This ground breaking volume brings together contributions from scholars across a range of disciplines (including literary studies, history, geography and archaeology) to investigate questions of space, place and identity in the medieval city. Using Chester as a case study - with attention to its location on the border between England and Wales, its rich multilingual culture and surviving material fabric - the essays recover the experience and understanding of the urban space by individuals and groups within the medieval city, and offer new readings from the vantage-point of twenty-first century disciplinary and theoretical perspectives.

Across the nine thematic chapters of Experiencing Medieval Art, renowned art historian Herbert L. Kessler considers functional objects as well as paintings and sculptures; the circumstances, processes, and materials of production; the conflictual relationship between art objects and notions of an ineffable deity; the context surrounding medieval art; and questions of apprehension, aesthetics, and modern presentation. He also introduces the exciting discoveries and revelations that have revolutionized contemporary understanding of medieval art and identifies the vexing challenges that still remain. With 16 color plates and 81 images in all-including the stained glass of Chartres Cathedral, the mosaics of San Marco, and the Utrecht Psalter, as well as newly discovered works such as the frescoes in Rome's aula gotica and a twelfth-century aquamanile in Hildesheim-Experiencing Medieval Art makes the complex history of medieval art accessible for students of art history and scholars of medieval history, theology, and literature.

Princes of the Church brings together the latest research exploring the importance of bishops' palaces for social and political history, landscape history, architectural history and archaeology. It is the first book-length study of such sites since Michael Thompson's Medieval Bishops' Houses (1998), and the first work ever to adopt such a wide-ranging approach to them in terms of themes and geographical and chronological range. Including contributions from the late Antique period through to the eighteenth and nineteenth centuries, it deals with bishops' residences in England, Scotland, Wales, the Byzantine Empire, France, and Italy. It is structured in three sections: design and function, which considers how bishops' palaces and houses differed from the palaces and houses of secular magnates, in their layout, design, furnishings, and functions; landscape and urban context, which considers the relationship between bishops' palaces and houses and their political and cultural context, the landscapes and towns or cities in which they were set, and the parks, forests, and towns that were planned and designed around them; and architectural form, which considers the extent of shared features between bishops' palaces and houses, and their relationship to the houses of other Church potentates and to the houses of secular magnates.

Sense and Feeling in Daily Living in the Early Medieval English World seeks to illuminate important aspects of daily living and the experience of the environment through sense and emotion, using archaeological, art and textual sources. Twelve papers explore sight, sound, taste, smell, touch, and emotions such as anger, horror, grief and joy. Similar in theme and method to the first, second and third volumes in the Daily Living in the Anglo-Saxon World series, the collected articles illuminate how an understanding of the sensory and emotional landscape that helped form the daily lives of the peoples and the environments of early medieval England can inform the study of England before the Norman Conquest. The sights, smells, and sounds that informed the physical and emotional landscape of town, scriptoria, and hall, for example, explain urban planning, literary imagery and emotional attachment evident among the early medieval English peoples. Experienced senses and emotions are thus as central to understanding the inner and outer landscape of the pre-Conquest English as crafts, towns or water structures.

What buried secret lies beneath the stones of one of England's greatest former churches and shrines, the Benedictine Abbey of Bury St Edmunds? The search for the final resting place of King Edmund has led to this site, beneath which Francis Young argues the lost king's remains are waiting to be found. Edmund: In Search of England's Lost King explores the history of the martyred monarch of East Anglia and England's first patron saint, showing how he became a pivotal figure around whom Saxons, Danes and Normans all rallied. Young also examines Edmund's legacy in the centuries since his death at the hands of marauding Vikings in the 9th century. In doing so, this fascinating book points to the imminent rediscovery of the ruler who created England.

This book explores the medieval art, architecture and archaeology of the city of Cracow and the surrounding region of Lesser Poland. It highlights the role of Cracow and Lesser Poland as a vibrant artistic centre fostering links with Italy, Bohemia, Germany and France.

