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Books > Science & Mathematics > Astronomy, space & time > Time (chronology)
This ground-breaking book addresses transformations in the
understanding of time and the generation and degeneration of value
at the cutting edge of modernity and postmodernity. The book is a
multi-disciplinary contribution to current work in the social
sciences, in cultural theory and in more pragmatic areas such as
advertising and global communication. It brings together the work
of distinguished international scholars and new young thinkers.
"Time and Value" contains an exploration of such themes as the
timescapes of nature and the impact of disease, ecological
catastrophe, and many other issues. In theoretical terms, the
collection draws in particular upon writers such as Jacques
Derrida, Michel Serres, Paul Virilio and Martin Heidegger, whose
work is particularly relevant in considering how technology has had
a powerful impact upon the construal of time and the explanation of
how time constructs human lives in late modernity.
The compression of time and its fragmentation correspond with a
collapse in and reconstruction of value systems. This
deconstruction of time is juxtaposed with a range of possibilities
that emerge when the specific times of the media, literature, art,
virtuality, nature, performance, fashion, semiotic codings,
spirituality, the self and the body are understood as creative
opportunity.
The idea of time travel has tantalized humans for millennia. We can
send humans into space, but roaming through time has eluded us. Do
the laws of physics demand that we stay trapped in the present?
This book examines the past, present and future states of
time-travel research, but, also, looks at the bizarre anomalies of
time itself.
Deep time is the timescale of the geological events that have
shaped our planet. Whilst so immense as to challenge human
understanding, its evidence is nonetheless visible all around us.
Through explanations of the latest research and over 200
fascinating images, Deep Time explores this evidence, from the
visible layers in ancient rock to the hiss of static on the radio,
and from fossilized shark's teeth to underwater forests. These
relics of ancient epochs, many of which we can see and touch today,
connect our present to the distant past and answer broader
questions about our place in the timeline of the Earth. Charting
4.5 billion years of geological history, this is the story of our
world, from its birth to the dawn of civilization.
A readable and entertaining look at how Einstein's special theory
of relativity gives us a new understanding of the nature of time
Relativity ought to be an important part of everyone's education.
Its subject is time, with which we all think we are familiar.
Einstein's special theory of relativity reveals that some of our
most intuitive notions about time are shockingly wrong. This clear,
lively, and informal exposition of special relativity takes a
highly original approach to introduce readers to the true nature of
time. It is accessible to anyone who remembers a little high school
algebra and elementary geometry. It's About Time offers deep
insights to curious readers who have no technical scientific
background.
This book is about how big is the universe and how small are
quarks, and what are the sizes of dozens of things between these
two extremes. It describes the sizes of atoms and planets, quarks
and galaxies, cells and sequoias. It is a romp through forty-five
orders of magnitude from the smallest sub-nuclear particles we have
measured, to the edge of the observed universe. It also looks at
time, from the epic age of the cosmos to the fleeting lifetimes of
ethereal particles. It is a narrative that trips its way from
stellar magnitudes to the clocks on GPS satellites, from the nearly
logarithmic scales of a piano keyboard through a system of numbers
invented by Archimedes and on to the measurement of the size of an
atom. Why do some things happen at certain scales? Why are cells a
hundred thousandths of a meter across? Why are stars never smaller
than about 100 million meters in diameter? Why are trees limited to
about 120 meters in height? Why are planets spherical, but
asteroids not? Often the size of an object is determined by
something simple but quite unexpected. The size of a cell and a
star depend in part on the ratio of surface area to volume. The
divide between the size of a spherical planet and an irregular
asteroid is the balance point between the gravitational forces and
the chemical forces in nature. Most importantly, with a very few
basic principles, it all makes sense. The world really is a most
reasonable place.
"A discussion of the historical development of our ideas of time as
they relate to nature, human nature and society. . . . The
excellence of "The Discovery of Time" is unquestionable."--Martin
Lebowitz, "The Kenyon Review"
A revolution in clock technology in England during the 1660s
allowed people to measure time more accurately, attend to it more
minutely, and possess it more privately than previously imaginable.
