Tina Haase works with trivial things. She hoards, stratifies, compresses, and frees things from their one-dimensional view. Sculptures, wall objects, drawings, installations, films, and performances are created with irony and humor, in which things question our self-evidence through astonishing redistribution.

This fascinating book tells the story of a little-known masterpiece by the Italian sculptor Antonio Canova (1757-1822)-the statue of George Washington for the North Carolina State House, delivered in 1821 and destroyed by fire ten years later. It brings together for the first time Canova's full-sized preparatory plaster model, sketches, engravings, drawings, and a selection of Thomas Jefferson's letters about the commission. This is a major addition to the current body of published knowledge on the work of Antonio Canova, as well as on the classical revivalist sculpture of the early nineteenth century on both sides of the Atlantic.

A revelatory study exploring wood’s many material, ecological, and symbolic meanings in the religious art of medieval Germany In late medieval Germany, wood was a material laden with significance. It was an important part of the local environment and economy, as well as an object of religious devotion in and of itself.  Gregory C. Bryda examines the multiple meanings of wood and greenery within religious art—as a material, as a feature of agrarian life, and as a symbol of the cross, whose wood has resonances with other iconographies in the liturgy. Bryda discusses how influential artists such as Matthias Grünewald, known for the Isenheim Altarpiece, and the renowned sculptor Tilman Riemenschneider exploited wood’s multivalent nature to connect spiritual themes to the lived environment outside church walls. Exploring the complex visual and material culture of the period, this lavishly illustrated volume features works ranging from monumental altarpieces to portable pictures and offers a fresh understanding of how wood in art functioned to unlock the mysteries of faith and the natural world in both liturgy and everyday life.

Drawing on the knowledge of a lifetime of study, and the understanding of one who himself participated in the creative adventure of modern art, the late Sir Herbert Read traces the development of modern sculpture from Rodin to the present day and brings order into the apparently chaotic proliferation of styles and techniques during this period.

"Sculpture in Wood "was first published in 1950. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

In simple every-day language and with lavish use of photographs, a noted sculptor takes you, step-by-step, through the process of wood sculpture and explains how to appreciate and use this kind of art in your own home. The how-to-do-it section contains information on the tools needed, the various woods and their qualities, and finishes. Photographs showing examples of the author's work and that of other contemporary sculptors illustrate his points clearly. The beginner will find this book opens the way to a rewarding hobby; the serious artist will be challenged by Mr. Rood's forceful ideas on art.

An in-depth exploration of how the iconic artist created his works over the course of his full career Among the most celebrated figures of modern art, Amedeo Modigliani (1884-1920) has been the subject of many exhibitions and publications, but none until now has examined in depth how the artist created his paintings and sculptures. Drawing on research using the latest scientific techniques, the authors explore the artist's reuse of materials in his early years; his pivot from artistic trends such as Cubism to engage with a stylized form of figuration; the timeline of his evocative sculptures; and the evolution of his approach from heavily worked canvases to more ethereal paintings. The richly illustrated book also looks at the role of Albert C. Barnes, an early collector of Modigliani's work, in shaping the Italian artist's critical reception in the United States. The Barnes Foundation today owns one of the most important groups of Modigliani works in the world. These, together with some forty other paintings and sculptures from public and private collections worldwide, are interpreted through the lens of new studies carried out by leading international museums. Distributed for the Barnes Foundation Exhibition Schedule: The Barnes Foundation, Philadelphia (October 16, 2022-January 29, 2023)

For the first time a single volume assembles a work complex from the oeuvre of Gabriela von Habsburg which has not been shown before: the sculptures, some of them made of metal or stone in different formats and some of them immovable, introduce the artist's works in the public space that are scattered across the United States and throughout Europe. Together with lithographs, photos of the artist working on her artworks and of her studio round out this exquisite volume. Since earliest times the performing arts have always been one of the most important forms of expression for mankind. With her sculptures Gabriela von Habsburg goes new ways in the politicisation of aesthetics, uniting her work as ambassador, politician and creative artist. Her many years as an ambassador for the Republic of Georgia in Berlin are reflected in the choice of the fall of the Iron Curtain as a subject in the execution of her unusual sculpture monument at Sopron and the Rose Monument of Tbilisi, an act of homage to the bloodless revolution there. A profound and exclusive glimpse into the committed work of a sculptor.

