CONSTANTIN BRANCUSI

Constantin Brancusi is one of the greatest of all sculptors, and a key sculptor of the modern era, with Auguste Rodin and Pablo Picasso. Brancusi's influence can be seen in a wide range of Western sculptors, including Donald Judd, Carl Andre, Henry Moore, Jean Arp, Barbara Hepworth, Minimalists and land artists.

This new book studies the religious and mythical dimensions of Constantin Brancusi's distinctive scultpural forms, the 'eggs', 'fishes', 'heads' and 'columns'. His central quest was for the 'essence of things', which resulted in purifying a form until only the essence was left.

It was Constantin Brancusi's project to strip away the detritus that had accumulated around sculpture, Henry Moore said, and to offer the pure, simple shape. What Brancusi did was 'to concentrate on very simple shapes, to keep his sculpture, as it were, one-cylindered, to refine and polish a single shape to a degree almost too precious.'

As well as being a sculptor, Constantin Brancusi was also an accomplished photographer. Quite a few artists (not all of them sculptors) have expressed for Brancusi's photographs, and the way he would set up his sculptures inhis studio and photograph them at particular times of the day, when the lightingwas just right. They are early examples of installation art (and some of the best, too). Andy Goldsworthy said he admired how Brancusi created the right conditions in his studio so that his work 'comes alive at a particular time of the day as the light momentarily touches it'. For Goldsworthy, Brancusi's works were at their best when they were arranged by the sculptor in his studio and photographed. Somehow, it wasn't quite the same when they were displayed in modern art museums (such as the Pompidou Centre in Paris or the Museum of Modern Art in Gotham, which have important Brancusi pieces).

Fully illustrated, including many photos of Brancusi's studio in Paris, and the art of his contemporaries.

These amazing sculptures and the great humanitarians they represent were created to bring awareness to the lives and works of these individuals who have made our world a better one. Included is some of the sculptor's story-the unexpected journey in creating these works by choosing to follow her heart's passion. The collection is now on display at Southern Oregon University's Hannon Library in Ashland Oregon.

ANDY GOLDSWORTHY IN AMERICA

This study looks at the contemporary British artist, Andy Goldsworthy, and his work in the United States of America. Goldsworthy's presence in America grew steadily with a series of exhibitions beginning in the late Nineties with the Storm King Wall and show. This was followed by: Cornell University in 2000; the Three Cairns show and installations in 2002-03; Austin Museum in 2003; the Garden of Stone and Stone Houses in New York City in 2003-04; and Roof in Washington in 2005.

There are a number of essential sites to visit for Andy Goldsworthy's art in America: (1) the slate mounds in Washington's National Gallery of Art; (2) Garden of Stones in New York's Museum of Jewish Heritage; (3) the cracked stones at the de Young Museum in San Francisco; (4) the Storm King Wall in New York; and (5) Three Cairns in Des Moines, Iowa.

Fully illustrated, including images of the American landscape, and Goldsworthy's contemporaries.

Includes photographs taken by the author of Andy Goldsworthy's works in America, including in Washington, DC, San Francisco, New York State and Iowa.

Bibliography and notes.

WILLIAM MALPAS has written books on Richard Long and land art, as well as three books on Andy Goldsworthy, including the forthcoming Andy Goldsworthy In America. Malpas's books on Richard Long and Andy Goldsworthy are the only full-length studies of these artists available. EXTRACT

Andy Goldsworthy works with the natural world, and within nature. He uses natural materials in natural shapes and forms set in natural contexts. Goldsworthy takes his cue from nature: as Jan Dibbets put it in 1969: 'I realized that if you want to use nature, you have to derive the appropriate structure from nature too'. Nature may be the starting-point but, as we'll see, the end-point - art - is entirely cultural and not something you'll ever find in the natural world.

Andy Goldsworthy seems to be a particularly gentle and sensitive artist, compared to many sculptors and land artists: he stitches together leaves to form lines (which're often placed in water, or over branches), or makes circular slabs of snow, or entwines twigs in an arc. He creates a delicate spiral of chestnut leaves, called Autumn Horn (1986); he pins bright yellow dandelions on willowherb stalks in a circle, on bluebells (1987); he makes lines and cairns of pebbles; a horizontal line of red sumach leaves was pinned to a willow (at Storm King in 1998); he rubs red stones to stain rockpools; he pins leaves to tree trunks; he fashions a zigzag line of hogweed stalks along a fallen elm tree (2002); he makes hollow, circular structures, recalling igloos, from slate, leaves, driftwood and bracken; he creates long wavy ridges in Arizonan and Australian desert sand; he throws sand and sticks in the air and photographs the moment.

