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Books > Arts & Architecture > Art forms, treatments & subjects > Sculpture & other three-dimensional art forms > Sculpture
1918. The volume is comprised of a series of photos of sculptures by Rodin, poet and philosopher, sublime genius, and master sculptor. Rodin is considered to be one of France's greatest artists. No other modern artist has been so controversial, yet had such extravagant epithets and honors, nor had such international impact. A substantial introduction is provided by Louis Weinberg.
Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
1931. From the Johns Hopkins University Studies in Archaeology No. 13 edited by David M. Robinson. This study is an attempt to gather into a single collection the sculptured portraits of Greek statesmen from the earliest stages of Greek history down to Roman times, to bring together the theories expressed before the publication of Bernoulli's standard work Griechische Ikonographie, as well as the numerous identifications proposed since that time; and finally to revise some of the prevailing theories in portraiture. The Contents are divided into the following Sections: Hellenic Statesmen; Alexander the Great; and Hellenistic Statesmen.
The authors present a guide book to the major sculpture of the Piccirilli brothers in New York City.
Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
More than any other book that I can think of, Bronze Inside and Out puts a human face on Western art - indeed, all art. It invites us to ponder the very nature of the creative process. From the foreword by Brian W. Dippie, University of Victoria Bronze Inside and Out is a literary biography of sculptor Bob Scriver, written by his wife, Mary Strachan Scriver. Bob Scriver is best known for his work in bronze and for his pivotal role in the rise of "cowboy art." Living and working on the Montana Blackfeet Reservation, Scriver created a bronze foundry, a museum, and a studio - an atelier based on classical methods, but with local Blackfeet artisans. His importance in the still-developing genre of "western art" cannot be overstated. Mary Strachan Scriver lived and worked with Boba Scriver for over a decade and was instrumental in his rise to international acclaim. Working alongside her husband, she became intimately familiar with the man, his work, and his process. Her frank, uncensored, and highly entertaining biography reveals details that give the reader a unique picture of Scriver both as man and as artist. Bronze Inside and Ou t also provides a fascinating look into the practice of bronze casting, cleverly structuring the story of Bob Scriver's life according to the steps in this complicated and temperamental process.
Shortly after the death in 161 of Antoninus Pius, his sons dedicated a column to him as a funerary monument. The form of the column in general and the reliefs on the pedestal in particular raise problems central to the understanding of Roman art. In this first thorough study, illustrated with nearly 100 photographs, Lise Vogel restores the column to its rightful place as one of the major monuments of Roman art. In addition, she re-evaluates the meaning of the column of Antoninus Pius in the context of the development of second century Roman imperial sculpture.
"With this new edition of Ice Carving Made Easy, Second Edition, Joe Amendola shares with all present and future ice carvers the resurgence of this historic art form. This book will guide and inspire thousands of chefs and artists to enjoy the artistic fulfillment, professionalism, and camaraderie of the exciting art of ice carving." —Larry Malchick, President, National Ice Carving Association "The information on the history, tools and accessories, different methods, types of ice blocks, and the safety and precautionary measures in ice carving will be of tremendous help to many young enthusiasts in their goal to become professional ice sculptors." —Hiroshi Noguchi, C.E.C., A.A.C., Executive Chef, Stouffer Orlando Resort Here is the first new American ice carving manual to be released in ten years! Written by a culinary master, Joe Amendola, it addresses current developments in the field of ice carving. It emphasizes American and European subjects and designs in an attempt to offset the exclusivity of oriental designs in available Japanese books. The organization of Ice Carving Made Easy, Second Edition allows for carvers of every proficiency to use the book with success—each stage of creating a carving is discussed, from manufacturing of ice to the final presentation. Such introductory topics as the handling of ice, hand and power tools, and templates are described in as much detail and given as much attention as the more complex sections about carving faces, fusing, and developing multiple block sculptures. Each of the 34 ice sculptures that Amendola presents is supported by step-by-step instructions that allow the novice and expert alike to create show-pieces that will add a special touch to banquets, buffets, and special events.