Louise Nevelson (1899-1988) was, with Calder, Noguchi and David Smith, one of the great American sculptors of the 20th century. She created extraordinary work, from room-size installations composed of boxes to gnarled and majestic steel structures. Her life story is no less interesting. She was born in czarist Russia, but her family emigrated to the States and she grew up in Maine. Nevelson endured a repressive marriage to a New York millionaire, whom she escaped to pursue the life of an artist. She gained recognition as an abstract sculptor at the age of 59, and spent the next 30 years taking the art world by storm, becoming a colourful New York personality and minor celebrity. Laurie Wilson, who knew Nevelson personally, draws extensively on her own research in this crisp new biography. She conducted interviews not just with Nevelson but with her siblings, son, and gallery owner Arne Glimcher. Wilson has also had complete access to Glimcher's archives, Nevelson's personal assistant, Diana Mackown, and Lippincott studios, where much of Nevelson's work was cast, among others

A compelling examination of French sculptor Auguste Rodin from the perspective of his enthusiastic American audience This exhibition catalogue explores the American reception of French artist Auguste Rodin (1840-1917), from 1893, when his first work entered a US museum, to the present. Its trajectory reaches from the collecting frenzy of the early twentieth century-promoted by philanthropist Katherine Seney Simpson and performer Loie Fuller-to important museum acquisitions of the 1920s and 1930s. From there, it traverses the 1950s, when Rodin's reputation flagged, through to the artist's revival and recognition in the 1980s. Rodin's promoters include a dynamic cast of characters, each of whom played a crucial role in cementing his status. The book traces this story through approximately 50 sculptures and 20 drawings that cover Rodin's most iconic subjects and themes. They demonstrate his dexterity across media-his virtuosity in plaster, terracotta, bronze, and marble-as well as his expressive, colorful drawings, some of them relatively unknown, sparking new appreciation for his work and delight for readers. Distributed for the Clark Art Institute Exhibition Schedule: Clark Art Institute, Williamstown, MA (June 18-September 18, 2022) High Museum of Art, Atlanta (October 21, 2022-January 15, 2023)

Alexander Archipenko has been called the "Picasso of Sculpture," at the experimental forefront for bringing elements of cubism to bear on the sculptural form. But, in My Life with Alexander Archipenko, Frances Archipenko Gray, with whom the innovative Ukrainian artist shared the last eight years of his life, paints a rounded and deeply personal picture of the artist throughout these late years--some of his most productive despite relative critical neglect. Gray came to know Archipenko at the Archipenko School in Woodstock, New York. Despite a nearly fifty-year age difference, teacher and student developed a deep and lasting companionship that led to marriage in 1957. In the years that followed, as the art world shifted its interest away from modernism toward abstract expressionism, Archipenko's work fell from critical favor. Yet nothing could stop the self-confident and vodka-drinking iconoclast, and Archipenko not only continued to exhibit, but published a comprehensive survey of his work, Fifty Creative Years, in 1960. Throughout the early 1960s, the couple traveled extensively in Europe to promote the artist's work. Beginning in the 1960s, Archipenko was also increasingly plagued by problems with forgeries and fraudulent authentications of his work, and the book casts new light on his resulting volatile relationship with many dealers, museums, and collectors. Archipenko's work has been the subject of major solo exhibitions worldwide, but My Life with Alexander Archipenko presents for the first time the fascinating man behind the works and puts forward a compelling case for his continued importance.

A comprehensive overview of renowned Belgian artist Berlinde De Bruyckere's work since 2014, inspired by the figure of the angel Belgian artist Berlinde De Bruyckere has long been a leading light in the international contemporary art world whose sculptures, installations and drawings endeavor to find the meaning of humanity, physicality, suffering and vitality. Conceived in the loneliness and isolation of the COVID-19 pandemic, this book explores De Bruyckere's recent, never-before-seen work inspired by the figure of the angel as portrayed in myths, stories, literature and art history. According to De Bruyckere, an angel-with its warm, dark wings-provides protection, a refuge from fear. The angel guards against a lonely existence and, even more importantly, against a lonely death. It symbolizes the fragile line De Bruyckere treads between artistic poeticism and engagement with current affairs. This volume will serve as an essential resource on an artist whose works constitute a provocative and influential addition to the contemporary art canon. Distributed for Mercatorfonds Exhibition Schedule: Bonnefantenmuseum Maastrich, The Netherlands (March 29-September 26, 2021)

Fourteen sculptures of the distinguished Central Asian artist Erkin Mergenov constitute the subject matter of this book. The creative force of the sculptor produced the artifacts, which then inspired historians, theologians, philosophers, and literary scholars to produce "verbal" responses and meditations on original themes. The texts, which exemplify different cross-disciplinary approaches to art and sculpture, cover the 30-year span of the artist's career - from Self-Portrait (1971) to Premonition (2001).

The publication Beneath the Skin provides an overview of the last ten years of work by the Swiss artist Corina Staubli (b. 1959). It shows the altercation in the tension between exterior and interior worlds and the ambivalence of beauty, the beguiling, the sinister and even the unfathomable. With diverse media - be it porcelain, latex, painting or digital collage - the artist directs a dialogue of opposing sides. The question she always poses is 'how does the clandestine and the unconscious reveal itself in something that is manifest' - and, vice versa, 'how does the external view reveal the internal view'? The book itself is sure to arouse intrigue, as it features a nylon sculpture on the cover! Text in English and German.