In "Telling Time," Stuart Sherman argues that innovations in prose
emerged simultaneously with this technological breakthrough,
enabling authors to recount the new kind of time by which England
was learning to live and work.
Through brilliant readings of Samuel Pepys's diary, Joseph Addison
and Richard Steele's daily "Spectator," the travel writings of
Samuel Johnson and James Boswell, and the novels of Daniel Defoe
and Frances Burney, Sherman traces the development of a new way of
counting time in prose--the diurnal structure of consecutively
dated installments--within the cultural context of the daily
institutions which gave it form and motion. "Telling Time" is not
only a major accomplishment for seventeenth- and eighteenth-century
literary studies, but it also makes important contributions to
current discourse in cultural studies.
One Time Fits All provides the first full framework for
understanding attributes of civil time, which is used throughout
the world today. It focuses on three components of uniform time all
linked to the prime meridian at Greenwich-the International Date
Line, the worldwide system of Standard Time zones, and Daylight
Saving Time (Summer Time)-tracing the story of their beginnings and
eventual acceptance from original sources in Europe, Great Britain,
Canada, and the United States. The book concludes with an
examination of the recent changes in America's Daylight Saving Time
that are scheduled to take effect in 2007.
Two systems of timekeeping were in concurrent use in Venice between
1582 and 1797. Government documents conformed to the Venetian year
(beginning 1 March), church documents to the papal year (from 1
January). "Song and Season" defines the many ways in which time was
discussed, resolving a long-standing fuzziness imposed on studies
of personnel, institutions, and cultural dynamics by dating
conflicts. It is in this context that the standardization of
timekeeping coincided with the collapse of the "dramma per musica"
and the rise of scripted comedy and the "opera buffa,"
Selfridge-Field discloses fascinating relationships between the
musical stage and the cultures it served, such as the residues of
medieval liturgical feasts embedded in the theatrical year. Such
associations were transmuted into lingering seasonal associations
with specific dramatic genres. Interactions between culture and
chronology thus operated on both general and specific levels. Both
are fundamental to understanding theatrical dynamics of the
sixteenth to eighteenth centuries.
An accessible and thought-provoking introduction to timespans in
the natural world, featuring more than 80 beautifully designed
diagrams. Which organisms live the longest? How does the natural
world recover from fire? How long do eggs take to hatch? What are
the world's fastest and slowest growing plants? Which species
invest the most in parental care? How Nature Keeps Time discovers
the natural world's most important and intriguing patterns of time.
Beautifully designed with stunning colour photography and more than
80 reader-friendly charts and diagrams, this witty book examines a
broad range of species from across the world and throughout time.
From the lifecycle of immortal jellyfish and identifying the
perfect amount of time for a 'good sleep' to mass extinction and
the destruction of the coral reef, Helen Pilcher tackles highly
relevant and fascinating topics in this deeply entertaining read.
A storehouse of useful, interesting, and curious knowledge about time and its reckoning, based on the premise that every day is memorable. The book is in two parts: an authoritative survey of the calendar year, and a section on the measurement of time and the calculation of movable feasts. It is illustrated with 16 pages of black-and-white plates.
The arrow of time refers to the curious asymmetry that
distinguishes the future from the past. Reversing the Arrow of Time
argues that there is an intimate link between the symmetries of
'time itself' and time reversal symmetry in physical theories,
which has wide-ranging implications for both physics and its
philosophy. This link helps to clarify how we can learn about the
symmetries of our world; how to understand the relationship between
symmetries and what is real, and how to overcome pervasive
illusions about the direction of time. Roberts explains the
significance of time reversal in a way that intertwines physics and
philosophy, to establish what the arrow of time means and how we
can come to know it. This book is both mathematically and
philosophically rigorous yet remains accessible to advanced
undergraduates in physics and philosophy of physics. This title is
also available as Open Access on Cambridge Core.
