Edited, introduced and annotated by Cedric Watts, M.A., Ph.D., Emeritus Professor of English, University of Sussex. In the hope of saving her brother's life, should a woman submit to rape? Should the law be respected when its administrator is corrupt? How powerful in the state should religion become? Although Measure for Measure ends like a comedy, with reconciliations, forgiveness and marriages, it has often been regarded as one of Shakespeare's problem plays. The drama shows the difficulty of effecting an appropriate balance between judicial severity and mercy, between sexual repression and decadence, and between political vigilance and social manipulation. These problems remain topical, and, in Measure for Measure, they are given immediacy by vivid character-conflicts and memorably intense poetry. This is one of Shakespeare's most probing and powerful works.

"Shakespeare for Every Day of the Year is not just for Christmas, but for all time." -Helena Bonham Carter A magnificent collection of 365 passages from Shakespeare's works, for the Shakespeare scholar and neophyte alike. Make Shakespeare a part of your daily routine with Shakespeare for Every Day of the Year, a yearlong collection of passages from Shakespeare's greatest works. Drawing from the full spectrum of plays and sonnets to mark each day of the year, whether it's a scene from Hamlet to celebrate Christmas or a Sonnet in June to help you enjoy a summer's day. There are also passages to mark important days in the Shakespeare calendar, both from his own life and from his plays: You'll read a pivotal speech from Julius Caesar on the Ides of March and celebrate Valentine's day with a sonnet. Every passage is accompanied by an enlightening note to teach you its significance and help you better appreciate the timelessness and poetry of Shakespeare's words. Shakespeare for Every Day of the Year will give you a thoughtful way reflect on each day, all while giving you a deeper appreciation for the most famous writer in the English language.

This is the site licence edition. An easy-to-use, flexible and engaging teaching resource for secondary students of mixed abilities studying "Macbeth". An exciting interactive experience to work in classrooms alongside Classical Comics award-winning differentiated graphic novels to show students and the most reluctant readers that studying Shakespeare doesn't have to be "boring". Designed to be used in a multitude of ways to fit in with many different teaching styles and to promote literacy in a differing caliber of pupils in the same classroom, Macbeth Interactive Motion Comic offers a choice of three language options: Original Text (original Shakespeare with context notes), Plain Text (plain modern English) or Quick Text (reduced dialogue) - all using the same animated artwork giving you a classroom of pupils, of whatever ability, effectively reading from the 'same' page. There is also an option to view "No Text" (empty speech balloons for pupils to fill in the dialogue!). Teachers retain full control over playback of the motion comic choosing to use it on their whiteboard or computer, or it can be used simultaneously by any number of computers that are connected to the school network. (It can even be remotely accessed on an extended network so pupils can access it from home). Interacting with the motion comic is really versatile. Choose to: watch the whole "movie" (even switching between text versions as you go if desired) pause to hover over highlighted words to receive helpful context notes jump back to the dramatis personae for a reminder of the characters list select to watch just certain scenes choose panel by panel navigation (then select at what point in the panel you'd like to play the animation - fast forward, rewind, pause, resume, return to start of the panel or skip to the end) watch the animation on split screen watch with or without sound Macbeth Interactive Motion Comic has everything: animation of the graphic novel artwork, full audio, sound effects, and if that wasn't enough, the audio is voiced by leading professional actors, including the voice talents of Juliet Stevenson as Lady Macbeth, and for the lead role in Original Text, Sir Derek Jacobi. Macbeth Interactive Motion Comic can be used with or without the corresponding Classical Comics printed graphic novels, as the Act/Line/Scene references throughout the animation link back to any traditional Macbeth script. All three versions of the animated Classical Comics graphic novels in one application Full audio soundtrack Context notes accompany the Original Text version Links to the Classical Comics graphic novels Act/Scene/Line references to link with any traditional script Choose "Movie Mode" to watch the experience unfold, choose panel-by-panel navigation or select particular scenes Runs on any PC (Windows XP SP2 or later) or Mac (OSX 10.4.11 or later) or on any web browser that can run Adobe Flash Site Licence Edition extras: - Can be used on multiple machines at one time - Includes additional set of Low Audio animation for lower bandwidth - Includes electronic set of No Text pages (with empty speech balloons)

In September 1769, three thousand people descended on Stratford-Upon-Avon to celebrate the legacy of the town's most famous son. For three days, attendees paraded through garlanded streets, listened to songs and oratorios, and enjoyed masked balls. It was a unique cultural moment-a coronation elevating William Shakespeare to the throne of genius. It was also a disaster as the poorly planned Jubilee imposed an army of Londoners on an ill-equipped backwater town. Told from the perspectives of David Garrick, who masterminded the Jubilee, and James Boswell, who attended it, What Blest Genius? is rich with humour, gossip and intrigue. Recounting the absurd and chaotic glory of those three days, Andrew McConnell Stott illuminates the circumstances in which Shakespeare became a transcendent global icon.

