Often described as one of Shakespeare's 'problem plays', Measure for Measure explores issues of mercy and justice in corrupt Vienna. The Duke makes his strict moralistic deputy, Angelo, temporary leader of Vienna, while he disguises himself as a friar to witness all that ensues. In the comprehensive introduction to this new, fully-illustrated Arden edition, with commentary and notes from A. R. Braunmuller, Robert N. Watson explores the recent increased attention to the play and the shifting judgements of key characters such as the Duke and Isabella. He analyses the social foundations of these changes, their validity as readings of the text, and their manifestations in performance. It also explores the play's implications on topics including love, marriage, sexuality, consent, mortality, religion, statecraft, moderation, and theatre itself.

Along with Hamlet, King Lear, and Macbeth, Othello is one of Shakespeare's four great tragedies. What distinguishes Othello is its bold treatment of racial and gender themes. It is also the only tragedy to feature a main character, Iago, who truly seems evil, betraying and deceiving those that trust him purely for spite and with no political goal. This edition, the first to give full attention to these themes, includes an extensive introduction stresses the public dimensions of the tragedy, paying particular attention to its treatment of color and social relations. Designed to meet the needs of theatre professionals, the edition includes an extensive performance history, while on-page commentary and notes explain language, word play, and staging. Collated and edited from all existing printings, this entirely new edition uses modern day spelling to make readings smoother. Appendices are included which explain the dating problems many have found in the play, describe the music that has traditionally accompanied it, and provide a full translation of the Italian novella from which the story derives. Like all editions of the Oxford Shakespeare in the Oxford World Classics series, Othello includes a full index to the introduction and commentary. It is illustrated with production photographs and related art, and features a durable sewn binding for lasting use. The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and

Our Signet Classic Shakespeare Series was extensively revised in 1998. We offer the best of everything -- unforgettable works edited by eminent Shakespeare scholars, comprehensive notes on the text, an essay on Shakespeare's life and times, source material, critical commentaries, extensive bibliographies, and footnotes. And there's more
-- Grow with the times by including both historical and thoroughly contemporary critical commentary on such issues as feminist, political, and theatrical interpretations of the plays -- with recent full-length essays by such respected scholars as Frank Kermode, Carolyn Heilbrun, Michael Goldman, Linda Bamber, and many others.
-- Provide more bibliographic listings and more up-to-date and relevant listings of pertinent books and articles in the Suggested Reference Section than the competition offers.
-- Feature essays on the Performance or Stage History of each play, written by Sylvan Barnet.

The two-part tale of King Henry IV, rewritten with new language for the twenty-first century. Shakespeare's two Henry IV plays follow the exploits of King Henry IV after usurping the crown from his cousin Richard II. Featuring some of Shakespeare's most recognizable characters such as Prince Hal and the roguish Sir John Falstaff, Henry IV, Part 1 delves into complicated questions of loyalty and kingship on and off the battlefield. Henry IV, Part 2 follows Prince Hal as he grapples with his eventual ascent to the throne and his increasingly strained relationship with Falstaff. As the king falls sick and Hal's ascent appears imminent, Hal's decisions hold significant implications for all those around him. Modernizing the language of the two plays, Yvette Nolan's translation carefully works at the seeds sown by Shakespeare-bringing to new life the characters and dramatic arcs of the original. These translations of Henry IV were written as part of the Oregon Shakespeare Festival's Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare's verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print-a new First Folio for a new era.

This teaching edition of Shakespeare's "The Taming of the Shrew" responds to the needs of instructors using a variety of approaches to Shakespeare, including feminist, historical, and cultural studies approaches. The play is accompanied by four sets of primary documents and illustrations thematically arranged to offer a richly textured understanding of early modern culture and Shakespeare's work within that culture. The texts include facsimiles of period documents, excerpts of conduct literature on marriage and on wife and servant beating, sermons, popular ballads, literary works offering alternative endings to Shakespeare's play, and documents on women's legal status. The primary documents contextualize the play's treatment of assertive women, marital conflict, and domestic disorder and violence. Editorial features designed to help students read the play in light of the historical documents include an intelligent and engaging general introduction, and introduction to each thematic group of documents, thorough headnotes and glosses for the primary documents (presented in modern spelling), and an extensive bibliography.

