Coffee has been grown on Java for the commercial market since the early eighteenth century, when the Dutch East India Company began buying from peasant producers in the Priangan highlands. What began as a commercial transaction, however, soon became a system of compulsory production. This book shows how the Dutch East India Company mobilised land and labour, why they turned to force cultivation, and what effects the brutal system they installed had on the economy and society.

The transition from chattel slavery to forced labour in Africa and the Caribbean during the nineteenth and early twentieth centuries has commanded increasing attention from scholars in recent years. The Wages of Slavery tackles this subject from a protoproletarian perspective, studies new labour regimes in Africa and the Caribbean, and discusses work practices before and after emancipation the nature of the working week, subsistence and surplus for slaves and free person, and labour negotiations and confrontations.

First published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.

"For a Vast Future Also": Essays from The Journal of the Abraham Lincoln Association, brings together the most informative and thoughtful articles by fourteen accomplished scholars in the Lincoln field. The essays provide compact, detailed treatments concerning different facets of three general themes: Lincoln and the problems of emancipation; Lincoln and presidential politics; and the Lincoln legacy. Readers of the collection will understand why the Civil War profoundly changed the nation. These essays give insight into how Lincoln and his administration dealt with the profound issues of war and slavery and the continuing legacy of Lincoln and the war. No book or essay collection brings together the writings of such luminaries in the field as John Hope Franklin, James M. McPherson, Don E. Fehrenbacher, T. Harry Williams, Phillip S. Paludan, Harold Hyman, John Niven, William A. Gienapp, Norman B. Ferris, John T. Hubbell, Arthur Zilversmit, Eugene H. Berwanger, Christopher N. Breiseth, and Michael Vorenberg. Researchers now have these valuable essays available in one volume. It offers the general public the distillation of scholarship supported by the Abraham Lincoln Association over the past twenty-five years. And college and university introductory courses will find this book a valuable summary of, and introduction to, the major issues of the Civil War period.

First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

The Dred Scott decision of 1857 is widely (and correctly) regarded as the very worst in the long history of the U.S. Supreme Court. The decision held that no African American could ever be a U.S. citizen and declared that the Missouri Compromise of 1820 was unconstitutional and void. The decision thus appeared to promise that slavery would be forever protected in the great American West. Prompting mass outrage, the decision was a crucial step on the road that led to the Civil War. Dred Scott and the Dangers of a Political Court traces the history of the case and tells the story of many of the key people involved, including Dred and Harriet Scott, President James Buchanan, Chief Justice Roger Taney, and Abraham Lincoln. The book also examines in some detail each of the nine separate Opinions written by the Court's Justices, connecting each with the respective Justices' past views on slavery and the law. That examination demonstrates that the majority Justices were willing to embrace virtually any flimsy legal argument they could find at hand in an effort to justify the pro-slavery result they had predetermined. Many modern commentators view the case chiefly in relation to Roe v Wade and related controversies in modern constitutional law: some conservative critics attempt to argue that Dred Scott exemplifies "aspirationalism" or "judicial activism" gone wrong; some liberal critics in turn try to argue that Dred Scott instead represents "originalism" or "strict constructionism" run amok. Here, Judge Ethan Greenberg demonstrates that none of these modern critiques has much merit. The Dred Scott case was not about constitutional methodology, but chiefly about slavery, and about how very far the Dred Scott Court was willing to go to protect the political interests of the slave-holding South. The decision was wrong because the Court subordinated law and intellectual honesty to politics. The case thus exemplifies the dangers of a political Court.

When newly-liberated African American slaves attempted to enter the marketplace and exercise their rights as citizens of the United States in 1865, few, if any, Americans expected that, a century and a half later, the class divide between black and white Americans would be as wide as it is today. The United States has faced several potential key turning points in the status of African Americans over the course of its history, yet at each of these points the prevailing understanding of African Americans and their place in the economic and political fabric of the country was at best contested and resolved on the side of second-class citizenship. The Oxford Handbook of African American Citizenship, 1865-Present seeks to answer the question of what the United States would look like today if, at the end of the Civil War, freed slaves had been granted full political, social and economic rights. It does so by tracing the historical evolution of African American experiences, from the dawn of Reconstruction onward, through the perspectives of sociology, political science, law, economics, education and psychology. As a whole, the book is the first systematic study of the gap between promise and performance of African Americans since 1865. Over the course of thirty-four chapters, written by some of the most eminent scholars of African American studies and across every major social discipline, this Handbook presents a full and powerful portrait of the particular hurdles faced by African Americans and the distinctive contributions African Americans have made to the development of U.S. institutions and culture. As such, it tracks where African Americans have been in order to better illuminate the path ahead.

