Few phenomena in the Arab world are probably more curious and more controversial than Al Jazeera Satellite Channel. In spite of its relatively short history, this Qatar-based news network seems to have left an indelible mark in the Arab world and changed the face of the otherwise parochial Arab media - although in the West, it is largely perceived as a channel that is set on countering Western ideologies. Edited by the reputed scholar Mohamed Zayani, this collection of essays provides a unique insight into and a critical analysis of a media phenomenon that still defies understanding. This long-overdue study, which brings together diverse but complementary perspectives of media scholars from the Arab world, the United States and Europe, assesses the role Al Jazeera has been playing in the shaping of ideas and the reconstructing of Arab identities during a crucial juncture in Middle Eastern history and politics. politics, its agenda, its programs, its coverage of regional crises, and its treatment of the West, in an attempt to gauge its impact on ordinary Arab viewers, understand its effect on an increasingly pronounced Arab public sphere, and map out the role it plays in regional Arab politics.

"Poets at Bush House" seeks to draw attention to a comparatively little known aspect of English cultural life, the BBC World Service, at a time when it is about to leave its historic home on The Strand. The initial aim was to produce a book that would represent a substantial selection of the many languages in which the BBC broadcasts from Bush House (by the end of World War II the Corporation was already broadcasting in forty-five languages). As well as representing work by a few of the notable writers formerly associated with the service, the anthology also includes contributions by some currently at Bush House, including translations by David Constantine, Michael Scammel, Sasha Dougdale and Zinovy Zinik.

Breaking In: Tales from the Screenwriting Trenches is a no-nonsense, boots-on-the-ground exploration of how writers REALLY go from emerging to professional in today's highly saturated and competitive screenwriting space. With a focus on writers who have gotten representation and broken into the TV or feature film space after the critical 2008 WGA strike and financial market collapse, the reader will learn from tangible examples of how success was achieved via hard work and specific methodology. This book includes interviews from writers who wrote major studio releases (The Boy Next Door), staffed on television shows (American Crime, NCIS New Orleans, Sleepy Hollow), sold specs and television shows, placed in competitions, and were accepted to prestigious network and studio writing programs. These interviews are presented as Screenwriter Spotlights throughout the book and are supported by insight from top-selling agents and managers (including those who have sold scripts and pilots, had their writers named to prestigious lists such as The Black List and The Hit List) as well as working industry executives. Together, these anecdotes, learnings and perceptions, tied in with the author's extensive experience in and knowledge of the industry, will inform the reader about how the industry REALLY works, what it expects from both working and emerging writers, as well as what next steps the writer should engage in, in order to move their screenwriting career forward.

Anyone wanting to set up a low cost web radio station will benefit from the advice and information provided by this book. Not only will you gain technical and practical know-how to enable your station to go live, but also an appreciation of the legal and copyright implications of making radio, potentially for international audiences and in the rapidly evolving environment of the web. To succeed, your radio content will need to be carefully planned and your station properly promoted. Advice is given on taking advantage of the scalability web radio introduces for building audiences in line with your resources, for scheduled live output and for making programmes available on demand, including music, news, speech radio and audience participation. Case studies from around the world are provided to demonstrate how different radio organisations are applying the new flexibility web radio has to offer in a wide range of situations. Together with its associated website www.web-radio-book.com, the book also acts as a starting point for locating a range of sources for further advice and lines of research. Learn how to: - go live with your own low cost web radio station (either managing the server yourself or using a host service) - assess the right server set-up to handle the number of simultaneous listeners expected - get the best sound quality to your listeners - take account of the range of devices available for receiving web radio - plan your station, programming and associated website - identify and reach your audience - build audience feedback and data into your station's strategy - tackle the additional legal and ethical dimensions of radio on the web - source more detailed information

