Deification in Russian Religious Thought considers the reception of the Eastern Christian (Orthodox) doctrine of deification by Russian religious thinkers of the immediate pre-revolutionary period. Deification is the metaphor that the Greek patristic tradition came to privilege in its articulation of the Christian concept of salvation: to be saved is to be deified, that is, to share in the divine attribute of immortality. In the Christian narrative of the Orthodox Church 'God became human so that humans might become gods'. Ruth Coates shows that between the revolutions of 1905 and 1917 Russian religious thinkers turned to deification in their search for a commensurate response to the apocalyptic dimension of the universally anticipated destruction of the Russian autocracy and the social and religious order that supported it. Focusing on major works by four prominent thinkers of the Russian Religious Renaissance-Dmitry Merezhkovsky, Nikolai Berdiaev, Sergei Bulgakov, and Pavel Florensky-Coates demonstrates the salience of the deification theme and explores the variety of forms of its expression. She argues that the reception of deification in this period is shaped by the discourse of early Russian cultural modernism, and informed not only by theology, but also by nineteenth-century currents in Russian religious culture and German philosophy, particularly as these are received by the novelist Fedor Dostoevsky and the philosopher Vladimir Soloviev. In the works that are analysed, deification is taken out of its original theological context and applied respectively to politics, creativity, economics, and asceticism. At the same time, all the thinkers represented in the book view deification as a project: a practice that should deliver the total transformation and immortalisation of human beings, society, culture, and the material universe, and this is what connects them to deification's theological source.

Georges Florovsky is the mastermind of a 'return to the Church Fathers' in twentieth-century Orthodox theology. His theological vision-the neopatristic synthesis-became the main paradigm of Orthodox theology and the golden standard of Eastern Orthodox identity in the West. Focusing on Florovsky's European period (1920-1948), this study analyses how Florovsky's evolving interpretation of Russian religious thought, particularly Vladimir Solovyov and Sergius Bulgakov, informed his approach to patristic sources. Paul Gavrilyuk offers a new reading of Florovsky's neopatristic theology, by closely considering its ontological, epistemological and ecclesiological foundations. It is common to contrast Florovsky's neopatristic theology with the 'modernist' religious philosophies of Pavel Florensky, Sergius Bulgakov, and other representatives of the Russian Religious Renaissance. Gavrilyuk argues that the standard narrative of twentieth-century Orthodox theology, based on this polarization, must be reconsidered. The author demonstrates Florovsky's critical appropriation of the main themes of the Russian Religious Renaissance, including theological antinomies, the meaning of history, and the nature of personhood. The distinctive features of Florovsky's neopatristic theology Christological focus, 'ecclesial experience', personalism, and 'Christian Hellenism' are best understood against the background of the main problematic of the Renaissance. Specifically, it is shown that Bulgakov's sophiology provided a polemical subtext for Florovsky's theology of creation. It is argued that the use of the patristic norm in application to modern Russian theology represents Florovsky's theological signature. Drawing on unpublished archival material and correspondence, this study sheds new light on such aspects of Florovsky's career as his family background, his participation in the Eurasian movement, his dissertation on Alexander Herzen, his lectures on Vladimir Solovyov, and his involvement in Bulgakov's Brotherhood of St Sophia.

This book is the first exploration of the remarkable odyssey of Thomas Aquinas in the Orthodox Christian world, from the Byzantine to the modern era. Aquinas was received with astonishing enthusiasm across the Byzantine theological spectrum. By contrast, modern Orthodox readings of Aquinas have been resoundingly negative, routinely presenting Aquinas as the archetype of as a specifically Western form of theology against which the Orthodox East must set its face. Basing itself primarily on a close study of the Byzantine reception of Thomas, this study rejects such hackneyed dichotomies, arguing instead for a properly catholic or universal construal of Orthodoxy - one in which Thomas might once again find a place. In its probing of the East-West dichotomy, this book questions the widespread juxtaposition of Gregory Palamas and Thomas Aquinas as archetypes of opposing Greek and Latin theological traditions. The long period between the Fall of Constantinople and the Russian Revolution, conventionally written off as an era of sterility and malformation for Orthodox theology, is also viewed with a fresh perspective. Study of the reception of Thomas in this period reveals a theological sophistication and a generosity of vision that is rarely accounted for. In short, this is a book which radically re-thinks the history of Orthodox theology through the prism of the fascinating and largely untold story of Orthodox engagement with Aquinas.