Published by Oxford University in the Thames Valley Landscapes Monograph Series, this volume (no. 43) brings together the work of an award-winning, five-year lottery-funded university/community research project ("Archeox") on the landscape and history of East Oxford, part of the City of Oxford (UK). It documents field and geophysical surveys, archive and collections research, excavations at two Medieval ecclesiastical sites (a leper hospital and a Benedictine nunnery), at a prehistoric pit alignment, together with an extensive campaign of test-pitting which has given new insights into the Roman, Medieval and post-Medieval settlement pattern. The book tells the prehistory and history of a formerly rural area on the eastern outskirts of Oxford which underwent rapid urbanisation after 1850, and is now an integral part of the city. The research plan relied upon engaging and working with the community to participate and to provide access to many study areas, and offered a comprehensive programme of training and education to all those who took part, ensuring that the work done was to an appropriately high standard. It has produced new insights into a number of nationally-important archaeological sites, gained new overviews of the development of the landscape, and brought out from obscurity many under-studied or forgotten finds in local collections. Fundamentally a project which sought to unite university and city, the contemporary story of people and their heritage is a key part of its message. Working in and among some of Oxford's most deprived communities, "Archeox" has been recognised as an exemplar of good practice in breaking down barriers to higher education. Over seven hundred people participated as volunteers, and the project reached many more through outreach and engagement programmes and events. The book is extensively illustrated with many maps, plans and photographs, and is authored by 55 participants in the project, ranging from leading Professors of Archaeology to volunteers who are achieving published work for the first time.

A common belief is that systems of writing are committed to transparency and precise records of sound. The target is the language behind such marks. Readers, not viewers, matter most, and the most effective graphs largely record sound, not meaning. But what if embellishments mattered deeply - if hidden writing, slow to produce, slow to read, played as enduring a role as more accessible graphs? What if meaningful marks did service alongside records of spoken language? This book, a compilation of essays by global authorities on these subjects, zeroes in on hidden writing and alternative systems of graphic notation. Essays by leading scholars explore forms of writing that, by their formal intricacy, deflect attention from language. The volume also examines graphs that target meaning directly, without passing through the filter of words and the medium of sound. The many examples here testify to human ingenuity and future possibilities for exploring enriched graphic communication.

Scholarship often treats the post-Roman art produced in central and north-western Europe as representative of the pagan identities of the new 'Germanic' rulers of the early medieval world. In this book, Matthias Friedrich offers a critical reevaluation of the ethnic and religious categories of art that still inform our understanding of early medieval art and archaeology. He scrutinises early medieval visual culture by combining archaeological approaches with art historical methods based on contemporary theory. Friedrich examines the transformation of Roman imperial images, together with the contemporary, highly ornamented material culture that is epitomized by 'animal art.' Through a rigorous analysis of a range of objects, he demonstrates how these pathways produced an aesthetic that promoted variety (varietas), a cross-cultural concept that bridged the various ethnic and religious identities of post-Roman Europe and the Mediterranean worlds.

Multi-disciplinary investigation of Anglo-Saxon funerary traditions. Burial evidence provides the richest record we possess for the centuries following the retreat of Roman authority. The locations and manner in which communities chose to bury their dead, within the constraints of the environmentaland social milieu, reveal much about this transformational era. This book offers a pioneering exploration of the ways in which the cultural and physical environment influenced funerary traditions during the period c. AD 450-850, in the region which came to form the leading Anglo-Saxon kingdom of Wessex. This was a diverse landscape rich in ancient remains, in the form of imposing earthworks, enigmatic megaliths and vestiges of Roman occupation. Employing archaeological evidence, complemented by toponymic and documentary sources and elucidated through landscape analysis, the author argues that particular man-made and natural features were consciously selected as foci for funerary events and ritual practice, becoming integral to manifestations of identity and power in early medieval society. Kate Mees is a British Academy Postdoctoral Fellow in the Department of Archaeology, Durham University.

This book tells the transnational history of Portuguese communities in Canada and the United States against the backdrop of the Cold War, the American Civil Rights movement, the Portuguese Colonial War, and Canadian multiculturalism. It considers the ethnic, racial, class, gender, linguistic, regional, and generational permutations of "Portuguese" diaspora from both a transnational and comparative perspective. Besides showing that diasporas and nations can be co-dependent, This Pilgrim Nation counters the common notion that hybrid diasporic identities are largely benign and empowering by revealing how they can perpetuate asymmetrical power relations.

