Timekeeping is an essential activity in the modern world, and we take it for granted that our lives our shaped by the hours of the day. Yet what seems so ordinary today is actually the extraordinary outcome of centuries of technical innovation and circulation of ideas about time.
Shaping the Day is a pathbreaking study of the practice of timekeeping in England and Wales between 1300 and 1800. Drawing on many unique historical sources, ranging from personal diaries to housekeeping manuals, Paul Glennie and Nigel Thrift illustrate how a particular kind of common sense about time came into being, and how it developed during this period.
Many remarkable figures make their appearance, ranging from the well-known, such as Edmund Halley, Samuel Pepys, and John Harrison, who solved the problem of longitude, to less familiar characters, including sailors, gamblers, and burglars.
Overturning many common perceptions of the past-for example, that clock time and the industrial revolution were intimately related-this unique historical study will engage all readers interested in how "telling the time" has come to dominate our way of life.

The idea of time travel has tantalized humans for millennia. We can send humans into space, but roaming through time has eluded us. Do the laws of physics demand that we stay trapped in the present? This book examines the past, present and future states of time-travel research, but, also, looks at the bizarre anomalies of time itself.

In 2004 a rock star, a TV astronomer and a young research astronomer sat down to write the story of the Universe in the order in which it happened, from its birth at the Big Bang 13.7 billion years ago, through to its ultimate demise in the infinitely far future. The aim of this book is to explain the Big Bang and everything that followed in a way that made sense, in the strict order in which events occurred, and without using maths, so it would be understandable to everyone, regardless of educational background. The original edition of Bang! was a bestseller, and a go-to for anyone wanting to understand the story of the origins and evolution of our Universe that did not duck the science. Since the first edition, thousands of planets have been discovered, the 'habitable zone' has expanded and a flotilla of new satellites has explored our own solar system, bringing back fresh images and new science. In this book all the latest findings about the evolution of stars and galaxies are included, and the current thinking about our ultimate origins. The latest ideas about Dark Matter and Dark Energy are explained, all illustrated with new images from the world's largest telescopes and space missions. This is the new, updated, popular guide to 'Life, the Universe, and Everything' - The Complete History of the Universe.

Our engagement with time is a ubiquitous feature of our lives. We are aware of time on many scales, from the briefest flicker of change to the way our lives unfold over many years. But to what extent does this encounter reveal the true nature of temporal reality? To the extent that temporal reality is as it seems, how do we come to be aware of it? And to the extent that temporal reality is not as it seems, why does it seem that way? These are the central questions addressed by Simon Prosser in Experiencing Time. These questions take on a particular importance in philosophy for two reasons. Firstly, there is a view concerning the metaphysics of time, known as the B-theory of time, according to which the apparently dynamic quality of change, the special status of the present, and even the passage of time are all illusions. Instead, the world is a four-dimensional space-time block, lacking any of the apparent dynamic features of time. If the B-theory is correct, as the book argues, then it must be explained why our experiences seem to tell us otherwise. Secondly, experiences of temporal features such as changes, rates and durations are of independent interest because of certain puzzles that they raise, the solutions to which may shed light on broader issues in the philosophy of mind.

How old is Earth? Can we look back in time? How long is a light year? How short is a femtosecond? What is Greenwich Mean Time? How did astronauts tell the time on the Moon? When did time begin? It's high time you knew the answers to these and many more intriguing questions, so why not pass the time reading this lighthearted, illustrated miscellany, packed with hundreds of amazing facts from the time experts at the Royal Observatory. In less than no time, you'll have discovered the myriad of influences that time has on our daily lives.

