1910. Harvard Classics, Volume 31. Edited by Charles W. Eliot. An excellent translation of the honest, if self-aggrandized life of the epitomal sixteenth-century Renaissance man. It ranks among the greatest autobiographies ever written.

This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

1901. With introduction and interpretation by Hurll. The marbles reproduced and commented on in this volume include: Zeus Otricoli; Athena Giustiniana (Minerva Medica); Horsemen from the Parthenon Frieze; Bust of Hera (Juno); The Apoxyomenos; Apollo Belvedere; Demeter (Ceres); The Faun of Praxiteles; Sophocles; Ares; Olympian Hermes; The Discobolus (The Disk-Thrower); The Aphrodite of Melos (Venus of Milo); Orpheus and Eurydice; Nike (The Winged Victory); and Pericles. See other titles by this author available from Kessinger Publishing.

1929. Written for the National Sculpture Society. Contents: Mrs. Patience Wright Speaks the Prologue; Our Blithe Beginning Days; Of Three Leaders, and of Moral Earnestness in Art: John Quincy Adams Ward, Augustus Saint-Gaudens; Daniel Chester French; Of Expositions and Collaborations; The Statue and the Bust and the Ideal Figure; Our Equestrian Statues; The Art of Relief, High and Low; Of Garden Sculpture and Ornament; Of Small Bronzes and Great Crafts; The National Sculpture Society; Influences, Going and Coming; and After Six Years.

LAND ART

A fully illustrated and complete guide to land and environmental art.

For the land artist, the whole planet is an artist's studio. The land artist ranges over the whole globe. A desert, a beach, a field, a forest becomes a studio, a place of creative activity. This means the very texture and colour and shape and dampness and springiness and strength and size of moss, for instance. Or a stone. Or a crevice in a rock formation. The way the light falls on a patch of grass, the little bits of dead, yellowish grass on top of the newer, green grass. Pine cones, closed-up. Flowers turning sunward in the late afternoon. These are the things land artists deal with in making art. These are the actualities that artists employ when they create artworks. ?

This new book explores all of the major land, environmental and earthwork artists of the past 40 years, including James Turrell and his vast volcano site Hans Haacke's Conceptual art Michael Heizer's Mid-West earthworks Robert Smithson and his giant spiral, entropic earthworks Christo's wrapped buildings and islands, Robert Morris's environments Walter de Maria's Romantic Lightning Field David Nash's stoves, stones, trees and North Wales environments Hamish Fulton's walks and words Dennis Oppenheim's concentric snow circles Richard Long and his art of walking Andy Goldsworthy's natural, spontaneous, eco-friendly sculptures Alice Aycock's mysterious underground mazes Mary Miss's sunken pools and pavilions Wolfgang Laib's delicate, luminous pollen spreads Nancy Holt and her observation sculptures and the enigmatic floor sculptures of Carl Andre.

Here are towers, stars, stones, pools, tunnels, pipes, maps, chasms, ladders, mounds, scars, mirrors, cones, furrows, mazes, circles, hills and gardens. ?

Featuring decorative, religious, and utilitarian objects from the Geometric period to the Hellenistic Age, this is the ideal introduction to Greek sculpture Introducing eight centuries of Greek sculpture, this latest addition to The Met's compelling and widely acclaimed How to Read series traces this artistic tradition from its early manifestations in the Geometric period (ca. 900-700 BCE) through the groundbreaking creativity of the Archaic and Classical periods to the dramatic achievements of the Hellenistic Age (323-31 BCE). The 40 works of art featured represent a broad range of objects and materials, both sacred and utilitarian, in metal, marble, gold, ivory, and terracotta. Sculptures of deities and architectural elements are joined by depictions of athletes, animals, and performers, as well as by funerary reliefs, perfume vases, and jewelry. The accompanying text both provides insight into Greek art as a whole and illuminates centuries of Greek life. Detailed commentaries on each work and an overview of major themes in Greek art offer a fascinating, object-focused introduction to one of the most influential cultures in Western civilization. Published by The Metropolitan Museum of Art/Distributed by Yale University Press

1930. From the Johns Hopkins University Studies in Archaeology No. 7 edited by David M. Robinson. No art was more popular in Greece than sculpture, and in none did the Greeks reveal their genius more completely and abidingly. In this volume Agard examines what characteristics have made its influence so potent. Contents: Greek Sculpture; The Sculpture of Rome; The Lingering Tradition; The Renaissance; Classicism and Neoclassicism; and The Modern Debt to Greek Sculpture.

1918. The volume is comprised of a series of photos of sculptures by Rodin, poet and philosopher, sublime genius, and master sculptor. Rodin is considered to be one of France's greatest artists. No other modern artist has been so controversial, yet had such extravagant epithets and honors, nor had such international impact. A substantial introduction is provided by Louis Weinberg.

The purpose of the present work is to study what is known of one of the most important genres of Greek sculpture - the monuments erected at Olympia and elsewhere in the Greek world in honor of victorious athletes at the Olympic games. Since only meager remnants of these monuments have survived, the work is in the main concerned with the attempt to reconstruct their various types and poses.Originally published by the Carnegie Institution of Washington in 1921.

