In this two volume festschrift, contributors explore the theoretical developments (Volume I) and applications (Volume II) in traditional cognitive psychology domains, and model other areas of human performance that benefit from rigorous mathematical approaches. It brings together former classmates, students and colleagues of Dr. James T. Townsend, a pioneering researcher in the field since the early 1960s, to provide a current overview of mathematical modeling in psychology. Townsend's research critically emphasized a need for rigor in the practice of cognitive modeling, and for providing mathematical definition and structure to ill-defined psychological topics. The research captured demonstrates how the interplay of theory and application, bridged by rigorous mathematics, can move cognitive modeling forward.

Le geste ne peut etre considere en lui-meme et pour lui-meme qu'en se placant dans une perspective restrictive. En effet, le mouvement volontaire s'inscrit dans une action, et dans tous les cas, il est tributaire d'un contexte. Le mouvement est bien ce qui permet d'acceder au monde : ne dit-on pas de certains malades, pourtant conscients, qu'ils " sont mures en eux-memes ", signifiant ainsi que le role de passeur de sens du mouvement est a jamais perdu ? L'une des difficultes majeures dans les tentatives d'harmonisation entre domaines provient du fait qu'il est delicat de faire coincider les donnees provenant des champs neurophysiologique et biologique avec celles issues de modeles linguistiques. C'est pourquoi nous avons demande a des chercheurs appartenant a diverses disciplines (philosophie, psychologie experimentale, sociologie, linguistique et phonetique) d'illustrer la notion de " semiotique du mouvement ". Un premier volet s'attache a preciser les enjeux theoriques du mouvement, de sa conception a sa representation et a sa realisation, d'une maniere generale et dans ses rapports a la vision et a la parole. La deuxieme et la troisieme section apportent des eclairages plus specifiques en focalisant le propos sur les aspects linguistiques.

How does the brain piece together the information required to achieve object recognition, figure-ground segmentation, object completion in cases of partial occlusion and related perceptual phenomena? This book focuses on principles of Gestalt psychology and the key issues which surround them, providing an up-to-date survey of the most interesting and highly debated topics in visual neuroscience, perception and object recognition. The volume is divided into three main parts: Gestalt and perceptual organisation, attention aftereffects and illusions, and color vision and art perception. Themes covered in the book include: - a historical review of Gestalt theory and its relevance in modern-day neuroscience - the relationship between perceptive and receptive fields - a critical analysis of spatiotemporal unity of perception - the role of Gestalt principles in perceptual organization - self-organizing properties of the visual field - the role of attention and perceptual grouping in forming non-retinotopic representations - figural distortions following adaptation to spatial patterns - illusory changes of brightness in spatial patterns - the function of motion illusions as a tool to study Gestalt principles in vision - conflicting theories of color vision and the neural basis of it - the role of color in figure-ground segmentation - chromatic assimilation in visual art and perception - the phenomena of colored shadows. Including contributions from experts in the field, this book will provide an essential overview of current research and theory on visual perception and Gestalt. It will be key reading for researchers and academics in the field of visual perception and neuroscience.

Smell and taste are our most misunderstood senses. Given a choice between losing our sense of smell and taste, or our senses of sight and hearing, most people nominate the former, rather than the latter. Yet our sense of smell and taste has the power to stir up memories, alter our mood and even influence our behaviour. In The Neuropsychology of Smell and Taste, Neil Martin provides a comprehensive, critical analysis of the role of the brain in gustation and olfaction. In his accessible and characteristic style he shows why our sense of smell and taste do not simply perform basic and intermittent functions, but lie at the very centre of our perception of the world around us. Through an exploration of the physiology, anatomy and neuropsychology of the senses; the neurophysiological causes of smell and taste disorders, and their function in physical and mental illness, Neil Martin provides an accessible and up-to-date overview of the processes of gustation and olfaction. The Neuropsychology of Smell and Taste provides a state-of-the-art overview of current research in olfactory and gustatory perception. With sections describing the effect of odour and taste on our behaviour, and evaluating the contribution current neuroimaging technology has made to our understanding of the senses, the book will be of interest to researchers and students of neuropsychology and neuroscience, and anybody with an interest in olfaction and gustation.

This volume is the 11th in the Studies in Perception and Action series and contains research presented at the 16th International Conference on Perception and Action (ICPA) meeting in the summer of 2011.