This book is about how big is the universe and how small are quarks, and what are the sizes of dozens of things between these two extremes. It describes the sizes of atoms and planets, quarks and galaxies, cells and sequoias. It is a romp through forty-five orders of magnitude from the smallest sub-nuclear particles we have measured, to the edge of the observed universe. It also looks at time, from the epic age of the cosmos to the fleeting lifetimes of ethereal particles. It is a narrative that trips its way from stellar magnitudes to the clocks on GPS satellites, from the nearly logarithmic scales of a piano keyboard through a system of numbers invented by Archimedes and on to the measurement of the size of an atom. Why do some things happen at certain scales? Why are cells a hundred thousandths of a meter across? Why are stars never smaller than about 100 million meters in diameter? Why are trees limited to about 120 meters in height? Why are planets spherical, but asteroids not? Often the size of an object is determined by something simple but quite unexpected. The size of a cell and a star depend in part on the ratio of surface area to volume. The divide between the size of a spherical planet and an irregular asteroid is the balance point between the gravitational forces and the chemical forces in nature. Most importantly, with a very few basic principles, it all makes sense. The world really is a most reasonable place.

The theory of relativity convinced many philosophers that space and time are fundamentally alike, and that they are mere aspects of a more fundamental space-time. In The Nature of Time, Ulrich Meyer argues against this consensus view. Instead of a 'spatial' account of time that treats instants like positions in space, he presents the first comprehensive defense of a 'modal' account that emphasizes the similarities between times and the possible worlds in modal logic. Modal accounts of time are naturally cast in terms of a tense logic that accounts for temporal distinctions in terms of primitive tense operators. Tense logic was originally developed to provide a linguistic theory of verb tense in natural languages, but here Meyer proposes that it can be treated as a metaphysical theory of the nature of time. Contrary to popular belief, such modal accounts of time do not commit us to the view that there is something metaphysically special about the present moment, and they are easily reconciled with the theory of relativity.

Time is an illusion. Although the laws of physics create a powerful impression that time is flowing, in fact there are only timeless 'nows'. In THE END OF TIME, the British theoretical physicist Julian Barbour describes the coming revolution in our understanding of the world: a quantum theory of the universe that brings together Einstein's general theory of relativity, which denies the existence of a unique time, and quantum mechanics, which demands one. Barbour believes that only the most radical of ideas can resolve the conflict between these two theories: that there is, quite literally, no time at all. This is the first full-length account of the crisis in our understanding that has enveloped quantum cosmology. Unifying thinking that has never been brought together before in a book for the general reader, Barbour reveals the true architecture of the universe and demonstrates how physics is coming up sharp against the extraordinary possibility that the sense of time passing emerges from a universe that is timeless. The heart of the book is the author's lucid description of how a world of stillness can appear to be teeming with motion: in this timeless world where all possible instants coexist, complex mathematical rules of quantum mechanics bind together a special selection of these instants in a coherent order that consciousness perceives as the flow of time. Finally, in a lucid and eloquent epilogue, the author speculates on the philosophical implications of his theory: Does free will exist? Is time travel possible? How did the universe begin? Where is heaven? Does the denial of time make life meaningless? Written with exceptional clarity and elegance, this profound and original work presents a dazzlingly powerful argument that all will be able to follow, but no-one with an interest in the workings of the universe will be able to ignore.

A revolution in clock technology in England during the 1660s allowed people to measure time more accurately, attend to it more minutely, and possess it more privately than previously imaginable. In "Telling Time," Stuart Sherman argues that innovations in prose emerged simultaneously with this technological breakthrough, enabling authors to recount the new kind of time by which England was learning to live and work.
Through brilliant readings of Samuel Pepys's diary, Joseph Addison and Richard Steele's daily "Spectator," the travel writings of Samuel Johnson and James Boswell, and the novels of Daniel Defoe and Frances Burney, Sherman traces the development of a new way of counting time in prose--the diurnal structure of consecutively dated installments--within the cultural context of the daily institutions which gave it form and motion. "Telling Time" is not only a major accomplishment for seventeenth- and eighteenth-century literary studies, but it also makes important contributions to current discourse in cultural studies.

