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Books > Business & Economics > Industry & industrial studies > Media, information & communication industries > Radio & television industry
Fundamental beliefs is what the reader will be exploring here -- a
common understanding of what the radio enterprise should be about:
entertainment and information. A major thrust of this book is to
arrive at a set of fundamental beliefs about the values and
realities of the radio business in regard to entertainment
programming -- a set of beliefs that may or may not be right, true,
or forever, but that might at least provide a basis for developing
programming strategies.
This fascinating book explores the tensions behind the greatest era in BBC radio broadcasting ? the Home Service. Despite evacuation, air-raids and the closure of the fledgling TV service, the BBC rose magnificently to the challenge of informing, entertaining and inspiring a nation at war.
A practical handbook for programming directors, this guide focuses on achieving specific objectives in today's modern, competitive environment.
Basic Radio Journalism is a working manual and practical guide to the tools and techniques necessary to succeed in radio journalism. It will be useful both to students starting a broadcasting career as well as experienced journalists wishing to develop and expand their skills. Based on the popular Local Radio Journalism, this book covers the core skills of news gathering, writing, interviewing, reporting and reading with extensive hints and tips. It outlines working practices in both BBC and commercial radio. There are revamped legal and technical sections as well as a new chapter on the journalist as programme producer. For the student, there is extensive advice about getting a job, marketing yourself and dealing with job interviews. The Foreword is by Lord Ryder of Wensum, vice chairman of the BBC.
Douglas Kellner offers a systematic, critically informed political and institutional study of television in the United States. Focusing on the relationship among television, the state, and business, he traces the history of television broadcasting, emphasizing its socioeconomic impact and its growing political power. Acknowledging that television has long served the interests of the powerful, he points out that it has dramatized conflicts within society and has on occasion led to valuable social criticism.Kellner's examination of television in the 1980s and, in particular, its role in the 1988 presidential election yields the conclusion that in our time television has worked increasingly to further conservative hegemony. In so doing, Kellner argues, contemporary television has helped produce a crisis of democracy.But "Television and the Crisis of Democracy" goes beyond description and diagnosis. In a discussion that is both analytical and comparative, Kellner presents alternative models to the existing structure of commercial broadcasting and shows how new technologies might be used to create a more democratic future for television--one that could enhance political knowledge and participation.
Television has a powerful impact on our beliefs and is open to use as a political and propaganda tool. Greg Philo has taken a new approach to examining these issues by inviting groups of television viewers to write their own news programmes, based on news pictures from the 1984-5 British miners' strike.
Go behind the scenes of the most shocking, hilarious, controversial genre of entertainment: reality television. Reality TV's influence is seismic: twenty-five years ago, the concept didn't exist. Yet today, it is one of the most powerful cultural forces on earth; a multi-billion-dollar machine. Despite that, it is often derided as "trash"; a cultural McDonalds not worthy of examination. The truth is that reality TV offers a profound insight into who we are as human beings, questioning the very nature of what we deem to be entertaining. Writer, broadcaster and reality TV-obsessive Jacques Peretti goes behind the scenes of a world that has entranced and consumed him for two decades. Meeting with people at every level of the reality TV machine, from those responsible for coming up with ever-more extreme formats, to the contestants and participants at the heart of some of the most iconic moments in television, who felt that their lives and their vulnerabilities were being exploited in the name of entertainment. This is reality TV as you've never seen it before.
Television Criticism, Third Edition by Victoria O'Donnell provides a foundational approach to the nature of television criticism. Rhetorical studies, cultural studies, representation, narrative theories, and postmodernism are established for greater understanding and appreciation of the critical perspectives on television. Illustrated with contemporary examples, this updated Third Edition includes a new, extensive sample critical analysis of The Big Bang Theory and reflects recent changes in the ways television is viewed across multiple devices and the impact of the Internet on television.
Although the academic study of development is well established, as is also its policy implementation, less considered are the broader, more popular understandings of development that often shape agendas and priorities, particularly in representative democracies. Through its accessible and provocative chapters, Popular Representations of Development introduces the idea that while the issue of 'development' - defined broadly as problems of poverty and social deprivation, and the various agencies and processes seeking to address these - is normally one that is discussed by social scientists and policy makers, it also has a wider 'popular' dimension. Development is something that can be understood through studying literature, films, and other non-conventional forms of representation. It is also a public issue, one that has historically been associated with musical movements such as Live Aid and increasingly features in newer media such as blogs and social networking. The book connects the effort to build a more holistic understanding of development issues with an exploration of the diverse public sphere in which popular engagement with development takes place. This book gives students of development studies, media studies and geography as well as students in the humanities engaging with global development issues a variety of perspectives from different disciplines to open up this new field for discussion.
