First published in 1961. This study analyses Shakespeare's treatment of the universal themes of Beauty, Love and Time. He compares Shakespeare with other great poets and sonnet writers - Pindar, Horace and Ovid, with Petrarch, Tasso and Ronsart, with Shakespeare's own English predecessors and contemporaries, notably Spenser, Daniel and Drayton and with John Donne. By discussing their resemblances and differences, a not altogether orthodox picture of Shakespeare's attitude to life is presented, which suggests that he was not as phlegmatic and equable a person as critics have often supposed.

First published in 1978. In this study, Shakespeare's own life story and the development of English theatrical history are placed in the wider context of Elizabethan and Jacobean times, but the works themselves are the final objective of this 'applied biography'. The main contention of the book is that Shakespeare's life was the lure of the stage itself which inspired him to transform what everyday life provided into the worlds of Hamlet, King Lear and Prospero.

This unique study investigates the ways in which the staging convention of direct address - talking to the audience - can construct selfhood, for Shakespeare's characters. By focusing specifically on the relationship between performer and audience, Talking to the Audience examines what happens when the audience are in the presence of a dramatic figure who knows they are there. It is a book concerned with theatrical illusion; with the pleasures and disturbances of seeing 'characters' produced in the moment of performance.
Through analysis of contemporary productions Talking to the Audience serves to demonstrate how the study of recent performance helps us to understand both Shakespeare's cultural moment and our own. Its exploration of how theory and practice can inform each other make this essential reading for all those studying Shakespeare in either a literary or theatrical context.

This unique study investigates the ways in which the staging convention of direct address - talking to the audience - can construct selfhood, for Shakespeare's characters. By focusing specifically on the relationship between performer and audience, Talking to the Audience examines what happens when the audience are in the presence of a dramatic figure who knows they are there. It is a book concerned with theatrical illusion; with the pleasures and disturbances of seeing 'characters' produced in the moment of performance.
Through analysis of contemporary productions Talking to the Audience serves to demonstrate how the study of recent performance helps us to understand both Shakespeare's cultural moment and our own. Its exploration of how theory and practice can inform each other make this essential reading for all those studying Shakespeare in either a literary or theatrical context.

Merely Players? marks a groundbreaking departure in Shakespeare studies by giving direct voice to the Shakespearean performer. It draws on three centuries worth of actors' written reflections on playing Shakespeare and brings together the dual worlds of performance and academia, providing a unique resource for the student and theatre-lover alike.

In this book, renowned Renaissance drama critic Arthur F. Kinney argues that Shakespeare's method of composing plays through networks of meanings can be seen as a harbinger of today's information technology. Drawing upon hypertext and cognitive theory--areas that have for some time promised to take on more importance in the sphere of Shakespeare Studies--as well as the central metaphor of the Routledge collection The Renaissance Computer, Kinney looks in detail at four objects/images in Shakespeare's plays--mirrors, maps, clocks, and books--and explores the ways in which they make up networks of meaning within single plays and across the dramatist's body of work that anticipate in some ways the networks of meaning or "information" now possible in the computer age.

For nearly three centuries, actors have set down in print their reflections on the experience of performing Shakespeare's plays, resulting in a vast, heterogeneous and - remarkably - almost entirely unexamined body of material. Merely Players? brings together the diverse voices of actors writing about their experiences of playing Shakespeare, exploring the ways in which they discuss their embodiment with the performance and their own particular negotiations with the authority and tradition of the Shakespeare name. It should be useful for scholars of Shakespeare, drama and theatre studies, practitioners and theatre-lovers alike.

King Lear is a prosperous but older man who plans to distribute his wealth among his three daughters in accordance to their declarations of love. Two shower him with compliments while the other is unable to participate in a false display of affection. King Lear decides to step down from the throne and gift his daughters with the spoils of his kingdom. As a test, the size of their inheritance will correlate with how well they flatter him. The two older children, Goneril and Regan, honor him with praise, but his youngest, Cordelia remains quiet. She genuinely loves her father but doesn't engage in the pageantry. Due to her reluctance, King Lear disowns Cordelia, while his other daughters receive his riches. Once they are settled, Goneril and Regan, begin to marginalize their father, refusing to support him in his old age. This eventually drives him mad as he's forced to acknowledge the error of his ways. The Tragedy of King Lear is a heartbreaking cautionary tale. The king's downfall is a direct consequence of his own arrogance. It's a powerful story that still resonates centuries after its first performance in the 1600s. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Tragedy of King Lear is both modern and readable.

