This full colour coffee table book celebrates Zimbabwe Stone Sculpture – those who create it and those who honour it. The reader is invited to join Stuart Danks on a journey through the fascinating history of Zimbabwe Stone Sculpture and its relevance today.

Readers learn about the process whereby stone is mined, transported great distances, and then skillfully carved by hand into magnificent pieces of art, many of which can be found in museums, galleries, hotels, official buildings and homes throughout the world.

The book includes information about some of the main artists who have created the sculpture that continues to fascinate the world, accompanied by beautiful photographs of their work.

Acknowledged as one of the major sculptors and avant-garde artists of the twentieth century, Constantin Brancusi (1876-1957) also remained one of the most elusive. His mysterious nature was not only due to his upbringing in Romania - which, at the time, was still regarded by much of Europe as a backward country haunted by vampires and werewolves - but also because Brancusi was aware that myth and an 'aura of otherness' appealed to the public. This self-mythology is embodied in his white atelier in Montparnasse, Paris. In "Constantin Brancusi", Sanda Miller looks beyond the mythology of the artist to show us Constantin the Romanian student, as well as Brancusi the celebrated artist. Using new material, including private correspondence from Brancusi's archive in Paris, works from Romania, and Brancusi's own photos of his studio, the author weaves together and interprets a wealth of information, bringing to life his early years in Romania, his move to Paris and his years at his studio. She relates how his art scandalized the Paris salon, yet also explores how his work connects with the folk art of his homeland. She also provides colourful evocations of Brancusi's relationships with colleagues, dealers, friends and lovers. An innovative reassessment of Brancusi's life and work, Sanda Miller's perceptive book allows Brancusi to take his rightful place among the most important of the intellectual personalities who shaped twentieth-century modernism.

Harry Bertoia, Sculptor is devoted to the life and work of a twentieth-century Italian-born American artist whose important commissions are located in twenty-five American cities from New York to Seattle and from Minneapolis to Miami. It traces the development of Bertoia's versatile career from his youth in Detroit, beginning with drawings, paintings, and monoprints, then jewelry and furniture designs, to his abstract sculptures in metals, many of architectural proportions. The book includes a biography of the man and detailed descriptions of his methods of working. Many major sculptures and some minor ones are described in detail. They are critically analyzed for their aesthetic components and the ideas they were intended to express. A large number of photographs supplements the descriptions and analyses. Two appendixes give chronologies of the artist's life and of his architectural commissions, the latter virtually a catalog of Bertoia's major works. Based on several extensive interviews with the artist, as well as on research into his earlier writings, the book includes Bertoia's thoughts on aesthetics and various phases of the art processes he uses. His work is categorized into four major aesthetic explorations that interested him most of his life.

Jean Doyle, A Portrait is a glorious tribute to one of South Africa’s quietest artists. This part-biography, part critique explores how Jean has formed, shaped, forged and polished her career. Frequently told through her private sculpture notes, it goes beneath the layers of bronze and clay to the inspirational heart of her work, tracing her artistic journey. It celebrates the freshness, simplicity, intelligence, unmistakable sense of humour and, strikingly, the modest humility with which Jean Doyle has emerged as one of the greatest story-telling South African artists of our time.