Internships have all but became a requirement when starting out in the fields of entertainment and broadcasting. Students need these internships not only to get their foot in the door, but to gain valuable experience that gives them an advantage when going for that first job in the industry. Intern Insider helps students navigate the often daunting task of finding an internship, and equips readers to use the experience learned to begin a strong career in the entertainment world. As both a professional broadcaster and college professor, author Tammy Trujillo approaches the topic of internships from both sides: what the student and intern site hope to gain. She provides various valuable perspectives throughout the book, including student assessments on their internship experiences, case studies of those who have turned their internships into careers, and interviews with internship site coordinators. Her breadth of knowledge and experience make for a ground-level book both informative and useful. In the competitive landscape of today's entertainment and broadcasting worlds, Intern Insider provides students with all the tools they need to make the most of their internships and jumpstart their careers! Also visit http://www.interninsider-thebook.com/

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European Television in the Digital Age" traces the development of digital television and provides a clear, concise account of the dynamics and realities of the changing face of television in Europe. The book synthesizes an array of empirical research, summarizes arguments, and provides an up-to-date analysis of the European audio-visual landscape in the age of digital TV. It discusses the ways in which the Western European audio-visual scene has been formed by a set of common problems, and how these have been dealt with at a domestic level.

Papathanassopoulos considers the effects of the deregulation of European television, the dynamics of digital television, the economies of the new era, and the issue of consolidation in the media industries. He also examines the future of public broadcasters, the role of the European Union and the impact of television in political communication. Special emphasis is given to the emergence and the effect of thematic channels, particularly on news, sports, music and children's programming."

European Television in the Digital Age" is an invaluable textbook for students on courses in media and communication, cultural theory, European studies and national policy studies. It will also be a useful source for researchers and professionals in the field.

The Radio Station offers a concise and insightful guide to all aspects of radio broadcasting, streaming, and podcasting. This book's tenth edition continues its long tradition of guiding readers to a solid understanding of who does what, when, and why in a professionally managed station. This new edition explains what "radio" in America has been, where it is today, and where it is going, covering the basics of how programming is produced, financed, delivered and promoted via terrestrial and satellite broadcasting, streaming and podcasting, John Allen Hendricks and Bruce Mims examine radio and its future within a framework of existing and emerging technologies. The companion website is new revised with content for instructors, including an instructors' manual and test questions. Students will discover an expanded library of audio interviews with leading industry professionals in addition to practice quizzes and links to additional resources.

Since the emergence of social media in the journalistic landscape, the BBC has sought to produce reporting more connected to its audience while retaining its authority as a public broadcaster in crisis reporting. Using empirical analysis of crisis news production at the BBC, this book shows that the emergence of social media at the BBC and the need to manage this kind of material led to a new media logic in which tech-savvy journalists take on a new centrality in the newsroom. In this changed context, the politico-economic and socio-cultural logic have led to a more connected newsroom involving this new breed of journalists and BBC audience. This examination of news production events shows that in the midst of transformations in journalistic practices and norms, including newsgathering, sourcing, distribution and impartiality, the BBC has reasserted its authority as a public broadcaster. Click here for a short video about the book.

In this book, esteemed television executive and Harvard lecturer Ken Basin offers a comprehensive overview of the business, financial, and legal structure of the U.S. television industry, as well as its dealmaking norms. Written for working or aspiring creative professionals who want to better understand the entertainment industry - as well as for executives, agents, managers, and lawyers looking for a reference guide - The Business of Television presents a readable, in-depth introduction to rights and talent negotiations, intellectual property, backend deals, licensing, streaming platforms, international production, and much more. The book also includes breakdowns after each chapter summarizing deal points and points of negotiation, a glossary, a list of referenced cases, and a wealth of real-world examples to help readers put the material into context.

