In July 1996, Edinburgh College of Art offered a Masterclass with the Italian-Scottish sculptor, Eduardo Paolozzi. He particularly wanted to run this course in his home city. Although born in Leith, the eldest son of Italian immigrants, Paolozzi left Scotland after studying at Edinburgh College of Art to pursue further studies in London and to establish an international reputation as a sculptor. Plans for two previous classes elsewhere had fallen through. The selection process chose 17 students with widely different backgrounds. Plunged into ten days of unconventional tutoring, each found widely differing responses. Paolozzi asked the members of the class to keep a diary of their time with him. Ann Shaw, a former journalist with The Glasgow Herald, documented her days and recorded scenes of chaos and progress. Her unabridged account is illustrated throughout with some of the photographs she took as the appointed 'official' class photographer. Paolozzi is seen as human, vulnerable, gracious and rude, inspiring and shy.

This is a new release of the original 1936 edition.

This final volume in the British Sculptors and Sculpture series addresses the work of the important but neglected British sculptor Francis Derwent Wood RA (1871-1926). A student of Edouard Lanteri at the Royal College of Art, Derwent Wood's early artistic career was distinguished. His reputation grew rapidly and a period as Director of Modelling at the Glasgow School of Art saw him working on public commissions with many of the city's most important architects. Simultaneously, he built his London practice, perfecting the art of the rapidly executed, observationally astute portrait bust, and becoming a well-connected member of the Chelsea set. He exhibited at the Royal Academy every year from 1895 until his death in 1926, becoming a full Academician in 1920. During the First World War he carried out pioneering work in the field of facial prosthetics. He was appointed Professor of Sculpture at the Royal College of Art in 1918, where Henry Moore was amongst his many pupils. Derwent Wood's Machine Gun Corps memorial at Hyde Park Corner in London, completed in the year of his death, is amongst the best-known and most consistently reviled sculptures in Britain. Matthew Withey offers readers a subtle and layered interpretation of the career that led up to this iconic and misunderstood work, together with a comprehensive catalogue of Derwent Wood's diverse body of work.

Square meters of empty toothpaste tubes and bottles of cleaning solution, pencils, balls of wool, or shoes—all of it in neat rows: Waste not, the spectacular installation by Song Dong (*1966) comprising more than ten thousand individual items, traveled around the whole world, inspiriting countless exhibition visitors. The artist’s mother fell into poverty during the Cultural Revolution and compulsively collected everyday objects. The installation arranges everything she accumulated, cataloguing and documenting her life.This is the first volume to provide insight into all of the series of works by the Conceptual artist in which he deals with issues such as consumption, sustainability, memory, or spirituality. Song Dong arranges old doors and windows from demolished buildings to create new living spaces. In Doing Nothing Garden at documenta 12, he transformed a mountain of garbage into an attractive recreation area, or he recreates modern cityscapes out of candy: Eating the City —unhealthy, but yummy. Taking a bite is allowed! Exhibitions: Groninger Museum, Netherlands, 13.6. – 1.11.2015 | Kunsthalle Düsseldorf, 5.12.2015 – 6.3.2016

In 1907, London students rioted over a statue, one episode in the conflict over vivisection and animal rights. A libel case made London a hotspot. Anti-vivisectionists lost in court but fought a propaganda war. This text provides a rare eyewitness account.

A comprehensive overview of more than two decades of Huma Bhabha's prolific and multidisciplinary output in sculpture, drawing, and photography Huma Bhabha (b. 1962 in Karachi) is known for sculptures depicting the human figure fashioned from materials ranging from clay, brick, and wood to Styrofoam, bronze, found objects, and construction materials. Such works reveal her myriad influences, including horror films, science fiction, ancient artifacts, religious reliquaries, and Neo-Expressionism. This handsome volume surveys over two decades of Bhabha's innovative sculptures, as well as her lesser-known but essential work in drawing, photography, and printmaking, all while considering her singular engagement with the human figure. Illustrated essays investigate the artist's prolific and multidisciplinary output, her historical and cultural reference points, and her frequent themes, such as war, colonialism, displacement, and the memory of home-in the artist's words, these are "eternal concerns" found across all cultures. A conversation between Bhabha and American artist Sterling Ruby offers an intimate point of entry into Bhabha's perspectives and artistic practice. Published in association with the Institute of Contemporary Art/Boston Exhibition Schedule: Institute of Contemporary Art/Boston (03/23/19-05/27/19)

