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Books > Language & Literature > Language teaching & learning (other than ELT) > Specific skills > Speaking / pronunciation skills > Public speaking / elocution
When Donald J. Trump announced his campaign for president in 2015,
journalists, historians, and politicians alike attempted to compare
his candidacy to that of Governor George C. Wallace. Like Trump,
Wallace, who launched four presidential campaigns between 1964 and
1976, utilized rhetoric based in resentment, nationalism, and anger
to sway and eventually captivate voters among America's white
majority. Though separated by almost half a century, the campaigns
of both Wallace and Trump broke new grounds for political
partisanship and divisiveness. In Fear, Hate, and Victimhood: How
George Wallace Wrote the Donald Trump Playbook, author Andrew E.
Stoner conducts a deep analysis of the two candidates, their
campaigns, and their speeches and activities, as well as their
coverage by the media, through the lens of demagogic rhetoric.
Though past work on Wallace argues conventional politics overcame
the candidate, Stoner makes the case that Wallace may in fact be a
prelude to the more successful Trump campaign. Stoner considers how
ideas about "in-group" and "out-group" mentalities operate in
politics, how anti-establishment views permeate much of the
rhetoric in question, and how expressions of victimhood often
paradoxically characterize the language of a leader praised for
"telling it like it is." He also examines the role of political
spectacle in each candidate's campaigns, exploring how media
struggles to respond to-let alone document-demagogic rhetoric.
Ultimately, the author suggests that the Trump presidency can be
understood as an actualized version of the Wallace presidency that
never was. Though vast differences exist, the demagogic positioning
of both men provides a framework to dissect these times-and perhaps
a valuable warning about what is possible in our highly digitized
information society.
In" Women Seen and Heard, experienced public speakers share their
wisdom on how to get ready for and deliver dynamic presentations,
whether to co-workers or managers, small groups and formal
audiences or at community and political events. Until recently,
women were in the background supporting men in leadership
positions; but now, they are a powerful force for leading change.
Given the complexity of issues facing our society, the public needs
to hear from women of diverse backgrounds in the debates and
discussions that will shape our future. When it comes to leadership
opportunities, today's women leaders want more than a level playing
field - they want the advantage of having exceptional speaking
skills.
In 1940, Hans Augusto Rey and Margret Rey built two bikes, packed
what they could, and fled wartime Paris. Among the possessions they
escaped with was a manuscript that would later become one of the
most celebrated books in children's literature-Curious George.
Since his debut in 1941, the mischievous icon has only grown in
popularity. After being captured in Africa by the Man in the Yellow
Hat and taken to live in the big city's zoo, Curious George became
a symbol of curiosity, adventure, and exploration. In Curious about
George: Curious George, Cultural Icons, Colonialism, and US
Exceptionalism, author Rae Lynn Schwartz-DuPre argues that the
beloved character also performs within a narrative of racism,
colonialism, and heroism. Using theories of colonial and rhetorical
studies to explain why cultural icons like Curious George are able
to avoid criticism, Schwartz-DuPre investigates the ways these
characters operate as capacious figures, embodying and circulating
the narratives that construct them, and effectively argues that
discourses about George provide a rich training ground for children
to learn US citizenship and become innocent supporters of colonial
American exceptionalism. By drawing on postcolonial theory,
children's criticisms, science and technology studies, and
nostalgia, Schwartz-DuPre's critical reading explains the dismissal
of the monkey's 1941 abduction from Africa and enslavement in the
US, described in the first book, by illuminating two powerful roles
he currently holds: essential STEM ambassador at a time when
science and technology is central to global competitiveness and as
a World War II refugee who offers a "deficient" version of the
Holocaust while performing model US immigrant. Curious George's
twin heroic roles highlight racist science and an Americanized
Holocaust narrative. By situating George as a representation of
enslaved Africans and Holocaust refugees, Curious about George
illuminates the danger of contemporary zero-sum identity politics,
the colonization of marginalized identities, and racist knowledge
production. Importantly, it demonstrates the ways in which popular
culture can be harnessed both to promote colonial benevolence and
to present possibilities for resistance.
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