You can present to camera, speak to time, read autocue, conduct an interview, write and memorise scripts; you have a showreel, headshots and a CV but what next? How do you decide which genre to go for, market yourself and establish your career?" The TV Presenter s Career Handbook" is full of information and advice on how to capitalise on your presenter training and contains up-to-date lists of resources to help you seek work, market yourself effectively, and increase your employability. Contents include raising your profile, what kinds of companies to aim for and how to contact them, what to do with your programme idea, video and radio skills, creating your own TV channel, tips from agents, specialist genres such as News, Sports, Technology, Children s and Shopping channels, breaking into the US, and more

Features interviews and case studies with over 80 experts so you can learn from those who have been there first, including:

Maxine Mawhinney and Julian Worricker BBC News anchors, Jon Bentley and Jason Bradbury presenters The Gadget Show, Melvin Odoom KISS FM, Gemma Hunt presenter Swashbuckle, Matt Lorenzo presenter Premier League, Tony Tobin chef/presenter Ready Steady Cook and Saturday Kitchen, Alison Keenan and Marie-Francoise Wolff presenters QVC, Maggie Philbin and Jem Stansfield presenters Bang Goes the Theory, Kate Russell presenter BBC Click, Sarah Jane Cass Senior Talent Agent Somethin Else Talent, Emma Barnett award-winning radio presenter, David McClelland Technology presenter Rip Off Britain, Louise Houghton and Tina Edwards presenters London Live, Fran Scott presenter Absolute Genius with Dick and Dom, and Claire Richmond founder findatvexpert.com"

First published in 1966, twenty-one years after the close of the Second World War, this incisive study traces the history and the impact of the British Broadcasting Corporation's wartime broadcasts to Denmark. The BBC's European Service played a crucial role in relaying information to the occupied countries of Europe during the war, and the Danish Service was a particularly effective example. With a perspicacity possible only in retrospect, Mr Bennett uncovers the relationship between the stance taken by the BBC and the sometimes dramatic effects of the broadcasts in Denmark, particularly upon the Danish Resistance.

TV Outside the Box: Trailblazing in the Digital Television Revolution explores the new and exploding universe of on-demand, OTT (Over the Top) networks: Netflix, Amazon, Hulu, Crackle, CW Seed, Vimeo, AwesomenessTV, and many more. Featuring in-depth conversations with game-changing content creators, industry mavericks, and leading cultural influencers, TV Outside the Box is essential reading for anyone interested in the dynamics of a global media revolution - while it's happening. Readers will discover: How the new "disruptors" of traditional television models are shaping the future of the television and feature film business. You'll hear directly from the visionaries behind it all - from concept genesis to predictions for the future of streaming platforms; their strategies for acquisitions and development of new original content; and how the revolution is providing unprecedented opportunities for both established and emerging talent. What's different about storytelling for the progressive, risk-taking networks who are delivering provocative, groundbreaking, binge-worthy content, without the restraints of the traditional, advertiser-supported programming model. Through interviews with the showrunners, content creators, and producers of dozens of trailblazing series - including Orange Is the New Black, House of Cards, Transparent, and many more - you'll learn how and why the best and the brightest TV content creators and filmmakers are defining the new digital entertainment age - and how you can, too.

'A clear-eyed and compelling account of a life, told with honesty.' - Luke Jennings 'A book brimming with surprises and insight.' - Nicholas Coleridge 'Calmly, bravely written... deployed with generosity and modesty.' - Adam Nicholson ------------------------------------------------------------------- Edward Stourton was born into a life of privilege. The son of expat parents in colonial Nigeria, Ed was sent back to Britain to be educated by Benedictine monks at Ampleforth, at the time when, it was latter revealed, the school and monastery were the setting for serial abuse cases. He then went up to Cambridge, where his life as an undergraduate gave him access to a network of future ministers, judges and newspaper editors. As a young journalist, he reported first from party conferences and picket lines and then from war zones, witnessing the events making international headlines, from Haiti to Hong Kong, before returning home to join the infighting on BBC Radio 4's Today. During this time, the Empire has given way to the rise of the Black Lives Matter movement, men-only clubs have been replaced by Me Too, and instead of a choice selection of voices on a handful of radio and television channels, we have millions of voices on YouTube, Instagram, TikTok. The world has changed, and so has Ed. Brought face to face with the author of his obituary and his own inevitable mortality, Ed is prompted to reflect on the life he has led and the events that have shaped him. In Confessions, he describes this remarkable journey with candour, humour and the insight that only forty years' experience of writing and reporting can provide. 'A searingly honest insight into the life of one of our great journalists. Hugely entertaining too.' John Humphries