Radio is the most widespread electronic medium in the world today. As a form of technology that is both durable and relatively cheap, radio remains central to the everyday lives of billions of people around the globe. It is used as a call for prayer in Argentina and Appalachia, to organize political protest in Mexico and Libya, and for wartime communication in Iraq and Afghanistan. In urban centres it is played constantly in shopping malls, waiting rooms, and classrooms. Yet despite its omnipresence, it remains the media form least studied by anthropologists. Radio Fields employs ethnographic methods to reveal the diverse domains in which radio is imagined, deployed, and understood. Drawing on research from six continents, the volume demonstrates how the particular capacities and practices of radio provide singular insight into diverse social worlds, ranging from aboriginal Australia to urban Zambia. Together, the contributors address how radio creates distinct possibilities for rethinking such fundamental concepts as culture, communication, community, and collective agency.
This exciting and comprehensive text takes students, trainees and professionals into the world of the modern-day newsroom, covering both key techniques and theory in detail. The second edition has been revised and updated to include all the technical, regulatory and theoretical advances in recent broadcast custom and practice and is influenced by newsrooms around the country. Main features: Complete coverage of all the key skills: news gathering, interviewing, writing and story-telling, live/location-reporting, online, editing, graphics and presentation. Expert advice and contributions from leading broadcast journalists from the BBC, ITV and Sky News. The Essential Guide, a section on how to get a job, the law and an up-to-date glossary of broadcasting terms. Workshops and Exercises, which provides the opportunity to practise key skills. Case Study, A Closer Look and Thinkpiece boxes help put the theory into context. Remember and Tip boxes summarise key concepts and offer guidance. Downloadable resources demonstrating filming techniques and editing ideas. New for the second edition: Greater emphasis on online elements of broadcast journalism and the role of social media in news gathering. A focus on the interactive nature of the contemporary news process - how to find user-generated content, empower audiences and engage listeners and viewers. The key skills required for students taking the new NCTJ Broadcast Journalism exams. Ideal for students on journalism courses at all levels, this text is also useful for professionals and trainees working in broadcast, print and other media, and those looking at broadcast journalism in the wider context of media studies.
Screening Protest brings together a range of scholarly perspectives on the study of protest mediations on television and in film. Arguing that the screen is a fruitful, if overlooked, analytical focus, the book explores how visual narratives of protest wander across borders - territorial, temporal and generic. Chapters compare coverage of major protests in recent history by global news channels like Al Jazeera English, BBC World, CNN International and RT. They consider how geopolitical agendas, newsroom culture and the ubiquity of eyewitness footage shape the narration of events such as the 'Umbrella Revolution' in Hong Kong, anti-austerity protests in Greece, pro-EU mobilizations in the Ukraine and clashes in Ferguson. A focus on narrative allows authors to compare such news stories with popular cultural depictions of the protester, in films and television series such as The Hunger Games, Robin Hood and Suffragette. Although focussed on the screen, the scope of the book is broad, given its exploration of images distributed worldwide. Written with both scholars and students in mind, Screening Protest will interest researchers in political science, sociology, media and film studies, as well as the general reader interested in current affairs.
Go behind the TV screen to explore what is changing, why it is changing, and why the changes matters Many proclaimed the "end of television" in the early years of the twenty-first century, as capabilities and features of the boxes that occupied a central space in American living rooms for the preceding fifty years were radically remade. In this revised, second edition of her definitive book, Amanda D. Lotz proves that rumors of the death of television were greatly exaggerated and explores how new distribution and viewing technologies have resurrected the medium. Shifts in the basic practices of making and distributing television have not been hastening its demise, but are redefining what we can do with television, what we expect from it, how we use it-in short, revolutionizing it. Television, as both a technology and a tool for cultural storytelling, remains as important today as ever, but it has changed in fundamental ways. The Television Will Be Revolutionized provides a sophisticated history of the present, examining television in what Lotz terms the "post-network" era while providing frameworks for understanding the continued change in the medium. The second edition addresses adjustments throughout the industry wrought by broadband delivered television such as Netflix, YouTube, and cross-platform initiatives like TV Everywhere, as well as how technologies such as tablets and smartphones have changed how and where we view. Lotz begins to deconstruct the future of different kinds of television-exploring how "prized content," live television sports and contests, and linear viewing may all be "television," but very different types of television for both viewers and producers. Through interviews with those working in the industry, surveys of trade publications, and consideration of an extensive array of popular shows, Lotz takes us behind the screen to explore what is changing, why it is changing, and why the changes matter.
"Handy writes with the eloquence of simplicity and his gift to us is an enjoyable, profound, and reliable guide toward meaning and direction."--Max De Pree, author of Leading without Power and chairman emeritus, Herman Miller Inc. Charles Handy's reflections on work and life have earned him legions of fans throughout the world. His previous books have together sold over a million copies. And his "Thought for the Day" series on BBC radio is celebrated throughout the U.K. Now present and future fans in America can sample what his BBC listeners have enjoyed for so long. Waiting for the Mountain to Move includes the gifted commentator's best essays, culled from ten years of radio broadcasts. These succinct writings draw poignant lessons from everyday occurrences and cause us to examine our lives, our institutions, and our society in a different and revealing light. NOT FOR SALE OUTSIDE NORTH AMERICA
Presenting a collection of original chapters, this book reassesses the history of the BBC foreign-language services prior to, and during, the Second World War. The communication between the British government and foreign publics by way of mass media constituted a fundamental, if often ignored, aspect of Britain's international relations. From the 1930s onwards, transnational broadcasting - that is, broadcasting across national borders - became a major element in the conduct of Britain's diplomacy, and the BBC was employed by the government to further its diplomatic, strategic, and economic interests in times of rising international tension and conflict. The contributions to this volume display a series of case studies of BBC transmissions in various European foreign languages directed to occupied, neutral, and enemy countries. This allows for a comprehensive understanding of the different broadcasting strategies adopted by the BBC in the late 1930s and throughout the war, when the Corporation was under the direction of the Ministry of Information and the Political Warfare Executive. This book was originally published as a special issue of Media History.