ANDY GOLDSWORTHY: TOUCHING NATURE DESCRIPTION A new and revised edition of our best-selling book on Andy Goldsworthy. A completely rewritten exploration of the sculptor, updated to include recent works such as Night Path (2002) and Chalk Stones (2003) in Sussex, Three Cairns (2002) on the American East and West coasts, Stone Houses (2004) and Garden of Stones (2003) in Gotham, Passage (2005) in London, and Slate Domes (2005) in Washington, DC. Known as a land, earth, nature or environmental artist, Andy Goldsworthy works with(in) nature. He uses natural materials in natural shapes and forms often set in natural contexts (but also in cities, towns, parks, sculpture parks, and many spaces created or adapted by people). FROM THE INTRODUCTION In the 1990s, Andy Goldsworthy s art began to rise in popularity: the glossy coffee table book Stone became a bestseller (bear in mind it was then priced at $55). In 1994 Goldsworthy took over some West End galleries with a large one-man show. In 1995 he was part of an intriguing group show at the British Museum (Time Machine), creating sculptures, along with Richard Deacon, Peter Randall-Page and others, in amongst the monumental statuary of the famous Egyptian Hall. Also in 1995, Goldsworthy designed a set of Royal Mail stamps (and again in 2003). Digne in France became an increasingly important Goldsworthy location, with shows in 1995, 1997 and 2000). Prestigious commissions occurred in the US from the mid-1990s onwards. For instance: the giant Wall at Storm King Art Center in 1998; the Three Cairns on the East and West Coasts and Iowa in 2001-02; the stone houses at the Metropolitan Museum in Gotham in 2004; the monument to the Holocaust (also in New York) in 2003; and the slate domes in Washington, DC in 2005. Goldsworthy continues to work in countries such as Japan, Australia, Holland, Canada, North America and France (with France and the US becoming primary centres of Goldsworthy activity), but his home ground of Dumfriesshire in Scotland remains (at) the heart of his work. AUTHOR BIOGRAPHY William Malpas has written books on Richard Long and land art, as well as three books on Andy Goldsworthy, including the forthcoming Andy Goldsworthy In America. Malpas s books on Richard Long and Andy Goldsworthy are the only full-length studies of these artists available.
Based Upon The Collections In The National Museum.
Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
Employing the same methodology she has used in her previous studies of Greek sculpture, Brunilde Sismondo Ridgway critically scrutinizes most of the best-known pieces of Greek sculpture to determine what can be securely considered to have been produced during 200-100 B.C. Arguing that characterizations of the second century have been overly influenced by the dramatic Pergamon Altar, Ridgway begins afresh, examining architectural sculpture, statuary in the round, funerary and votive reliefs, and the difficult cases of sculptures known only, or primarily, through later copies, or found on Italian soil but probably made by Greek masters. Her exploration ultimately reveals a tentative but plausible picture of the artistic trends of this fascinating period.
If you desire to have career in the culinary arts but cannot afford the cost of a major culinary school, my next book will tell how to further your career or begin your career by taking short courses to improve your skills and furnish direction to your goals. You have to learn to earn. To further help you to achieve your goals by attending and participating in culinary shows. Much is to be learned by attending seminars. Many have outstanding instructors and especially in cake decorating. My 3rd book will guide you toward more education in this way.
The Villa dei Papiri at Herculaneum-buried during the eruption of
Mt. Vesuvius in A.D. 79, then rediscovered in 1750-contained a
large collection of bronze and marble statuary and busts. Before
they were published or exhibited, the sculptures were restored so
as to appear whole: it is thus that they helped to shape early
modern tastes in classical sculpture.
Exhibited around the world yet rarely seen together, Steve Tobin s site-specific massive sculptures and select key smaller works and installations are chronicled within a comprehensive selection of 150 images. This comprehensive monograph draws parallels between themes from nature that underpin his body of work, from the interplay of chaos and order to that of growth and decay, establishing his art and practice firmly within the tradition of contemporary monumental art. Tracing the development of his nearly thirty-year practice and featured work is an original text by Phoebe Hoban, author of the best-selling biography Basquiat: A Quick Killing in Art. A foreword by art curator David Houston establishes Tobin within the tradition of contemporary monumental sculptors.