'Searingly honest... gripping... fascinating and hugely entertaining.'- Sunday Times 'Moving and frank ... A story of a childhood defined by loneliness, the absence of a father and the grim experience of a Quaker boarding school. It is also one of the most perceptive accounts of Britain in the 1970s.'- Misha Glenny 'A crisp, unself-pitying memoir of a 'trainwreck' youth ... I've always likes Webb on the radio. But I like him much more after reading this book. He offers precisely the kind of brisk honesty and considered analysis he expects from his interviewees. Our politicians should all read it, and step up their game.' -Telegraph ......................................................................................................................................................... Justin Webb's childhood in the 1970s was far from ordinary. Between his mother's un-diagnosed psychological problems, and his step-father's untreated ones, life at home was dysfunctional at best. But with gun-wielding school masters and sub-standard living conditions, Quaker boarding school wasn't much better. Candid, unsparing and darkly funny, Justin Webb's memoir is as much a portrait of a troubled era as it is the story of a dysfunctional childhood, shaping the urbane and successful radio presenter we know and love now. ........................................................................................................................................ 'I thoroughly enjoyed Justin Webb's bonkers childhood. He captures the middle class of the age with a tenacity only possible in one of its victims.' -Jeremy Paxman

Are you fully up-to-speed on today's modern spectrum management tools? As regulators move away from traditional spectrum management methods, introduce spectrum trading and consider opening up more spectrum to commons, do you understand the implications of these developments for your own networks? This is the first book to describe and evaluate modern spectrum management tools. Expert authors offer you unique insights into the technical, economic and management issues involved. Auctions, administrative pricing, trading, property rights and spectrum commons are all explained. A series of real-world case studies from around the world is used to highlight the strengths and weaknesses of the various approaches adopted by different regulators, and valuable lessons are drawn from these. This concise and authoritative resource is a must-have for telecom regulators, network planners, designers and technical managers at mobile and fixed operators and broadcasters, and academics involved in the technology and economics of radio spectrum.

This book, first published in 2000, examines the BBC's campaign to raise cultural awareness of British mass audiences in the early days of radio. As a specific case, it focuses on policies and plans behind transmissions of music by composers associated with Arnold Schoenberg's circle between 1922, when the BBC was founded, and spring 1936, when Edward Clark, a former Schoenberg pupil and central figure in BBC music, resigned from the Corporation. This study traces and analyses the BBC's attempts to manipulate critical and public responses to this repertory. The book investigates three interrelated aspects of early BBC history. Policy decisions relating to contemporary music transmissions are examined to determine why precious broadcast time was devoted to this repertory. Early personnel structures are reconstructed to investigate the responsibilities, attitudes and interests of those who influenced music broadcasting. Finally, broadcasts of Second Viennese School works are examined in detail.

Television is the dominant mass medium of the current era. Its lifeblood in whatever form it takes is content - the programs it broadcasts to the public. This book is an insider's view of the business of production of TV programs, for university-level courses and for those in the industry wanting to upgrade their skills. It is the story of the TV producer, and the leadership of creative people, the management of resources of production (including funding) and the guiding of the production process. Covering all genres of television - drama and comedy, documentary and current affairs, infotainment and reality TV - it goes step-by-step through the journey from program idea to program delivery and beyond.

Local television newscasts around the country look alike and are filled with crime, accidents, and disasters. Interviews with more than 2,000 TV journalists around the country demonstrate that news looks this way because of the ingrained belief that ???eye-ball grabbers??? are the only way to build an audience. This book contradicts the conventional wisdom using empirical evidence drawn from a five-year content analysis of local news in more than 154 stations in 50 markets around the country. The book shows that ???how??? a story is reported is more important for building ratings than what the story is about. Local TV does not have to ???bleed to lead???. Instead local journalists can succeed by putting in the effort to get good stories, finding and balancing sources, seeking out experts, and making stories relevant to the local audience.

