The Papacy and the Orthodox examines the centuries-long debate over the primacy and authority of the Bishop of Rome, especially in relation to the Christian East, and offers a comprehensive history of the debate and its underlying theological issues. Edward Siecienski begins by looking at the sources of the debate, analyzing the history and texts that have long divided the Catholic and Orthodox world, and ends by examining the Second Vatican Council and recent attempts at dialogue on the issue of the primacy. Starting with the historical Apostle Peter and the role he played in the early church, the book turns to the evidence long used in arguments for and against the Roman primacy. Siecienski details the 2000-year history of the papacy's reception-and rejection-among the Orthodox, beginning with the question that continues to bedevil ecumenists: what was the role of the Bishop of Rome during the time of the undivided church? Although Eastern attitudes towards the papacy often differed depending on time and place, by the time the First Vatican Council (1870) defined the pope's infallibility and universal jurisdiction-doctrines the Orthodox vehemently rejectedit was clear that the papacy, long seen by Catholics as the ministry of unity, had become the chief obstacle to it. Siecienski masterfully brings together all of the biblical, patristic, and historical material necessary to understand this longstanding debate. This book is an invaluable resource as both Catholics and Orthodox continue to reexamine the sources and history of the debate.

"Only when our life is wholly directed towards God do we become capable of seeing God in all and begin to do so by faith not only in all the significant happenings of life but even in the insignificant ones and to submit entirely to His holy will." The 19th century saw a renaissance of Russian spirituality in the writings of St Ignatius (Brianchaninov) and St Theophan the Recluse, many of whose works have become well-known throughout the world. This book brings to an English-speaking audience the spiritual counsels of another Russian monastic of the same period. Born into a patrician family in the Don region, Anna Mikhailovna Sebriakova forsake the world at the age of seventeen and joined the Ust'-Medveditskii convent, where she was tonsured a nun with the name Arsenia. She subsequently served as abbess of this same monastery for 41 years. Heavily influenced by the writings of St ignatius, she took up correspondence with his brother P.A. Brianchaninov and became his spiritual mentor. Her letters to Peter Alexandrovich form the bulk of this book. Also offered are a selection of her personal notes and letters to other individuals. Abbess Arsenia's counsels are steeped in Holy Scripture and in the inspiration that she draws from the services of the Orthodox Church. Throughout, she emphasizes the need to humble oneself, discern the will of God, and fulfill it through every moment of our life.

"The Philokalia" is a collection of texts written between the fourth and the fifteenth centuries by spiritual masters of the Orthodox Christian tradition. First published in Greek in 1782, then translated into Slavonic and later into Russian, " The Philokalia "has exercised an influence in the recent history of the Orthodox Church far greater than that of any book apart from the Bible. It is concerned with themes of universal importance: how man may develop his inner powers and awake from illusion; how he may overcome fragmentation and achieve spiritual wholeness; how he may attain the life of contemplative stillness and union with God.

This book provides the basic "skeleton" for all the services of the Orthodox Church, into which variable texts from other sources are inserted. The work is presented in a well-bound large print format. Using traditional English the book has the fixed texts for all the daily services of the Orthodox Church. Clear rubrics set out in red ink explain how the form of the services varies between Sundays and weekdays, fasting seasons etc. This edition also includes extracts from the variable texts of the Menaion, Triodion and Pentecostarion. An absolute must for any student of Christian liturgy.

Despina D. Prassas's translation of the Quaestiones et Dubia presents for the first time in English one of the Confessor's most significant contributions to early Christian biblical interpretation. Maximus the Confessor (580-662) was a monk whose writings focused on ascetical interpretations of biblical and patristic works. For his refusal to accept the Monothelite position supported by Emperor Constans II, he was tried as a heretic, his right hand was cut off, and his tongue was cut out. In his work, Maximus the Confessor brings together the patristic exegetical aporiai tradition and the spiritual-pedagogical tradition of monastic questions and responses. The overarching theme is the importance of the ascetical life. For Maximus, askesis is a lifelong endeavor that consists of the struggle and discipline to maintain control over the passions. One engages in the ascetical life by taking part in both theoria (contemplation) and praxis (action). To convey this teaching, Maximus uses a number of pedagogical tools including allegory, etymology, number symbolism, and military terminology. Prassas provides a rich historical and contextual background in her introduction to help ground and familiarize the reader with this work.