ICPA provides a forum for presenting new data, theory, and methodological developments relevant to the ecological approach to perception and action. The forty-nine papers presented in this volume are divided into five Parts and represent the latest developments in ecological psychology research from four continents. In many instances, the contributions to Studies volumes reflect the first appearance of new ideas in a scientific venue. As a result, this book contains the most recent and cutting-edge research in perception and action.

This volume will appeal to individuals who follow the research literature in ecological psychology, as well as those interested in perception, perceptual development, human movement dynamics, social processes, and human factors.

In the late-1980s, visual cognition was a small subfield of cognitive psychology, and the standard texts mainly discussed just iconic memory in their sections on visual cognition. In the subsequent two decades, and especially very recently, many remarkable new aspects of the processing of brief visual stimuli have been discovered -- change blindness, repetition blindness, the attentional blink, newly-discovered properties of visual short-term memory and of the face recognition system, the influence of reentrant processing on visual perception, and the surprisingly intimate relationships between eyeblinks and visual cognition.

This volume provides up-to-date tutorial reviews of these many new developments in the study of visual cognition written by the leaders in the discipline, providing an incisive and comprehensive survey of research in this dynamic field.

This volume is the 10th in the Studies in Perception and Action series and contains research presented at the 15th International Conference on Perception and Action (ICPA) meeting in the summer of 2009.

ICPA provides a forum for presenting new data, theory, and methodological developments relevant to the ecological approach to perception and action. The forty papers presented in this volume are divided into five Parts and represent the latest developments in ecological psychology research from four continents. In many instances, the contributions to Studies volumes reflect the first appearance of new ideas in a scientific venue. As a result, this book contains the most recent and cutting-edge research in perception and action.

This volume will appeal to individuals who follow the research literature in ecological psychology, as well as those interested in perception, perceptual development, human movement dynamics, and social processes.

Visual processing acts as a prism, splitting visual information from the retinal image into separately processed features such as color, shape, and orientation. Binding refers to the set of cognitive and neural mechanisms that re-integrate these features to create a holistic representation of the objects in the visual field. The binding problem in vision refers to how this integration is achieved. The binding problem, however, isn t a singular problem, but a constellation of interrelated problems. The articles in this special issue of Visual Cognition cover three major types of binding, each of which may require a unique solution: The binding of features within objects, the relational binding among objects, and the binding between temporally related events. Within these broad topics, articles consider the role of attention in feature binding, the representation of static and moving multi-feature objects, the binding of objects to scenes, binding processes involved in learning and long-term memory, the development of binding abilities, and binding of information between visual and non-visual memory systems. Rather than disseminate conclusive solutions to these various instantiations of the binding problem, this collection of work describes the current state-of-the science, highlights the interconnections between the binding problems and the approaches taken to solve them, and outlines the critical issues that have yet to be resolved. In this single volume readers will confront work with children, young adults, and patients, and work that uses traditional behavioural measures, eye movement recording, functional imaging, and transcranial magnetic stimulation.

How do we perceive the space around us, locate objects within it, and make our way through it? What do the senses contribute?

This book focuses on touch in order to examine which aspects of vision and touch overlap in spatial processing. It argues that spatial processing depends crucially on integrating diverse sensory inputs as reference cues for the location, distance or direction response that spatial tasks demand. Space and Sense shows how perception by touch, as by vision, can be helped by external reference cues, and that 'visual' illusions that are also found in touch depend on common factors and do not occur by chance.

Susanna Millar presents new evidence on the role of spatial cues in touch and movement both with and without vision, and discusses the interaction of both touch and movement with vision in spatial tasks. It shows how perception by touch, as by vision, can be helped by external reference cues, and that 'visual' illusion that are also found in touch depend on common factors and do not occur by chance. The book challenges traditional views of explicit external reference cues, showing that they can improve spatial recall with inputs from touch and movement, contrary to the held belief.

Space and Sense provides empirical evidence for an important distinction between spatial vision and vision that excludes spatial cues in relation to touch. This important new volume extends previous descriptions of bimodal effects in vision and space.

Since 1991, the edited book series Studies in Perception and Action has appeared in conjunction with the biennial International Conference of Perception and Action (ICPA), a conference that provides an opportunity for individuals who share interests in ecological psychology to come together to present current research, exchange ideas, and engage in conversation on theoretical and methodological concerns. The Studies in Perception and Action series is a way to preserve the dialogues between conference attendees and researchers displaying their latest work. This volume, the eighth in the series, presents the conversations held at the 13th ICPA meeting in the summer of 2005.
 