In seventeenth-century Europe the Copts, or the Egyptian members of the Church of Alexandria, were widely believed to hold the key to an ancient wisdom and an ancient theology. Their language was thought to lead to the deciphering of the hieroglyphs and their Church to retain traces of early Christian practices as well as early Egyptian customs. Now available in paperback for the first time, this first, full-length study of the subject, discusses the attempts of Catholic missionaries to force the Church of Alexandria into union with the Church of Rome and the slow accumulation of knowledge of Coptic beliefs, undertaken by Catholics and Protestants. It ends with a survey of the study of the Coptic language in the West and of the uses to which it was put by Biblical scholars, antiquarians, theologians, and Egyptologists.

Andrei Bloom (1914-2003) better known as Anthony Bloom, or Metropolitan Anthony of Sourozh, led an extraordinary life. He was an individual who sought to be in touch with his God yet in solidarity with and responsibility for a tragically disconnected society; a man of God who "knew the world". From the difficulties of Russian emigre life that conditioned him as "a monk without a monastery", through the trials and suffering of war and revolution, to his calling as Priest and Bishop of the Russian Orthodox Church in Great Britain, he moved between many changing landscapes, striving always to take his bearings in prayer and contemplation. In spite of the collapse of their whole way of life, his parents brought him up to be a generous and courteous friend to those around him. As a surgeon and doctor in German-occupied France, he would provide treatment to those in need irrespective of ethnic or ideological affiliation. In his character, joy in the good and the beautiful was compounded with ardor and tragic depths. This biography explores how Metropolitan Anthony sought the mind of Christ to cultivate and control his own loving heart and occasionally harsh exigence. Avril Pyman draws on a mosaic of available evidence to offer deeper insight into the life and times of a remarkable spiritual teacher, charismatic speaker and priest whose cosmopolitan background, character and experience of science and medicine made a unique and significant contribution to Orthodox Christian thought and practice throughout the world.

T. H. Robinson's Paradigms and exercises in Syriac Grammar was first published in 1915 to meet the need for 'something of an elementary nature which should be of value to the student who takes up Syriac for the first time'. Since then, the book has met this need for generations of students. The fifth edition of 2002 remains the grammar of choice for many teachers of Syriac classes as well as for students learning by themselves. The present revision, drawing on ten more years of university teaching experience and students' comments, clarifies some of the grammatical explanations and exercises. Improvements to the fonts and a larger format make for easier reading. As before, the West Syriac script and grammatical tradition are followed in the body of the lessons, and appendices introduce reading in the other (estrangela and Eastern) scripts. The book remains a plain and friendly introduction to this important language.

Georges Florovsky is the mastermind of a 'return to the Church Fathers' in twentieth-century Orthodox theology. His theological vision-the neopatristic synthesis-became the main paradigm of Orthodox theology and the golden standard of Eastern Orthodox identity in the West. Focusing on Florovsky's European period (1920-1948), this study analyses how Florovsky's evolving interpretation of Russian religious thought, particularly Vladimir Solovyov and Sergius Bulgakov, informed his approach to patristic sources. Paul Gavrilyuk offers a new reading of Florovsky's neopatristic theology, by closely considering its ontological, epistemological and ecclesiological foundations. It is common to contrast Florovsky's neopatristic theology with the 'modernist' religious philosophies of Pavel Florensky, Sergius Bulgakov, and other representatives of the Russian Religious Renaissance. Gavrilyuk argues that the standard narrative of twentieth-century Orthodox theology, based on this polarization, must be reconsidered. The author demonstrates Florovsky's critical appropriation of the main themes of the Russian Religious Renaissance, including theological antinomies, the meaning of history, and the nature of personhood. The distinctive features of Florovsky's neopatristic theology-Christological focus, 'ecclesial experience', personalism, and 'Christian Hellenism'-are best understood against the background of the main problematic of the Renaissance. Specifically, it is shown that Bulgakov's sophiology provided a polemical subtext for Florovsky's theology of creation. It is argued that the use of the patristic norm in application to modern Russian theology represents Florovsky's theological signature. Drawing on unpublished archival material and correspondence, this study sheds new light on such aspects of Florovsky's career as his family background, his participation in the Eurasian movement, his dissertation on Alexander Herzen, his lectures on Vladimir Solovyov, and his involvement in Bulgakov's Brotherhood of St Sophia.

