This book will be of interest to Lincoln scholars, and artists engaged in creating sculpture using waste molds for the lost wax method, marble sculpting, and bas relief sculpture. Many photos and illustrations showing each step of processes. Avard T. Fairbanks created nearly 100 public monuments and many other fine masterpieces of art during his career as a professional sculptor spanning more than 75 years. Among these, a significant number were of Abraham Lincoln for locations throughout the United States. This collection is intended to promote the ideals that Abraham Lincoln personified. Included are many illustrations showing how a monumental sculpture is created.

This Is A New Release Of The Original 1918 Edition.

Le Corbusier and Sardinian-born sculptor Costatino Nivola met in 1946 in New York. The Franco-Swiss architect had been living there in exile since 1939 and was working with a team around Oscar Niemeyer on the project for the United Nations headquarters. Their meeting marked the beginning of a life-long friendship between the two, with Le Corbusier sharing Nivola's Greenwich Village studio while working on the United Nations project and, in 1950, creating two murals in the kitchen of Nivola s East Hampton home. The artist put together a collection of some 300 drawings, six paintings, and six sculptures by his architect friend which today are held in various places across Europe and America. This book tells the story of the collection and explores its significance, thus contributing to the understanding of the evolution of Le Corbusier's visual art and its impact on the reception of his work in America. Text in Italian.

Dale Rogers' sculptures are presented in a wealth of beautiful photos - covering his entire output to date. Includes a biography as well as a listing of his public installations.

In the hauntingly beautiful sculptures of Tilmann Riemenschneider, the Late Gothic art of Germany achieved its highest expression. Now, for the first time in English, the eminent art historian Justus Bier accords Riemenschneider the extended attention he so richly deserves. Riemenschneider ( ca. 1460--1531) holds a pivotal place in the development of German art. Rejecting the anonymous soulfulness of earlier Gothic sculpture, he created a style reflecting the deeply spiritual character of his time, yet one that also anticipated the humanism of the Italian Renaissance so soon to revolutionize European art. Bier crowns a lifelong study with this reconsideration of Reimenschneider's life and work, with emphasis on works in North American museums. More than 140 photographs illustrate 46 of the artist's major sculptures.

The Erotic Object: Sexuality in Sculpture From Prehistory to the Present

The power and eroticism of sculpture, form, volume and space are sensitively explored in this wide-ranging study, which takes in the history of sculpture from prehistoric times to contemporary art.

Featuring discussions of many famous sculptors, including: Michelangelo Buonarroti, Antonio Canova, Auguste Rodin, Eric Gill, Andy Goldsworthy, Jasper Johns, Constantin Brancusi, Pablo Picasso, Barbara Hepworth and Gianlorenzo Bernini.

Many contemporary artists are studied too, including installation and performance artists (Catherine Elwes, Karen Finley, Ana Mendieta, Carolee Schneemann), and women sculptors such as Alice Aycock, Mary Miss, Rebecca Horn, Nancy Graves, Eva Hesse, Kathe Kollwitz and Judy Chicago.

Regardless of what sculpture depicts, it can be seen as erotic. The surfaces, materials and forms are sensuous: wood, stone, marble, granite, clay, bronze. Touching is pleasure. It is a pleasure that is, perhaps, pre-institutional, pre-industrial and pre-political.

Touching cuts through socialand cultural constructs, such asart, ideology, education and war, and goes back to aprimeval form of being. At same time, touching is a sense of the both personal and societal. John Keats said, 'touch hasa memory'. Sculpture activates this fundamental relation with things. Sculpture renews contact with the simple but utterly crucial experiences such as touch, sight, and smell.

Fully illustrated, with many rare and fascinating illustrations, including prints, paintings and buildings as well as sculptures and statues.

This book has been revised and updated. ISBN 9781861714084. 296 pages. www.crmoon.com

Sculptomania describes how Rudy Ernst became a painter, how his humanoid figures begun to jump out of the canvas to become self contained, and how he became a passionate sculptor over the course of the past twenty-five years. It also shows and talks in detail about his recent Space Sculptures and his Humanoids: the Femalions and the Lilliputs.

Architectural sculpture, virtually abandoned for five hundred years following the demise of the Roman Empire, was revivified on the portals of Romanesque churches in eleventh and twelfth-century France and Spain. Long overdue is a reappraisal of those images whose aesthetic of rendering the invisible visible establish them as valuable witnesses to the culture of Europe in the Middle Ages. Countless losses, mutilation through wilful destruction, centuries of accumulated grime, and a dearth of studies in English have impeded the deserved realization and appreciation of these magnificent works of art. Through illustration and illuminative interpretation, Romanesque Sculpture An Ecstatic Art fills the void by tracing the beginnings, maturation, and efflorescence of monumental sculptured facades in the short-lived Romanesque era. Depictions on them are mirrors of the age: sophisticated theological messages, monastic life, the cult of relics, pilgrimages, crusades and politics. The survey considers too the sculptors, mostly anonymous, who in adapting models from several media - both antique and current - created a unique visual vocabulary. The beauty of the sculptures comes to the fore. The stones live

ANDY GOLDSWORTHY: TOUCHING NATURE

A new and revised edition of our best-selling book on Andy Goldsworthy. A completely rewritten exploration of the sculptor, updated to include recent works such as Night Path (2002) and Chalk Stones (2003) in Sussex, Three Cairns (2002) on the American East and West coasts, Stone Houses (2004) and Garden of Stones (2003) in Gotham, Passage (2005) in London, and Slate Domes (2005) in Washington, DC.

Known as a 'land', 'earth', 'nature' or 'environmental' artist, Andy Goldsworthy works with(in) nature. He uses natural materials in natural shapes and forms often set in natural contexts (but also in cities, towns, parks, sculpture parks, and many spaces created or adapted by people). FROM THE INTRODUCTION

In the 1990s, Andy Goldsworthy's art began to rise in popularity: the glossy coffee table book Stone became a bestseller (bear in mind it was then priced at $55). In 1994 Goldsworthy took over some West End galleries with a large one-man show. In 1995 he was part of an intriguing group show at the British Museum (Time Machine), creating sculptures, along with Richard Deacon, Peter Randall-Page and others, in amongst the monumental statuary of the famous Egyptian Hall. Also in 1995, Goldsworthy designed a set of Royal Mail stamps (and again in 2003). Digne in France became an increasingly important Goldsworthy location, with shows in 1995, 1997 and 2000). Prestigious commissions occurred in the US from the mid-1990s onwards. For instance: the giant Wall at Storm King Art Center in 1998; the Three Cairns on the East and West Coasts and Iowa in 2001-02; the 'stone houses' at the Metropolitan Museum in Gotham in 2004; the monument to the Holocaust (also in New York) in 2003; and the slate domes in Washington, DC in 2005. Goldsworthy continues to work in countries such as Japan, Australia, Holland, Canada, North America and France (with France and the US becoming primary centres of Goldsworthy activity), but his home ground of Dumfriesshire in Scotland remains (at) the heart of his work.

AUTHOR BIOGRAPHY

William Malpas has written books on Richard Long and land art, as well as three books on Andy Goldsworthy, including the forthcoming Andy Goldsworthy In America. Malpas's books on Richard Long and Andy Goldsworthy are the only full-length studies of these artists available.

Fully illustrated, with a revised text. Bibliography and notes. 312pp. ISBN 9781861714122. www.crmoon.com

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Presentation of the wood sculpture exhibition HUMAN FOREST of Flora Goldberg.