A distinguished array of contributors intersect with and pay tribute to the work of Graham N. Stanton. The passing of Professor Graham Stanton, former Lady Margaret chair of divinity at Cambridge University, in 2009 marked the passing of an era in Matthean scholarship and studies of early Christianity. Stanton's fifteen books and dozens of articles span thirty-four years and centre largely on questions pertaining to the gospel of Matthew and early Christianity. The present volume pays tribute to Stanton by engaging with the principal areas of his research and contributions: the Gospel of Matthew and Early Christianity . Contributors to the volume each engage a research question which intersects the contribution of Stanton in his various spheres of scholarly influence and enquiry. The distinguished contributors include; Richard Burridge, David Catchpole, James D.G. Dunn, Craig A. Evans, Don Hagner, Peter Head, Anders Runesson and Christopher Tuckett. Formerly the Journal for the Study of the New Testament Supplement, a book series that explores the many aspects of New Testament study including historical perspectives, social-scientific and literary theory, and theological, cultural and contextual approaches. The Early Christianity in Context series, a part of JSNTS, examines the birth and development of early Christianity up to the end of the third century CE. The series places Christianity in its social, cultural, political and economic context. European Seminar on Christian Origins and Journal for the Study of the Historical Jesus Supplement are also part of JSNTS.

In Hollow Men, Strange Women, Robin Baker provides a masterly reappraisal of Israel's experience during its Settlement of Canaan as narrated in the Book of Judges. Written under Assyrian suzerainty in the reign of Manasseh, Judges is both a theological commentary on the Settlement and an esoteric work of prophecy. Its apparent historicity subtly encrypts a grim forewarning of Judah's future, and, in its extensive treatment of otherness, Judges explores the meaning of God's covenant with Israel. Robin Baker's scholarly and perceptive reading draws on a deep understanding of ancient Hebrew and Mesopotamian symbolic codes to interpret the riddles in this many-layered text. The Book of Judges reveals complex literary configurations from which past, present, and future are simultaneously presented.

King Jehoiachin, the last Judahite king exiled to Babylon, became the focus of conflicting hopes and fears about a revived Davidic kingship after the exile. As Sensenig demonstrates, this conflict stemmed from a drastic oracle from Jeremiah that seemed to categorically reject Jehoiachin, while the canon records that he not only survived but thrived in exile.

The Book of Revelation holds a special fascination for both scholars and the general public. The book has generated widely differing interpretations, yet Revelation has surprisingly not been the focus of many single-volume reference works. The Oxford Handbook of the Book of Revelation fills a need in the study of this controversial book. Thirty essays by leading scholars from around the world orient readers to the major currents in the study of Revelation. Divided into five sections-Literary Features, Social Setting, Theology and Ethics, History of Reception and Influence, and Currents in Interpretation-the essays identify the major lines of interpretation that have shaped discussion of these topics, and then work through the aspects of those topics that are most significant and hold greatest promise for future research.

The relationship between the Bible and literature continues to fascinate many scholars working in both fields. In this book, as the Gospels and the work of four Scottish writers are read together, their correspondences become manifest. The four writers, James Hogg, Robert Louis Stevenson, Mrs Oliphant and Lewis Grassic Gibbon, offer distinctive and accessible readings of the Gospels. Bringing the biblical texts and the work of these writers into conversation with one another highlights the changing ways the Bible influenced the fiction of the nineteenth and early twentieth centuries. Alison Jack shows that these novels function as exegeses of Gospel texts and ideas. What is offered here is not a simple noting of biblical allusions, but a narrative exploration of Gospel themes, ideas and stories, such as the Parable of the Prodigal Son, as they are woven through the content and form of the novels discussed, among them Hogg's Confessions of a Justified Sinner and Stevenson's The Master of Ballantrae. This weaving is never untouched by the influence of Calvinism on the imagination of these Scottish writers; but the influence, informed by the polymorphism of gospel discourse, is often surprising and certainly not static. This book offers an insight into a shifting literary world that will be of interest to biblical critics working on the reception history of the Gospels and to scholars of nineteenth- and twentieth-century Scottish literature, as well as to general readers who want to explore the hermeneutical issues raised by reading the Bible and literature together.

IsiZulu 2020 translation, medium-sized complete Bible with luxury brown bonded leather cover, gilt-edged, with thumb index, ribbon marker, cross references, footnotes and maps.