New technology is revolutionizing broadcasting markets. As the cost of bandwidth processing and delivery fall, information-intensive services that once bore little economic relationship to each other are now increasingly related as substitutes or complements. Television, newspapers, telecoms and the internet compete ever more fiercely for audience attention. At the same time, digital encoding makes it possible to charge prices for content that had previously been broadcast for free. This is creating new markets where none existed before. How should public policy respond? Will competition lead to better services, higher quality and more consumer choice - or to a proliferation of low-quality channels? Will it lead to dominance of the market by a few powerful media conglomerates? Using the insights of modern microeconomics, this book provides a state-of-the-art analysis of these and other issues by investigating the power of regulation to shape and control broadcasting markets.

In the late 1980s and 1990s, the advanced industrial countries considered replacing the existing analogue television infrastructure with a new digital one. A key common feature to the debates over digital TV (DTV) in the United States, Western Europe and Japan was the eventual victory of the ideas of digitalism (the superiority of everything digital over everything analogue) and of digital convergence (the merging of computing, telecommunications and broadcasting infrastructures made possible by digitalization) in public debates over standards. Jeffrey Hart's book shows how nationalism and regionalism combined with digitalism to produce three different and incompatible DTV standards in the three regions, an outcome which has led to missed opportunities in developing the new technologies. Hart's book contributes to our understanding of relations between business and government, and of competition between the world's great economic powers.

Television Policy offers a unique and authoritative account of the major developments in television programming and policy since 1976 by collecting in a single volume the MacTaggart lectures delivered at the Edinburgh International Television Festival across the last quarter of a century. The MacTaggart lecturers include the most celebrated and distinguished programme makers, producers, performers, playwrights, policymakers and senior media executives across all sectors of broadcasting. They include Greg Dyke, John Humphrys, John McGrath, Marcel Orphuls, Norman Lear, Jeremy Isaacs, John Mortimer, Peter Jay, Ted Turner, Jonathan Miller, Denis Foreman, John Schlesinger, Troy Kennedy-Martin, Philip Whitehead, Christine Ockrent, Rupert Murdoch, Verity Lambert, David Elstein, Michael Grade, Dennis Potter, Janet Street Porter, John Birt, Laurence Marks, Maurice Gran, Peter Bazalgette, Richard Eyre, David Liddiment and Mark Thompson. With a Foreword by John Willis and an introductory essay exploring the history of the MacTaggart lectures and a review of the shifting themes and concerns of the lectures, the book provides a forum for the significant debates which have helped to shape both television content and policy across twenty five years of considerable and unprecedented change in broadcasting. Topics covered include the future of public service programming; the relationship of government to broadcasters; the impact of ownership on the freedom of broadcasters; and debates about whether and how television should be regulated. Television Policy is essential reading for all students of media and communication studies as well as those interested in reading accounts of television programming and policy written by some of the most eloquent, eminent but contentious figures in television broadcasting. Features * The first collection of the prestigious MacTaggart Lectures * A unique insight into the development of television programming across 25 years * Authoritative and eloquent analyses of television policy * Critical assessment of the contribution of the MacTaggart Lectures to current policy debates * Insider accounts of the development and future of Public Service Broadcasting.

This book examines the economic, political, and technological forces that are shaping the future of broadcasting in advanced industrialized nations by comparing the transition from analog to digital TV in the US and Britain. Digital TV involves a major reordering of the broadcast sector that requires governments to rethink governance tools for the digital media era. By looking at how the transition is unfolding in these nations, the book uncovers the political underpinnings of the emerging governance regime for digital communications and explores the implications of the transition for the development of the Information Society in the US and Europe. The findings challenge much conventional wisdom about media deregulation and the globalization of communications. The transition to digital TV has not weakened but rather reinforced government control over broadcasting. Moreover, contrary to what many globalization theories would predict, it has reinforced preexisting differences in the organization of media across nations.