"Studies in Perception and Action VIII "includes broad coverage of the most current advances in research on perceiving and acting, including contributions from researchers in Australia, China, Japan, Europe, and North America. It addresses cutting-edge research in dynamics and human movement, recent progress in ecological approaches to perceiving and acting, and substantially extends our knowledge of just how rich a source of information the world is across a wide range of modalities.
 
This volume will appeal to individuals who follow the research literature in ecological psychology, as well as those interested in perception, perceptual development, human movement dynamics, and social processes.

When most people think of space, they think of physical space. However, visual space concerns space as consciously experienced, and it is studied through subjective measures, such as asking people to use numbers to estimate perceived distances, areas, angles, or volumes. This book explores the mismatch between perception and physical reality, and describes the many factors that influence the perception of space including the meaning assigned to geometric concepts like distance, the judgment methods used to report the experience, the presence or absence of cues to depth, and the orientation of a stimulus with respect to point of view. The main theme of the text is that no single geometry describes visual space, but that the geometry of visual space depends upon the stimulus conditions and mental shifts in the subjective meaning of size and distance.
In addition, "The Geometries of Visual Space: "
*contains philosophical, mathematical, and psychophysical background material;
*looks at synthetic approaches to space perception including work on hyperbolic, spherical, and Euclidean geometries;
*presents a meta-analysis of studies that ask observers to directly estimate size, distance, area, angle, and volume;
*looks at the size constancy literature in which observers are asked to adjust a comparison stimulus to match a variety of standards at different distances away;
*discusses research that takes a multi-dimensional approach toward studying visual space; and
*discusses how spatial experience is influenced by memory.
While this book is primarily intended for scholars in perception, mathematical psychology, and psychophysics, it will also be accessible to awider audience since it is written at a readable level. It will make a good graduate-level textbook on space perception.

Musical Perceptions is a much needed text that introduces students of both music and psychology to the study of music perception and cognition. Because the book aims to foster a closer interaction between research in the science and the art of music, both psychologists and musicians contribute chapters on a wide range of topics, including the philosophy of music; research in musical performance; perception of melody, tonality, and rhythm; pedagogical issues; language and music; and neural networks. With their unique ability to introduce musical and psychological concepts to first-time students in the area, Rita Aiello and John Sloboda have edited a volume that will be popular with undergraduate and graduate students taking courses in the perception, psychology, and aesthetics of music. They have prefaced each chapter with an introduction to the chapter's research. This book will also be useful to cognitive and physiological psychologists and music theorists interested in music perception.

This authoritative reference provides a comprehensive examination of the nature and functions of attention and its relationship to broader cognitive processes. The editor and contributors are leading experts who review the breadth of current knowledge, including behavioral, neuroimaging, cellular, and genetic studies, as well as developmental and clinical research. Chapters are brief yet substantive, offering clear presentations of cutting-edge concepts, methods, and findings. The book addresses the role of attention deficits in psychological disorders and normal aging and considers the implications for intervention and prevention. It includes 85 illustrations. New to This Edition *Significant updates and many new chapters reflecting major advances in the field. *Important breakthroughs in neuroimaging and cognitive modeling. *Chapters on the development of emotion regulation and temperament. *Expanded section on disorders, including up-to-date coverage of ADHD as well as chapters on psychopathy and autism. *Chapters on cognitive training and rehabilitation.

This book collects both classic and contemporary articles in visual perception, providing the reader with an overview of key research ideas as they first appeared. The articles span a century of research: the earliest was published in 1894, the most recent in 1997. There are examples from each of the many disciplines that have contributed to our current understanding of vision, including experimental psychology, cognitive psychology, neurophysiology, and functional neuroimaging. The topics include theoretical perspectives, early vision, perceptual organization and constancy, object and spatial vision, and visual attention and awareness. A brief introduction to each article by the editor provides an intellectual context and pointers to subsequent developments. Suggestions for further reading and discussion questions provide a framework for students to strengthen their understanding of different topics.
This book will be an excellent source of supplementary readings in an advanced undergraduate or graduate course in vision, or a stand-alone text for an in-depth graduate seminar. Professionals in psychology, cognitive neuroscience, visual science, and cognitive science will find this a valuable addition to their personal libraries.

Related link: Free Email Alerting

With a new reading of Thomas Reid on primary and secondary qualities, Christopher A. Shrock illuminates the Common Sense theory of perception. Shrock follow's Reid's lead in defending common sense philosophy against the problem of secondary qualities, which claims that our perceptions are only experiences in our brains, and don't let us know about the world around us. At the same time, Schrock maintains a healthy optimism about science and reason.