During the fifteenth and sixteenth centuries technical chronology,
the study of calendars and of dates in ancient and medieval
history, was both a fashionable and a controversial discipline.
Theologians debated the dates of the Creation, the Flood, and the
Crucifixion. Astronomers and historians argued about the identity
of the eclipses that could supply absolute dates for events long
past. Classical scholars reconstructed the religious beliefs and
political practices that had governed the Greek and Roman
calendars. Clerics and consultant experts, finally, debated what
was to be done to mend the obviously faulty calendar of the western
Church. Poliziano and Pico, Luther and Melanchthon, Copernicus and
Kepler all studied and wrote about chronology. Late in the 1570s
Joseph Scaliger (1540-1609) turned his attention to this field. He
had already established himself as an innovative and ingenious
editor of Latin texts, as the first volume of this study showed.
But he now became one of the most celebrated scholars in Europe. He
synthesized the work of dozens of other scholars, many of them now
forgotten. He started or took part in many technical debates. And
on such central problems as the date and nature of the Last Supper,
the reliability of the various Old Testament texts, and the worth
of the fragmentary historians of the ancient Near East, he showed
remarkable erudition and insight. This book tells the stories of
chronology and of Scaliger himself. It describes the scholarly
circles in which he moved - above all the University of Leiden, the
most innovative in Europe, where he spent the last decade and a
half of his life. And it reconstructs his relations with
contemporary scholars and scientists - notably Tycho Brahe and
Johannes Kepler - and his remarkable, if wholly unofficial, career
as a teacher. It is a sequel to volume I: Textual Criticism and
Exegesis, published in 1983.
Following one of the most inspiring and fascinating stories linked
to the Royal Observatory, Greenwich, this book centres on the life
and achievements of John Harrison - designer and builder of the
first accurate marine chronometers. Inspired by the official prize
offered in 1714 to anyone who could solve the problem of finding
longitudinal position at sea, Harrison produced his four famous 'H'
timepieces. In doing so, he helped revolutionise sea travel, saving
many thousands of lives. John Harrison and the Quest for Longitude
is the intriguing account of one man driven by the need to solve
one of the greatest practical problems of his time.
An engaging, encyclopedic account of the material world of early
modern Britain as told through a unique collection of dated objects
The period from 1500 to 1800 in England was one of extraordinary
social transformations, many having to do with the way time itself
was understood, measured, and recorded. Through a focused
exploration of an extensive private collection of fine and
decorative artworks, this beautifully designed volume explores that
theme and the variety of ways that individual notions of time and
mortality shifted. The feature uniting these more than 450 varied
objects is that each one bears a specific date, which marks a
significant moment-for reasons personal or professional, religious
or secular, private or public. From paintings to porringers,
teapots to tape measures, the objects-and the stories they
tell-offer a vivid sense of the lived experience of time, while
providing a sweeping survey of the material world of early modern
Britain. Distributed for the Yale Center for British Art
Days, months, and years were given to us by nature, but we invented
the week for ourselves. There is nothing inevitable about a
seven-day cycle, or about any other kind of week; it represents an
arbitrary rhythm imposed on our activities, unrelated to anything
in the natural order. But where the week exists--and there have
been many cultures where it doesn't--it is so deeply embedded in
our experience that we hardly ever question its rightness, or think
of it as an artificial convention; for most of us it is a matter of
'second nature.'
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What Time Is It?
(Hardcover)
John Berger; Illustrated by Selcuk Demirel; Introduction by Maria Nadotti
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"Patience, patience, because the great movements of history have
always begun in those small parenthesis that we call 'in the
meantime.'" --John Berger The last book that John Berger wrote was
this precious little volume about time titled What Time Is It?, now
posthumously published for the first time in English by Notting
Hill Editions. Berger died before it was completed, but the text
has been assembled and illustrated by his longtime collaborator and
friend Sel uk Demirel, and has an introduction by Maria Nadotti.