Disability is often mentioned in discussions of slave health, mistreatment and abuse, but constructs of how "able" and "disabled" bodies influenced the institution of slavery has gone largely overlooked. This volume uncovers a history of disability in African American slavery from the primary record, analyzing how concepts of race, disability, and power converged in the United States in the first half of the nineteenth century. Slaves with physical and mental impairments often faced unique limitations and conditions in their diagnosis, treatment, and evaluation as property. Slaves with disabilities proved a significant challenge to white authority figures, torn between the desire to categorize them as different or defective and the practical need to incorporate their "disorderly" bodies into daily life. Being physically "unfit" could sometimes allow slaves to escape the limitations of bondage and oppression, and establish a measure of self-control. Furthermore, ideas about and reactions to disability-appearing as social construction, legal definition, medical phenomenon, metaphor, or masquerade-highlighted deep struggles over bodies in bondage in antebellum America.

Serfdom and Slavery compares the two forms of legal servitude in cultures in Western civilization, in Europe and the New World from ancient times to the modern period. Within a tightly controlled framework of general contextual chapters followed by specific case studies, a distinguished team of scholars offers 17 specially written essays that illuminate the nature, development, impact and termination of serfdom and slavery in European society. While the case studies range form classical Greece to early modern Brandenburg, and from medieval England to nineteenth-century Russia, the volume as a whole is closely integrated. It makes an important contribution to a topic of increasing international interest.

First Published in 2005. The task of compiling a bibliography of the African slave trade is a difficult one as the literature comprises books, pamphlets and periodical articles in a variety of languages from the sixteenth century to the present day. This title aspires to present a representative selection of the material available and serve as a guide to the main categories of printed material on the subject in western languages. Due to their pre-existing availability and overwhelming quantity, government publications have been kept to a minimum.

First Published in 1971. Routledge is an imprint of Taylor & Francis, an informa company.

This volume examines the evolution of the depictions of black femininity in French visual culture as a prism through which to understand the Global North's destructive relationship with the natural world. Drawing on a broad spectrum of archives extending back to the late 18th century - paintings, fashion plates, prints, photographs, and films - this study traces the intricate ways a patriarchal imperialism and a global capitalism have paired black women with the realm of nature to justify the exploitation both of people and of ecosystems. These dehumanizing and speciesist strategies of subjugation have perpetuated interlocking patterns of social injustice and environmental depletion that constitute the most salient challenges facing humankind today. Through a novel approach that merges visual studies, critical race theory, and animal studies, this interdisciplinary investigation historicizes the evolution of the boundaries between human and non-human animals during the modern period. The book will be of interest to scholars working in art history, visual studies, critical race theory, colonial and post-colonial studies, animal studies, and French studies.

Sarah and Angelina Grimke-the Grimke sisters-are revered figures in American history, famous for rejecting their privileged lives on a plantation in South Carolina to become firebrand activists in the North. Their antislavery pamphlets, among the most influential of the antebellum era, are still read today. Yet retellings of their epic story have long obscured their Black relatives. In The Grimkes, award-winning historian Kerri Greenidge presents a parallel narrative, indeed a long-overdue corrective, shifting the focus from the white abolitionist sisters to the Black Grimkes and deepening our understanding of the long struggle for racial and gender equality. That the Grimke sisters had Black relatives in the first place was a consequence of slavery's most horrific reality. Sarah and Angelina's older brother, Henry, was notoriously violent and sadistic, and one of the women he owned, Nancy Weston, bore him three sons: Archibald, Francis, and John. While Greenidge follows the brothers' trials and exploits in the North, where Archibald and Francis became prominent members of the post-Civil War Black elite, her narrative centers on the Black women of the family, from Weston to Francis's wife, the brilliant intellectual and reformer Charlotte Forten, to Archibald's daughter, Angelina Weld Grimke, who channeled the family's past into pathbreaking modernist literature during the Harlem Renaissance. In a grand saga that spans the eighteenth century to the twentieth and stretches from Charleston to Philadelphia, Boston, and beyond, Greenidge reclaims the Black Grimkes as complex, often conflicted individuals shadowed by their origins. Most strikingly, she indicts the white Grimke sisters for their racial paternalism. They could envision the end of slavery, but they could not imagine Black equality: when their Black nephews did not adhere to the image of the kneeling and eternally grateful slave, they were cruel and relentlessly judgmental-an emblem of the limits of progressive white racial politics. A landmark biography of the most important multiracial American family of the nineteenth century, The Grimkes suggests that just as the Hemingses and Jeffersons personified the racial myths of the founding generation, the Grimkes embodied the legacy-both traumatic and generative-of those myths, which reverberate to this day.