Set amid the gloomy castles and lonely heaths of medieval Scotland, "Macbeth" is a dark and bloody drama of ambition, murder, guilt and revenge. Goaded by his ambitious wife, Macbeth murders Duncan, King of Scotland, in order to succeed to the throne. Tortured by his conscience and fearful of discovery, the Scottish nobleman becomes tangled in a web of treachery and deceit that ultimately spells his doom. Note. Explanatory footnotes.

This title includes the full story with less dialogue for a fast-paced read. It's 11th century Scotland. Macbeth, Thane of Glamis, is one of King Duncan's greatest war captains. Upon returning from a battle with the rebellious Thane of Cawdor, Macbeth and Banquo encounter three witches, who prophecy that Macbeth will become Thane of Cawdor and then King. They also prophecy that Banquo will become the father of kings. When Lady Macbeth hears this, she is determined to push her husband to take fate into his own hands and make himself king by murdering Duncan. Macbeth is reluctant to harm Duncan. But, when the King makes arrangements to visit Macbeth's castle, the opportunity presents itself. Pressed on by his wife, Macbeth kills Duncan and blames the King's drunken attendants, who he also kills. However, Macbeth is racked with guilt and begins to see apparitions.When the body is discovered, Malcolm and Donalbain, the King's sons, are suspicious of Macbeth and flee for their lives. To everyone else, it looks as if the sons have been the chief conspirators and Macbeth is crowned King of Scotland. Banquo's suspicions grow, based on his encounter with the witches and Macbeth is wary of the second prophecy concerning Banquo's offspring. Macbeth hires assassins to kill Banquo and his son, Fleance. Banquo is murdered that night, but Fleance escapes. The bloody ghost of Banquo appears to Macbeth at a feast, tormenting his already guilty conscience. In addition, Macduff, once a comrade of Macbeth, has fled after the King's sons to England, as he also suspects Macbeth.In revenge, Macbeth butchers Macduff's entire household. Macduff and the King's sons raise an army in England and march against Macbeth, who is given another prophecy by the witches, as he prepares for the assault. They tell him his throne is safe until Birnam Wood comes to Dunsinane and he will not die by the hand of any man born of a woman. Macbeth now feels invincible. Lady Macbeth, on the other hand, has been slowly driven mad by her dreams, in the wake of Duncan's murder. She sleepwalks and eventually kills herself. Macbeth learns that many of his lords are deserting and joining Malcolm's army, which approaches Dunsinane under cover of boughs, which they've cut from the trees of Birnam Wood.Macbeth and Macduff eventually meet on the bloody battlefield. Macbeth laughs derisively, relating the witches' prophecy. But Macduff retorts that he was from his mother's womb untimely ripp'd and not (technically) of woman born. The play ends with the death of Macbeth and Malcolm is crowned King of Scotland.

AEGEON. Proceed, Solinus, to procure my fall, And by the doom of death end woes and all. DUKE. Merchant of Syracuse, plead no more; I am not partial to infringe our laws. The enmity and discord which of late Sprung from the rancorous outrage of your duke To merchants, our well-dealing countrymen, Who, wanting guilders to redeem their lives, Have seal'd his rigorous statutes with their bloods, Excludes all pity from our threat'ning looks. For, since the mortal and intestine jars 'Twixt thy seditious countrymen and us, It hath in solemn synods been decreed, Both by the Syracusians and ourselves, To admit no traffic to our adverse towns; Nay, more: if any born at Ephesus Be seen at any Syracusian marts and fairs; Again, if any Syracusian born Come to the bay of Ephesus-he dies, His goods confiscate to the Duke's dispose, Unless a thousand marks be levied, To quit the penalty and to ransom him. Thy substance, valued at the highest rate, Cannot amount unto a hundred marks; Therefore by law thou art condemn'd to die.

