This work focuses on contemporary Zimbabwean Stone Sculpture - widely known until the early 1990s as Shona Sculpture - from the perspective of a critical anthropological analysis of cultural identity and representation. The analysis frames the inception of this art movement within the colonial socio-historical circumstances of its genesis, where discourse about the producers of this art form (Shona discourse) was created. Drawing from the social context of inequality and racial (spatial) segregation, and from the concepts of the primitive in art and anthropology, the author aims to show how Shona discourse entails a primitivist construction of the Other (i.e., the sculptors' cultural identity) that is directly linked to modernist primitivism. Shona discourse, as a temporalising discourse, situates the producers of so-called Shona sculpture in an extra-ordinary time, the time of primitive myth, magic and cosmology, constituting in this sense a good example of allochronic discourse. Originating within the colonial politics and ideology of the 1960s, and contested by younger generations of sculptors from the 1990s onwards, this discourse was, paradoxically, appropriated by the cultural politics of indigenisation during the early period of the post-independence Zimbabwean State as part of its national identity and heritage.

Sculpture Off the Pedestal is a behind-the-scenes look at the creative process of 25 leading sculptors from the Renaissance to the present through their own words or those who knew them. Aiming to avoid dry-as-dust art histories, Sculpture Off the Pedestal puts old and modern master sculptors by the reader's side, emptying their heads about their work and their ways of thinking. The book is intended not only for the art student or art lover, but also for the untutored and those who think of art as a remote subject. Most art histories focus on painting. Chronicling the lives of sculptors in and out of their studios fills a gap.

If you've always wanted to create life-like animal sculptures, but you think it's "too hard" or "too expensive," you're in for a very pleasant surprise.

This book contains step-by-step instructions and over 250 photos to guide you through the enjoyable process of making your first animal sculptures with the all-new paper mache clay recipe. Make your clay in just 5 minutes, using inexpensive ingredients. There's no tedious layers of torn paper and paste, and no mess.

Plus, the patterns included in each chapter help make your sculptures perfectly proportioned from the very start.

Creating life-like animal sculptures has never been so easy, or so much fun!

Max Loehr (1903-1988), the most distinguished historian of Chinese art of his generation, is celebrated above all for a 1953 art historical study of Chinese bronzes that effectively predicted discoveries Chinese archaeologists were about to make. Those discoveries in turn overthrew the theories of Loehr's great rival Bernhard Karlgren (1889-1978), a Swedish sinologue whose apparently scientific use of classification and statistics had long dominated Western studies of the bronzes. Revisiting a controversy that was ended by archaeology before the issues at stake were fully understood, Robert Bagley shows its methodological implications to be profound. Starting with a close reading of the work of Karlgren, he uses an analogy with biological taxonomy to clarify questions of method and to distinguish between science and the appearance of science. Then, turning to Loehr, he provides the rationale for an art history that is concerned above all with constructing a meaningful history of creative events, one that sees the intentionality of designers and patrons as the driving force behind stylistic change. In a concluding chapter he analyzes the concept of style, arguing that many classic confusions in art historical theorizing arise from a failure to recognize that style is not a property of objects. Addressed not just to ancient China specialists or historians of Chinese art, this book uses Loehr's work on bronzes as a case study for exploring central issues of art history. It will be of interest to anyone concerned with the analysis of visual materials.

"Child of the Fire" is the first book-length examination of the career of the nineteenth-century artist Mary Edmonia Lewis, best known for her sculptures inspired by historical and biblical themes. Throughout this richly illustrated study, Kirsten Pai Buick investigates how Lewis and her work were perceived, and their meanings manipulated, by others and the sculptor herself. She argues against the racialist art discourse that has long cast Lewis's sculptures as reflections of her identity as an African American and Native American woman who lived most of her life abroad. Instead, by seeking to reveal Lewis's intentions through analyses of her career and artwork, Buick illuminates Lewis's fraught but active participation in the creation of a distinct "American" national art, one dominated by themes of indigeneity, sentimentality, gender, and race. In so doing, she shows that the sculptor variously complicated and facilitated the dominant ideologies of the vanishing American (the notion that Native Americans were a dying race), sentimentality, and true womanhood.