Slavery and Augustan Literature investigates slavery in the work of Jonathan Swift, Alexander Pope and John Gay. These three writers were connected with a Tory ministry, which attempted to increase substantially the English share of the international slave trade. They all wrote in support of the treaty that was meant to effect that increase. The book begins with contemporary ideas about slavery, with the Tory ministry years and with texts written during those years. These texts tend to obscure the importance of the slave trade to Tory planning. In its second half, the book analyses the attitudes towards slavery in Pope's Horatian poems, An Essay on Man, Polly, A Modest Proposal and Gulliver's Travels. John Richardson shows how, despite differences, Swift, Pope and Gay adopt a mixed position of admiration for freedom alongside implicit support for slavery.

A "Choice" Magazine Outstanding Academic Title
Widely remembered as a time of heated debate over the westward expansion of slavery, the 1850s in the United States was also a period of mass immigration. As the sectional conflict escalated, discontented Europeans came in record numbers, further dividing the young republic over issues of race, nationality, and citizenship. The arrival of German-speaking "Forty-Eighters," refugees of the failed European revolutions of 1848-49, fueled apprehensions about the nation's future. Reaching America did not end the foreign revolutionaries' pursuit of freedom; it merely transplanted it.

In "We Are the Revolutionists," Mischa Honeck offers a fresh appraisal of these exiled democrats by probing their relationship to another group of beleaguered agitators: America's abolitionists. Honeck details how individuals from both camps joined forces in the long, dangerous battle to overthrow slavery. In Texas and in cities like Milwaukee, Cincinnati, and Boston this cooperation helped them find new sources of belonging in an Atlantic world unsettled by massive migration and revolutionary unrest.

Employing previously untapped sources to write the experience of radical German emigres into the abolitionist struggle, Honeck elucidates how these interethnic encounters affected conversations over slavery and emancipation in the United States and abroad. Forty-Eighters and abolitionists, Honeck argues, made creative use not only of their partnerships but also of their disagreements to redefine notions of freedom, equality, and humanity in a transatlantic age of racial construction and nation making.

Winner of the 2015 LGBT Studies Award presented by the Lambda Literary Foundation Unearths connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture that has largely been ignored until now Scholars of US and transatlantic slavery have largely ignored or dismissed accusations that Black Americans were cannibalized. Vincent Woodard takes the enslaved person's claims of human consumption seriously, focusing on both the literal starvation of the slave and the tropes of cannibalism on the part of the slaveholder, and further draws attention to the ways in which Blacks experienced their consumption as a fundamentally homoerotic occurrence. The Delectable Negro explores these connections between homoeroticism, cannibalism, and cultures of consumption in the context of American literature and US slave culture. Utilizing many staples of African American literature and culture, such as the slave narratives of Olaudah Equiano, Harriet Jacobs, and Frederick Douglass, as well as other less circulated materials like James L. Smith's slave narrative, runaway slave advertisements, and numerous articles from Black newspapers published in the nineteenth century, Woodard traces the racial assumptions, political aspirations, gender codes, and philosophical frameworks that dictated both European and white American arousal towards Black males and hunger for Black male flesh. Woodard uses these texts to unpack how slaves struggled not only against social consumption, but also against endemic mechanisms of starvation and hunger designed to break them. He concludes with an examination of the controversial chain gang oral sex scene in Toni Morrison's Beloved, suggesting that even at the end of the twentieth and beginning of the twenty-first century, we are still at a loss for language with which to describe Black male hunger within a plantation culture of consumption.

This book is a transnational and comparative study examining the processes that led to the memorialization of slavery and the Atlantic slave trade in the second half of the twentieth century. Araujo explores numerous kinds of initiatives such as monuments, memorials, and museums as well as heritage sites. By connecting different projects developed in various countries and urban centers in Europe, Africa, and the Americas during the last two decades, the author retraces the various stages of the Atlantic slave trade and slavery including the enslavement in Africa, the process of confinement in slave depots, the Middle Passage, the arrival in the Americas, the daily life of forced labor, until the fight for emancipation and the abolition of slavery. Relying on a multitude of examples from the United States, Brazil, and the Caribbean, the book discusses how different groups and social actors have competed to occupy the public arena by associating the slave past with other human atrocities, especially the Holocaust. Araujo explores how the populations of African descent, white elites, and national governments, very often carrying particular political agendas, appropriated the slave past by fighting to make it visible or conceal it in the public space of former slave societies.

