With an Introduction by Tim Cook. Shakespeare's sonnets have an intensity of both feeling and meaning unmatched in English sonnet form. They divide into two parts; the first 126 sonnets are addressed to a fair youth for whom the poet has an obsessive love and the second chronicles his love for the notorious 'Dark Lady'. In addition to the sonnets, this volume includes Shakespeare's two lengthy narrative poems on classical themes, The Rape of Lucrece which looks forward to the dark imagery of Macbeth, and Venus and Adonis which mixes ribaldry and tragedy in unique Shakespearean manner. The Phoenix and the Turtle is a beautiful metaphysical and allegorical short elegy, and takes its place with Shakespeare's better-known poetry.

The One-Hour Shakespeare series is a collection of abridged versions of Shakespeare's plays, designed specifically to accommodate both small and large casts. This volume, The Tragicomedies, includes the following plays: All's Well That Ends Well Measure for Measure The Merchant of Venice. These accessible and versatile scripts are supported by: an introduction with emphasis on the evolution of the series and the creative process of editing; the One-Hour projects in performance, a chapter on implementing money-saving ideas and suggestions for production whether in or outside a classroom setting; specific lesson plans to incorporate these projects successfully into an academic course; and cross-gender casting suggestions. These supplementary materials make the plays valuable not only for actors, directors and professors, but for any environment, cast or purpose. Ideal for both academics and professionals, One-Hour Shakespeare is the perfect companion to teaching and staging the most universally read and performed playwright in history.

The One-Hour Shakespeare series is a collection of abridged versions of Shakespeare's plays, designed specifically to accommodate both small and large casts. This volume, The Tragedies, includes the following plays: Hamlet Julius Caesar Macbeth Othello Romeo and Juliet These accessible and versatile scripts are supported by: an introduction with emphasis on the evolution of the series and the creative process of editing; the One-Hour projects in performance, a chapter on implementing money-saving ideas and suggestions for production, whether in or outside a classroom setting; specific lesson plans to incorporate these projects successfully into an academic course; and cross-gender casting suggestions. These supplementary materials make the plays valuable not only for actors, directors and professors, but for any environment, cast or purpose. Ideal for both academics and professionals, One-Hour Shakespeare is the perfect companion to teaching and staging the most universally read and performed playwright in history.

The One-Hour Shakespeare series is a collection of abridged versions of Shakespeare's plays, designed specifically to accommodate both small and large casts. This volume, The Early Comedies and Romances, includes the following plays: A Midsummer Night's Dream Two Gentlemen of Verona The Tempest The Winter's Tale. These accessible and versatile scripts are supported by: an introduction with emphasis on the evolution of the series and the creative process of editing; the One-Hour projects in performance, a chapter on implementing money-saving ideas and suggestions for production whether in or outside a classroom setting; specific lesson plans to incorporate these projects successfully into an academic course; and cross-gender casting suggestions. These supplementary materials make the plays valuable not only for actors, directors and professors, but for any environment, cast or purpose. Ideal for both academics and professionals, One-Hour Shakespeare is the perfect companion to teaching and staging the most universally read and performed playwright in history.

The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Shakespearean Originals Series takes as its point of departure the question: "What is it that we read Shakespeare?" The answer may seem self-evident: we read the words that Shakespeare wrote. But do we? In the case of all the major editions of Shakespeare available in the market, the fact of the matter is that many of the words that we read in an edition of, say, Hamlet, never appeared in the text as it was printed during or shortly after Shakespeare's own lifetime. They are the interpetations and interpolations of a series of editors who have been systematically changing Shakespeare's text from the eighteenth century onwards. This volume offers the text of Measure for Measure, as printed in the 1623 First Folio.