Two systems of timekeeping were in concurrent use in Venice between 1582 and 1797. Government documents conformed to the Venetian year (beginning 1 March), church documents to the papal year (from 1 January). "Song and Season" defines the many ways in which time was discussed, resolving a long-standing fuzziness imposed on studies of personnel, institutions, and cultural dynamics by dating conflicts. It is in this context that the standardization of timekeeping coincided with the collapse of the "dramma per musica" and the rise of scripted comedy and the "opera buffa," Selfridge-Field discloses fascinating relationships between the musical stage and the cultures it served, such as the residues of medieval liturgical feasts embedded in the theatrical year. Such associations were transmuted into lingering seasonal associations with specific dramatic genres. Interactions between culture and chronology thus operated on both general and specific levels. Both are fundamental to understanding theatrical dynamics of the sixteenth to eighteenth centuries.

One Time Fits All provides the first full framework for understanding attributes of civil time, which is used throughout the world today. It focuses on three components of uniform time all linked to the prime meridian at Greenwich-the International Date Line, the worldwide system of Standard Time zones, and Daylight Saving Time (Summer Time)-tracing the story of their beginnings and eventual acceptance from original sources in Europe, Great Britain, Canada, and the United States. The book concludes with an examination of the recent changes in America's Daylight Saving Time that are scheduled to take effect in 2007.

"Patience, patience, because the great movements of history have always begun in those small parenthesis that we call 'in the meantime.'" --John Berger The last book that John Berger wrote was this precious little volume about time titled What Time Is It?, now posthumously published for the first time in English by Notting Hill Editions. Berger died before it was completed, but the text has been assembled and illustrated by his longtime collaborator and friend Sel uk Demirel, and has an introduction by Maria Nadotti. What Time Is It? is a profound and playful meditation on the illusory nature of time. Berger, the great art critic and Man Booker Prize-winning author, reflects on what time has come to mean to us in modern life. Our perception of time assumes a uniform and ceaseless passing of time, yet time is turbulent. It expands and contracts according to the intensity of the lived moment. We talk of time "saved" in a hundred household appliances; time, like money, is exchanged for the content it lacks. Berger posits the idea that time can lengthen lifetimes once we seize the present moment. "What-is-to-come, what-is-to-be-gained empties what-is."

The arrow of time refers to the curious asymmetry that distinguishes the future from the past. Reversing the Arrow of Time argues that there is an intimate link between the symmetries of 'time itself' and time reversal symmetry in physical theories, which has wide-ranging implications for both physics and its philosophy. This link helps to clarify how we can learn about the symmetries of our world; how to understand the relationship between symmetries and what is real, and how to overcome pervasive illusions about the direction of time. Roberts explains the significance of time reversal in a way that intertwines physics and philosophy, to establish what the arrow of time means and how we can come to know it. This book is both mathematically and philosophically rigorous yet remains accessible to advanced undergraduates in physics and philosophy of physics. This title is also available as Open Access on Cambridge Core.

During the fifteenth and sixteenth centuries technical chronology, the study of calendars and of dates in ancient and medieval history, was both a fashionable and a controversial discipline. Theologians debated the dates of the Creation, the Flood, and the Crucifixion. Astronomers and historians argued about the identity of the eclipses that could supply absolute dates for events long past. Classical scholars reconstructed the religious beliefs and political practices that had governed the Greek and Roman calendars. Clerics and consultant experts, finally, debated what was to be done to mend the obviously faulty calendar of the western Church. Poliziano and Pico, Luther and Melanchthon, Copernicus and Kepler all studied and wrote about chronology. Late in the 1570s Joseph Scaliger (1540-1609) turned his attention to this field. He had already established himself as an innovative and ingenious editor of Latin texts, as the first volume of this study showed. But he now became one of the most celebrated scholars in Europe. He synthesized the work of dozens of other scholars, many of them now forgotten. He started or took part in many technical debates. And on such central problems as the date and nature of the Last Supper, the reliability of the various Old Testament texts, and the worth of the fragmentary historians of the ancient Near East, he showed remarkable erudition and insight. This book tells the stories of chronology and of Scaliger himself. It describes the scholarly circles in which he moved - above all the University of Leiden, the most innovative in Europe, where he spent the last decade and a half of his life. And it reconstructs his relations with contemporary scholars and scientists - notably Tycho Brahe and Johannes Kepler - and his remarkable, if wholly unofficial, career as a teacher. It is a sequel to volume I: Textual Criticism and Exegesis, published in 1983.

