Religion is a racialized category, even when race is not explicitly mentioned. Modern Religion, Modern Race argues that because the concepts of religion and race are rooted in the post-Enlightenment project of rethinking what it means to be human, we cannot simply will ourselves to stop using these categories. Only by acknowledging that religion is already racialized can we begin to understand how the two concepts are intertwined and how they operate in our modern world. It has become commonplace to argue that the category religion is not universal, or even very old, but is a product of Europe's Enlightenment modernization. Equally commonplace is the argument that religion is not an innocent category of analysis, but is implicated in colonial regimes of control and as such plays a role in Europe's process of identity construction of non-European "others." Current debates about race follow an eerily similar trajectory: race is not an ancient but a modern construction. It is part of the project of colonialism, and race discourse forms one of the cornerstones of modern European identity-making. Vial focuses on the development of these ideas in the late-18th and early-19th centuries in Germany. By examining the theories of Kant, Herder, and Schleiermacher, among others, Vial uncovers co-constitutive nature of race and religion, and how the two concepts are used today to make sense of the world. He shows that while we disdain the racist language of some of the founders of the religious studies discipline, our continued use of their theories leads us, unwittingly, to reiterate many of the same distinctions and hierarchies. Although it may not be time to abandon the very category of religion, with all its attendant baggage, Modern Religion, Modern Race calls for us to critically examine that baggage, and the way in which religion has always carried within it race.

The United States has long thought of itself as exceptional-a nation destined to lead the world into a bright and glorious future. These ideas go back to the Puritan belief that Massachusetts would be a "city on a hill," and in time that image came to define the United States and the American mentality. But what is at the root of these convictions? John Howard Smith's A Dream of the Judgment Day explores the origins of beliefs about the biblical end of the world as Americans have come to understand them, and how these beliefs led to a conception of the United States as an exceptional nation with a unique destiny to fulfill. However, these beliefs implicitly and explicitly excluded African Americans and American Indians because they didn't fit white Anglo-Saxon ideals. While these groups were influenced by these Christian ideas, their exclusion meant they had to craft their own versions of millenarian beliefs. Women and other marginalized groups also played a far larger role than usually acknowledged in this phenomenon, greatly influencing the developing notion of the United States as the "redeemer nation." Smith's comprehensive history of eschatological thought in early America encompasses traditional and non-traditional Christian beliefs in the end of the world. It reveals how millennialism and apocalypticism played a role in destructive and racist beliefs like "Manifest Destiny," while at the same time influencing the foundational idea of the United States as an "elect nation." Featuring a broadly diverse cast of historical figures, A Dream of the Judgment Day synthesizes more than forty years of scholarship into a compelling and challenging portrait of early America.

In the early sixteenth century, a charismatic Bengali Brahmin, Visvambhara Misra, inspired communities of worshipers in Bengal, Orissa, and Vraja with his teachings. Misra took the ascetic name Krsna Caitanya, and his devotees quickly came to believe he was divine. The spiritual descendents of these initial followers today comprise the Gaudiya Vaisnava movement, one of the most vibrant religious groups in all of South Asia.
In The Final Word, Tony Stewart investigates how, with no central leadership, no institutional authority, and no geographic center, a religious community nevertheless came to define itself, fix its textual canon, and flourish. The answer, he argues, can be found in a brilliant Sanskrit and Bengali hagiographical exercise: the Caitanya Caritamrta of Krsnadasasa Kaviraja. Written some seventy-five years after Caitanya's passing, Krsnadasa's text gathered and synthesized the divergent theological perspectives and ritual practices that had proliferated during and after Caitanya's life. It has since become the devotional standard of the Gaudiya Vaisnava movement.
The text's power, Stewart argues, derives from its sophisticated use of rhetoric. The Caitanya Caritamrta persuades its readers covertly, appearing to defer its arrogated authority to Caitanya himself. Though the text started out as a hagiography like so many others-an index of appropriate beliefs and ritual practices that points the way to salvation-its influence has grown far beyond that. Over the centuries it has become an icon, a metonym of the tradition itself. On occasion today it can even be seen worshiped alongside images of Krsna and Caitanya on altars in Bengal.
In tracing the origins, literary techniques, and dissemination of the Caitanya Caritamrta, Stewart has unlocked the history of the Gaudiya Vaisnavas, explaining the improbable unity of a dynamic religious group.

This volume consists of a collection of twelve empirical studies that address theoretical and practical issues relating to pilgrimage and tourism activities in late modernity. As a contribution to the Religion and Social Order series sponsored by the Association for the Sociology of Religion, these studies are particularly directed to assessing both the role of religion in the pilgrimage/tourism nexus and the ways in which religious expressions have changed as a result of the technological and social changes of late modernity that affect human behavior in a more general sense. The chapters address neo-pagan pilgrimage tours to ancient pagan temples, travels to spiritual healers, the development of historical sites by American religious movements of nineteenth-century origin, labyrinths, pilgrimages that emphasize walking a journey rather than visiting buildings, virtual pilgrimage, the Roman Jubilee of 2000, Kyoto's Gion Festival, and similar topics.

