CHOICE Outstanding Academic Title 2017 The first social and cultural history of vagrancy between 1650 and 1750, this book combines sources from across England and the Atlantic world to describe the shifting and desperate experiences of the very poorest and most marginalized of people in early modernity; the outcasts, the wandering destitute, the disabled veteran, the aged labourer, the solitary pregnant woman on the road and those referred to as vagabonds and beggars are all explored in this comprehensive account of the subject. Using a rich array of archival and literary sources, Vagrancy in English Culture and Society, 1650-1750 offers a history not only of the experiences of vagrants themselves, but also of how the settled 'better sort' perceived vagrancy, how it was culturally represented in both popular and elite literature as a shadowy underworld of dissembling rogues, gypsies, and pedlars, and how these representations powerfully affected the lives of vagrants themselves. Hitchcock's is an important study for all scholars and students interested in the social and cultural history of early modern England.

Marian Hobson's work has made a seminal contribution to our understanding of the European Enlightenment, and of Diderot and Rousseau in particular. This book presents her most important articles in a single volume, translated into English for the first time. Hobson's distinctive approach is to take a given text or problematique and position it within its intellectual, historical and polemical context. From close analysis of the underlying conceptual structures of literary texts, she offers a unique insight into the vibrant networks of people and ideas at work throughout Europe, and across disciplinary boundaries as diverse as literature and mathematics, medicine and music. In their translations of Hobson's essays, Kate Tunstall and Caroline Warman present the primary sources in both the original eighteenth-century French and modern English, making the detail of these debates accessible to everyone, from the specialist to the student, whatever their academic discipline or interest.

The volume Landscapes of Affect and Emotion maps out the current approaches on emotion and affect in environmental humanities and interdisciplinary landscape studies. It discusses the contemporary emotional turn in humanities and its relation to space, place and landscape. Emotions and affects are addressed from three main angles: representation and symbolic landscape, place experience and lifeworlds, and landscape as an embodied set of practices. These are studied in terms of the changing human-nature relationship, focusing on politicisations and contestations of landscape as well as boundaries and hybridity between culture and nature.

Sex, Time and Place extensively widens the scope of what we might mean by 'queer London studies'. Incorporating multidisciplinary perspectives - including social history, cultural geography, visual culture, literary representation, ethnography and social studies - this collection asks new questions, widens debates and opens new subject terrain. Featuring essays from an international range of established scholars and emergent voices, the collection is a timely contribution to this growing field. Its essays cover topics such as activist and radical communities and groups, AIDS and the city, art and literature, digital archives and technology, drag and performativity, lesbian Londons, notions of bohemianism and deviancy, sex reform and research and queer Black history. Going further than the existing literature on Queer London which focuses principally on the experiences of white gay men in a limited time frame, Sex, Time and Place reflects the current state of this growing and important field of study. It will be of great value to scholars, students and general readers who have an interest in queer history, London studies, cultural geography, visual cultures and literary criticism.

Author, political activist and salonniere, Germaine de Stael has become the focal point of groundbreaking research in women's studies, in performing arts, and in language/translation theory. In this multidisciplinary volume, a team of scholars concentrates on the vast range of her political and cultural engagements, both during and after the French Revolution. In this collection of studies, which examine issues as diverse as citizenship, immigration, abolition or constitutional liberalism, Stael's stance as a champion of moderation against the perils of extremism and polarization comes clearly to the fore. Contributors shed new light on the Groupe de Coppet, the circle of which she was the heart, and on the cosmopolitan networks she created within and beyond Europe. Other articles underline and reassess Stael's formative influence on national cultures distant in space and time, redefining her Italianism in Corinne ou l'Italie, analysing the British reception of her Considerations and exploring the impact of De l'Allemagne on American intellectual life. Germaine de Stael: forging a politics of mediation highlights Stael's pioneering place in the history of global interaction. She emerges as a truly modern thinker as well as an agent of multicultural exchange.

With careful reasoning supported by wide-ranging scholarship, this study exposes the fallacies of 'social constructionist' theories within lesbian and gay studies and makes a forceful case for the autonomy of queer identity and culture. It presents evidence that queers are part of a centuries-old history, possessing a unified historical and cultural identity. The volume reviews the fundamental historiographical issues about the nature of queer history, arguing that a new generation of queer historians will need to abandon authoritarian dogma founded upon politically-correct ideology rather than historical experience. Norton offers a clear exposition of the evidence for ancient, indigenous and pre-modern queer cultural continuity, revealing how knowledge of that history has been suppressed and censored and sets out the 'queer cultural essentialist' position on the key topics of queer history - role, identity, bisexuality, orientation, linguistics, social control, homophobia, subcultures, and kinship patterns.

A Best Book of 2021 by NPR and Esquire From Kliph Nesteroff, "the human encyclopedia of comedy" (VICE), comes the important and underappreciated story of Native Americans and comedy.It was one of the most reliable jokes in Charlie Hill's stand-up routine: "My people are from Wisconsin. We used to be from New York. We had a little real estate problem." In We Had a Little Real Estate Problem, acclaimed comedy historian Kliph Nesteroff focuses on one of comedy's most significant and little-known stories: how, despite having been denied representation in the entertainment industry, Native Americans have influenced and advanced the art form. The account begins in the late 1880s, when Native Americans were forced to tour in wild west shows as an alternative to prison. (One modern comedian said it was as "if a Guantanamo detainee suddenly had to appear on X-Factor.") This is followed by a detailed look at the life and work of seminal figures such as Cherokee humorist Will Rogers and Hill, who in the 1970s was the first Native American comedian to appear The Tonight Show. Also profiled are several contemporary comedians, including Jonny Roberts, a social worker from the Red Lake Nation who drives five hours to the closest comedy club to pursue his stand-up dreams; Kiowa-Apache comic Adrianne Chalepah, who formed the touring group the Native Ladies of Comedy; and the 1491s, a sketch troupe whose satire is smashing stereotypes to critical acclaim. As Ryan Red Corn, the Osage member of the 1491s, says: "The American narrative dictates that Indians are supposed to be sad. It's not really true and it's not indicative of the community experience itself...Laughter and joy is very much a part of Native culture." Featuring dozens of original interviews and the exhaustive research that is Nesteroff's trademark, We Had a Little Real Estate Problem is a powerful tribute to a neglected legacy.