In this groundbreaking, interdisciplinary study, Andrew Walker White explores the origins of Byzantine ritual - the rites of the early Greek Orthodox Church - and its unique relationship with traditional theatre. Tracing the secularization of pagan theatre, the rise of rhetoric as an alternative to acting, as well as the transmission of ancient methods of musical composition into the Byzantine era, White demonstrates how Christian ritual was in effect a post-theatrical performing art, created by intellectuals who were fully aware of traditional theatre but who endeavoured to avoid it. The book explores how Orthodox rites avoid the aesthetic appreciation associated with secular art, and conducts an in-depth study (and reconstruction) of the late Byzantine Service of the Furnace. Often treated as a liturgical drama, White translates and delineates the features of five extant versions, to show how and why it generated widely diverse audience reactions in both medieval times and our own.

This book describes the role of the medieval Orthodox Church in the Byzantine Empire (c.600-c.1453). As an integral part of its policy it was (as in western Christianity) closely linked with many aspects of everyday life both official and otherwise. It was a formative period for Orthodoxy. It had to face doctrinal problems and heresies; at the same time it experienced the continuity and deepening of its liturgical life. While holding fast to the traditions of the fathers and the councils, it saw certain developments in doctrine and liturgy as also in administration.
Part I discusses the landmarks in ecclesiastical affairs within the Empire as well as the creative influence exercised on the Slavs and the increasing contacts with westerners particularly after 1204. Part II gives a brief account of the structure of the medieval Orthodox Church, its officials and organization, and the spirituality of laity, monks, and clergy.

Although biblical texts were known in Church Slavonic as early as the ninth century, translation of the Bible into Russian came about only in the nineteenth century. Modern scriptural translation generated major religious and cultural conflict within the Russian Orthodox church. The resulting divisions left church authority particularly vulnerable to political pressures exerted upon it in the twentieth century. Russian Bible Wars illuminates the fundamental issues of authority that have divided modern Russian religious culture. Set within the theoretical debate over secularization, the volume clarifies why the Russian Bible was issued relatively late and amidst great controversy. Stephen Batalden's study traces the development of biblical translation into Russian and of the 'Bible wars' that then occurred in the nineteenth and twentieth centuries in Russia. The annotated bibliography of the Russian Bible identifies the different editions and their publication history.

Behind a gruesome ISIS beheading video lies the untold story of the men in orange and the faith community that formed these unlikely modern-day saints and heroes. In a carefully choreographed propaganda video released in February 2015, ISIS militants behead twenty-one orange-clad Christian men on a Libyan beach. In the West, daily reports of new atrocities may have displaced the memory of this particularly vile event. But not in the world from which the murdered came. All but one were young Coptic Christian migrant workers from Egypt. Acclaimed literary writer Martin Mosebach traveled to the Egyptian village of El-Aour to meet their families and better understand the faith and culture that shaped such conviction. He finds himself welcomed into simple concrete homes through which swallows dart. Portraits of Jesus and Mary hang on the walls along with roughhewn shrines to now-famous loved ones. Mosebach is amazed time and again as, surrounded by children and goats, the bereaved replay the cruel propaganda video on an iPad. There is never any talk of revenge, but only the pride of having a martyr in the family, a saint in heaven. "The 21" appear on icons crowned like kings, celebrated even as their community grieves. A skeptical Westerner, Mosebach finds himself a stranger in this world in which everything is the reflection or fulfillment of biblical events, and facing persecution with courage is part of daily life. In twenty-one symbolic chapters, each preceded by a picture, Mosebach offers a travelogue of his encounter with a foreign culture and a church that has preserved the faith and liturgy of early Christianity - the "Church of the Martyrs." As a religious minority in Muslim Egypt, the Copts find themselves caught in a clash of civilizations. This book, then, is also an account of the spiritual life of an Arab country stretched between extremism and pluralism, between a rich biblical past and the shopping centers of New Cairo.