The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers * a new, modern-spelling text, collated and edited from all existing printings * on-page commentary and notes explain meaning, staging, allusions, and much else * detailed introduction considers composition, sources, performances, and changing critical attitudes to the play * illustrated with production photographs and related art * full index to introduction and commentary * durable sewn binding for lasting use not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth- century scholarship. Times Literary Supplement ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The acclaimed Pelican Shakespeare series, now in a dazzling new series design The Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare's time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With stunning new covers designed by Manuja Waldia, definitive texts, and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. This edition of Much Ado About Nothing is edited with an introduction by Peter Holland. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of William Shakespeare's works. The textual editing takes account of recent scholarship while giving the material a careful reappraisal. The Merchant of Venice is one of Shakespeare's most popular comedies, but it remains deeply controversial. The text may seem anti-Semitic; yet repeatedly, in performance, it has revealed a contrasting nature. Shylock, though vanquished in the law-court, often triumphs in the theatre. In his intensity he can dominate the play, challenging abrasively its romantic and lyrical affirmations. What results is a bitter-sweet drama. Though The Merchant of Venice offers some of the traditional pleasures of romantic comedy, it also exposes the operations of prejudice. Thus Shakespeare remains our contemporary.

New ideas for teaching contemporary social justice through Shakespeare and Renaissance literature Describes innovative and portable teaching methods informed by recent scholarship in early modern literature, cultural studies, and critical pedagogy Offers strategies for effective teaching and advocacy amidst the growing cultural and economic complexities of higher education Demonstrates the relevance of historical literary study to contemporary cultural conversations, especially those about social justice Historicizes the malicious "whitening" of Shakespeare and European culture, recognizing instead multiple, multicultural, accessible Shakespeares Presents Shakespeare's plays as a common corpus of great value to democratic conversations in widely divergent contexts Gives educators language for promoting the virtue of humanistic inquiry and when higher education is on the defensive This book is for teachers who want to heighten the intellectual impact of their courses by using their classrooms as a creative space for social formation and action. Its twenty-one chapters provide diverse perspectives on Shakespeare and early modern literature that engage innovation, collaboration, and forward-looking practices. They model ways of mobilizing justice with early modern texts and claim the intellectual benefits of integrating social justice into courses. The book reconceives the relationship between students and Renaissance literature in ways that enable them - and us - to move from classroom discussions to real-life applications.

One of a series on Shakespeare's original texts, including facsimile pages, this version of "Henry V" is claimed to be, in some ways, the most authentic version of the play that we have. Included are an introduction, notes, and a theoretical, historical and contextual critique. The original text - or First Quarto - of "Henry V", published in 1600, is missing the Chorus, a dramatic device which recent criticism has used to suggest a strikingly modern view of history and politics. These and other significant changes mean that critics can no longer assume that the play presents a distanced, ironic perspective on its own political and military action. If Elizabethan audiences saw in performance something closer to the First Folio than the 1623 Folio text, then their dramatic engagement with history was of a kind very different from that of the play's 20th-century interpreters. This new edition makes available the original text of "Henry V", in all its theatrical simplicity and historical difference.

For fans of the Bard is a deluxe box set of our three classic Shakespeare mini books: William Shakespeare: The Complete Plays in One Sitting, Shakespeare: The Bard's Guide to Abuses and Affronts, and Love Sonnets of Shakespeare. With this collection, readers will have access to comprehensive summaries of each of Shakespeare's 36 famous plays, the most eloquent of Shakespeare's insults, and love sonnets to woo the most sought-after lover. The publication of this box set coincides with the BBC's Shakespeare Project 2016, which celebrates the 400th anniversary of Shakespeare's death.

Published in 1594, under the title The Taming of a Shrew, this play has always been regarded as an earlier version by another dramatist, or as a corrupt memorial reconstruction of Shakespeare's The Taming of the Shrew. Yet the version accepted as Shakespeare's was not published until the First Folio of 1623.