Presented in a single volume, this engaging review reflects on the scholarship and the historical development of American broadcasting A Companion to the History of American Broadcasting comprehensively evaluates the vibrant history of American radio and television and reveals broadcasting's influence on American history in the twentieth and twenty-first centuries. With contributions from leading scholars on the topic, this wide-ranging anthology explores the impact of broadcasting on American culture, politics, and society from an historical perspective as well as the effect on our economic and social structures. The text's original and accessibly-written essays offer explorations on a wealth of topics including the production of broadcast media, the evolution of various television and radio genres, the development of the broadcast ratings system, the rise of Spanish language broadcasting in the United States, broadcast activism, African Americans and broadcasting, 1950's television, and much more. This essential resource: Presents a scholarly overview of the history of radio and television broadcasting and its influence on contemporary American history Contains original essays from leading academics in the field Examines the role of radio in the television era Discusses the evolution of regulations in radio and television Offers insight into the cultural influence of radio and television Analyzes canonical texts that helped shape the field Written for students and scholars of media studies and twentieth-century history, A Companion to the History of American Broadcasting is an essential and field-defining guide to the history and historiography of American broadcasting and its many cultural, societal, and political impacts.
This book describes the astonishing achievements of John Angus Mackay - a man whose intelligence, humanity, political nous, people skills, wit, steely resolve and courage, were such that, what lesser beings regarded as impossible, he made possible. Through his efforts in concert with a small group of others, a thousand year process of 'ethnic cleansing' of the Gaelic language and culture was challenged and new means created to rebuild that which the powers-that-be had long sought to destroy. These efforts were so successful that now, the Scottish Gaelic language and culture has turned the corner and the number of young Gaelic speakers is increasing. How this was achieved, against a sustained barrage of negativity, is described, but perhaps his most obvious achievement is his long, dogged and forensically focused campaign, against huge establishment resistance, to win a Gaelic television channel. That channel now provides a fascinating range of programming at times attracting viewership figures well in excess of the total number of Gaelic speakers in Scotland. But that is only part of the story. John Angus was also a gifted teacher, pivotal in developing community co-operatives in his native Lewis, in paving the way for the creation of the Crofters' Union and leading the development of the Gaelic Comunn na Gaidhlig, Bord na Gaidhlig, An Lanntair multi-arts venue, the University of the Highlands and Islands, and as its chairman, in turning round NHS Western Isles from crisis into a model small health board.
"European Television History" brings together television historians
and media scholars to chart the development of television in Europe
since its inception. The volume interrogates the history of the
medium in divergent political, economic, cultural and ideological
national contexts
This powerful history of broadcasting in the United States goes
beyond traditional accounts to explore the field's important
social, political, and cultural ramifications. It examines how
broadcasting has been organized as a business throughout much of
the 20th century, and focuses on the aesthetics of programming over
the years.
This powerful history of broadcasting in the United States goes
beyond traditional accounts to explore the field's important
social, political, and cultural ramifications. It examines how
broadcasting has been organized as a business throughout much of
the 20th century, and focuses on the aesthetics of programming over
the years.
"Television in the Multichannel Age" is a comprehensive,
multidisciplinary approach to the history of multichannel
television in all its forms - from cable to direct-to-home
satellite and beyond. Chapter by chapter, the book traces the
evolution of cable television from its pre-historical origins in
the late 1940s to the communications satellites and DBS
distribution systems of the modern digital age, both in the U.S.
and internationally.
As federal funding for public broadcasting wanes and support from corporations and an elite group of viewers and listeners rises, public broadcasting's role as vox populi has come under threat. With contributions from key scholars from a wide variety of disciplines, this volume examines the crisis facing public broadcasting today by analyzing the institution's development, its presentday operations, and its prospects for the future. Covering everything from globalization and the rise of the Internet, to key issues such as race and class, to specific subjects such as advertising, public access, and grassroots radio, Public Broadcasting and the Public Interest provides a fresh and original look at a vital component of our mass media.
"Television in the Antenna Age" is a brief, accessible, and
engaging overview of the medium's history and development in the
US. Integrating three major concerns--television as an industry, a
technology, and an art--the book is a basic primer on the complex,
fascinating, and often overlooked story of television and its
impact on American life. Includes interview segments with industry insiders, pictures, and sidebars to illustrate important figures, trends, and events |
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