Text in English and French. The aim of this book, by utilizing modern photography, is to illustrate the cathedral on a scale not before attempted. Although this collection is not exhaustive, the authors claim it is fairly representative. It deals mainly with the sculptures on the doorway, although there are views of the general architecture and a few subjects from the interior. Over 120 photographs, fully indexed.

A radical reassessment of the role of movement, emotion, and the viewing experience in Gothic sculpture Gothic cathedrals in northern Europe dazzle visitors with arrays of sculpted saints, angels, and noble patrons adorning their portals and interiors. In this highly original and erudite volume, Jacqueline E. Jung explores how medieval sculptors used a form of bodily poetics-involving facial expression, gesture, stance, and torsion-to create meanings beyond conventional iconography and to subtly manipulate spatial dynamics, forging connections between the sculptures and beholders. Filled with more than 500 images that capture the suppleness and dynamism of cathedral sculpture, often through multiple angles, Eloquent Bodies demonstrates how viewers confronted and, in turn, were addressed by sculptures at major cathedrals in France and Germany, from Chartres and Reims to Strasbourg, Bamberg, Magdeburg, and Naumburg. Shedding new light on the charismatic and kinetic qualities of Gothic sculpture, this book also illuminates the ways artistic ingenuity and technical skill converged to enliven sacred spaces.

These intimate, emotive sculptures have evolved from personal experience, even as they are infused with Colombian folk traditions. Zapata's light-hearted works reveal a darker side where folk and tribal art meet Christian iconography and merge spiritual and political realities. Painted with hand-mixed pigments, roughhewn and deceptively simple, Zapata's art is both celebratory and unflinching.

Although the Ptolemaic royal image has been the subject of many individual studies, there remains an imbalance in the extent of scholarly attention devoted to the different styles of imagery. The aims of the present publication are to assess the interaction between the Greek and Egyptian Ptolemaic royal representations (from about the third century B.C.), and to establish a relative chronological sequence for developments in the presentation of the royal family, where possible identifying individual rulers. The book's material is divided according to classification, and the various functions of the different types of royal image will also be considered. Includes a catalogue section detailing 70 pieces of sculpture from major museum collections and elsewhere.

Obwohl sich der Film als Gegenstand im Deutschunterricht etabliert hat, stellt sich die Frage nach Unterrichtskonzepten stetig neu. Dieser Sammelband thematisiert die permanente Veranderung der Inhalte, die im Kontext der Auspragung von Visual Literacy zu betrachten sind, und fragt nach den Potenzialen, die neue Medien und Formate durch ihre vielfaltigen Bild-Text-Bezuge bergen. Die Beitrage beantworten diese Fragen aus unterschiedlichen Perspektiven, von der Literaturdidaktik uber die Filmwissenschaft bis hin zur Medienpadagogik. Der Band legt den Fokus auf die Verknupfung von schulischer und ausserschulischer Medienarbeit und diskutiert Anknupfungsmoeglichkeiten fur den Deutschunterricht durch die ausserschulische Medienarbeit im Kino oder an weiteren ausserschulischen Lernorten sowie in anderen Fachern.

This volume brings together the work of leading scholars on two of the most important, yet puzzling, extant ensembles of Hellenistic Age sculpture: the Great Altar at Pergamon, with its Gigantomachy and scenes from the life of Telephos, and the Cave at Sperlonga in Italy, with its epic themes connected especially with the adventures of Odysseus. "From Pergamon to Sperlonga "has three aims: to update the scholarship on two important monuments of ancient art and architecture; to debate questions of iconography, authorship, and date; and to broaden the scope of discussion on these monuments beyond the boundaries of studies done in the past. In addition, the volume brings forward new ideas about how these two monuments are connected and discusses possible means by which stylistic influences were transmitted between them.

This book explains why Edge of the Trees is such a special place. It explains how this contemporary work of art came to be located on the site of the first Government House built in Sydney. It examines the impact of the work, its significance to the Aboriginal community, and its success as a work of art in a public place.

Showcasing more than thirty ancient bronzes from the exceptional holdings of the Shanghai Museum, this generously illustrated book offers a compelling overview of the beauty of Chinese bronzes and the fascinating traditions surrounding them. These important objects, many of which have never before appeared in an English-language publication, date from the 18th to the 1st century B.C.E. and span numerous dynasties. Highlights of the exhibition include an early thin-wall cast three-legged food vessel (ding) from the Erlitou period, a set of nine bells (bianzhong) from the early Spring and Autumn period, and a beast-shaped wine vessel (he) from the early Warring States period. An accessible essay serves as an introduction to these masterpieces, and sumptuous, newly commissioned photography makes this publication a standout addition to the literature on Asian bronze sculpture. Distributed for the Clark Art Institute Exhibition Schedule: The Clark Art Institute (07/04/14-09/21/14)