In Shakespeare's Language, Keith Johnson offers an overview of the rich and dynamic history of the reception and study of Shakespeare's language from his death right up to the present. Tracing a chronological history of Shakespeare's language, Keith Johnson also picks up on classic and contemporary themes, such as: lexical and digital studies original pronunciation rhetoric grammar. The historical approach provides a comprehensive overview, plotting the attitudes towards Shakespeare's language, as well as a history of its study. This approach reveals how different cultural and literary trends have moulded these attitudes and reflects changing linguistic climates; the book also includes a chapter that looks to the future. Shakespeare's Language is therefore not only an essential guide to the language of Shakespeare, but it offers crucial insights to broader approaches to language as a whole.

The Merchant of Venice is best known for its complex and ambiguous portrait of the Jewish moneylender Shylock - and of European anti-Semitism. Fascinating in its engagement with prejudice, the play is also a comedy of cross-dressing and disguise and a dramatic exploration of justice, mercy and vengeance. This volume contains the full text of the play with explanatory footnotes and marginal glosses for contemporary readers. A well-rounded selection of background materials not only illuminates anti-Semitism in early modern England but also provides context for other facets of the play, including its comic plot of love and marriage, its examination of usury and international trade and its themes of revenge and the law.

A new section of the Introduction to this updated edition considers important professional theater productions and the large output of scholarly criticism on the play which have appeared in recent years. The Reading List has been revised and augmented to reflect the scope of the revised edition. First Edition Hb (1985): 0-521-22194-3 First Edition Pb (1985): 0-521-29389-8

Henry IV, Part One has been one of Shakespeare's most popular plays since it was first produced, and was reprinted several times during the playwright's lifetime. The play encompasses the tragic pathos of Hotspur's death, the thrill of Hal's battlefield valour, the intrigue of power politics, and the broad humour of tavern scenes. It has been performed as a play that celebrates England and engenders national pride, but also as a play that thumbs its nose at patriotism and notions of empire. This Broadview Edition provides a discussion of the play's performance history, and both the introduction and footnotes encourage readers to think about the play as a performance text. The appendices gather a selection of historical sources and contemporary philosophical and political writings from England and Europe, and interleaved pages throughout the play provide illustrations and extended discussion of key phrases, plot points, and allusions in the text. Further historical and performance materials are available on the Internet Shakespeare Editions website.

This tragi-comedy is one of the plays we know Shakespeare worked with a collaborator on -- John Fletcher -- and is based on Chaucer's "Knight's Tale." The Arden Third series edition was first published in 1996. This revised edition includes a new introductory essay bringing the edition up-to-date in terms of both the play's performance and critical history, and in particular with current thinking about the nature of Shakespeare's collaboration with other playwrights. As scholars have begun to discover more about this aspect of his career, interest in the play has grown. This revised edition is ideal for undergraduate study, offering on-page annotations to the play text as well as a lengthy, illustrated introduction.

An award-winning scholar and teacher explores how Shakespeare's greatest characters were built on a learned sense of empathy "Thoughtful, astute, invitingly readable-and uncommonly timely. Especially now that so many younger readers are casting suspicious glances at Shakespeare, Of Human Kindness shows with mind-changing clarity why his work has never been more relevant to our common problems."-Terry Teachout, drama critic, Wall Street Journal "A warm and committed book, firmly rooted in long experience of the classroom."-Emma Smith, Times Literary Supplement While discussing Shakespeare's plays in her university classroom, Paula Marantz Cohen discovered that they unlocked a surprising sense of compassion in both herself and her students. In this short and illuminating book, she shows how Shakespeare's genius lay in his ability to arouse empathy, even when his characters exist in alien contexts and behave in reprehensible ways. Cohen takes her readers through a selection of Shakespeare's most famous plays, including Hamlet,Othello,King Lear, and The Merchant of Venice, to demonstrate the ways in which Shakespeare thought deeply and clearly about how we treat "the other." Cohen argues that only through close reading of Shakespeare can we fully appreciate his empathetic responses to race, class, gender, and age. Wise, eloquent, and thoughtful, this book is a forceful argument for literature's power to champion what is best in us.