Writing in the tradition of biblical exegetes, such as St John Chrysostom and Blessed Theophylact of Bulgaria, the work of Archbishop Averky (Taushev) provides a commentary that is firmly grounded in the teaching of the Church, manifested in its liturgical hymnography and the works of the Holy Fathers. Analyzing all four Gospels chronologically and simultaneously, he allows readers to see the life of Christ as an unfolding narrative in accessible, direct language. Using the best of prerevolutionary Russian sources, these writings also remained abreast of developments in Western biblical scholarship, engaging with it directly and honestly. He approaches the Gospels first and foremost not as a literary work of antiquity, but as the revelation of Jesus Christ as God in the flesh. Archbishop Averky's commentaries on the New Testament have become standard textbooks in Holy Trinity Orthodox Seminary and have been published in Russia to widespread acclaim. This present volume is the first translation of these texts into English and it is an indispensable addition to the library of every student of the Gospels.

Augustine of Hippo (AD 354-430) is arguably the most controversial Christian thinker in history. His positions on philosophical and theological concerns have been the subjects of intense scrutiny and criticism from his lifetime to the present.
Augustine and his Critics gathers twelve specialists' responses to modern criticisms of his thought, covering: personal and religious freedom; the self and God; sexuality, gender and the body; spirituality; asceticism; cultural studies; and politics.
Stimulating and insightful, the collection offers forceful arguments for neglected historical, philosophical and theological perspectives which are behind some of Augustine's most unpopular convictions.

Thecla, a disciple of the apostle Paul, became perhaps the most celebrated female saint and 'martyr' in the early church. Bringing together literary, artistic, and archaeological evidence, the author shows how the cult of Saint Thecla was especially popular among early Christian women.

Regarded as one of the three hierarchs or pillars of orthodoxy along with Gregory of Nazianzus and John Chrysostom, Basil is a key figure in the formative process of Christianity in the fourth century. While his role in establishing Trinitarian terminology, as well as his function in shaping monasticism, his social thought and even his contribution to the evolution of liturgical forms have been the focus of research for many years, there are few studies which centre on his political thought. Basil played a major role in the political and religious life between Cappadocia and Armenia and was a key figure in the tumultuous relationship between Church and State in Late Antiquity. He was a great religious leader and a gifted diplomat, and developed a 'special relationship' with Emperor Valens and other high imperial officials.

"Thou hast redeemed us from the curse of the Law by Thy precious Blood. By being nailed to the Cross and pierced with the Spear, Thou hast poured immortality on mankind. O our Saviour, glory to Thee." - Troparion for Holy Friday Atonement is a contested but inescapable term in contemporary English-language theological discussion. The doctrine of atonement has received little attention in Orthodox Christian circles since the work of Fr Georges Florovsky, who labored to clarify and promulgate the Orthodox teaching on atonement on the basis of his theological leitmotifs of neo-patristic synthesis and encounter with the West. Florovsky saw the doctrine of the person of Christ as the key to apprehending the pattern and the unity of God's redemptive work. Hence he always sought to follow the Church Fathers in weaving together the themes of creation and fall, incarnation and atonement, deification and redemption, liturgy and asceticism, in the variegated yet seamless robe of true theology. The present volume is inspired by Florovsky's legacy. It is composed of two parts. The first is a collection of papers on atonement by contemporary scholars from a patristic symposium in honor of Florovsky held at Princeton Theological Seminary and Princeton University in 2011. The second part is a collection of writings on atonement by Florovsky himself, including previously unpublished manuscripts and other works otherwise hard to access. This book offers incisive and informed neo-patristic voices to any contemporary discussion of atonement, thus responding to the perennial legacy and task to which Fr Georges Florovsky exhorted Orthodox theological reflection.

St Symeon was the most important teacher of mystical experience of God in the Orthodox Church. This book seeks to place the teaching of the discourses in their proper context, both among Symeon's other writings and with regard to his sources in the Tradition. Included is a sketch of Symeon's life and times, together with an extensive discussion of this thought, particularly against its background in the ascetical, mystical and theological literature of the Christian East prior to the 10th century.