A fresh and engaging look at the controversial work of Jeff Koons, with insightful analyses and illustrations of all of his iconic pieces alongside preparatory works and historical photographs Examining the breadth and depth of thirty-five years of work by Jeff Koons (b. 1955), one of the most influential and controversial artists of the 20th century, this highly anticipated volume features all of his most famous pieces. In an engaging overview essay, Scott Rothkopf carefully examines the evolution of Koons' work and his development over the past thirty-five years, offering a fresh scholarly perspective on the artist's multi-faceted career. In addition, short essays by a wide range of interdisciplinary contributors-from academics to novelists-probe provocative topics such as celebrity and media, markets and money, and technology and fabrication. Also included are preparatory sketches and plans for sculptures and paintings as well as installation photographs that shed light on Koons' artistic process and trace the development of his work throughout his landmark career. Koons has risen to international fame making art that reimagines and recontextualizes images and objects from popular culture such as vacuum cleaners, basketballs, and balloon animals. Created with painstaking attention to detail by a team of fabricators, these objects raise questions about taste and popular culture, and position Koons as one of the most lauded and criticized artists working today. Distributed for the Whitney Museum of American Art Exhibition Schedule: Whitney Museum of American Art (06/27/14-10/19/14) Centre Pompidou (11/26/14-04/27/15) Guggenheim Museum, Bilbao (06/05/15-09/27/15)

The artist Heinrich Knopf (*1949) lives in Munich and at Lake Garda. Even in his youth he focused in the transformation of iron, one of the oldest materials used in art. His sculptures radiate lightness and movement and invite the viewer to a playful relationship with ever-changing angles. Heinrich Knopf gives the heaviness we initially associate with iron as a material an almost flowing dynamism. The forms of his works are abstracted and derived from the constant movement of water, which remains a source of fascination for him. Filigree and flooded with light -apparently hovering - his works evoke perspectives which perplex. In large-format illustrations and detail shots the publication provides an overview of his creative work and allows the viewer to study the works and their forms at leisure.

The first publication on the Yoruba master sculptor Moshood Olusomo Bamigboye Bamigboye: A Master Sculptor of the Yoruba Tradition is the first monograph dedicated to the 50-year career of the Nigerian artist Moshood Olusomo Bamigboye (ca. 1885-1975). One of the most important Yoruba sculptors of the twentieth century, Bamigboye is best known for the spectacular masks that he carved for religious festivals known locally as Epa. Weighing up to 80 pounds and measuring over 4 feet tall, with intricate superstructures that could feature dozens of finely carved individual figures, these masks represent some of the most complex and elaborate works of Yoruba art ever made. With 190 illustrations, this sumptuous volume presents masterpieces from Bamigboye's workshop now housed in collections in America, Europe, and Nigeria. Essays situate Bamigboye's work as part of Africa's oldest and most dynamic art traditions and consider his sculpture in relation to contemporary Yoruba art, culture, politics, and religion. With new and archival photographs and incorporating oral histories conducted with the artist's family and community, this catalogue fills a critical void in African art-historical scholarship. Distributed for the Yale University Art Gallery Exhibition Schedule: Yale University Art Gallery (September 9, 2022-January 8, 2023)

The first comprehensive account in English of Renaissance Spain's preeminent sculptor Alonso Berruguete (c. 1488-1561) revolutionized the arts of Renaissance Spain with a dramatic style of sculpture that reflected the decade or more he had spent in Italy while young. Trained as a painter, he traveled to Italy around 1506, where he interacted with Michelangelo and other leading artists. In 1518, he returned to Spain and was appointed court painter to the new king, Charles I. Eventually, he made his way to Valladolid, where he shifted his focus to sculpture, opening a large workshop that produced breathtaking multistory altarpieces (retablos) decorated with sculptures in painted wood. This handsomely illustrated catalogue is the first in English to treat Berruguete's art and career comprehensively. It follows his career from his beginnings in Castile to his final years in Toledo, where he produced his last great work, the marble tomb of Cardinal Juan de Tavera. Enriching the chronological narrative are discussions of important aspects of Berruguete's life and practice: his complicated relationship with social status and wealth; his activity as a draftsman and use of prints; how he worked with his many assistants to create his wood sculptures; and his legacy as an artist. Published in association with the National Gallery of Art, Washington Exhibition Schedule: National Gallery of Art, Washington (October 13, 2019-February 17, 2020) Meadows Museum, SMU, Dallas (March 29-July 26, 2020)

'The idea of one form inside another form may owe some of its incipient beginnings to my interest at one stage when I discovered armour. I spent many hours in the Wallace Collection, in London, looking at armour.' Henry Moore, 1980. Coinciding with the major exhibition of the same name, Henry Moore: The Helmet Heads traces the footsteps of the artist through the armouries of the Wallace Collection, where he encountered 'objects of power' that profoundly influenced his work for the rest of his career. Captivated by helmets in particular, Moore saw in them a fundamental form idea - an outer shell which could protect something vulnerable inside. Tobias Capwell identifies the specific helmets which inspired the artist and examines these alongside Moore's sculptures for the very first time. The reasons for his fascination with armour and the implications it had on his art, are explored by Hannah Higham and set in the context of Moore's life and work - one punctuated by global conflicts and artistic experiment. Richly illustrated, this catalogue reveals the origins of some of Henry Moore's most innovative works and examines in depth for the first time this largely unknown aspect of his career.