This book analyzes textual representations of Jamaican slave women in three contexts--motherhood, intimate relationships, and work--in both pro- and antislavery writings. Altink examines how British abolitionists and pro-slavery activists represented the slave women to their audiences and explains not only the purposes that these representations served, but also their effects on slave women's lives.

In Slavery and the Founders, Paul Finkelman addresses a central issue of the American founding: how the first generation of leaders of the United States dealt with the profoundly important question of human bondage. The book explores the tension between the professed idea of America as stated in the Declaration of Independence, and the reality of the early American republic, reminding us of the profound and disturbing ways that slavery affected the U.S. Constitution and early American politics. It also offers the most important and detailed short critique of Thomas Jefferson's relationship to slavery available, while at the same time contrasting his relationship to slavery with that of other founders. This third edition of Slavery and the Founders incorporates a new chapter on the regulation and eventual (1808) banning of the African slave trade.

During the revolutionary era, in the midst of the struggle for liberty from Great Britain, Americans up and down the Atlantic seaboard confronted the injustice of holding slaves. Lawmakers debated abolition, masters considered freeing their slaves, and slaves emancipated themselves by running away. But by 1800, of states south of New England, only Pennsylvania had extricated itself from slavery, the triumph, historians have argued, of Quaker moralism and the philosophy of natural rights. With exhaustive research of individual acts of freedom, slave escapes, legislative action, and anti-slavery appeals, Nash and Soderlund penetrate beneath such broad generalizations and find a more complicated process at work. Defiant runaway slaves joined Quaker abolitionists like Anthony Benezet and members of the Pennsylvania Abolition Society to end slavery and slave owners shrewdly calculated how to remove themselves from a morally bankrupt institution without suffering financial loss by freeing slaves as indentured servants, laborers, and cottagers.

In Mastering Slavery, Fleischner draws upon a range of disciplines, including psychoanalysis, African-American studies, literary theory, social history, and gender studies, to analyze how the slave narratives--in their engagement with one another and with white women's antislavery fiction--yield a far more amplified and complicated notion of familial dynamics and identity than they have generally been thought to reveal. Her study exposes the impact of the entangled relations among master, mistress, slave adults and slave children on the sense of identity of individual slave narrators. She explores the ways in which our of the social, psychological, biological--and literary--crossings and disruptions slavery engendered, these autobiographers created mixed, dynamic narrative selves.

Slavery, War, and a New Birth of Freedom: 1840s-1877, a new title in the six-title series History Through Literature: American Voices, American Themes, provides insights and analysis regarding the history, literature, and cultural climate of the eras of slavery, the Civil War, and Reconstruction. It brings together informational text and primary documents that cover notable historic events and trends, authors, literary works, social movements, and cultural and artistic themes. Slavery, War, and a New Birth of Freedom begins with an interdisciplinary Chronology that identifies, defines, and places in context the notable historical events, literary works, authors' lives, and cultural landmarks of the period. This is followed by a comprehensive overview essay that summarizes the era's major historical trends, social movements, cultural and artistic themes, literary voices, and enduring works as reflections of each other and the spirit of the times. The core content comprises 20-30 articles on representative writers of the period, along with excerpts from essential literary works that highlight a historical theme, sociocultural movement, or the confluence of the two. These excerpts serve the Common Core emphasis on "informational texts from a broad range of cultures and periods", including "stories, drama, poetry, and literary nonfiction".

Slavery, War, and a New Birth of Freedom: 1840s-1877, a new title in the six-title series History Through Literature: American Voices, American Themes, provides insights and analysis regarding the history, literature, and cultural climate of the eras of slavery, the Civil War, and Reconstruction. It brings together informational text and primary documents that cover notable historic events and trends, authors, literary works, social movements, and cultural and artistic themes. Slavery, War, and a New Birth of Freedom begins with an interdisciplinary Chronology that identifies, defines, and places in context the notable historical events, literary works, authors' lives, and cultural landmarks of the period. This is followed by a comprehensive overview essay that summarizes the era's major historical trends, social movements, cultural and artistic themes, literary voices, and enduring works as reflections of each other and the spirit of the times. The core content comprises 20-30 articles on representative writers of the period, along with excerpts from essential literary works that highlight a historical theme, sociocultural movement, or the confluence of the two. These excerpts serve the Common Core emphasis on "informational texts from a broad range of cultures and periods", including "stories, drama, poetry, and literary nonfiction".