"Shakespeare for Every Day of the Year is not just for Christmas, but for all time." -Helena Bonham Carter A magnificent collection of 365 passages from Shakespeare's works, for the Shakespeare scholar and neophyte alike. Make Shakespeare a part of your daily routine with Shakespeare for Every Day of the Year, a yearlong collection of passages from Shakespeare's greatest works. Drawing from the full spectrum of plays and sonnets to mark each day of the year, whether it's a scene from Hamlet to celebrate Christmas or a Sonnet in June to help you enjoy a summer's day. There are also passages to mark important days in the Shakespeare calendar, both from his own life and from his plays: You'll read a pivotal speech from Julius Caesar on the Ides of March and celebrate Valentine's day with a sonnet. Every passage is accompanied by an enlightening note to teach you its significance and help you better appreciate the timelessness and poetry of Shakespeare's words. Shakespeare for Every Day of the Year will give you a thoughtful way reflect on each day, all while giving you a deeper appreciation for the most famous writer in the English language.

This is the site licence edition. An easy-to-use, flexible and engaging teaching resource for secondary students of mixed abilities studying "Macbeth". An exciting interactive experience to work in classrooms alongside Classical Comics award-winning differentiated graphic novels to show students and the most reluctant readers that studying Shakespeare doesn't have to be "boring". Designed to be used in a multitude of ways to fit in with many different teaching styles and to promote literacy in a differing caliber of pupils in the same classroom, Macbeth Interactive Motion Comic offers a choice of three language options: Original Text (original Shakespeare with context notes), Plain Text (plain modern English) or Quick Text (reduced dialogue) - all using the same animated artwork giving you a classroom of pupils, of whatever ability, effectively reading from the 'same' page. There is also an option to view "No Text" (empty speech balloons for pupils to fill in the dialogue!). Teachers retain full control over playback of the motion comic choosing to use it on their whiteboard or computer, or it can be used simultaneously by any number of computers that are connected to the school network. (It can even be remotely accessed on an extended network so pupils can access it from home). Interacting with the motion comic is really versatile. Choose to: watch the whole "movie" (even switching between text versions as you go if desired) pause to hover over highlighted words to receive helpful context notes jump back to the dramatis personae for a reminder of the characters list select to watch just certain scenes choose panel by panel navigation (then select at what point in the panel you'd like to play the animation - fast forward, rewind, pause, resume, return to start of the panel or skip to the end) watch the animation on split screen watch with or without sound Macbeth Interactive Motion Comic has everything: animation of the graphic novel artwork, full audio, sound effects, and if that wasn't enough, the audio is voiced by leading professional actors, including the voice talents of Juliet Stevenson as Lady Macbeth, and for the lead role in Original Text, Sir Derek Jacobi. Macbeth Interactive Motion Comic can be used with or without the corresponding Classical Comics printed graphic novels, as the Act/Line/Scene references throughout the animation link back to any traditional Macbeth script. All three versions of the animated Classical Comics graphic novels in one application Full audio soundtrack Context notes accompany the Original Text version Links to the Classical Comics graphic novels Act/Scene/Line references to link with any traditional script Choose "Movie Mode" to watch the experience unfold, choose panel-by-panel navigation or select particular scenes Runs on any PC (Windows XP SP2 or later) or Mac (OSX 10.4.11 or later) or on any web browser that can run Adobe Flash Site Licence Edition extras: - Can be used on multiple machines at one time - Includes additional set of Low Audio animation for lower bandwidth - Includes electronic set of No Text pages (with empty speech balloons)

In September 1769, three thousand people descended on Stratford-Upon-Avon to celebrate the legacy of the town's most famous son. For three days, attendees paraded through garlanded streets, listened to songs and oratorios, and enjoyed masked balls. It was a unique cultural moment-a coronation elevating William Shakespeare to the throne of genius. It was also a disaster as the poorly planned Jubilee imposed an army of Londoners on an ill-equipped backwater town. Told from the perspectives of David Garrick, who masterminded the Jubilee, and James Boswell, who attended it, What Blest Genius? is rich with humour, gossip and intrigue. Recounting the absurd and chaotic glory of those three days, Andrew McConnell Stott illuminates the circumstances in which Shakespeare became a transcendent global icon.

