This inspiring scratch book features 20 inspirational and decorative illustrations featuring tangles drawings, creative patterns, and more. Created with simple lines and shapes, you can copy the illustration on the facing scratch-off page using the special tool to reveal a contrasting background. See how relaxing and enjoyable it is to make a simple and beautiful piece of art as you scratch away the metallic coating. You can copy the drawing or feel free to make your own variations as you create your own personalized design. Each page is perforated, ready to tear out and display!

Scholars from science, art, and humanities explore the meaning of our new image worlds and offer new strategies for visual analysis. We are surrounded by images as never before: on Flickr, Facebook, and YouTube; on thousands of television channels; in digital games and virtual worlds; in media art and science. Without new efforts to visualize complex ideas, structures, and systems, today's information explosion would be unmanageable. The digital image represents endless options for manipulation; images seem capable of changing interactively or even autonomously. This volume offers systematic and interdisciplinary reflections on these new image worlds and new analytical approaches to the visual. Imagery in the 21st Century examines this revolution in various fields, with researchers from the natural sciences and the humanities meeting to achieve a deeper understanding of the meaning and impact of the image in our time. The contributors explore and discuss new critical terms of multidisciplinary scope, from database economy to the dramaturgy of hypermedia, from visualizations in neuroscience to the image in bio art. They consider the power of the image in the development of human consciousness, pursue new definitions of visual phenomena, and examine new tools for image research and visual analysis.

The perfect fun and relaxing art project for adults and children, this activity pack includes everything needed for readers to make their own Pointillist sticker masterpiece. Containing 14 sticker sheets with over three-thousand colored circular stickers and an 18" x 32" (46 x 82.5 cm) poster "canvas" of colored outlines, readers simply need to match the colored stickers to the outlines found on the poster to recreate the painting. Given that Pointillism relies on the ability of the eye and brain to blend colored dots into a fuller range of tones, it's not necessary to place each sticker on precisely the right outline. As a result, every finished poster will be somewhat different- and extremely satisfying. With a handy folder-style flap that allows for easy storage and transportation of the artwork in progress, Dot Art: Sticker Seurat makes the perfect activity to take on vacation or to unwind after a busy day.

Close readings of ostensibly "blank" works-from unprinted pages to silent music-that point to a new understanding of media. In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object. Dworkin considers works predicated on blank sheets of paper, from a fictional collection of poems in Jean Cocteau's Orphee to the actual publication of a ream of typing paper as a book of poetry; he compares Robert Rauschenberg's Erased De Kooning Drawing to the artist Nick Thurston's erased copy of Maurice Blanchot's The Space of Literature (in which only Thurston's marginalia were visible); and he scrutinizes the sexual politics of photographic representation and the implications of obscured or obliterated subjects of photographs. Reexamining the famous case of John Cage's 4'33", Dworkin links Cage's composition to Rauschenberg's White Paintings, Ken Friedman's Zen for Record (and Nam June Paik's Zen for Film), and other works, offering also a "guide to further listening" that surveys more than 100 scores and recordings of "silent" music. Dworkin argues that we should understand media not as blank, base things but as social events, and that there is no medium, understood in isolation, but only and always a plurality of media: interpretive activities taking place in socially inscribed space.

Gaps and the Creation of Ideas: An Artist's Book is a portrait of the space between things, whether those things be neurons, quotations, comic-book frames, or fragments in a collage. This twenty-year project is an artist's book composed by juxtaposing quotes and images with the author's thoughts in between. The book is structured to show analogies between disparate texts and images.There have always been gaps, but a focus on the space between things is virtually synonymous with modernity. Modernity itself is a story of gaps, as it is often characterized as a break. Around 1900, many independent strands of gap thought and experience interacted and interwove more intricately. Atoms, theories, women, Jewish people, collage, poetry, patchwork, and jazz figure prominently in these strands. The gap is a phenomenon that crosses the boundaries of neuroscience, rabbinic thinking, modern literary criticism, the structure of matter, art, and popular culture. This book explores many subjects, but it is ultimately a work of art.