A novel exploration of the threads of continuity, rivalry, and self-conscious borrowing that connect the Baroque innovator with his Renaissance paragon Gianlorenzo Bernini (1598-1680), like all ambitious artists, imitated eminent predecessors. What set him apart was his lifelong and multifaceted focus on Michelangelo Buonarroti-the master of the previous age. Bernini's Michelangelo is the first comprehensive examination of Bernini's persistent and wide-ranging imitation of Michelangelo's canon (his art and its rules). Prevailing accounts submit that Michelangelo's pervasive, yet controversial, example was overcome during Bernini's time, when it was rejected as an advantageous model for enterprising artists. Carolina Mangone reconsiders this view, demonstrating how the Baroque innovator formulated his work by emulating his divisive Renaissance forebear's oeuvre. Such imitation earned him the moniker "Michelangelo of his age." Investigating Bernini's "imitatio Buonarroti" in its extraordinary scope and variety, this book identifies principles that pervade his production over seven decades in papal Rome. Close analysis of religious sculptures, tomb monuments, architectural ornament, and the design of New Saint Peter's reveals how Bernini approached Michelangelo's art as a surprisingly flexible repertory of precepts and forms that he reconciled-here with daring license, there with creative restraint-to the aesthetic, sacred, and theoretical imperatives of his own era. Situating Bernini's imitation in dialogue with that by other artists as well as with contemporaneous writings on Michelangelo's art, Mangone repositions the Renaissance master in the artistic concerns of the Baroque from peripheral to pivotal. Without Michelangelo, there was no Bernini.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Written in 1912, "Venus" is sculptor Auguste Rodinas passionate ode to one of artas great masterpieces, the Venus de Milo, now in the Louvre Museum in Paris. This new, expanded edition of Rodin's unique text, also includes "The Dance of Shiva," Rodin's loose, written impressions of a bronze statue of the Hindu god Shiva.

This is Dorothy Dudley's original, authorized English translation of "Venus" from 1912. "The Dance of Shiva" was newly translated by Tina A. Kover in 2009.

This catalogue is devoted to the Korean artists Park Suk Won, Park Jang-Nyun, and Song Burnsoo for their lifelong commitment to the establishment of contemporary Korean art. In the 1970s and 1980s, Park Suk Won presented his wood sculptures, through which he pursued his artistic practice of accumulation. In large-format paintings Park Jang-Nyun dealt with the depiction of hyperrealistic forms made of hemp fabric. Song Burnsoo is represented by a large tapestry made in the early 1990s and his later paintings in which his exploration of religious symbols is articulated. This richly illustrated publication offers insight into the oeuvres of three important contemporary Korean artists.

The "Body Casting Manual" is a complete and easy to follow life casting instruction manual explaining in details how to make a realistic, life size and very elegant plaster sculpture of someone's torso (or any other body part.) A rewarding project The manual focuses on a simple yet wonderfully rewarding project taking you through all the necessary steps to make a casting of a female torso. We have selected affordable and easy to source products and illustrated a method that is both proven and easy to implement, ensuring that you complete your sculpture to satisfaction with a minimum of fuss. The resulting sculpture will be an amazingly faithful reproduction of someone's body, a durable and elegant memento. The manual also explains some other methods and techniques to cast other body parts such as hands, face, hair, pregnant belly, clothing and how to use some other casting materials. What does the manual cover? Overview of the process. What tools and materials to buy, how much to buy and where to buy it from. Step by step directions. Finishing, hanging. Safety tips Troubleshooting. Pictures and illustrations. Other projects (hands, face, pregnant belly etc...). Using other materials than plaster. Measurements are expressed in both metric and US customary units. Most importantly, the manual tells you exactly where to buy some of the special materials needed, saving you much time and effort and includes a comprehensive list of supplies stores (USA, Canada, UK, Australia, NZ, South Africa, France and more...) Support. An online discussion board allows readers to ask technical questions and point of clarification and to share and contribute their own experience with others. An online video clip illustrating the entire step by step body casting procedure is recommended viewing.