Buick considers the institutions and people that supported Lewis's career--including Oberlin College, abolitionists in Boston, and American expatriates in Italy--and she explores how their agendas affected the way they perceived and described the artist. Analyzing four of Lewis's most popular sculptures, each created between 1866 and 1876, Buick discusses interpretations of Hiawatha in terms of the cultural impact of Henry Wadsworth Longfellow's epic poem "The Song of Hiawatha"; "Forever Free "and" Hagar in the Wilderness" in light of art historians' assumptions that artworks created by African American artists necessarily reflect African American themes; and "The Death of Cleopatra" in relation to broader problems of reading art as a reflection of identity.

1918. The volume is comprised of a series of photos of sculptures by Rodin, poet and philosopher, sublime genius, and master sculptor. Rodin is considered to be one of France's greatest artists. No other modern artist has been so controversial, yet had such extravagant epithets and honors, nor had such international impact. A substantial introduction is provided by Louis Weinberg.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

One of America's least known and controversial women artists of the Civil War era was Vinnie Ream, who sculpted a bust of Abraham Lincoln from life when she was only sixteen years old and had almost no artistic training. She was able, through clever maneuvering and dogged determination, to achieve a commission from the Congress for a life-sized statue of the assassinated president - this despite the very real animus against women artists at that time, which is apparent in the heated arguments against granting her the Lincoln commission - arguments spearheaded in the Senate by Charles Sumner of Massachusetts. Steeped in the history of her time, Vinnie Ream was involved with dozens of senators and congressmen and other powerful men - not the least of all Generals Sherman and Custer - and her studio on Capitol Hill became a legendary stopping place for many admirers and tourists. Her statue of Lincoln stands in the rotunda of the capitol building; her statue of Admiral Farragut stands in a Washington, D.C. park; other works are in Statuary Hall and various museums. This is a spirited and engaging biography of an important women artist, and an effective portrait of Washington, D.C. in the Civil War era.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

1931. From the Johns Hopkins University Studies in Archaeology No. 13 edited by David M. Robinson. This study is an attempt to gather into a single collection the sculptured portraits of Greek statesmen from the earliest stages of Greek history down to Roman times, to bring together the theories expressed before the publication of Bernoulli's standard work Griechische Ikonographie, as well as the numerous identifications proposed since that time; and finally to revise some of the prevailing theories in portraiture. The Contents are divided into the following Sections: Hellenic Statesmen; Alexander the Great; and Hellenistic Statesmen.

Based Upon The Collections In The National Museum.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The Million Dollar Machine (MDM) is a life skills enrichment program for all children in Grades K-6. This award-winning teaching system enables educators, mentors and parents to give their children the knowledge and motivation they need to achieve their personal best in life. With this easy-to-use lesson collection, children will immediately begin benefiting from these classroom-proven activities that shape a wide variety of essential personal, social, cognitive and environmental skills. MDM's health and decision-making skills also protect children from drug use and other risky behaviors; a key benefit that earned this program a Presidential Award at the White House. This new edition includes the entire nationally tested lesson collection, validated by 5 scientific studies, with more than 600 integrated activities and discussion topics, 80 interactive parent/child worksheets, vocabulary and complete use guidelines. Teachers, mentors and parents praise the age-appropriate MDM lessons because they are effective, economical and easy to use in the classroom and at home. Children love MDM because it makes learning fun!

The authors present a guide book to the major sculpture of the Piccirilli brothers in New York City.