A translation that uses traditional English of the marriage service as celebrated in the Orthodox Church. This consists of three parts: the betrothal, the crowning, and the removal of the crowns. This booklet has the texts for all the participants: priest, deacon, and chanter. It will also allow wedding guests who are unfamiliar with the service to follow it and will be particularly helpful when the service is celebrated in a language other than English. It does not contain any musical settings for the sung parts of the service.

Islam and the Orthodox Church in contemporary Russia are usually studied in isolation from each other, and each in relation to the Kremlin; the latter demands the development of a home-grown and patriotic 'religious traditionalism, as a bulwark against subversive 'non-traditional' imports. This volume breaks new ground by focusing on charismatic missionaries from both religions who bypass the hierarchies of their respective faith organizations and challenge the 'traditionalism' paradigm from within Russia's many religious traditions, and who give new meanings to the well-known catchwords of Russia's identity discourse. The Moscow priest Daniil Sysoev confronted the Russian Orthodox Church with 'Uranopolitism', a spiritual vision that defies patriotism and nationalism; the media-savvy Geidar Dzhemal projected an 'Islamic Eurasianism' and a world revolution for which Russia's Muslims would provide the vanguard; and the Islamic terrorist Said Buriatskii found respect among left- and right-wing Russians through his Islamic adaptation of Lev Gumilev's 'passionarity' paradigm. On the other side, Russian experts and journalists who propagate the official paradigm of Russia's 'traditional Islam' argue from either Orthodox or secularist perspectives, and fail to give content to the concept. This allows even moderate Salafis to argue that their creed is Russia's real 'traditionalist' Islam. This book was originally published as a special issue of Islam and Christian-Muslim Relations.

Although much has been written on the making of art objects as a means of engaging in creative productions of the self (most famously Alfred Gell's work), there has been very little written on Orthodox Christianity and its use of material within religious self-formation. Eastern Orthodox Christianity is renowned for its artistry and the aesthetics of its worship being an integral part of devout practice. Yet this is an area with little ethnographic exploration available and even scarcer ethnographic attention given to the material culture of Eastern Christianity outside the traditional 'homelands' of the greater Levant and Eastern Europe. Drawing from and building upon Gell's work, Carroll explores the uses and purposes of material culture in Eastern Orthodox Christian worship. Drawing on three years of ethnographic fieldwork in a small Antiochian Orthodox parish in London, Carroll focusses on a study of ecclesiastical fabric but places this within the wider context of Orthodox material ecology in Britain. This ethnographic exploration leads to discussion of the role of materials in the construction of religious identity, material understandings of religion, and pathways of pilgrimatic engagement and religious movement across Europe. In a religious tradition characterised by repetition and continuity, but also as sensuously tactile, this book argues that material objects are necessary for the continual production of Orthodox Christians as art-like subjects. It is an important contribution to the corpus of literature on the anthropology of material culture and art and the anthropology of religion.

The series is devoted to Christian texts from the Greek-speaking parts of the ancient Roman Empire. Published since 1897 (first in Leipzig, then in Berlin) by the Royal Prussian Academy under the project Griechische Christliche Schriftsteller, which was continued by the Berlin-Brandenburg Academy, the series offers large critical editions accompanied by historical introductions and indices of those works that have not been included in other major editions. When complete, the series will provide complete coverage of the first three centuries.

In this volume, four homilies have been chosen from the original Syriac texts. The poetry is typological and rooted in Scripture. The first homily considers the Mother of God in language full of wonder. The second homily concerns the Annunciation, including a long reflection on Joseph, the just one. In the third, the meaning of Mary with Elizabeth is recounted and the rejoicing of John the Baptist in the womb of his mother at the greeting of Mary. The concluding homily focuses on the death and burial of the Mother of God demonstrating Jacob's typological interpretation of Scripture.

"Our Lord Jesus Christ is the Conqueror of death, and, consequently, of the death of our departed ones. Let us say to them in Him, not 'Farewell,' but 'Until we meet again, beloved spouse, good parents, dear brother or sister. Until we meet again!'" While many are now abandoning traditional religious practice, none the less, the reality of death and questions regarding the afterlife remain at the forefront of spiritual consciousness. How Our Departed Ones Live is the answer to those who seek the truth as expressed through the experience of the Orthodox Church. This comprehensive book discusses the source of death and mortality, the inner connection and mutual relationship between the living and the departed, intercession by the living for the departed, and life beyond the grave. It will comfort the grieving and inspire all Christians to strengthen their resolve as they seek first the Kingdom of God, and His righteousness.