The size and content of the Shakespeare canon have come into question in recent years, as scholars add plays or declare others only partially his work. Now, new literary and historical evidence demonstrates that five heretofore anonymous plays published or performed during his lifetime are actually his first versions of later canonical plays, and rightfully belong in the Shakespeare canon. Three histories, The Famous Victories of Henry the Fifth, The True Tragedy of Richard the Third, and The Troublesome Reign of John; a comedy, The Taming of a Shrew and a romance, King Leir, are products of Shakespeare's juvenile years. Later in his career, he transformed them into the plays in the canon that bear nearly identical titles. Each of them is strikingly similar to its canonical counterpart in terms of structure, plot and cast. But the verse in each of them has been entirely rewritten. However, virtually all scholars, critics and editors of Shakespeare have overlooked, disputed or disparaged the idea that he had anything to do with them. This addition of five plays to the Shakespeare canon introduces a new facet to the authorship debate, and supplies further evidence that the real Shakespeare was Edward de Vere, seventeenth Earl of Oxford.

The Winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. This 2007 edition provides a newly-edited text, a comprehensive introduction that takes into account current critical thinking, and a detailed commentary on the play's language designed to make it easily accessible to contemporary readers. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time. Special attention is paid to the ending and its tempered happiness. Performance history is integrated throughout the introduction and commentary. Textual analysis, four appendices - including the theatrical practice of doubling, and a select chronology of performance history - and a reading list complete the edition.

William Shakespeare (1564-1616) is acknowledged as the greatest dramatist of all time. He excels in plot, poetry and wit, and his talent encompasses the great tragedies of Hamlet, King Lear, Othello and Macbeth as well as the moving history plays and the comedies such as A Midsummer Night's Dream, The Taming of the Shrew and As You Like It with their magical combination of humour, ribaldry and tenderness. This volume is a reprint of the Shakespeare Head Press edition, and it presents all the plays in chronological order in which they were written. It also includes Shakespeare's Sonnets, as well as his longer poems Venus and Adonis and The Rape of Lucrece.

This new edition of Macbeth for South African schools and collages has been updated to include comprehensive text notes and commentary throughout. This edition includes: an eight-page photographic gallery of scenes from various productions of the play. informative background information on Shakespeare and Elizabethan England an introduction to the play, the themes and characters a synopsis of the action in each scene line-by-line text notes giving explanations of unfamiliar words, interpretations of meanings, and stimulating commentary a selection of notes, illustrations, ideas and activities to increase your understanding of the play questions providing valuable examination practice a list of references offering suggestions for further reading and other useful resources an extensive glossary of useful words and literary terms."

Shakespeare's Sonnets are universally loved and much-quoted throughout the world, while debates still rage as to the identity of the Dark Lady and how autobiographical the sonnets really are. This revised edition has been updated in the light of new scholarship and critical analysis since its first publication which won a wide range of critical acclaim. Author Katherine Duncan Jones tackles the controversies and mysteries surrounding these beautiful poems head on, and explores the issues of sexuality to be found in them, making this a truly modern edition for today's readers and students.

For more than a century educators, students and general readers have relied on The Arden Shakespeare to provide the very best scholarship and most authoritative texts available.

For fans of the Bard is a deluxe box set of our three classic Shakespeare mini books: William Shakespeare: The Complete Plays in One Sitting, Shakespeare: The Bard's Guide to Abuses and Affronts, and Love Sonnets of Shakespeare. With this collection, readers will have access to comprehensive summaries of each of Shakespeare's 36 famous plays, the most eloquent of Shakespeare's insults, and love sonnets to woo the most sought-after lover. The publication of this box set coincides with the BBC's Shakespeare Project 2016, which celebrates the 400th anniversary of Shakespeare's death.

These popular editions allow the reader and student to look beyond the scholarly reading text to the more sensuous, more collaborative, more malleable performance text which emerges in conjunction with the commentary and notes. Each note, each gloss, each commentary reflects the stage life of the play with constant reference to the challenge of the text in performance. Readers will not only discover an enlivened Shakespeare, they will be empowered to rehearse and direct their own productions of the imagination in the process. Shakespeare's shortest play tells the story of Julius Caesar and Marcus Brutus, who, fearing the possibility of a dictator-led empire, betrays Caesar to protect Rome. Little does he know that Cassius has been holding the strings, manipulating Brutus into exploiting Caesar's weakness and removing him from power with the help of fellow conspirers. Contemplating motives for murder, national allegiance, and divine right, Shakespeare's Julius Caesar is a unique look at the true events surrounding Caesar's assassination in 44 B.C.