Landings: Birds in the Parkis a traveling public art project started in 2008. Both event and exhibition, it involves the temporary installation of a flock of porcelain birds, which appear one day and are gone the next. The birds have cobalt images and text silk-screened and fired onto them, investigating aspects of humanity, specifically around war and peace. The birds have landed in over sixty locations, including Central Park and the UN Headquarters in NY, many locations in Santa Fe, beaches along the coast of California, the National Mall in Washington D.C., Chartres Cathedral in France, the weapons development site of Peenemunde, Germany, and have migrated as far as the Galapagos Islands.

An annotated inventory of works by architectural sculptor Walter Gilbert and associates

The first study of its kind, featuring over 80 important artists who have lived in Florida. With its natural beauty, distinctiveness, and warmth, Florida has attracted an abundance of artists for centuries. While fine painters have been featured in art books about the state, little has been written about important sculptors who have adopted it. To remedy the dearth of literature on the subject, Florida Sculptors and Their Work: 18802020 is a tribute to these diverse artists who have enchanted, amused, saddened, or outraged us. Capturing the Sunshine State's essence, this well-researched and generously illustrated volume tells the fascinating stories of these creative people and reveals secrets behind their three-dimensional artfrom realistic to abstract to folk art. Discover how Florida has inspired such world-renowned artists as Augusta Savage, Duane Hanson, Richard Anuszkiewicz, John Chamberlain, and Robert Rauschenberg, as well as lesser-known yet highly praised sculptors who have enhanced collections throughout the world and changed the states profile with their iconic public art. This indispensable resource is a must-have for those interested in Florida's art, history, and culture.

Architectural sculpture, virtually abandoned for five hundred years following the demise of the Roman Empire, was revivified on the portals of Romanesque churches in eleventh and twelfth-century France and Spain. Long overdue is a reappraisal of those images whose aesthetic of rendering the invisible visible establish them as valuable witnesses to the culture of Europe in the Middle Ages. Countless losses, mutilation through wilful destruction, centuries of accumulated grime, and a dearth of studies in English have impeded the deserved realization and appreciation of these magnificent works of art. Through illustration and illuminative interpretation, Romanesque Sculpture An Ecstatic Art fills the void by tracing the beginnings, maturation, and efflorescence of monumental sculptured facades in the short-lived Romanesque era. Depictions on them are mirrors of the age: sophisticated theological messages, monastic life, the cult of relics, pilgrimages, crusades and politics. The survey considers too the sculptors, mostly anonymous, who in adapting models from several media - both antique and current - created a unique visual vocabulary. The beauty of the sculptures comes to the fore. The stones live

A disquiet expressed with a timeless vision. The decision to pay homage to Antonio Canova could not but start out of the encounter with the man who, back in 1992, had already understood his sculptures and captured their essence in images that have themselves become works of art. This man, this contemporary artist, could only be Mimmo Jodice. He is not only a photographer of art but a person with a keen gaze and vision who has decided to tackle perhaps the most complex sculptor of all time. Jodice chose to approach Canova with love and intellectual nobility and now, through a fascinating series of unprecedented details, is offering us a new, contemporary, conceptually lucid, authoritative, and captivating view of one of the greatest artists in history.

In the hauntingly beautiful sculptures of Tilmann Riemenschneider, the Late Gothic art of Germany achieved its highest expression. Now, for the first time in English, the eminent art historian Justus Bier accords Riemenschneider the extended attention he so richly deserves. Riemenschneider ( ca. 1460--1531) holds a pivotal place in the development of German art. Rejecting the anonymous soulfulness of earlier Gothic sculpture, he created a style reflecting the deeply spiritual character of his time, yet one that also anticipated the humanism of the Italian Renaissance so soon to revolutionize European art. Bier crowns a lifelong study with this reconsideration of Reimenschneider's life and work, with emphasis on works in North American museums. More than 140 photographs illustrate 46 of the artist's major sculptures.