Contemplative reading is a spiritual practice developed by Christian monks in sixth- and seventh-century Mesopotamia. Mystics belonging to the Church of the East pursued a form of contemplation which moved from reading, to meditation, to prayer, to the ecstasy of divine vision. The Library of Paradise tells the story of this Syriac tradition in three phases: its establishment as an ascetic practice, the articulation of its theology, and its maturation and spread. The sixth-century monastic reform of Abraham of Kashkar codified the essential place of reading in East Syrian ascetic life. Once established, the practice of contemplative reading received extensive theological commentary. Abraham's successor Babai the Great drew upon the ascetic system of Evagrius of Pontus to explain the relationship of reading to the monk's pursuit of God. Syriac monastic handbooks of the seventh century built on this Evagrian framework. 'Enanisho' of Adiabene composed an anthology called Paradise that would stand for centuries as essential reading matter for Syriac monks. Dadisho' of Qatar wrote a widely copied commentary on the Paradise. Together, these works circulated as a one-volume library which offered readers a door to "Paradise" through contemplation. The Library of Paradise is the first book-length study of East Syrian contemplative reading. It adapts methodological insights from prior scholarship on reading, including studies on Latin lectio divina. By tracing the origins of East Syrian contemplative reading, this study opens the possibility for future investigation into its legacies, including the tradition's long reception history in Sogdian, Arabic, and Ethiopic monastic libraries.

"In a Different Place" offers a richly textured account of a modern pilgrimage, combining ethnographic detail, theory, and personal reflection. Visited by thousands of pilgrims yearly, the Church of the Madonna of the Annunciation on the Aegean island of Tinos is a site where different interests--sacred and secular, local and national, personal and official--all come together. Exploring the shrine and its surrounding town, Jill Dubisch shares her insights into the intersection of social, religious, and political life in Greece. Along the way she develops the idea of pilgrimage-journeying away from home in search of the miraculous--as a metaphor for anthropological fieldwork. This highly readable work offers us the opportunity to share one anthropologist's personal and professional journey and to see in a "different place" the inadequacy of such conventional anthropological categories as theory versus data, rationality versus emotion, and the observer versus the observed.

Dubisch examines in detail the process of pilgrimage itself, its relationship to Orthodox belief and practice, the motivations and behavior of pilgrims, the relationship between religion and Greek national identity, and the gendered nature of religious roles. Seeking to evoke rather than simply describe, her book presents readers with a sense of the emotion, color, and power of pilgrimage at this Greek island shrine.

Pavel Florensky--certainly the greatest Russian theologian of the last century--is now recognized as one of Russia's greatest polymaths. Known as the Russian Leonardo da Vinci, he became a Russian Orthodox priest in 1911, while remaining deeply involved with the cultural, artistic, and scientific developments of his time. Arrested briefly by the Soviets in 1928, he returned to his scholarly activities until 1933, when he was sentenced to ten years of corrective labor in Siberia. There he continued his scientific work and ministered to his fellow prisoners until his death four years later. This volume is the first English translation of his rich and fascinating defense of Russian Orthodox theology.

Originally published in 1914, the book is a series of twelve letters to a "brother" or "friend," who may be understood symbolically as Christ. Central to Florensky's work is an exploration of the various meanings of Christian love, which is viewed as a combination of "philia" (friendship) and "agape" (universal love). Florensky is perhaps the first modern writer to explore the so-called "same-sex unions," which, for him, are not sexual in nature. He describes the ancient Christian rites of the "adelphopoiesis" (brother-making), joining male friends in chaste bonds of love. In addition, Florensky is one of the first thinkers in the twentieth century to develop the idea of the Divine Sophia, who has become one of the central concerns of feminist theologians.

Orthodox Christian theology is often presented as the direct inheritor of the doctrine and tradition of the early Church. But continuity with the past is only part of the truth; it would be false to conclude that the eastern section of the Christian Church is in any way static. Orthodoxy, building on its patristic foundations, has blossomed in the modern period. This volume focuses on the way Orthodox theological tradition is understood and lived today. It explores the Orthodox understanding of what theology is: an expression of the Church's life of prayer, both corporate and personal, from which it can never be separated. Besides discussing aspects of doctrine, the book portrays the main figures, themes and developments that have shaped Orthodox thought. There is particular focus on the Russian and Greek traditions, as well as the dynamic but less well-known Antiochian tradition and the Orthodox presence in the West.

These letters and short theological treatises provide a rich guide to the emerging traditions and organization of the infant Church.