"This first-rate biography presents us with a heroine considerably more interesting--more original, more powerful--than the personality sentimentalists have often portrayed."
--"The New Yorker"

"Mabee chronicles Truth's life with restrained passion, refusing to fall into the traps of history by accepting what has merely been repeated...It is impressive in its depth, sparking a new interest in the woman being unveiled--a woman so many of us thought we already knew."
--"The Boston Globe"

"I am particulary impressed with the extremely high quality of the primary research and with the presentation of specific historical evidence on areas of Truth's life. . . . that have been mythologized by other writers. The book is obviously the result of years of careful and laborious sifting through antislavery newspapers and memoirs of Truth's activist associates. . . . [and] makes an invaluable contribution to our understanding of this woman's public life and her relationship to the reform movements of nineteenth-century America. Equally important, in a tempered and reasoned way, it presents us with an object lesson in how political movements (perhaps necessarily) attempt to appropriate. . . . historical hero figures for their own purposes.

"Sojourner Truth" will stimulate lively discussions among both academics and nonacademics interested in the history of race relations in the United States."
--Jean Humez, author of "Gifts of Power: The Writings of Rebecca Jackson, Black Visionary, Shaker Eldress"

Many Americans have long since forgotten that there ever was slavery along the Hudson River. Yet Sojourner Truth was born a slave near the Hudson River in Ulster County, New York, in the late 1700s. Called merely Isabella as a slave, once freed she adopted the name of Sojourner Truth and became a national figure in the struggle for the emancipation of both blacks and women in Civil War America.

Despite the discrimination she suffered as both a black and a woman, Truth significantly shaped both her own life and the struggle for human rights in America. Through her fierce intelligence, her resourcefulness, and her eloquence, she became widely acknowledged as a remarkable figure during her life, and she has become one of the most heavily mythologized figures in American history.

While some of the myths about Truth have served positive functions, they have also contributed to distortions about American history, specifically about the history of blacks and women. In this landmark work, the product of years of primary research, Pulizter-Prize winning biographer Carleton Mabee has unearthed the best available sources about this remarkable woman to reconstruct her life as directly as the most original and reliable available sources permit. Included here are new insights on why she never learned to read, on the authenticity of the famous quotations attributed to her (such as Ar'n't I a woman?), her relationship to President Lincoln, her role in the abolitionist movement, her crusade to move freed slaves from the South to the North, and her life as a singer, orator, feminist and woman of faith. This is an engaging, historically precise biography that reassesses the place of Sojourner Truth--slave, prophet, legend--in American history.

Sojourner Truth is one of the most famous and most mythologized figures in American history. Pulitzer-Prize-winning biographerCarleton Mabee unearths heretofore-neglected sources and offers valuable new insights into the life of a woman who, against all odds, became a central figure in the struggle for the emancipation of slaves and women in Civil War America.

The Amistad incident, one of the few successful ship revolts in the history of enslavement, has been discussed by historians for decades, even becoming the subject of a Steven Spielberg film in 1997, which brought the story to wide audiences. But, while historians have examined the Amistad case for its role in the long history of the Atlantic, the United States and slavery, there is an oil on canvas painting of one man, Cinque, at the center of this story, an image so crucial to the continual retelling and memorialization of the Amistad story, it is difficult to think about the Amistad and not think of this image. Visual and material culture about the Amistad in the form of paintings, prints, monuments, memorials, museum exhibits, quilts and banners, began production in the late summer of 1839 and has not yet ceased. Art of the Amistad and The Portrait of Cinque is the first book to survey in total these Amistad inspired images and related objects, and to find in them shared ideals and cultural creations, but also divergent applications of the story based on intended audience and local context. Tracing the revolutionary creation of what art historian Stephen Eisenman calls "a highly individualized, noble portrait of an African man," Art of the Amistad and The Portrait of Cinque is built around visual and material culture, and thus does not use images merely as illustration, but tells its story through the wide range of images and materials presented. While the Portrait of Cinque seems to sit quietly behind Plexiglass at a local history museum, the impact of this 175-year old painting is palpable; very few portraits from the 19th century-let alone a portrait of a black man-remain a relevant part of culture as the Portrait of Cinque continues to be today. Art of the Amistad the Portrait of Cinque is about the art and artifacts that continue to inform and inspire our understanding of transatlantic history-a journey 175 years in the making.