Multi-disciplinary approaches shed fresh light on the Frisian people and their changing cultures. Frisian is a name that came to be identified with one of the territorially expansive, Germanic-speaking peoples of the Early Middle Ages, occupying coastal lands south and south-east of the North Sea. Highly varied manifestations of Frisian-ness can be traced in and around the north-western corner of the European continent in cultural, linguistic, ethnic and political forms across two thousand years to the present day. The thematic studies in this volume foreground how diverse "Frisians" in different places and contexts could be. They draw on a range of multi-disciplinary sources and methodologies to explore a comprehensive range of social, economic and ideological aspects of early Frisian culture, from the Dutch province of Zeeland in the south-west to the North Frisian region in the north-east. Chronologically, there is an emphasis on the crucial developments of the seventh and eighth centuries AD, alongside demonstrations of how later evidence can retrospectively clarify long-term processes of group formation.The essays here thus add substantial new evidence to our understanding of a crucial stage in the evolution of an identity which had to develop and adapt to changing influences and pressures.

The story of the Agora did not end in A.D. 267, when the Herulians invaded the city. From ornate Early Christian carving to the colorful green and brown glazed pottery that distinguished the city, this booklet shows how medieval Athens was a lively, bustling town with a rich artistic tradition. Finds and architecture from the private houses that covered over the remains of the classical city are discussed, and the book ends with a survey of the Church of the Holy Apostles, the 11th-century A. D. church that stands at the southeast corner of the Agora.

An exceptional reference work to pilgrim and secular badges of the middle ages. This is the first major catalogue in English devoted to medieval badges. These fascinating objects provide us with a guide to the popularity of different cults and pilgrim centres, supplying evidence of the sometimes arduous journeys not only to famous and far-off sanctuaries like Compostela, but to native shrines such as that of St Thomas Becket at Canterbury, or the tombs of local, unofficial saints. Often mass-produced and sold in tens of thousands, pilgrim souvenirs offer pointers to fashion in contemporary precious jewellery. The secular badges include a wealth of non-religious imagery, playful and amatory, satirical, celebratory and heraldic. Illustrating nearly 800 items ofpopular medieval jewellery, the catalogue contained within the book describes previously unpublished finds retrieved from datable archaeological London waterfront deposits, and provides the basis of a chronological framework for future excavations. BRIAN SPENCER was the Senior Keeper at the Museum of London, with special responsibility for the Museum's collection of medieval everyday objects.

Now in its second edition, this comprehensive history of the Celts draws on archaeological, historical, literary and linguistic evidence to provide a comprehensive and colourful overview from origins to the present. Divided into three parts, the first covers the continental Celts in prehistory and antiquity, complete with accounts of the Celts in Germany, France, Italy, Iberia and Asia Minor. Part Two follows the Celts from the departure of the Romans to the late Middle Ages, including the migrations to and settlements in Ireland, Wales, Scotland and Brittany. This section also includes discussions of the Celtic kingdoms and the significance of Christianisation. Part Three brings the history of the Celts up to the present, covering the assimilation of the Celts within the national cultures of Great Britain, France and Ireland. Included in this consideration are the suppression of Gaelic, the declines, revivals and survivals of languages and literatures, and the histories of Celtic culture. The book concludes with a discussion of the recent history of the meaning of 'Celtic' and an examination of the cultural legacy of the Celts in the modern era.

An Open Access edition is available on the LUP and OAPEN websites. Across Europe, the early medieval period saw the advent of new ways of cereal farming which fed the growth of towns, markets and populations, but also fuelled wealth disparities and the rise of lordship. These developments have sometimes been referred to as marking an 'agricultural revolution', yet the nature and timing of these critical changes remain subject to intense debate, despite more than a century of research. The papers in this volume demonstrate how the combined application of cutting-edge scientific analyses, along with new theoretical models and challenges to conventional understandings, can reveal trajectories of agricultural development which, while complementary overall, do not indicate a single period of change involving the extension of arable, the introduction of the mouldboard plough, and regular crop rotation. Rather, these phenomena become evident at different times and in different places across England throughout the period, and rarely in an unambiguously 'progressive' fashion. Presenting innovative bioarchaeological research from the ground-breaking Feeding Anglo-Saxon England project, along with fresh insights into ploughing technology, brewing, the nature of agricultural revolutions, and farming practices in Roman Britain and Carolingian Europe, this volume is a critical new contribution to environmental archaeology and medieval studies in England and beyond. Contributors: Amy Bogaard; Hannah Caroe; Neil Faulkner; Emily Forster; Helena Hamerow; Matilda Holmes; Claus Kropp; Lisa Lodwick; Mark McKerracher; Nicolas Schroeder; Elizabeth Stroud; Tom Williamson.