Dr Jean-Claude Larchet, renowned for his examinations of the causes and consequences of spiritual and physical illness, here tackles the pressing question of the societal and personal effects of our societal use of new media. The definition of new media is broad - from radio to smart phones - and the analysis of their impact is honest and straightforward. His meticulous diagnosis of their effects concludes with a discussion of the ways individuals might limit and counteract the most deleterious effects of this new epidemic.

Georges Florovsky is the mastermind of a 'return to the Church Fathers' in twentieth-century Orthodox theology. His theological vision-the neopatristic synthesis-became the main paradigm of Orthodox theology and the golden standard of Eastern Orthodox identity in the West. Focusing on Florovsky's European period (1920-1948), this study analyses how Florovsky's evolving interpretation of Russian religious thought, particularly Vladimir Solovyov and Sergius Bulgakov, informed his approach to patristic sources. Paul Gavrilyuk offers a new reading of Florovsky's neopatristic theology, by closely considering its ontological, epistemological and ecclesiological foundations. It is common to contrast Florovsky's neopatristic theology with the 'modernist' religious philosophies of Pavel Florensky, Sergius Bulgakov, and other representatives of the Russian Religious Renaissance. Gavrilyuk argues that the standard narrative of twentieth-century Orthodox theology, based on this polarization, must be reconsidered. The author demonstrates Florovsky's critical appropriation of the main themes of the Russian Religious Renaissance, including theological antinomies, the meaning of history, and the nature of personhood. The distinctive features of Florovsky's neopatristic theology Christological focus, 'ecclesial experience', personalism, and 'Christian Hellenism' are best understood against the background of the main problematic of the Renaissance. Specifically, it is shown that Bulgakov's sophiology provided a polemical subtext for Florovsky's theology of creation. It is argued that the use of the patristic norm in application to modern Russian theology represents Florovsky's theological signature. Drawing on unpublished archival material and correspondence, this study sheds new light on such aspects of Florovsky's career as his family background, his participation in the Eurasian movement, his dissertation on Alexander Herzen, his lectures on Vladimir Solovyov, and his involvement in Bulgakov's Brotherhood of St Sophia.

This book is the first exploration of the remarkable odyssey of Thomas Aquinas in the Orthodox Christian world, from the Byzantine to the modern era. Aquinas was received with astonishing enthusiasm across the Byzantine theological spectrum. By contrast, modern Orthodox readings of Aquinas have been resoundingly negative, routinely presenting Aquinas as the archetype of as a specifically Western form of theology against which the Orthodox East must set its face. Basing itself primarily on a close study of the Byzantine reception of Thomas, this study rejects such hackneyed dichotomies, arguing instead for a properly catholic or universal construal of Orthodoxy - one in which Thomas might once again find a place. In its probing of the East-West dichotomy, this book questions the widespread juxtaposition of Gregory Palamas and Thomas Aquinas as archetypes of opposing Greek and Latin theological traditions. The long period between the Fall of Constantinople and the Russian Revolution, conventionally written off as an era of sterility and malformation for Orthodox theology, is also viewed with a fresh perspective. Study of the reception of Thomas in this period reveals a theological sophistication and a generosity of vision that is rarely accounted for. In short, this is a book which radically re-thinks the history of Orthodox theology through the prism of the fascinating and largely untold story of Orthodox engagement with Aquinas.

In seventeenth-century Europe the Copts, or the Egyptian members of the Church of Alexandria, were widely believed to hold the key to an ancient wisdom and an ancient theology. Their language was thought to lead to the deciphering of the hieroglyphs and their Church to retain traces of early Christian practices as well as early Egyptian customs. Now available in paperback for the first time, this first, full-length study of the subject, discusses the attempts of Catholic missionaries to force the Church of Alexandria into union with the Church of Rome and the slow accumulation of knowledge of Coptic beliefs, undertaken by Catholics and Protestants. It ends with a survey of the study of the Coptic language in the West and of the uses to which it was put by Biblical scholars, antiquarians, theologians, and Egyptologists.

