson. This volume in a set traces the development of American journalism from its early beginnings in the 17th century up until 1940. Together the books outline the enormous changes which the industry underwent, from the production techniques to journalistic practices and changes in distribution methods. Media historians considered Hudson's history, "Journalism in the United States, from 1600-1872 (1873)", to be the authoritative text for the study of the development of American journalism, a subject previously neglected by American historians. The work has remained an important source for modern day scholars. Hudson (1819-75) became known as "the father of journalism" for his innovative news-gathering practices and was managing editor of the New York Herald, which by the outbreak of the Civil War was the most widely read newspaper in the United States. Alfred McClung Lee's "The Daily Newspaper in America. The Evolution of a Social Instrument" is an extensive examination of the newspaper industry from 1710 to 1936, from an economic an

"I would rather live in a country with newspapers and without a government, than in a country with a government but without newspapers" - Thomas Jefferson. This is the second volume in a set traces the development of American journalism from its early beginnings in the 17th century up until 1940. Together the books outline the enormous changes which the industry underwent, from the production techniques to journalistic practices and changes in distribution methods. Media historians considered Hudson's history, "Journalism in the United States, from 1600-1872 (1873)", to be the authoritative text for the study of the development of American journalism, a subject previously neglected by American historians. The work has remained an important source for modern day scholars. Hudson (1819-75) became known as "the father of journalism" for his innovative news-gathering practices and was managing editor of the New York Herald, which by the outbreak of the Civil War was the most widely read newspaper in the United States. Alfred McClung Lee's "The Daily Newspaper in America. The Evolution of a Social Instrument" is an extensive examination of the newspaper industry from 1710 to 1936, from