Viking Identities is the first detailed archaeological study of Viking-Age Scandinavian-style female dress items from England. Based on primary archival and archaeological research, including the analysis of hundreds of recent metal-detector finds, it presents evidence for over 500 brooches and pendants worn by women in the late ninth and tenth centuries. Jane F. Kershaw argues that these finds add an entirely new dimension to the limited existing archaeological evidence for Scandinavian activity in the British Isles, and make possible a substantial reassessment of the Viking settlements. In this volume, Kershaw offers an interpretation of the significance of the jewellery in a broad, historical context. The jewellery highlights locations of settlement not commonly associated with the Vikings. In contrast to claims of high levels of cultural assimilation, the jewellery suggests that incoming groups maintained a distinct Scandinavian identity which was sometimes appropriated by the indigenous population. The author also addresses one of the great unanswered questions in the study of Viking-Age settlements: what about the women? The interpretation of the jewellery challenges traditional perceptions of Viking conquest as an all-male affair and brings into focus a population group which has, until now, been almost invisible. Kershaw describes the objects and explores a number of themes related to their contemporary use, including their date, distribution, and function in costume. This body of material - unknown 30 years ago - is introduced to a public audience for the first time. Including many object images and maps, the study provides a practical guide to the identification of Scandinavian metalwork.

"Viking Language 1 - Learn Old Norse, Runes, and Icelandic Sagas" provides everything necessary to learn Old Norse, runes, and tackle Icelandic sagas. Graded lessons, saga readings, runic inscriptions, grammar exercises, pronunciation, maps, cultural sections, student guide, and vocabulary teach Old Norse and about Vikings, Iceland, old Scandinavia, myths and legends. ----- Download FREE ANSWER KEY on www.vikinglanguage.com ----- Now available, two audio MP3 download OLD NORSE PRONUNCIATION ALBUMS "VIKING LANGUAGE 1: AUDIO LESSONS 1-8: (Pronounce Old Norse, Runes, and Icelandic Sagas)" and "Viking Language 1: Audio Lessons 9-15." To find search "Viking Language audio lessons" under "all departments" and "MP3 music." Also CDbaby and Itunes. ----- VISIT www.vikinglanguage.com for information about the "Viking Language Series" and for samples of the audio readings ---- Forthcoming soon "Viking Language 2 The Old Norse Reader" including, prose selections, complete sagas, poems of the Scandinavian gods and heroes, Old Norse runes, reference grammar, and vocabulary.

In this collection of primary sources, Eugene Smelyansky highlights instances of persecution and violence, as well as those relatively rare but significant episodes of toleration, that impacted a broad spectrum of people who existed at the margins of medieval society: heretics, Jews and Muslims, the poor, the displaced and disabled, women, and those deemed sexually deviant. The volume also presents a more geographically diverse Middle Ages by including sources from Central and Eastern Europe as well as the Mediterranean. Each document is preceded by a brief introduction and followed by questions for discussion, making The Intolerant Middle Ages an excellent entrance into the lives and struggles of medieval minorities.

Volume 5 examines the history of Judaism in the Islamic World from the rise of Islam in the early sixth century to the expulsion of Jews from Spain at the end of the fifteenth. This period witnessed radical transformations both within the Jewish community itself and in the broader contexts in which the Jews found themselves. The rise of Islam had a decisive influence on Jews and Judaism as the conditions of daily life and elite culture shifted throughout the Islamicate world. Islamic conquest and expansion affected the shape of the Jewish community as the center of gravity shifted west to the North African communities, and long-distance trading opportunities led to the establishment of trading diasporas and flourishing communities as far east as India. By the end of our period, many of the communities on the 'other' side of the Mediterranean had come into their own-while many of the Jewish communities in the Islamicate world had retreated from their high-water mark.

In the sixth century, Byzantine emperors secured the provinces of the Balkans by engineering a frontier system of unprecedented complexity. Drawing on literary, archaeological, anthropological, and numismatic sources, Andrei Gandila argues that cultural attraction was a crucial component of the political frontier of exclusion in the northern Balkans. If left unattended, the entire edifice could easily collapse under its own weight. Through a detailed analysis of the archaeological evidence, the author demonstrates that communities living beyond the frontier competed for access to Byzantine goods and reshaped their identity as a result of continual negotiation, reinvention, and hybridization. In the hands of 'barbarians', Byzantine objects, such as coins, jewelry, and terracotta lamps, possessed more than functional or economic value, bringing social prestige, conveying religious symbolism embedded in the iconography, and offering a general sense of sharing in the Early Byzantine provincial lifestyle.