The prophet Muhammad and the early Islamic community radically redefined the concept of time that they had inherited from earlier religions' beliefs and practices. This new temporal system, based on a lunar calendar and era, was complex and required sophistication and accuracy. From the ninth to the sixteenth centuries, it was the Muslim astronomers of the Ottoman, Safavid and Mughal empires who were responsible for the major advances in mathematics, astronomy and astrology. This fascinating study compares the Islamic concept of time, and its historical and cultural significance, across these three great empires. Each empire, while mindful of earlier models, created a new temporal system, fashioning a new solar calendar and era and a new round of rituals and ceremonies from the cultural resources at hand. This book contributes to our understanding of the Muslim temporal system and our appreciation of the influence of Islamic science on the Western world.

The Letter and Prologue on Easter of Theophilus of Alexandria (385-412), the 95-year list of Paschal data compiled by Cyril (412-444), and the Prologue or Praefatio to that list written in Latin about 482 in the persona of Cyril are among the foundational documents for our knowledge of the Alexandrian Easter cycle. That cycle, through the Latin versions of Dionysius Exiguus, Bede, and others was the standard method for determining the date of Easter in the western churches until the end of the sixteenth century. There has been no modern critical edition of either Prologue since those of Bruno Krusch in 1880. This new edition of the texts is based on Alden A. Mosshammer's discovery or rediscovery of manuscript witnesses unknown to Krusch and overlooked by more recent scholars who have engaged these texts. The historical introduction summarizes current knowledge about the history of Easter calculations in early Christian communities, including a new hypothesis attributing the Alexandrian cycle in its final form to the mathematician and astronomer Theon of Alexandria working in the 370's. Although both texts have already been translated into English, Mosshammer's new translations are based on his new reconstruction of the texts. The commentaries address many issues currently under debate in historical scholarship, such as the origin of 21 March as the conventional date of the vernal equinox. The newly reconstructed text of the Prologue attributed to Cyril and Mosshammer's extensive commentary make that difficult text intelligible for the first time.

What can we learn about the world from engaging with fictional time-series? What should we make of stories involving time travellers who change the past, recurrence of a single day, foreknowledge of the future, the freezing or rewinding of time, or time-series which split into alternative courses of events? Do they show us radical alternative possibilities concerning the nature of time, or do they show that even the impossible can be represented in fiction? Neither, so this book argues. Defending the view that a fiction represents a single possible world, the authors show how apparent representations of radically different time-series can be explained in terms of how worlds are represented without there being any fictional world which has such a time-series. In this way, the book uses the complexities of fictional time to get to the core of the relation between truth in fiction and possibility. It provides a logic and metaphysics to deal with the fact that fictions can leave certain features of their fictional worlds indefinite, and draws comparisons and connections between fictional and scientific representations and hypotheses. Utilising the notion of a counterpart, the authors show how to understand claims concerning persistence of characters and their identity across fictions, and what it means for a fiction to be 'set' at an actual time. Consideration is given to motion in fiction, asking whether it is sometimes continuous and sometimes discrete, how to understand different rates of change, and whether fictional time itself can be said to flow.

In "It's About Time," N. David Mermin asserts that relativity ought to be an important part of everyone's education--after all, it is largely about time, a subject with which all are familiar. The book reveals that some of our most intuitive notions about time are shockingly wrong, and that the real nature of time discovered by Einstein can be rigorously explained without advanced mathematics. This readable exposition of the nature of time as addressed in Einstein's theory of relativity is accessible to anyone who remembers a little high school algebra and elementary plane geometry.

The book evolved as Mermin taught the subject to diverse groups of undergraduates at Cornell University, none of them science majors, over three and a half decades. Mermin's approach is imaginative, yet accurate and complete. Clear, lively, and informal, the book will appeal to intellectually curious readers of all kinds, including even professional physicists, who will be intrigued by its highly original approach.

Originally published in 1926, this book contains a general history of the measurement of time now known as the week. Colson begins with the seven-day cycle devised by the Jews and examines how different theologies gave rise to different names and systems of measurement for each day of the week and how the week eventually became standardised. This book will be of value to anyone with an interest in ancient astronomy and the history of time keeping.