Antony and Cleopatra (1607) is a tragedy by William Shakespeare. Inspired by Thomas North's translation of Plutarch's Lives-a series of biographies on influential figures of the ancient world-Shakespeare wrote Antony and Cleopatra sometime between 1599 and 1601. Often considered a sequel of sorts to his earlier play Julius Caesar, Antony and Cleopatra has served as source material for countless film and television adaptations. "Let Rome in Tiber melt, and the wide arch / Of the ranged empire fall! Here is my space." For his wit and wordplay alone, William Shakespeare is often considered the greatest writer to ever work in the English language. Where he truly triumphs, however, is in his ability to portray complex human emotions, how these emotions contribute to relationships, and how these relationships interact with politics, culture, and religion. As the Roman Republic faces threats both foreign and domestic, Mark Antony-a triumvir alongside Lepidus and Octavius-abandons his duties to remain in Alexandria with his lover, Queen Cleopatra of Egypt. When the demands of state become impossible to ignore any longer, he returns to Rome. There, he is encouraged to marry Octavia, the sister of his fellow ruler. At the risk of rupturing their fragile relationship, he consents, enraging Cleopatra. As conflict with Octavius forces Antony out of the triumvirate, he returns to his lover to rule over Egypt. But Rome and revenge are never too far away. With a beautifully designed cover and professionally typeset manuscript, this edition of William Shakespeare's Antony and Cleopatra is a classic of English literature reimagined for modern readers.

The Merry Wives of Windsor (1601) is a comedy by William Shakespeare. Following the success of Henry IV Part I, it is rumored that Queen Elizabeth requested that the bard write a play featuring the character Falstaff in love. Falstaff, a clownish character notable for his bravery and loyalty to King Henry V, remains one of Shakespeare's most beloved characters. Despite this prominence, it has earned a reputation as one of the playwright's least staged works. "Come, we have a hot venison pasty to dinner: come, gentlemen, I hope we shall drink down all unkindness." For his wit and wordplay alone, William Shakespeare is often considered the greatest writer to ever work in the English language. Where he truly triumphs, however, is in his ability to portray complex human emotions, how these emotions contribute to relationships, and how these relationships interact with politics, culture, and religion. Arriving in Windsor with an empty stomach and even emptier pockets, Falstaff comes up with a plan to seduce a wealthy woman. When his servants refuse to deliver his letters to Mistresses Ford and Page-both of them married-he fires Pistol and Nym, who subsequently inform the ladies' husbands. Eventually, the Mistresses get their hands on Falstaff's letters and, upon discovering they are exactly the same, conspire to embarrass the aging, overweight bachelor. With a beautifully designed cover and professionally typeset manuscript, this edition of William Shakespeare's The Merry Wives of Windsor is a classic of English literature reimagined for modern readers.

When Julius Caesar arrives in Egypt and finds Cleopatra in hiding, he encourages her to return to the palace and embrace her role as queen. Shaw depicts an unlikely pair that bond over a common goal. As Roman forces invade Egypt, Julius Caesar stumbles across a young Cleopatra hiding amongst the statues. He initially conceals his identity, as the queen expresses concern over Caesar and his impending army. When he convinces her to return to the palace, she soon discovers his true name. Following a brief exchange, the young woman is relieved as Caesar has quelled her worst fears. Yet, in the midst of a Roman occupation, Cleopatra and her brother Ptolemy engage in a bitter battle for the Egyptian throne. In Caesar and Cleopatra, George Bernard Shaw explores the unique dynamic between two of history's most notable figures. It's a cynical but entertaining view of the political warfare that ravaged Ancient Egypt. With his sharp prose, Shaw revitalizes the classic story and its infamous characters. With an eye-catching new cover, and professionally typeset manuscript, this edition of Caesar and Cleopatra is both modern and readable.

Othello, the general of the Venetian army, holds much power and influence but becomes the target of an insidious plot to steal his coveted position. He is overcome with paranoia and enthralled with rumors of his wife's potential infidelity. Othello has fallen in love with a senator's daughter, Desdemona, and the two secretly marry. Their partnership generates shock and confusion as Desdemona was also loved by Roderigo, who'd already asked for her hand. Othello's ensign, Iago, is envious of the general and is spurned when he promotes the young Cassio to a higher position. This marks the beginning of a plot in which Iago plans to destroy Othello's personal and professional life. He attacks his marriage by stoking the flames of jealousy, insinuating Desdemona's infidelity. This leads to a violent confrontation with a morbid outcome. Othello is one of William Shakespeare's most well-known plays. It tackles multiple topics including race, gender, politics and revenge. It's a gripping drama that details the dangers of greed, envy and their inescapable consequences. With an eye-catching new cover, and professionally typeset manuscript, this edition of Othello is both modern and readable.