Andrei Bloom (1914-2003) better known as Anthony Bloom, or Metropolitan Anthony of Sourozh, led an extraordinary life. He was an individual who sought to be in touch with his God yet in solidarity with and responsibility for a tragically disconnected society; a man of God who "knew the world". From the difficulties of Russian emigre life that conditioned him as "a monk without a monastery", through the trials and suffering of war and revolution, to his calling as Priest and Bishop of the Russian Orthodox Church in Great Britain, he moved between many changing landscapes, striving always to take his bearings in prayer and contemplation. In spite of the collapse of their whole way of life, his parents brought him up to be a generous and courteous friend to those around him. As a surgeon and doctor in German-occupied France, he would provide treatment to those in need irrespective of ethnic or ideological affiliation. In his character, joy in the good and the beautiful was compounded with ardor and tragic depths. This biography explores how Metropolitan Anthony sought the mind of Christ to cultivate and control his own loving heart and occasionally harsh exigence. Avril Pyman draws on a mosaic of available evidence to offer deeper insight into the life and times of a remarkable spiritual teacher, charismatic speaker and priest whose cosmopolitan background, character and experience of science and medicine made a unique and significant contribution to Orthodox Christian thought and practice throughout the world.

Georges Florovsky is the mastermind of a 'return to the Church Fathers' in twentieth-century Orthodox theology. His theological vision-the neopatristic synthesis-became the main paradigm of Orthodox theology and the golden standard of Eastern Orthodox identity in the West. Focusing on Florovsky's European period (1920-1948), this study analyses how Florovsky's evolving interpretation of Russian religious thought, particularly Vladimir Solovyov and Sergius Bulgakov, informed his approach to patristic sources. Paul Gavrilyuk offers a new reading of Florovsky's neopatristic theology, by closely considering its ontological, epistemological and ecclesiological foundations. It is common to contrast Florovsky's neopatristic theology with the 'modernist' religious philosophies of Pavel Florensky, Sergius Bulgakov, and other representatives of the Russian Religious Renaissance. Gavrilyuk argues that the standard narrative of twentieth-century Orthodox theology, based on this polarization, must be reconsidered. The author demonstrates Florovsky's critical appropriation of the main themes of the Russian Religious Renaissance, including theological antinomies, the meaning of history, and the nature of personhood. The distinctive features of Florovsky's neopatristic theology-Christological focus, 'ecclesial experience', personalism, and 'Christian Hellenism'-are best understood against the background of the main problematic of the Renaissance. Specifically, it is shown that Bulgakov's sophiology provided a polemical subtext for Florovsky's theology of creation. It is argued that the use of the patristic norm in application to modern Russian theology represents Florovsky's theological signature. Drawing on unpublished archival material and correspondence, this study sheds new light on such aspects of Florovsky's career as his family background, his participation in the Eurasian movement, his dissertation on Alexander Herzen, his lectures on Vladimir Solovyov, and his involvement in Bulgakov's Brotherhood of St Sophia.

In this sweeping history, Alexander Kitroeff shows how the Greek Orthodox Church in America has functioned as much more than a religious institution, becoming the focal point in the lives of the country's million-plus Greek immigrants and their descendants. Assuming the responsibility of running Greek-language schools and encouraging local parishes to engage in cultural and social activities, the church became the most important Greek American institution and shaped the identity of Greeks in the United States. Kitroeff digs into these traditional activities, highlighting the American church's dependency on the "mother church," the Greek Orthodox Patriarchate of Constantinople, and the use of Greek language in the Sunday liturgy. Today, as this rich biography of the church shows us, Greek Orthodoxy remains in between the Old World and the New, both Greek and American.

In spite of the Orthodox liturgy's reputation for resistance to change, Byzantine liturgical dress underwent a period of extraordinary elaboration from the end of the eleventh century onwards. As part of this development, embroideries depicting holy figures and scenes began to appear on the vestments of the clergy. Examining the surviving Byzantine vestments in conjunction with contemporary visual and textual evidence, Woodfin relates their embroidered imagery both to the program of images used in churches, and to the hierarchical code of dress prevailing in the imperial court. Both sets of visual cross-references serve to enforce a reading of the clergy as living icons of Christ. Finally, the book explores the competing configurations of the hierarchy of heaven as articulated in imperial and ecclesiastical art. It shows how the juxtaposition of real embroidered vestments with vestments depicted in paintings, allowed the Orthodox hierarchy to represent itself as a direct extension of the hierarchy of heaven.
Drawing on the best of recent scholarship in Byzantine liturgy, monumental painting, and textile studies, Woodfin's volume is the first major illustrated study of Byzantine embroidered vestments to appear in over forty years.