This book brings specialists in religious studies, African-American studies, history, and political science, together with a media librarian to examine violence as it is presented in films and how instructors can use films to teach about violence. The object of inquiry is the vulnerability of socially oppressed people to physical violence and to institutionalized patterns of discrimination, herein termed structural violence. The susceptibility of women to violence provides an example that is discussed in detail, revealing both merits and weaknesses in film treatment of gender. The full effect of violence is considered, from the abuse of the individual to the wartime mobilization of entire societies. Chapters also look at the benefits and problems of using films in the classroom and provide resources helpful to instructors, such as sample discussion and study guides, a bibliography, and a filmography.

Gene Tierney may be one of the most recognizable faces of studio-era Hollywood: she starred in numerous classics, including Leave Her to Heaven, The Ghost and Mrs. Muir, and Laura, with the latter featuring her most iconic role. While Tierney was considered one of the most beautiful women in Hollywood, she personified "ordinariness" both on- and off-screen. Tierney portrayed roles such as a pinup type, a wartime worker, a wife, a mother, and, finally, a psychiatric patient-the last of which may have hit close to home for her, as she would soon leave Hollywood to pursue treatment for mental illness and later attempted suicide in the 1950s. After her release from psychiatric clinics, Tierney sought a comeback as one of the first stars whose treatment for mental illness became public knowledge. In this book, Will Scheibel not only examines her promotion, publicity, and reception as a star but also offers an alternative history of the United States wartime efforts demonstrated through the arc of Tierney's career as a star working on the home front. Scheibel's analysis aims to showcase that Tierney was more than just "the most beautiful woman in movie history," as stated by the head of production at Twentieth Century Fox in the 1940s and 1950s. He does this through an examination of her making, unmaking, and remaking at Twentieth Century Fox, rediscovering what she means as a movie legend both in past and up to the present. Film studies scholars, film students, and those interested in Hollywood history and the legacy of Gene Tierney will be delighted by this read.

In 2000, for the first time in American political history, four former presidents were still alive after serving in the White House. This book critically and systematically examines press coverage of these four ex-presidents for three years after they left office. Through content analysis, the volume draws together the tone and major themes in press coverage of stories about Gerald Ford, Jimmy Carter, Ronald Reagan, and George H. Bush. The study serves as a useful historic document, depicting the private lives of these former presidents from both parties as seen through the American press. The book is a unique examination of the relationship between ex-presidents and the press.

Examining the nature and scope of the relationship between the press and ex-presidents, the study assumes that although they are out of office and thus out of the limelight, ex-presidents still have powerful influence domestically and internationally. That influence makes it valuable to know how, and with what intensity, the press covers ex-presidents. This volume documents their post-White House careers through the prism of the press, enriching our understanding of life after the presidency.

Spanish comics represent an exciting and diverse field, yet one that is often overlooked outside of Spain. Spanish Comics offers an overview on contemporary scholarship on Spanish comics, focusing on a wide range of comics dating from the Francoist dictatorship, 1939-1975; the Political Transition, 1970-1985; and Democratic Spain since the early 1980s including the emergence of the graphic novel in 2000. Touching on themes of memory, gender, regional identities, and history, the chapters in this collection demonstrate the historical and cultural significance of Spanish comics.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Across the global South, new media technologies have brought about new forms of cultural production, distribution and reception. The spread of cassette recorders in the 1970s; the introduction of analogue and digital video formats in the 80s and 90s; the pervasive availability of recycled computer hardware; the global dissemination of the internet and mobile phones in the new millennium: all these have revolutionised the access of previously marginalised populations to the cultural flows of global modernity. Yet this access also engenders a pirate occupation of the modern: it ducks and deranges the globalised designs of property, capitalism and personhood set by the North. Positioning itself against Eurocentric critiques by corporate lobbies, libertarian readings or classical Marxist interventions, this volume offers a profound postcolonial revaluation of the social, epistemic and aesthetic workings of piracy. It projects how postcolonial piracy persistently negotiates different trajectories of property and self at the crossroads of the global and the local.

Digital Broadcasting presents an introduction to how the classic notion of 'broadcasting' has evolved and is being reinterpreted in an age of digitization and convergence. The book argues that 'digital broadcasting' is not a contradiction in terms, but-on the contrary-both terms presuppose and need each other. Drawing upon an interdisciplinary and international field of research and theory, it looks at current developments in television and radio broadcasting on the level of regulation and policy, industries and economics, production and content, and audience and consumption practices.