This is a comprehensive and superbly illustrated account of the Getty Museum's research into outdoor sculpture conservation. When the J. Paul Getty Museum received twenty-eight sculptures created by a who's who of twentieth-century artists, it took on the responsibility for their preservation, interpretation, and long-term stewardship. Donated from the private collection of the late film producer Ray Stark and his wife, Fran, the sculptures thrust the Getty into the evolving field of outdoor sculpture conservation. To honour its responsibility, the Museum embarked on new research into the collection's materials - bronze, lead, ceramic, and painted metal - and construction techniques. This book presents the conservators' comprehensive account of the process. Chapters are organized around phases of the project rather than individual sculptures and address key issues facing anyone charged with caring for works of art displayed outdoors, including: organization and planning; installation and grounds management; scientific analyses; collaborating with artists; structural issues; mounts, paint, coatings, and patinas; and, long-term maintenance.

If you've always wanted to create life-like animal sculptures, but you think it's "too hard" or "too expensive," you're in for a very pleasant surprise.

This book contains step-by-step instructions and over 250 photos to guide you through the enjoyable process of making your first animal sculptures with the all-new paper mache clay recipe. Make your clay in just 5 minutes, using inexpensive ingredients. There's no tedious layers of torn paper and paste, and no mess.

Plus, the patterns included in each chapter help make your sculptures perfectly proportioned from the very start.

Creating life-like animal sculptures has never been so easy, or so much fun!

First published in 2009, this lively art book will be re-released in 2015 alongside a new edition of the biography - as the art and life of Len Lye continue to fascinate readers in New Zealand and around the world. ""Kinetic art is the first new category of art since prehistory"", ex-pat New Zealand artist Len Lye boldly claimed in an essay in 1964. In Art that Moves: The Work of Len Lye, Roger Horrocks - author of a best-selling biography of Lye - explores what Lye meant by this, and how his own work in sculpture and film bore it out. ""My book is about an important artist and a big idea, Len Lye's idea that movement could become the basis for new forms of art. . . He believed that only a few of the possibilities of movement had so far been tapped. This book aims to explore what the world of art - and the world in general - may have looked like through the eyes of an artist whose passionate interest was 'the mystery of motion."" - Roger Horrocks. The well-illustrated book also includes a DVD containing a short documentary by Shirley and Roger Horrocks alongside brilliant footage from Lye's films and of his sculptures in motion. In this book Len Lye's art moves again - alert and alive.

Max Loehr (1903-1988), the most distinguished historian of Chinese art of his generation, is celebrated above all for a 1953 art historical study of Chinese bronzes that effectively predicted discoveries Chinese archaeologists were about to make. Those discoveries in turn overthrew the theories of Loehr's great rival Bernhard Karlgren (1889-1978), a Swedish sinologue whose apparently scientific use of classification and statistics had long dominated Western studies of the bronzes. Revisiting a controversy that was ended by archaeology before the issues at stake were fully understood, Robert Bagley shows its methodological implications to be profound. Starting with a close reading of the work of Karlgren, he uses an analogy with biological taxonomy to clarify questions of method and to distinguish between science and the appearance of science. Then, turning to Loehr, he provides the rationale for an art history that is concerned above all with constructing a meaningful history of creative events, one that sees the intentionality of designers and patrons as the driving force behind stylistic change. In a concluding chapter he analyzes the concept of style, arguing that many classic confusions in art historical theorizing arise from a failure to recognize that style is not a property of objects. Addressed not just to ancient China specialists or historians of Chinese art, this book uses Loehr's work on bronzes as a case study for exploring central issues of art history. It will be of interest to anyone concerned with the analysis of visual materials.