1910. Harvard Classics, Volume 31. Edited by Charles W. Eliot. An excellent translation of the honest, if self-aggrandized life of the epitomal sixteenth-century Renaissance man. It ranks among the greatest autobiographies ever written.
This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
THE ART OF ANDY GOLDSWORTHY This is the most comprehensive and detailed study of British artist Andy Goldsworthy, and is the only full-length exploration of Goldsworthy and his art available anywhere. Fully illustrated, with a revised text. Bibliography and notes. EXTRACT FROM THE CHAPTER ON GOLDSWORTHY S LEAFWORKS It is the leafworks that are the most colourful of Andy Goldsworthy s sculptures. What the leaf sculptures show is how beautiful the colours of nature are: Goldsworthy shows the viewer these subtle colours by contrasting one leaf with another. Maple patch grouped the red/ orange/ yellow of Japanese maple leaves together; Poppy leaves contrasted the red poppy leaves against the mid-green of an elderberry bush; a Stone Wood sculpture of 1992 consisted of poppy leaves wrapped around a hazel branch, the red constrasting vividly with the wet green leaves; Dock Leaves interwove red leaves in green grass stalks. Two sycamore leafworks of 1980 and 1981 are very simple: a leaf black from cow shit is placed against pale Autumn leaves; another leaf, bleached white, is set down on a bed of dark leaves. He pins together two colours of sycamore leaves (sycamore is a favourite Goldsworthy medium) in Sycamore leaf sections (1988), and hangs the line of leaves from a tree. Shot with the sun behind them, the photograph of the leaves shows them glowing green and gold, the two classic colours of poetry and alchemy. The Autumnal colours of course connote nostalgia, decadence, sensuality, Romanticism, time passing, the decay of the year, and so on, all those things John Keats wrote about in his Ode: To Autumn, and in a billion other poets art. Goldsworthy s aim in the leaf pieces, though, draws attention to the fragility and delicacy of leaves, as well as their strength and function. A leaf, after all, is a complex biological factory, so the natural scientists say. There is a whole world in a single leaf, remarked Goldsworthy. Goldsworthy s leafworks do not have a scientific agenda. Rather, they celebrate the presence of leaves, the being-in-the-world of leaves, so to speak. AUTHOR BIOGRAPHY William Malpas has written books on Richard Long and land art, as well as three books on Andy Goldsworthy, including the forthcoming Andy Goldsworthy In America. Malpas s books on Richard Long and Andy Goldsworthy are the only full-length studies of these artists available.
This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
1929. Written for the National Sculpture Society. Contents: Mrs. Patience Wright Speaks the Prologue; Our Blithe Beginning Days; Of Three Leaders, and of Moral Earnestness in Art: John Quincy Adams Ward, Augustus Saint-Gaudens; Daniel Chester French; Of Expositions and Collaborations; The Statue and the Bust and the Ideal Figure; Our Equestrian Statues; The Art of Relief, High and Low; Of Garden Sculpture and Ornament; Of Small Bronzes and Great Crafts; The National Sculpture Society; Influences, Going and Coming; and After Six Years.
1901. With introduction and interpretation by Hurll. The marbles reproduced and commented on in this volume include: Zeus Otricoli; Athena Giustiniana (Minerva Medica); Horsemen from the Parthenon Frieze; Bust of Hera (Juno); The Apoxyomenos; Apollo Belvedere; Demeter (Ceres); The Faun of Praxiteles; Sophocles; Ares; Olympian Hermes; The Discobolus (The Disk-Thrower); The Aphrodite of Melos (Venus of Milo); Orpheus and Eurydice; Nike (The Winged Victory); and Pericles. See other titles by this author available from Kessinger Publishing. |
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