No Fear Shakespeare gives you the complete text of "The Comedy of Errors" on the left-hand page, side-by-side with an easy-to-understand translation on the right. Each No Fear Shakespeare contains

• The complete text of the original play
• A line-by-line translation that puts Shakespeare into everyday language
• A complete list of characters with descriptions
• Plenty of helpful commentary

Featuring spectacular and quirky illustrations, this astounding take on Shakespeare's famous work reimagines but in no way detracts from the feel of the original. The full text of the play is worked into this thrilling and visually stunning graphic novel.

Completing the 8 volume Everyman Signet Shakespeare contains Shakespeare series, this final volume contains Shakespeare's four Last Plays - THE TEMPEST, PERICLES, THE WINTER'S TALE AND CYMBELINE. The beautifully produced, single-column text of the plays, with the Signet footnotes, is supplemented with bibliographies, a detailed chronology of Shakespear's life and times, and a substantial introduction in which Professor Tony Tanner discusses each play individually while setting each in context.

Includes the unabridged text of Shakespeare's classic play plus a complete study guide that helps readers gain a thorough understanding of the work's content and context. The comprehensive guide includes scene-by-scene summaries, explanations and discussions of the plot, question-and-answer sections, author biography, analytical paper topics, list of characters, bibliography, and more.

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This is the third New Cambridge edition of The Taming of the Shrew, one of Shakespeare's most popular yet controversial plays. Ann Thompson considers its reception in the light of the hostility and embarrassment that the play often arouses, taking account of both scholarly defences and modern feminist criticism. For this version the editor pays lively attention to the problematic nature of debates about the play and its reception in the twenty-first century. She discusses recent editions and textual, performance and critical studies.

The Annotated Shakespeare Series allowsreaders to fully understand and enjoy the rich plays of the world's greatest dramatist "If any work deserves a student's closest attention, it is Hamlet. Burton Raffel's fully annotated edition is a teacher's and student's dream: the words are fully explained, and they get a wonderful essay by Harold Bloom as well."-George Soule, Carleton College One of the most frequently read and performed of all stage works, Shakespeare's Hamlet isunsurpassed in its complexity and richness. Now the first fully annotated version of Hamlet makesthe play completely accessible to readers in the twenty-first century. It has been carefully assembled with students, teachers, and the general reader in mind. Eminent linguist and translator Burton Raffel offers generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. His on-page annotations provide readers with all the tools they need to comprehend the play and begin to explore its many possible interpretations. This version of Hamlet isunparalleled for its thoroughness and adherence to sound linguistic principles. In his Introduction, Raffel offers important background on the origins and previous versions of the Hamlet story, along with an analysis of the characters Hamlet and Ophelia. And in a concluding essay, Harold Bloom meditates on the originality of Shakespeare's achievement. The book also includes a careful selection of items for "Further Reading."

Two years, 190,000 miles, 197 countries, one play. For the 450th anniversary of Shakespeare's birth the Globe Theatre in London undertook an unparalleled journey to share Hamlet with the entire world. The tour was the brainchild of Dominic Dromgoole, artistic director of the Globe, and in Hamlet Globe to Globe, Dromgoole takes readers along with him on this wildly ambitious expedition. From performing in sweltering deserts, capital and remote cities, heaving marketplaces and on Pacific islands, and despite food poisoning in Mexico, the threat of ambush in Somaliland, an Ebola epidemic in West Africa, and political upheaval in Ukraine, the Globe's players tirelessly pushed on. They carried their own props, instruments, and costumes throughout the journey, and could construct an entire set in less than two hours. Dromgoole introduces this impressive cast of sturdy souls, recounting the highs and lows of their tour, paying witness to Shakespeare's power to transcend borders and bring people closer together. Dromgoole also shows us the world through the prism of Shakespeare and why, in its mystery, it resonates so widely how a sixteenth-century play can touch the lives of men and women in Sudan, citizens of Beijing, and Syrian refugees alike. Through the lens of this epic theatrical journey, Dromgoole gleans new insight into Shakespeare's masterpiece, exploring the play's history, its meaning, and its pleasures, and offering a dramatic and heartfelt testament to Shakespeare's enduring presence on the modern stage.