A comprehensive look at Louise Nevelson's career as a pioneering sculptor Louise Nevelson (1900-1988) was a towering figure in postwar American art, exerting great influence with her monumental installations, innovative sculptures made of found objects, and celebrated public artworks. The Sculpture of Louise Nevelson focuses on all phases of the artist's remarkable ascent to the top of the art world, from her groundbreaking works of the 1940s to complex pieces completed in the late 1980s. The most extensive study of Nevelson to be published in over 20 years, this beautifully illustrated book also demonstrates how Nevelson's flamboyant style and carefully cultivated persona enhanced her reputation as an artist of the first rank. Essays by distinguished scholars examine a wide variety of important issues and themes throughout Nevelson's career, including the role of monochromatic color in her painted wooden sculpture; the art-historical context of her work; her acclaimed large-scale commissioned artworks, which established her as a central figure in the public art revival of the late 1960s; and her "self-fashioning" as a celebrated artist, particularly her origins as a Ukrainian-born Jewish immigrant to the United States. An illustrated chronology and exhibition history accompany the text. Published in conjunction with the first major exhibition of Nevelson's work in America since 1980, this book provides essential information on and insights into the study of a revolutionary 20th-century artist.

ALISON WILDING

Alison Wilding is one of the best sculptors around. She deserves a much wider recognition that she receives at present. Wilding was born in Blackburn, Lancashire, in 1948. She went through the typical British art school education Ravensbourne College of Art (1967-70) and the Royal College of Art (1970-73). Her one-woman shows have included Kelttles Yard Gallery, Cambridge (1982), the Serpentine Gallery, London (1985), Hirschl & Adler, New York (1989), Bare at Newlyn Art Gallery (1993), and a major show (Immersion and Exposure) at both the Tate Gallery, Liverpool and the Henry Moore Trust studio in Halifax (1991). She has shown new work most years since the early 1980s at her galleries.

Theres something in Alison Wildings sculpture which fascinates art lovers. Its difficult to say exactly what this quality of Wildings sculpture is. Something magical, perhaps, or mysterious, or erotic. These are the sorts of terms art critics employ when they are at a loss for words. Artists such as Mark Rothko famously get this treatment (Rothkos canvases are called transcendent, sublime, spiritual). John McEwen writes of Alison Wilding:

She is pleased when her work conveys a sense of the magical, and certainly it has a powerful sense of mystery. Mysteriousness does not lend itself to description, analysis or explanation; as she herself put it to me in conversation, her pieces do not demand to be talked about. That suggests that they do not demand to be written about either, I said. They dont mind, she said.

Penelope Curtis writes of Wilding: Even the smallest of her often small sculptures has tremendous and commanding presence; there is a sense of levitation in her works.

Fully illustrated with many examples of Wildings work, and that of her contemporaries.

The Million Dollar Machine (MDM) is a life skills enrichment program for all children in Grades K-6. This award-winning teaching system enables educators, mentors and parents to give their children the knowledge and motivation they need to achieve their personal best in life. With this easy-to-use lesson collection, children will immediately begin benefiting from these classroom-proven activities that shape a wide variety of essential personal, social, cognitive and environmental skills. MDM's health and decision-making skills also protect children from drug use and other risky behaviors; a key benefit that earned this program a Presidential Award at the White House. This new edition includes the entire nationally tested lesson collection, validated by 5 scientific studies, with more than 600 integrated activities and discussion topics, 80 interactive parent/child worksheets, vocabulary and complete use guidelines. Teachers, mentors and parents praise the age-appropriate MDM lessons because they are effective, economical and easy to use in the classroom and at home. Children love MDM because it makes learning fun!

1918. The volume is comprised of a series of photos of sculptures by Rodin, poet and philosopher, sublime genius, and master sculptor. Rodin is considered to be one of France's greatest artists. No other modern artist has been so controversial, yet had such extravagant epithets and honors, nor had such international impact. A substantial introduction is provided by Louis Weinberg.

1931. From the Johns Hopkins University Studies in Archaeology No. 13 edited by David M. Robinson. This study is an attempt to gather into a single collection the sculptured portraits of Greek statesmen from the earliest stages of Greek history down to Roman times, to bring together the theories expressed before the publication of Bernoulli's standard work Griechische Ikonographie, as well as the numerous identifications proposed since that time; and finally to revise some of the prevailing theories in portraiture. The Contents are divided into the following Sections: Hellenic Statesmen; Alexander the Great; and Hellenistic Statesmen.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Probably most comprehensive book on creating almost anything using a combination of metal or plastic mesh and concrete, commonly known as Ferrocement process. The reader/user will spend a modicum of money to become a proficient amature sculptor.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.