Morning is a time to embrace renewed opportunity, fresh perspective, and an overall sense of rejuvenation. Morning Reflections is a collection of powerful and inspirational reading that is dedicated to helping you begin each new day in a positive way. Christian and inspirational author and poet Karen Jean Matsko Hood has woven together poems, prayers, and Biblical verses to fill your soul and spirit with peace and understanding. Just like a hearty morning meal strengthens your physical body, it is equally important to center your emotions and nourish your spirit with the sure footing that can only come from a personal connection with the Creator. Morning Reflections offers enlightenment and wisdom through blending encouraging prose and Scripture passages. This truly insightful new book of reflections makes for a perfect bedside companion or as a topic of conversation over the coffee table. This book is a wonderful gift to friends and family for daily morning prayer and appreciation of Christ's teachings. It is also for those with whom we are given the opportunity to share and experience it.

A translation by David E. Orton of Die Klagegedichte des Jeremia, the seminal work by Walter Baumgartner examining the so-called 'confessions' of Jeremiah.

A quality Bible that youth will love.

The NIV Holy Bible for Boys, Soft Touch Edition will wow boys with its soft and flexible cover material offered at a great value. With a charcoal gray debossed cover and readable font, this Bible delivers a smooth reading experience that complements the most widely read contemporary-English Bible translation, the New International Version.

Features:

• The full text of the accurate, readable, and clear New International Version (NIV)
• Reading plan
• Plan of salvation
• Flush-cut cover with cool striped design
• Exclusive NIV Zondervan Comfort Print® typeface
• 7.5-point print size

Using the accurate, readable, and clear New International Version (NIV) text makes the Bible accessible and easy-to-read for kids. The NIV is the result of over 50 years of work by the Committee on Bible Translation, who oversee the efforts of many contributing scholars. Representing the spectrum of evangelicalism, the translators come from a wide range of denominations and various countries and continually review new research to ensure the NIV remains at the forefront of accessibility, relevance, and authority. Every NIV Bible that is purchased helps Biblica translate and give Bibles to people in need around the world.

Mark Yarbrough assesses the question of whether traditional 'preformed' material contributes to the message and understanding of Paul's first letter to Timothy. The issue is addressed in three sections. Part one evaluates previous works interacting with 'traditional' material in the New Testament. Through a critique of historically proposed criteria, Yarbrough identifies eight criteria as the primary tools by which to discern units of preformed material. In the second part of the book Yarbrough evaluates nineteen passages in "1 Timothy" according to the criteria previously determined. From this base he embraces twelve of the nineteen passages as preformed material. These passages are subsequently examined in depth according to the author's distinct methodology. Part three demonstrates four functions of the preformed traditions in "1 Timothy". Firstly, that they may be seen as strengthening the literary cohesion of the letter. Secondly, that the traditional units afford the author rhetorical leverage which may be best identified as the provision of authority, the establishment of an instant rapport with the primary audience, and the assistance conferred in addressing this implied audience. Thirdly, they present theological directives that confront the character and belief of the false teachers. Finally, Yarbrough asserts that the preformed traditions exist as a combatant against counter-mission doctrine. In conclusion, this study displays that the traditional material which may be discerned within the letter contributes significantly to the overall message and understanding of "1 Timothy". Formerly the "Journal for the Study of the New Testament Supplement", a book series that explores the many aspects of New Testament study including historical perspectives, social-scientific and literary theory, and theological, cultural and contextual approaches. "The Early Christianity in Context" series, a part of "JSNTS", examines the birth and development of early Christianity up to the end of the third century CE. The series places Christianity in its social, cultural, political and economic context. European Seminar on Christian Origins and "Journal for the Study of the Historical Jesus Supplement" are also part of "JSNTS".

This is a ground breaking analysis of the "Song of Deborah" through a comparative study of heroic poetry that elucidates the otherwise enigmatic role of Yahweh.The so-called "Song of Deborah" celebrates a decisive victory during the era of the Judges, and praises Jael and the Israelites for their defeat of a Canaanite coalition led by Sisera. Despite generations of scholarship, virtually every aspect of the poem remains disputed because it has been misunderstood in previous research. This study explains both the enigmatic role of Yahweh of the poem and its heroic ethos through a comparative study of heroic poetry.Over the last 30 years this pioneering series has established an unrivalled reputation for cutting-edge international scholarship in Biblical Studies and has attracted leading authors and editors in the field. The series takes many original and creative approaches to its subjects, including innovative work from historical and theological perspectives, social-scientific and literary theory, and more recent developments in cultural studies and reception history.

Susan Niditch's commentary on the book of Judges pays careful attention to the literary and narrative techniques of the text and yields fresh readings of the book's difficult passages: stories of violence, ethnic conflict, and gender issues. Niditch aptly and richly conveys the theological impact and enduring significance of these stories.

The Old Testament Library provides fresh and authoritative treatments of important aspects of Old Testament study through commentaries and general surveys. The contributors are scholars of international standing.