- Consistently examines the business of media through the paradigm of production-distribution-exhibition in a way that no other book does, giving students a more thorough understanding of how media industries work and the vocabulary they need to talk about them. - Engagingly written with examples that are familiar to students, helping them better connect to the content and understand their role as media consumers and producers. - Coverage of convergence and its impact is incorporated into every chapter. - A range of pedagogical materials in the print book and online help students become savvy media consumers and producers, including historical timelines of each media industry; media literacy questions that develop students' critical thinking skills; case studies that bring theory to life; and study aids including flashcards and practice quizzes.

In recent years, poetry and video games have begun talking to - and taking from - one another in earnest. Poets, ever in pursuit of meaning, now draw inspiration from digital-interactive fantasy worlds, while video game developers aim to enrich their creations by imbuing them with poetic depth. This book investigates the phenomena of poem-game hybrids and other forms of poetic-ludic interplay, making use of both a multidisciplinary critical approach and the author's own experiments in building and testing hybrid artefacts. What emerges is the suggestion of a future where reading and playing are no longer seen as separate endeavours, where the quests for sensory pleasure and philosophic insight are one and the same.

The aim of this book is to stimulate research on the topic of the Social Internet of Things, and explore how Internet of Things architectures, tools, and services can be conceptualized and developed so as to reveal, amplify and inspire the capacities of people, including the socialization or collaborations that happen through or around smart objects and smart environments. From new ways of negotiating privacy, to the consequences of increased automation, the Internet of Things poses new challenges and opens up new questions that often go beyond the technology itself, and rather focus on how the technology will become embedded in our future communities, families, practices, and environment, and how these will change in turn.

In the last few years we have witnessed the widespread proliferation of video camcorders as a powerful and sophisticated instrument for data collection. Video is increasingly used in broad areas of research throughout the social sciences. It allows for a rich recording of social processes and provides a completely new kind of data. Used as a "microscope of interaction", this "video revolution" is expected to exert profound impact on research practice. But despite its popularity as an instrument, the methodological discussion of video is still underdeveloped. This book gathers a selection of outstanding European researchers in the field of qualitative interpretive video analysis. The contributions discuss the crucial features of video data and present different approaches how to handle, interpret, analyse and present video data collected in a wide range of "real world" social fields. The book thereby aims at providing an overview on contemporary interpretive and qualitative approaches to video analysis.

Indonesia is undergoing a process of rapid change, with an affluent middle class due to hit 141 million people by 2020. While official statistics suggest that internet penetration is low, over 70 million Indonesians have a Facebook account, the fourth highest group in the world. Jakarta is the Twitter capital of the world with more tweets per minute than any other city around the globe. In the past ten years digitalisation of media content has enabled extensive concentration and conglomeration of the industry, and media owners are wealthier and more politically powerful than ever before. Digital media is a prominent place of contestation between large, powerful oligarchs, and citizens looking to bring about rapid and meaningful change. This book examines how the political agencies of both oligarchs and 'netizens' are enhanced by digitalisation, and how an increasingly divergent society is being formed. In doing so, this book enters this debate about the transformations of society and power in the digital age.

This one-volume sourcebook draws together the scholarly literature assessing news coverage in the U.S. mainstream media of Americans of African, Native, Asian, Hispanic, or Pacific Islander origin. The work covers over 60 years, beginning in 1934, and examines the 50 states and the territories in the Pacific and the Caribbean that are currently under U.S. governance. The categories of racial and cultural groups follow the scheme of the 1990 U.S. Census, which provided the most detailed breakdown of race and ethnicity of the American population in the 200-year history of the census. This sourcebook gives parallel treatment to each of these five census groups. Every chapter begins with a history of that group as it came under U.S. jurisdiction. Then, each chapter is divided into six periods suggested by pivotal news events and discusses studies of news coverage of that group during that period. Each chapter also contains extensive endnotes and a selected bibliography on a racial or cultural group. Also included are chapters on investigative reporting and federal regulation of broadcasting as they relate to minorities.