Combining cultural history, literary analysis, and studies in economics, material life and gender, Rebecca Haidt shows how clothing and display penetrated all corners of eighteenth-century Spanish society, and reveals the ambivalence of women who wore, traded, mended, bartered, sold, stole or created garments that came to mark their status in society. Focussing on sainetes and tonadillas (popular short plays and musical sketches) the author examines the representation of a culture where 'fashion' was impossible to separate from issues of labor, commerce, and productivity. These theatrical skits exploit the resources of music, song and costume to heighten their depictions of women's work in garment production, circulation and display across the entire social spectrum. They provide a wealth of information about both eighteenth-century clothing cultures and women's struggles for identity, economic development and urban survival. As Rebecca Haidt demonstrates, women's dress is a key barometer of the cultural values of a period, expressing differences between affluent and poor, privileged and marginalized.

Saying that horses shaped the medieval world - and the way we see it today - is hardly an exaggeration. Why else do we imagine a medieval knight - or a nomadic warrior - on horseback? Why do we use such metaphors as "unbridled" or "bearing a yoke" in our daily language? Studies of medieval horses and horsemanship are increasingly popular, but they often focus on a single aspect of equestrianism or a single culture. In this book, you will find information about both elite and humble working equines, about the ideology and practicalities of medieval horsemanship across different countries, from Iceland to China. Contributors are Gloria Allaire, Luise Borek, Gail Brownrigg, Agnes Carayon, Gavina Cherchi, John C. Ford, Lois Forster, Jurg Gassmann, Rebecca Henderson, Anna-Lena Lange, Romain Lefebvre, Rena Maguire, Ana Maria S. A. Rodrigues, and Alexia-Foteini Stamouli.

In The Portuguese Slave Trade in Early Modern Japan: Merchants, Jesuits and Japanese, Chinese, and Korean Slaves, Lucio de Sousa offers a study on the system of traffic of Japanese, Chinese, and Korean slaves from Japan, using the Portuguese mercantile networks; reconstructs the Japanese communities in the Habsburg Empire; and analyses the impact of the Japanese slave trade on the Iberian legislation produced in the 16th and first half of the 17th centuries.

This volume offers a comprehensive overview of the Lifanyuan and Libu, revising and assessing the state of affairs in the under-researched field of these two institutions. The contributors explore the imperial policies towards and the shifting classifications of minority groups in the Qing Empire. This volume offers insight into how China's past has continued to inform its modern policies, as well as the geopolitical make-up of East Asia and beyond.

This book discusses WWI-era music in a historical context, explaining music's importance at home and abroad during WWI as well as examining what music was being sung, played, and danced to during the years prior to America's involvement in the Great War. Why was music so important to soldiers abroad during World War I? What role did music-ranging from classical to theater music, rags, and early jazz-play on the American homefront? Music of the First World War explores the tremendous importance of music during the years of the Great War-when communication technologies were extremely limited and music often took the place of connecting directly with loved ones or reminiscing via recorded images. The book's chapters cover music's contribution to the war effort; the variety of war-related songs, popular hits, and top recording artists of the war years; the music of Broadway shows and other theater productions; and important composers and lyricists. The author also explores the development of the fledgling recording industry at this time. Provides an excellent resource for students investigating music during the First World War as well as for adults interested in WWI-era history or music of the pre-twenties Documents the variety of reasons songs were sung by soldiers in wartime-to cheer themselves up, boost courage, poke fun at or stimulate hatred of their enemies, or express grievances or protest against the war or against authority Covers stage music of the WWI era, including music hall (British), vaudeville, revues, operettas, and musicals

Czestochowa was the home of the eighth largest Jewish community in Poland. After 1765, when there were 75 Jews in Czestochowa, the community grew steadily. With emancipation in 1862, many Jews migrated to Czestochowa and contributed to its industrial and commercial growth. In 1935, there were 27,162 Jews out of a total population of 127,504. When the Nazis deported Jews to Czestochowa to work in its munition factories, the Jewish population exceeded 50,000. Almost all perished in Treblinka. Anti-Jewish feeling was spurred on by the Church and Fascist groups that organized boycotts of Jewish stores and incited pogroms intended to drive the Jews out of the city. The Jewish labor movement fought unemployment and poor working conditions. Impoverished families were aided by community charitable funds. Jewish philanthropists established the non-sectarian "Jewish Hospital," progressive schools, two gymnasia and the "New Synagogue." During election seasons, the entire Jewish political spectrum, from the socialist parties to the ultra-Orthodox, competed in the self-governing body, and in the Municipal Council. By 1901, stylishly dressed men and women mixed in the streets with poor religious Jews in their traditional garb. A popular press, libraries, theaters, cinema, sporting events and youth movements gave Czestochowa Jews a variety of cultural choices to suit their politics, artistic taste, and modes of leisure. Public life transformed a dreary factory town into one of the most colorful and celebrated Jewish communities in Poland before and after the First World War.