Prospero is the rightful Duke of Milan, who was disposed by his brother Antonio and forced to flee the country with his young daughter, Miranda. For years, they have occupied a remote island that's suddenly disturbed by his brother's return. A ship carrying a group of passengers including King Alonso and Antonio, the Duke of Milan, crash on an isolated island. The land has been home to Prospero, Antonio's brother who is also the rightful duke. Prospero has used magic to bring the men to him where he plans to enact his revenge. But he must navigate the romance between his daughter Miranda, and the king's son, Ferdinand, as well as the growing resentment of his manservant Caliban. The Tempest centers a family in crisis alongside a budding love story. It's a captivating tale full of magic and striking visuals that amplify the characters' internal conflict. The play was famously adapted for film in 2010 with Oscar-winner Helen Mirren as Prospera, a female version of Prospero. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Tempest is both modern and readable.

First published in 1982, this volume responds to the attribution of numerous plays to Shakespeare which were not his own and selects four plays which have been ascribed in whole or in part to Shakespeare by responsible, talented scholars: The Reign of King Edward III, Sir Thomas More, The History of Cardenio and The Two Noble Kinsmen. Included in the bibliography are all the books, chapters and appendices of books, articles, review articles, reviews and notices of stage productions and a limited number of the more substantial discussions dealing with the four plays and published since 1930. The bibliography is organized by play with an initial section listing items dealing with two or more plays.

The marriage between a duke and Amazon queen sparks a massive celebration, which leads to a congregation of woodland residents, Fairyland creatures and surprising lovers. Set in Athens, A Midsummer Night's Dream follows unsuspecting couples as they fall prey to a supernatural ploy. Four plots simultaneously take place during the wedding preparations for Theseus, the duke of Athens and Hippolyta, the Amazon queen. Four young people, Hermia, Demetrius, Helena and Lysander, are struggling under the weight of unrequited love and politics. A performance troupe, led by the overhearing Nick Bottom, is rehearsing for the reception. Meanwhile, Oberon, king of the fairies and his queen, Titania have a disagreement that leads to a fantastical error. Oberon commands Puck, a sprite, to apply a magical juice to the eyelids of Titania in hopes that she will fall in love with the first thing she sees. He also applies it to Hermia, Demetrius, Helena and Lysander. Unfortunately, it forces both men to fall in love with Helena, leaving Hermia further isolated. A Midsummer Night's Dream is one of William Shakespeare's most popular and aesthetically pleasing plays. The woodland backdrop and the unexpected romance makes for a delightfully entertaining read. The emotionally charged characters are the driving force behind this multifaceted story. With an eye-catching new cover, and professionally typeset manuscript, this edition of A Midsummer Night's Dream is both modern and readable.

William Shakespeare's Othello (1601-2) has delighted and disturbed theatre audiences for the past four centuries, and remains one of the most frequently performed and widely studied of his plays. This volume is a broad-ranging guide to Othello, providing an introduction to:
* the contexts of the play, through a concise, accessible overview, a chronology and reprinted documents from the period
* the range of critical responses to the play, through a brief critical history and reprinted critical texts, accompanied by explanatory headnotes; and
* the play in performance, through a selection of clearly introduced readings on this topic, along with illustrations.
The sourcebook then examines key passages of the play in detail. Each passage is reprinted in full, along with a headnote and annotations offering crucial guidance to Shakespeare's language and the critical issues which surround the text. Throughout the volume, cross-references link together the contextual materials, critical responses and the play's text.
If you are beginning to study Othello, this Routledge Literary Sourcebook is the one guide you cannot afford to be without.

This volume is a collection of all-new original essays covering everything from feminist to postcolonial readings of the play as well as source queries and analyses of historical performances of the play. The Merchant of Venice is a collection of seventeen new essays that explore the concepts of anti-Semitism, the work of Christopher Marlowe, the politics of commerce and making the play palatable to a modern audience. The characters, Portia and Shylock, are examined in fascinating detail. With in-depth analyses of the text, the play in performance and individual characters, this book promises to be the essential resource on the play for all Shakespeare enthusiasts.

Shakespeare's Sonnets are universally loved and much-quoted throughout the world, while debates still rage as to the identity of the Dark Lady and how autobiographical the sonnets really are. This revised edition has been updated in the light of new scholarship and critical analysis since its first publication which won a wide range of critical acclaim. Author Katherine Duncan Jones tackles the controversies and mysteries surrounding these beautiful poems head on, and explores the issues of sexuality to be found in them, making this a truly modern edition for today's readers and students.

For more than a century educators, students and general readers have relied on The Arden Shakespeare to provide the very best scholarship and most authoritative texts available.

