John J. Fitzgerald addresses here one of life's enduring questions - how to achieve personal fulfillment and more specifically whether we can do so through ethical conduct. He focuses on two significant twentieth-century theologians - Rabbi Abraham Joshua Heschel and Pope John Paul II - seeing both as fitting dialogue partners, given the former's influence on the Second Vatican Council's deliberations on the Jews, and the latter's groundbreaking overtures to the Jews in the wake of his experiences in Poland before and during World War II. Fitzgerald demonstrates that Heschel and John Paul II both suggest that doing good generally leads us to growth in various components of personal fulfillment, such as happiness, meaning in life, and freedom from selfish desires. There are, however, some key differences between the two theologians - John Paul II emphasizes more strongly the relationship between acting well and attaining eternal life, whereas Heschel wrestles more openly with the possibility that religious commitment ultimately involves anxiety and sadness. By examining historical and contemporary analyses, including the work of the Fourteenth Dalai Lama, the philosopher Peter Singer, and some present-day psychologists, Fitzgerald builds a narrative that shows the promise and limits of Heschel's and John Paul II's views.

American environmentalism historically has been associated with the interests of white elites. Yet religious leaders in the twenty-first century have helped instill concern about the earth among groups diverse in religion, race, ethnicity, and class. How did that happen and what are the implications? Building on scholarship that provides theological and ethical resources to support the "greening" of religion, God and the Green Divide examines religious environmentalism as it actually happens in the daily lives of urban Americans. Baugh demonstrates how complex dynamics related to race, ethnicity, and class factor into decisions to "go green." By carefully examining negotiations of racial and ethnic identities as central to the history of religious environmentalism, this work complicates assumptions that religious environmentalism is a direct expression of theology, ethics, or religious beliefs.

Leonardo da Vinci, Milan's Renaissance ideal, is tasked with painting The Last Supper but struggles to find the perfect person to model as Christ. Vittorio Dessa, a young farmer, is eventually spotted, plucked from farm life and placed at the heart of an alien world of art and science, aristocracy, politics and intrigue. Initially shocked, Vittorio gradually adjusts to the artist's exuberant manner and ambitious ideas, and after some hesitation, resolves to pursue his own ambitions and venture beyond the safety of the city walls. Thus encouraged, Vittorio's fortunes boom, but ill-equipped to deal with the transformation, his life slowly lapses into one of paranoia, jealousy and eventually murder. The strands of the story climax at Leonardo's very public reveal of The Last Supper painting.