What Time Is It? is a profound and playful meditation on the
illusory nature of time. Berger, the great art critic and Man
Booker Prize-winning author, reflects on what time has come to mean
to us in modern life. Our perception of time assumes a uniform and
ceaseless passing of time, yet time is turbulent. It expands and
contracts according to the intensity of the lived moment. We talk
of time "saved" in a hundred household appliances; time, like
money, is exchanged for the content it lacks. Berger posits the
idea that time can lengthen lifetimes once we seize the present
moment. "What-is-to-come, what-is-to-be-gained empties what-is."
How old is Earth? Can we look back in time? How long is a light
year? How short is a femtosecond? What is Greenwich Mean Time? How
did astronauts tell the time on the Moon? When did time begin? It's
high time you knew the answers to these and many more intriguing
questions, so why not pass the time reading this lighthearted,
illustrated miscellany, packed with hundreds of amazing facts from
the time experts at the Royal Observatory. In less than no time,
you'll have discovered the myriad of influences that time has on
our daily lives.
An invaluable resource for working programmers, as well as a fount
of useful algorithmic tools for computer scientists, astronomers,
and other calendar enthusiasts, The Ultimate Edition updates and
expands the previous edition to achieve more accurate results and
present new calendar variants. The book now includes coverage of
Unix dates, Italian time, the Akan, Icelandic, Saudi Arabian Umm
al-Qura, and Babylonian calendars. There are also expanded
treatments of the observational Islamic and Hebrew calendars and
brief discussions of the Samaritan and Nepalese calendars. Several
of the astronomical functions have been rewritten to produce more
accurate results and to include calculations of moonrise and
moonset. The authors frame the calendars of the world in a
completely algorithmic form, allowing easy conversion among these
calendars and the determination of secular and religious holidays.
LISP code for all the algorithms is available in machine-readable
form.
The Gregorian calendar reform of 1582, which provided the basis for
the civil and Western ecclesiastical calendars still in use today,
has often been seen as a triumph of early modern scientific culture
or an expression of papal ambition in the wake of the
Counter-Reformation. Much less attention has been paid to reform's
intellectual roots in the European Middle Ages, when the reckoning
of time by means of calendrical cycles was a topic of central
importance to learned culture, as impressively documented by the
survival of relevant texts and tables in thousands of manuscripts
copied before 1500. For centuries prior to the Gregorian reform,
astronomers, mathematicians, theologians, and even Church councils
had been debating the necessity of improving or emending the
existing ecclesiastical calendar, which throughout the Middle Ages
kept losing touch with the astronomical phenomena at an alarming
pace. Scandalous Error is the first comprehensive study of the
medieval literature devoted to the calendar problem and its
cultural and scientific contexts. It examines how the importance of
ordering liturgical time by means of a calendar that comprised both
solar and lunar components posed a technical-astronomical problem
to medieval society and details the often sophisticated ways in
which computists and churchmen reacted to this challenge. By
drawing attention to the numerous connecting paths that existed
between calendars and mathematical astronomy between the Fall of
Rome and the end of the fifteenth century, the volume offers
substantial new insights on the place of exact science in medieval
culture.
The prophet Muhammad and the early Islamic community radically
redefined the concept of time that they had inherited from earlier
religions' beliefs and practices. This new temporal system, based
on a lunar calendar and era, was complex and required
sophistication and accuracy. From the ninth to the sixteenth
centuries, it was the Muslim astronomers of the Ottoman, Safavid
and Mughal empires who were responsible for the major advances in
mathematics, astronomy and astrology. This fascinating study
compares the Islamic concept of time, and its historical and
cultural significance, across these three great empires. Each
empire, while mindful of earlier models, created a new temporal
system, fashioning a new solar calendar and era and a new round of
rituals and ceremonies from the cultural resources at hand. This
book contributes to our understanding of the Muslim temporal system
and our appreciation of the influence of Islamic science on the
Western world.
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