Originally published in 1921, this book provides a concise guide to the Western Calendar. Information is provided on its origin and development, the principles of its construction, the purposes for which it is employed, its deficiencies and the means by which these deficiencies can be amended. The text also contains a list of authorities on the calendar and a table of astronomical data in mean solar time. This book will be of value to anyone with an interest in the Western Calendar and the measurement of time in general.

This fascinating work begins with a scientific appraisal of time and its relationship with 3D space. It explains in clear, understandable language, the complex theories of such famous men as Newton, Einstein, and Stephen Hawking. Is time infinite, or does it have a beginning and an end? Do Black Holes and White Vortices distort time, or penetrate it? The authors also analyse and evaluate puzzling, well documented reports of time travel and reincarnation, and strange cases of deja vu. Can time travel account for such anachronistic discoveries as a 20th century sparkplug found encased among fossils half a million years old? Finally, the authors bring all the unsolved time-related mysteries together in a unified field theory that suggests an awesome answer to the mysteries of time-travel and reincarnation.

Modern physics has revealed a universe that is a much stranger place than we could have imagined, filled with black holes and dark matter and parallel lines meeting in space. And the puzzle at the center of our present understanding of the universe is time.
Now, in The Labyrinth of Time, Michael Lockwood takes the reader on a fascinating journey into the nature of things. A brilliant writer, Lockwood illuminates the philosophical questions about past, present, and future, our experience of time, and the possibility of time travel, in a book that is both challenging and great fun. Indeed, he provides the most careful, lively, and up-to-date introduction to the physics of time and the structure of the universe to be found anywhere in print. He guides us step by step through relativity theory and quantum physics, introducing and explaining the ground-breaking ideas of Newton and Boltzmann, Einstein and Schroedinger, Penrose and Hawking. We zoom in on the behavior of molecules and atoms, and pull back to survey the expansion of the universe. We learn about entropy and gravity, black holes and wormholes, about how it all began and where we are all headed.
Lockwood's aim is not just to boggle the mind but to lead us towards an understanding of the science and philosophy. Things will never seem the same again after a voyage through The Labyrinth of Time.
A model of balance and clarity.
--Paul Davies, Times Higher Education Supplement

A quirky, funny, and accessible blend of science and art that delves into the heart of Einstein’s theory of relativity

It was a link to Albert Einstein’s 1905 paper―an early attempt at explaining his revolutionary ideas on space, time, and matter―that drew Tanya Bub into his imaginative vision of the world. What particularly struck her was how Einstein interwove words and math to create clear visuals illustrating his theories. As an artist, she naturally started doodling as she worked her way through his concepts, creating drawings that intuitively demonstrated Einstein’s core principles.

In Reimagining Time, Tanya Bub teams up with her father, the distinguished physicist Jeffrey Bub, to create a quirky and accessible take on one of science’s most revolutionary discoveries. Blending original art and text, they guide readers―even nonmathematicians―through Einstein’s theory of special relativity to reveal truths about our universe: time is relative, lengths get shorter with motion, energy and mass are interchangeable, and the universe has a speed limit.

Modern physics has revealed the universe as a much stranger place than we could have imagined. The puzzle at the centre of our knowledge of the universe is time. Michael Lockwood takes the reader on a fascinating journey into the nature of things. He investigates philosophical questions about past, present, and future, our experience of time, and the possibility of time travel. And he provides the most careful, lively, and up-to-date introduction to the physics of time and the structure of the universe.He guides us step by step through relativity theory and quantum physics, introducing and explaining the ground-breaking ideas of Newton and Boltzmann, Einstein and Schroedinger, Penrose and Hawking. We zoom in on the behaviour of molecules and atoms, and pull back to survey the expansion of the universe. We learn about entropy and gravity, black holes and wormholes, about how it all began and where we are all headed. Lockwood's aim is not just to boggle the mind but to lead us towards an understanding of the science and philosophy. Things will never seem the same again after a voyage through The Labyrinth of Time.