Cette uvre (edition relie) fait partie de la serie TREDITION CLASSICS. La maison d'edition tredition, basee a Hambourg, a publie dans la serie TREDITION CLASSICS des ouvrages anciens de plus de deux millenaires. Ils etaient pour la plupart epuises ou uniquement disponible chez les bouquinistes. La serie est destinee a preserver la litterature et a promouvoir la culture. Avec sa serie TREDITION CLASSICS, tredition a comme but de mettre a disposition des milliers de classiques de la litterature mondiale dans differentes langues et de les diffuser dans le monde entier.

The Arden Shakespeare is the established edition of Shakespeare's work. Justly celebrated for its authoritative scholarship and invaluable commentary, Arden editions guide you to a richer understanding and appreciation of Shakespeare's plays. This edition of A Midsummer Night's Dream provides a clear and authoritative text, detailed notes and commentary on the same page as the text and a full introduction discussing the critical and historical background to the play. The editor brings fresh perspectives on global productions and adaptations of this most-loved of Shakespeare's comedies.

THE GOOD AUDITION GUIDES: Helping you select and perform the audition piece that is best suited to your performing skills Each Good Audition Guide contains a range of fresh monologues, all prefaced with a summary of the vital information you need to place the piece in context and to perform it to maximum effect in your own unique way. Each volume also carries a user-friendly introduction on the whole process of auditioning. Shakespeare Monologues for Women contains 50 monologues drawn from across the Shakespeare canon. Each speech is prefaced with an easy-to-use guide to Who is speaking, Where, When and To Whom, What has just happened in the play and What are the character's objectives. In fact, everything the actor needs to know before embarking on the audition! Shakespeare Monologues for Women is edited by director, teacher and academic Luke Dixon. 'Sound practical advice for anyone attending an audition' Teaching Drama Magazine on the Good Audition Guides

In this sustained full length study of Marlowe's plays, Andrew Duxfield argues that Marlovian drama exhibits a marked interest in unity and unification, and that in doing so it engages with a discourse of anxiety over social discord that was prominent in the 1580s and 1590s. In combination with the ambiguity of the plays, he suggests, this focus produces a tension that both heightens dramatic effect and facilitates a cynical response to contemporary evocations of and pleas for unity. This book has three main aims. Firstly, it establishes that Marlowe's tragedies exhibit a profound interest in the process of reduction and the ideal of unity. Duxfield shows this interest to manifest itself in different ways in each of the plays. Secondly, it identifies this interest in unity and unification as an engagement in a cultural discourse that was particularly prevalent in England during Marlowe's writing career; during the late 1580s and early 1590s heightened inter-confessional tension, the threat and reality of foreign invasion and public puritan dissent in the form of the Marprelate controversy provoked considerable public anxiety about social discord. Thirdly, the book considers the plays' focus on unity in relation to their marked ambiguity; throughout all of the plays, unifying ideals and reductive processes are consistently subject to renegotiation with, or undercut entirely by, the complexity and ambiguity of the dramas in which they feature. Duxfield's focus on unity as a theme throughout the plays provides a new lens through which to examine the place of Marlowe's work in its cultural moment.

Who had the greatest last words, and what were they? Who enjoyed the slowest, most tedious death? Who had it coming more than anyone else? From the celebrated comedy ensemble SpyMonkey and acclaimed illustrator Chris Riddell, this hilariously morbid (and informative!) trump card game has players testing their knowledge while having a lark with everyone's favorite Shakespearean construct: the amazing deaths!

Othello is considered to be one of Shakespeare's greatest tragedies. Beginning with an argument in a street in Venice, the grudges and passionate jealousies that fuel Othello's misfortunate plot are quickly revealed in this fantastical manga version of the classic story. Part of a series of graphic novel adaptations of Shakespeare's best-known plays, this is a cutting-edge book that will intrigue and grip readers. Drawing inspiration from trend-setting Japan, this series is illustrated by leading UK manga artists.

This is the complete play which is translated into plain English. Although "The Tempest" was the first play to appear in the first official Folio printing of Shakespeare's plays, it was almost certainly the last play he wrote. It held pride of place in that first collection, presumably because the editors thought it to be his masterpiece; a crowning glory to the career of the most brightest of playwrights. Needless to say, we had to select the very best artists to do it justice, and to bring you the stunning artwork that you've come to expect from our titles. Poignant to the last, this book is a classic amongst classics.