Including twenty-one groundbreaking chapters that examine one of Shakespeare's most complex tragedies. Othello:Critical Essays explores issues of friendship and fealty, love and betrayal, race and gender issues, and much more.

One of the most intense and painful of our human passions, shame is typically seen in contemporary culture as a disability or a disease to be cured. Shakespeare's ultimately positive portrayal of the emotion challenges this view. Drawing on philosophers and theorists of shame, Shame in Shakespeare analyses the shame and humiliation suffered by the tragic hero, providing not only a new approach to Shakespeare but a committed and provocative argument for reclaiming shame.
The volume provides:
· an account of previous traditions of shame and of the Renaissance context
· a thematic map of the rich manifestations of both masculine and feminine shame in Shakespeare
· detailed readings of Hamlet, Othello, and King Lear
· an analysis of the limitations of Roman shame in Antony and Cleopatra and Coriolanus
· a polemical discussion of the fortunes of shame in modern literature after Shakespeare.
The book presents a Shakespearean vision of shame as the way to the world outside the self. It establishes the continued vitality and relevance of Shakespeare and offers a fresh and exciting way of seeing his tragedies.

How do performances of Shakespeare change the meanings of the plays?
In this controversial new book, Sarah Werner argues that the text of a Shakespeare play is only one of the many factors that give a performance its meaning. By focusing on The Royal Shakespeare Company, Werner demonstrates how actor training, company management and gender politics fundamentally affect both how a production is created and the interpretations it can suggest.
Werner concentrates particularly on:
The influential training methods of Cicely Berry and Patsy Rodenburg
The history of the RSC Women's Group
Gale Edwards' production of The Taming of the Shrew
She reveals that no performance of Shakespeare is able to bring the plays to life or to realise the playwright's intentions without shaping them to mirror our own assumptions.
By examining the ideological implications of performance practices, this book will help all interested in Shakespeare's plays to explore what it means to study them in performance.

One of the most intense and painful of our human passions, shame is typically seen in contemporary culture as a disability or a disease to be cured. Shakespeare's ultimately positive portrayal of the emotion challenges this view. Drawing on philosophers and theorists of shame, Shame in Shakespeare analyzes the shame and humiliation suffered by the tragic hero, providing not only a new approach to Shakespeare but a committed and provocative argument for reclaiming shame.
The volume provides:
· an account of previous traditions of shame and of the Renaissance context
· a thematic map of the rich manifestations of both masculine and feminine shame in Shakespeare
· detailed readings of Hamlet, Othello, and King Lear
· an analysis of the limitations of Roman shame in Antony and Cleopatra and Coriolanus
· a polemical discussion of the fortunes of shame in modern literature after Shakespeare.
The book presents a Shakespearean vision of shame as the way to the world outside the self. It establishes the continued vitality and relevance of Shakespeare and offers a fresh and exciting way of seeing his tragedies.

The link between psychoanalysis as a mode of interpretation and Shakespeare's works is well known. But rather than merely putting Shakespeare on the couch, Philip Armstrong focuses on the complex and fascinatingly fruitful mutual relationship between Shakespeare's texts and psychoanalytic theory. He shows how the theories of Freud, Rank, Jones, Lacan, Erikson, and others are themselves in a large part the product of reading Shakespeare.
Armstrong provides an introductory cultural history of the relationship between psychoanalytic concepts and Shakespearean texts. This is played out in a variety of expected and unexpected contexts, including:
*the early modern stage
*Hamlet and The Tempest *Freud's analytic session
*the Parisian intellectual scene
*Hollywood
*the virtual space of the PC

'It reads as freshly today as it did fifty years ago, when it surprised everyone with its originality and daring, an intriguing blend of personal insight and solid detective-work. If ever a word-book deserved to be called a classic, it is this.' - David Crystal

The Winter's Tale is Shakespeare's most perfectly realized tragicomedy, as notable for its tragic intensity as for its comic grace and, throughout, for the richness and complexity of its poetry. It concludes, moreover, with the most daring and moving reconciliation scene in all Shakespeare's plays. Though the title may suggest an escapist fantasy, recent criticism has seen in the play a profoundly realistic psychology and a powerful commentary on the violence implicit in family relationships and deep, longlasting friendships. Stephen Orgel's edition considers the play in relation to Renaissance conceptions of both dramatic genre and the family, traced the changing critical and theatrical attitudes towards it, and places its psychological and dramatic conflicts within the Jacobean cultural and political context. The commentary pays special attention to the play's linguistic complexity, and the edition also includes a complete reprint of Shakespeare's source, Pandosto, by Robert Greene.