ADAPTATION is a project about the impact of design in people's daily lives and the 'redesign' of public spaces by the people who use them. We have invited artists who approach design and everyday life in various ways: Adams, APA (Akay, Kidpele and Made), Brett Bloom and Bonnie Fortune, Marjolijn Dijkman, Brad Downey, Ulrika Erdes, Dominic Hislop and Leopold Kessler. Their work ranges from examinations of the human use and construction of space in photographic documentation and research to interventions in specific locations in the city. Those interventions and investigations show how design structures public life. They suggest alternative ways to experience and use the city. With simplicity and ingenuity, they reveal design as a central force in shaping our daily lives. Presented by Peacock Visual Arts for Six Cities Design Festival. The Six Cities Design Festival is a project developed and managed by The Lighthouse, Scotland's National Centre for Architecture, Design and the City, and is funded by the Scottish Executive. You can also download a pdf of this publication at www.peacockvisualarts.com/adaptation.

ALISON WILDING

Alison Wilding is one of the best sculptors around. She deserves a much wider recognition that she receives at present. Wilding was born in Blackburn, Lancashire, in 1948. She went through the typical British art school education Ravensbourne College of Art (1967-70) and the Royal College of Art (1970-73). Her one-woman shows have included Kelttles Yard Gallery, Cambridge (1982), the Serpentine Gallery, London (1985), Hirschl & Adler, New York (1989), Bare at Newlyn Art Gallery (1993), and a major show (Immersion and Exposure) at both the Tate Gallery, Liverpool and the Henry Moore Trust studio in Halifax (1991). She has shown new work most years since the early 1980s at her galleries.

Theres something in Alison Wildings sculpture which fascinates art lovers. Its difficult to say exactly what this quality of Wildings sculpture is. Something magical, perhaps, or mysterious, or erotic. These are the sorts of terms art critics employ when they are at a loss for words. Artists such as Mark Rothko famously get this treatment (Rothkos canvases are called transcendent, sublime, spiritual). John McEwen writes of Alison Wilding:

She is pleased when her work conveys a sense of the magical, and certainly it has a powerful sense of mystery. Mysteriousness does not lend itself to description, analysis or explanation; as she herself put it to me in conversation, her pieces do not demand to be talked about. That suggests that they do not demand to be written about either, I said. They dont mind, she said.

Penelope Curtis writes of Wilding: Even the smallest of her often small sculptures has tremendous and commanding presence; there is a sense of levitation in her works.

Fully illustrated with many examples of Wildings work, and that of her contemporaries.

If you've always wanted to play in clay but didn't know how, this is the book for you Internationally collected and award-winning sculptor Lynda Sappington shares her knowledge in simple, clear language and numerous pictures how to work in water-based clay, polymer clay and professional plastilene. New in this second edition of "Sculpting 101" is a chapter on how to make a carriage and one on shipping both raw clay pieces to the foundry and finished castings to customers. The entire book has been revised and updated, including a revised and expanded suppliers' list and a new horse measurement chart. Other subjects covered include: armatures (for both animal and figurative sculptures as well as busts); how to make and cast reliefs; how to measure horses and other subjects for portraits; how to make a one-piece mold; how to cast in paper, resin and bronze; style and design; editions and certificates of authenticity; foundries and how to talk to them. Two of the four appendices show in pictures and words two different methods of casting bronze. "For those embarking on the adventure of sculpture, this text will help guide them thruogh the many stages. Lynda presents the information in a clear, straightforward way, making the information accessible even to the novice sculptor." Meredith Roedel, Tallix Foundry Inc., Beacon NY

If you desire to have career in the culinary arts but cannot afford the cost of a major culinary school, my next book will tell how to further your career or begin your career by taking short courses to improve your skills and furnish direction to your goals. You have to learn to earn. To further help you to achieve your goals by attending and participating in culinary shows. Much is to be learned by attending seminars. Many have outstanding instructors and especially in cake decorating. My 3rd book will guide you toward more education in this way.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Based Upon The Collections In The National Museum.

This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!