Set amid the gloomy castles and lonely heaths of medieval Scotland, "Macbeth" is a dark and bloody drama of ambition, murder, guilt and revenge. Goaded by his ambitious wife, Macbeth murders Duncan, King of Scotland, in order to succeed to the throne. Tortured by his conscience and fearful of discovery, the Scottish nobleman becomes tangled in a web of treachery and deceit that ultimately spells his doom. Note. Explanatory footnotes.

AEGEON. Proceed, Solinus, to procure my fall, And by the doom of death end woes and all. DUKE. Merchant of Syracuse, plead no more; I am not partial to infringe our laws. The enmity and discord which of late Sprung from the rancorous outrage of your duke To merchants, our well-dealing countrymen, Who, wanting guilders to redeem their lives, Have seal'd his rigorous statutes with their bloods, Excludes all pity from our threat'ning looks. For, since the mortal and intestine jars 'Twixt thy seditious countrymen and us, It hath in solemn synods been decreed, Both by the Syracusians and ourselves, To admit no traffic to our adverse towns; Nay, more: if any born at Ephesus Be seen at any Syracusian marts and fairs; Again, if any Syracusian born Come to the bay of Ephesus-he dies, His goods confiscate to the Duke's dispose, Unless a thousand marks be levied, To quit the penalty and to ransom him. Thy substance, valued at the highest rate, Cannot amount unto a hundred marks; Therefore by law thou art condemn'd to die.

Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. In the hope of saving her brother's life, should a woman submit to rape? Should the law be respected when its administrator is corrupt? How powerful in the state should religion become? Although Measure for Measure ends like a comedy, with reconciliations, forgiveness and marriages, it has often been regarded as one of Shakespeare's problem plays. The drama shows the difficulty of effecting an appropriate balance between judicial severity and mercy, between sexual repression and decadence, and between political vigilance and social manipulation. These problems remain topical, and, in Measure for Measure, they are given immediacy by vivid character-conflicts and memorably intense poetry. This is one of Shakespeare's most probing and powerful works.

The size and content of the Shakespeare canon have come into question in recent years, as scholars add plays or declare others only partially his work. Now, new literary and historical evidence demonstrates that five heretofore anonymous plays published or performed during his lifetime are actually his first versions of later canonical plays, and rightfully belong in the Shakespeare canon. Three histories, The Famous Victories of Henry the Fifth, The True Tragedy of Richard the Third, and The Troublesome Reign of John; a comedy, The Taming of a Shrew and a romance, King Leir, are products of Shakespeare's juvenile years. Later in his career, he transformed them into the plays in the canon that bear nearly identical titles. Each of them is strikingly similar to its canonical counterpart in terms of structure, plot and cast. But the verse in each of them has been entirely rewritten. However, virtually all scholars, critics and editors of Shakespeare have overlooked, disputed or disparaged the idea that he had anything to do with them. This addition of five plays to the Shakespeare canon introduces a new facet to the authorship debate, and supplies further evidence that the real Shakespeare was Edward de Vere, seventeenth Earl of Oxford.

The Winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. This 2007 edition provides a newly-edited text, a comprehensive introduction that takes into account current critical thinking, and a detailed commentary on the play's language designed to make it easily accessible to contemporary readers. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time. Special attention is paid to the ending and its tempered happiness. Performance history is integrated throughout the introduction and commentary. Textual analysis, four appendices - including the theatrical practice of doubling, and a select chronology of performance history - and a reading list complete the edition.

William Shakespeare (1564-1616) is acknowledged as the greatest dramatist of all time. He excels in plot, poetry and wit, and his talent encompasses the great tragedies of Hamlet, King Lear, Othello and Macbeth as well as the moving history plays and the comedies such as A Midsummer Night's Dream, The Taming of the Shrew and As You Like It with their magical combination of humour, ribaldry and tenderness. This volume is a reprint of the Shakespeare Head Press edition, and it presents all the plays in chronological order in which they were written. It also includes Shakespeare's Sonnets, as well as his longer poems Venus and Adonis and The Rape of Lucrece.