In The Varieties of Religious Experience: A Study in Human Nature, Dr. William James takes aim at the nature of religion from a scientific/academic point of view-something that had, until this landmark work, been sorely missed. James believed that the study of the origin of an object or concept should not play a role in the study of its value. As an example, he alluded to the Quaker religion and its founder, George Fox. Many scientists immediately reject all aspects of the Quaker religion because evidence suggests that Fox was schizophrenic. Calling this rejection medical materialism, he insisted that the origin of Fox's notions about religion should not be considered when placing a value on them. He pointed out that many believed El Greco to have suffered from astigmatism, yet no one would dismiss his art based on this medical detail. "Scientific theories are organically conditioned just as much as religious emotions are; and if we only knew the facts intimately enough, we should doubtless see 'the liver' determining the dicta of the sturdy atheist as decisively as it does those of the Methodist under conviction anxious about his soul. When it alters in one way the blood that percolates it, we get the Methodist, when in another way, we get the atheist form of mind."- Dr. William James

This multidisciplinary study of Scientology examines the organization and the controversies around it through the lens of popular culture, referencing movies, television, print, and the Internet-an unusual perspective that will engage a wide range of readers and researchers. For more than 60 years, Scientology has claimed alternative religious status with a significant number of followers, despite its portrayals in popular culture domains as being bizarre. What are the reasons for the vital connections between Scientology and popular culture that help to maintain or challenge it as an influential belief system? This book is the first academic treatment of Scientology that examines the movement in a popular-culture context from the perspective of several Western countries. It documents how the attention paid to Scientology by high-profile celebrities and its mention in movies, television, and print as well as on the Internet results in millions of people being aware of the organization-to the religious organization's benefit and detriment. The book leads with a background on Scientology and a discussion of science fiction concepts, pulps, and movies. The next section examines Scientology's ongoing relationship with the Hollywood elite, including the group's use of celebrities in its drug rehabilitation program, and explores movies and television shows that contain Scientology themes or comedic references. Readers will learn about how the Internet and the mainstream media of the United States as well as of Australia, Germany, and the UK have regarded Scientology. The final section investigates the music and art of Scientology. Discusses Scientology within the framework of popular culture, which is how most people outside the religion come in contact with it Approaches the study of Scientology from multiple viewpoints, enabling readers to have an informed, multicultural perspective on the religious group's beliefs and practices from which to form their own opinion Presents information about Scientology derived from one of the largest university archive collections on the subject worldwide, with a number of documents never before having been referenced in scholarship

Designed for both academic and lay audiences, this book identifies the characteristics of ritual and, via multiple examples, details how ritual works on the human body and brain to produce its often profound effects. These include enhancing courage, effecting healing, and generating group cohesion by enacting cultural-or individual-beliefs and values. It also shows what happens when ritual fails.

Drawing on poststructuralist approaches, Craig Martin outlines a theory of discourse, ideology, and domination that can be used by scholars and students to understand these central elements in the study of culture. The book shows how discourses are used to construct social institutions-often classist, sexist, or racist-and that those social institutions always entail a distribution of resources and capital in ways that capacitate some subject positions over others. Such asymmetrical power relations are often obscured by ideologies that offer demonstrably false accounts of why those asymmetries exist or persist. The author provides a method of reading in order to bring matters into relief, and the last chapter provides a case study that applies his theory and method to racist ideologies in the United States, which systematically function to discourage white Americans from sympathizing with poor African Americans, thereby contributing to reinforcing the latter's place at the bottom of a racial hierarchy that has always existed in the US.

"Between Play and Prayer" launches "Spiritual Performance "as a term to cover all human performance which in some way refers to creating the presence of beings or entities from a realm that transgresses the sensorial. This notion covers a great variety of performative genres, ranging from funerary services, spiritualist performances of deceased souls, to spiritual readings. This broad and deep approach to a range of performances is answering a renewed craving for spirituality in contemporary culture. By way of performance theory and aesthetic theory, concepts of "faith," " belief," " experience," "play," "prayer "and "theatricality," are set in motion when proposing the necessity of experiencing such performances on their own terms. In depth descriptions of a variety of performances in Norwegian and New Zealand local contexts show the necessity of experiencing and understanding an existential quality in "Spiritual Performance." "Faith," not "credo," is at the heart of spiritual practice. The book represents a new, innovative and trans-disciplinary approach to spirituality in performance. The reading of this book is a must for scholars in the field of theatre- and performance studies, ritual and festival studies, for scholars of religion, and anyone interested in the understanding of spiritual practices.

This book presents a crisis of religion and belief literacy to which education at every level is challenged to respond. As understanding different religions, beliefs and influences becomes increasingly important, it fills a gap for a resource in bringing together the debates around religious literacy, from theoretical approaches to teaching and policy. This timely publication provides a clear pathway for engaging well with religion and belief diversity in public and shared settings.