The first comprehensive survey of women and mass communications to be attempted on an international scale, this bibliography systematically lists and annotates every type of literature on the subject. Each geographical area is organized according to six main topics: general studies, historical studies, women's media, images of women in the media, women as an audience, and women as mass media professionals.

The media represented include book, magazine, and newspaper publishing; radio; television; film; and video, as well as affiliated areas such as advertising, public relations, and wire services. The introduction provides a history of the literature, information on data bases searched, and a summary of principal international findings. The first chapter lists materials that are global in perspective, such as comparative analyses, non-country specific material, special issues of journals, and edited volumes. Five chapters deal with specific geographic regions. A final chapter devoted to the United States has been expanded to encompass advertising, public relations, broadcasting, film, and print media under each of the six main topics. Providing annotation of published and significant unpublished materials from all over the world, this bibliography is an appropriate resource for libraries, women's studies programs, and programs and organizations concerned with mass communications.

"This set of 18 essays offers a variety of interesting commentaries a 'progressive forum' on the Clinton sex scandal. . . . The collection includes (in part) ruminations on body imagery, the idea of 'the Jewess, ' the association of sexual recklessness with notions of race and class, the peculiarities of Clinton's politics (as well as his personal behavior) that made him vulnerable to such an attack, and the implications for Clinton's (reluctant) feminist supporters."
--"Library Journal"

"The book contains more than its share of smart writing"
--"Salon.com"

Alongside the O.J. Simpson trial, the affair between Bill Clinton and Monica Lewinsky now stands as the seminal cultural event of the 90s. Alternatively transfixed and repelled by this sexual scandal, confusion still reigns over its meanings and implications. How are we to make sense of a tale that is often wild and bizarre, yet replete with serious political and cultural implications?

Our Monica, Ourselves provides a forum for thinking through the cultural, political, and public policy issues raised by the investigation, publicity, and Congressional impeachment proceedings surrounding the affair. It pulls this spectacle out of the framework provided by the conventions of the corporate news media, with its particular notions of what constitutes a newsworthy event. Drawing from a broad range of scholars, Our Monica, Ourselves considers Monica Lewinsky's Jewishness, Linda Tripp's face, the President's penis, the role of shame in public discourse, and what it's like to have sex as the president, as well as specific legal and historical issues at stake in the impeachment of Bill Clinton.

Thoughtful but accessible, immediate yet far reaching, Our Monica, Ourselves will change the way we think about the Clinton affair, while helping us reimagine culture and politics writ large.

Contributors include: Lauren Berlant, Eric O. Clarke, Ann Cvetkovich, Simone Weil Davis, Lisa Duggan, Jane Gallop, Marjorie Garber, Janet R. Jakobsen, James R. Kincaid, Laura Kipnis, Tomasz Kitlinski, Pawel Leszkowicz, Joe Lockard, Catharine Lumby, Toby Miller, Dana D. Nelson, Anna Marie Smith, Ellen Willis, and Eli Zaretsky.

At the turn of the twenty-first century, American media abound with images and narratives of bodily transformations. At the crossroads of American, cultural, literary, media, gender, queer, disability and governmentality studies, the book presents a timely intervention into critical debates on body transformations and contemporary makeover culture.

The experience of Central Americans in the United States is marked by a vicious contradiction. In entertainment and information media, Salvadorans, Guatemalans, Nicaraguans, and Hondurans are hypervisible as threatening guerrillas, MS-13 gangsters, maids, and "forever illegals." Central Americans are unseen within the broader conception of Latinx community, foreclosing avenues to recognition. Yajaira M. Padilla explores how this regime of visibility and invisibility emerged over the past forty years-bookended by the right-wing presidencies of Ronald Reagan and Donald Trump-and how Central American immigrants and subsequent generations have contested their rhetorical disfiguration. Drawing from popular films and TV, news reporting, and social media, Padilla shows how Central Americans in the United States have been constituted as belonging nowhere, imagined as permanent refugees outside the boundaries of even minority representation. Yet in documentaries about cross-border transit through Mexico, street murals, and other media, US Central Americans have counteracted their exclusion in ways that defy dominant paradigms of citizenship and integration.

Most people have, at some point, experienced powerful, often strange and disconcerting, responses to films and television programmes of which they cannot always make sense. Drawing on insights from psychoanalysis, this book argues that the seemingly mundane and everyday activity of film and television viewing in the home is in fact extraordinary.