Globalized Religion and Sexual Identity reflects on the ways religion, gender and sexual identity are framed and regulated in multiple spheres across the globe. Controversies in the public arena regarding religion and sexual identity often construct these categories as inherently oppositional or already in conflict. As state policies regarding sexuality and sexual diversity develop, promoting inclusivity and non-discrimination, it is imperative to develop a more nuanced discussion regarding the relationship of religion/ideology to sexual diversity and sexuality. The goal of this volume is to explore religion and sexual identity from a range of countries across the globe, focusing on the theme of religious/ideological voices in state policies, such as same-sex marriage, identification, and education.

The term "revival" has been used to describe the resurgent vitality of Buddhism in Taiwan. Scholars have particularly been impressed by the quality and size of the nun's order: Taiwanese nuns today are highly educated and greatly outnumber monks. Both characteristics are unprecedented in the history of Chinese Buddhism and are evident in the Incense Light community (Xiangguang). Passing the Light is the first in-depth case study of the community. Founded in 1974, Incense Light remains a small but influential order of highly educated nuns who dedicate themselves to teaching Buddhism to lay adults. The work begins with a historical survey of Buddhist nuns in China, based primarily on the sixth-century biographical collection Lives of the Nuns. This is followed by discussions on the early history of the Incense Light community; the life of Wuyin, one of its most prominent leaders; and the crucial role played by Buddhist studies societies on college campuses, where many nuns were first introduced to Incense Light. Later chapters look at the curriculum and innovative teaching methods at the Incense Light seminary and the nuns' efforts to teach Buddhism to adults. The work ends with portraits of individual nuns, providing details on their backgrounds, motivations for becoming nuns, and the problems or setbacks they have encountered both within and without the Incense Light community. This engaging study enriches the literature on the history of Buddhist nuns, seminaries, and education, and will find an appreciative audience among scholars and students of Chinese religion, especially Buddhism, as well as those interested in questions of religion and modernity and women and religion.

*With a foreword from Tim Keller* A bold vision for Christians who want to engage the world in a way that is biblically faithful and culturally sensitive. In Biblical Critical Theory, Christopher Watkin shows how the Bible and its unfolding story help us make sense of modern life and culture. Critical theories exist to critique what we think we know about reality and the social, political, and cultural structures in which we live. In doing so, they make visible the values and beliefs of a culture in order to scrutinize and change them. Biblical Critical Theory exposes and evaluates the often-hidden assumptions and concepts that shape late-modern society, examining them through the lens of the biblical story running from Genesis to Revelation, and asking urgent questions like: How does the Bible's storyline help us understand our society, our culture, and ourselves? How do specific doctrines help us engage thoughtfully in the philosophical, political, and social questions of our day? How can we analyze and critique culture and its alternative critical theories through Scripture? Informed by the biblical-theological structure of Saint Augustine's magisterial work The City of God (and with extensive diagrams and practical tools), Biblical Critical Theory shows how the patterns of the Bible's storyline can provide incisive, fresh, and nuanced ways of intervening in today's debates on everything from science, the arts, and politics to dignity, multiculturalism, and equality. You'll learn the moves to make and the tools to use in analyzing and engaging with all sorts of cultural artifacts and events in a way that is both biblically faithful and culturally relevant. It is not enough for Christians to explain the Bible to the culture or cultures in which we live. We must also explain the culture in which we live within the framework and categories of the Bible, revealing how the whole of the Bible sheds light on the whole of life. If Christians want to speak with a fresh, engaging, and dynamic voice in the marketplace of ideas today, we need to mine the unique treasures of the distinctive biblical storyline.

In Islam in Post-communist Eastern Europe: Between Churchification and Securitization Egdunas Racius reveals how not only the governance of religions but also practical politics in post-communist Eastern Europe are permeated by the strategies of churchification and securitization of Islam. Though most Muslims and the majority of researchers of Islam hold to the view that there may not be church in Islam, material evidence suggests that the representative Muslim religious organizations in many Eastern European countries have been effectively turned into ecclesiastical-bureaucratic institutions akin to nothing less than 'national Muslim Churches'. As such, these 'national Muslim Churches' themselves take an active part in securitization, advanced by both non-Muslim political and social actors, of certain forms of Islamic religiosity.

An updated edition of this influential feminist text.

The Oxford Handbook of Music and World Christianities investigates music's role in everyday practice and social history across the diversity of Christian religions and practices around the globe. The volume explores Christian communities in the Americas, Europe, Africa, Asia, and Australia as sites of transmission, transformation, and creation of deeply diverse musical traditions. The book's contributors, while mostly rooted in ethnomusicology, examine Christianities and their musics in methodologically diverse ways, engaging with musical sound and structure, musical and social history, and ethnography of music and musical performance. These broad materials explore five themes: music and missions, music and religious utopias (and other oppositional religious communities), music and conflict, music and transnational flows, and music and everyday life. The volume as a whole, then, approaches Christian groups and their musics as diverse and powerful windows into the way in which music, religious ideas, capital, and power circulate (and change) between places, now and historically. It also tries to take account of the religious self-understandings of these groups, presenting Christian musical practice and exchange as encompassing and negotiating deeply felt and deeply rooted moral and cultural values. Given that the centerpiece of the volume is Christian religious musical practice, the volume reveals the active role music plays in maintaining and changing religious, moral, and cultural values in a long history of intercultural and transnational encounters.