Bringing together the voices of scholars from Europe and North America with those of key contest stakeholders, Performing the 'New' Europe: Identities, Feelings, and Politics in the Eurovision Song Contest argues that this popular music competition is a symbolic contact zone between European cultures: an arena for European identification in which both national solidarity and participation in a European identity are confirmed, and a site where cultural struggles over the meanings, frontiers and limits of Europe are enacted. This exciting collection explores the ways in which European artists perform, disavow, and contest their racial, national, and sexual identities in the Eurovision Song Contest (ESC), and asks difficult questions about European inclusions and exclusions the contest reflects. It suggests the ESC as an ever-evolving network of peoples and places transcending both historical and geographical boundaries of Europe that brings into being new understandings of the relationship between culture, space, and identities.

Research shows that, while people around the world consistently nominate television as their most important news source, much of the content of news bulletins is lost to viewers within moments. In response, Barrie Gunter argues that this can be explained by the way in which televised news is written, packaged and presented.

The most comprehensive bibliography available on historical sources for popular women's magazines, this work fills a niche among existing annotated bibliographies on journalism history. Compiler Mary Ellen Zuckerman focuses on a wide range of topics, providing primary as well as secondary sources from 1792 to 1960. Descriptive and analytical annotations are supplied for each entry. Drawing from 12 years of research on the subject, Zuckerman orients the reader with an introduction to the history of women's magazines in the United States and a historiographical review of sources in the field. Business, advertising, market research, content analysis, editors and writers, and images of women in the media are among the topics covered in the entries. The volume also features special sections on specific women's journals, exhaustive subject and author indexes, and descriptions of manuscript collections. This work is an important resource for professionals, students, and scholars in media, women's history, advertising, and business.

This book examines race relations in Australia through various media representations over the past 200 years. The early colonial press perpetuated the image of aboriginal people as framed by early explorers, and stereotypes and assumptions still prevail. Print and television news accounts of several key events in recent Australian history are compared and reveal how indigenous sources are excluded from stories about their affairs. Journalists wield extraordinary power in shaping the images of cultures and people, so indigenous people, like those in North America, have turned away from mainstream media and have acquired their own means of cultural production through radio, television, and multimedia. This study concludes with suggestions for addressing media practices to reconcile indigenous and non-indigenous people.

This study will appeal to students and scholars studying mass media, particularly journalism and public relations, Australian history, and sociology.

Collecting data about our lives, our bodies and our behaviours has become a part of everyday practice that promises greater self-awareness, healthier living and increased productivity. This book focuses on the dialectical relationship between users and designers of self-tracking technology to examine how logics of datafication redefine the body. It explores what these emerging relations mean for imagining, designing and analysing sociotechnical systems that bring about self-tracking. Jethani provides a genealogy of self-tracking to situate the notions of quantified and quantifiable selves as problematic data regimes within contemporary digital culture. It charts the origins of self-tracking from within the blueprint of the "Californian Ideology" to a global social movement which now reaches beyond self-experimentation to encompass the wider trajectories of using wearable sensor technology in the neoliberal management of health, wellbeing and productivity. The book reframes and theorises the quantified self by re-examining and developing arguments of how bodies "disappear" (Jewson), are made "docile" (Foucault) and get caught up in "rhythms" (Lefebvre) by datafication. The concept of a "quantised" self is introduced as a means of reading into and exposing the inherent political interests being served when self-tracking technology is introduced into clinical, home and workplace settings. Drawing from case studies of self-tracking in practice, the final chapter sketches the outline of a mutual praxis of critique and design that allows us to reimagine the politics embedded in sociotechnical systems of self-tracking and to consider possibilities of intervention.

This book sheds light on the growing phenomenon of cyberactivism in the Arab world, with a special focus on the Egyptian political blogosphere and its role in paving the way to democratization and socio-political change in Egypt, which culminated in Egypt's historical popular revolution on Jan. 25, 2011. In doing so, it examines the relevance and applicability of the concepts of citizen journalism and civic engagement to the discourses and deliberations in five of the most popular political blogs in Egypt, through exploring the potential connection between virtual activism, as represented in the postings on these blogs, and real activism in Egyptian political life, as represented in the calls for social, economic and political reform on the streets.