Inspired by prayers said upon waking this book celebrates and expresses gratitude for our active joyful bodies. A positive conscious approach to a stress-free morning routine before the day ahead.--Kirkus Reviews

Sacrifice dominated the religious landscape of the ancient Mediterranean world for millennia, but its role and meaning changed dramatically in the fourth and fifth centuries with the rise of Christianity. Daniel Ullucci offers a new explanation of this remarkable transformation, in the process demonstrating the complexity of the concept of sacrifice in Roman, Greek, and Jewish religion.
The Christian Rejection of Animal Sacrifice challenges the predominant scholarly model, which posits a connection between so-called critiques of sacrifice in non-Christian Greek, Latin, and Hebrew texts and the Christian rejection of animal sacrifice. According to this model, pre-Christian authors attacked the propriety of animal sacrifice as a religious practice, and Christians responded by replacing animal sacrifice with a pure, ''spiritual'' 'worship. This historical construction influences prevailing views of animal sacrifice even today, casting it as barbaric, backward, and primitive despite the fact that it is still practiced in such contemporary religions as Islam and Santeria.
Rather than interpret the entire history of animal sacrifice through the lens of the Christian master narrative, Ullucci shows that the ancient texts must be seen not simply as critiques but as part of an ongoing competition between elite cultural producers to define the meaning and purpose of sacrifice. He reveals that Christian authors were not merely purveyors of pure spiritual religion, but a cultural elite vying for legitimacy and influence in societies that long predated them. The Christian Rejection of Animal Sacrifice is a crucial reinterpretation of the history of one of humanity's oldest and most fascinating rituals.

The only comprehensive, single-volume survey of magic available, this compelling book traces the history of magic, witchcraft, and superstitious practices such as popular spells or charms from antiquity to the present day. Focusing especially on Europe in the medieval and early modern eras, Michael Bailey also explores the ancient Near East, classical Greece and Rome, and the spread of magical systems_particularly modern witchcraft or Wicca_from Europe to the United States. He examines how magic and superstition have been defined in various historical eras and how these constructions have changed over time. He considers the ways in which specific categories of magic have been condemned, and how those identified as magicians or witches have been persecuted and prosecuted in various societies. Although conceptions of magic have changed over time, the author shows how magic has almost always served as a boundary marker separating socially acceptable actions from illicit ones, and more generally the known and understood from the unknown and occult.

Jerusalem has long been one of the most sought-after destinations for the followers of three world faiths and for secularists alike. For Jews, it has the Western (Wailing) Wall; for Christians, it is where Christ suffered and triumphed; for Muslims, it offers the Dome of the Rock; and for secularists, it is an archeological challenge and a place of tragedy and beauty. This work concentrates on Jewish, Christian, Muslim, and secular pilgrimages to Jerusalem over the last three millennia, drawing from over 165 accounts of travels to the ancient city. Chapters are devoted to ghostly and other pilgrims, the significance of Jerusalem, the beginnings of the pilgrimage in the time of kings David and Solomon, pilgrimages under Roman and Byzantine rule, Christian and Muslim pilgrimages in the early Islamic period, pilgrimages in the First Crusade and its aftermath, more crusades and pilgrims during the Ayyubid and Mamluk dynasties, pilgrimages under Ottoman rule, pilgrimages under the British and Israelis, and the unity among pilgrims and the symbolism of the journey.

Everyone prays. But no one finds it easy. We all need a little help. Pete Greig has been teaching on prayer - and leading a non-stop prayer movement - for twenty years. Now, for the first time, he puts his life's work into a response to the question everybody ultimately asks: how do I pray? This down-to-earth introduction to life's greatest adventure will guide you deeper in your relationship with God, helping you to become more centred and still, clearer in discerning God's voice, more able to make sense of your disappointments and more expectant for miraculous breakthroughs too. It's full of honest, hard-won wisdom interspersed with real-life stories - some humorous, others moving - to equip and inspire your prayer life. Journeying through the Lord's Prayer, and accompanied by online videos from The Prayer Course, which has been used by more than a million people, it unpacks nine essential aspects of prayer: stillness, adoration, petition, intercession, perseverance, contemplation, listening, confession and spiritual authority. From one of today's most visionary communicators, for those who've been praying for years as well as those who want to pray but don't know where to begin, How to Pray is the simple, life-changing guide you've been waiting for.

Are the richness and diversity of rituals and celebrations in South Asia unique? Can we speak of a homo ritualis when it comes to India or Hinduism? Are Indians or Hindus more involved in rituals than other people? If so, what makes them special? Homo Ritualis is the first book to present a Hindu theory of rituals. Based on extensive textual studies and field-work in Nepal and India, Axel Michaels argues that ritual is a distinctive way of acting, which, as in the theater, can be distinguished from other forms of action. The book analyzes ritual in these cultural-specific and religious contexts, taking into account how indigenous terms and theories affect and contribute to current ritual theory. It describes and investigates various forms of Hindu rituals and festivals, such as life-cycle rituals, the Vedic sacrifice, vows processions, and the worship of deities (puja). It also examines conceptual components of (Hindu) rituals such as framing, formality, modality, and theories of meaning.

Links film history with church history over the past century, illuminating America's broader relationship with religious currents over time Moments of prayer have been represented in Hollywood movies since the silent era, appearing unexpectedly in films as diverse as Rebecca of Sunnybrook Farm, Frankenstein, Amistad, Easy Rider, Talladega Nights, and Alien 3, as well as in religiously inspired classics such as Ben-Hur and The Ten Commandments. Here, Terry Lindvall examines how films have reflected, and sometimes sought to prescribe, ideas about how one ought to pray. He surveys the landscape of those films that employ prayer in their narratives, beginning with the silent era and moving through the uplifting and inspirational movies of the Great Depression and World War II, the cynical, anti-establishment films of the 60s and 70s, and the sci-fi and fantasy blockbusters of today. Lindvall considers how the presentation of cinematic prayer varies across race, age, and gender, and places the use of prayer in film in historical context, shedding light on the religious currents at play during those time periods. God on the Big Screen demonstrates that the way prayer is presented in film during each historical period tells us a great deal about America's broader relationship with religion.

This handsome edition of the Book of Common Prayer features a large, easy-to-read typeface which is perfect for use in public worship settings or for people with vision difficulties. This new edition includes the Revised Common Lectionary.
Includes:
* Gold page edges
* Gold cross on cover
* Presentation page
* Three ribbon markers
* Baptismal, confirmation, and marriage certificates

Drawing upon the latest research in gender studies, history of religion, feminism, ritual theory, performance, anthropology, archaeology, and art history, Finding Persephone investigates the ways in which the religious lives and ritual practices of women in Greek and Roman antiquity helped shape their social and civic identity. Barred from participating in many public arenas, women asserted their presence by performing rituals at festivals and presiding over rites associated with life passages and healing. The essays in this lively and timely volume reveal the central place of women in the religious and ritual practices of the societies of the ancient Mediterranean. Readers interested in religion, women's studies, and classical antiquity will find a unique exploration of the nature and character of women's autonomy within the religious sphere and a full account of women's agency in the public domain.

Although there is an obvious association between pilgrimage and place, relatively little research has centred directly on the role of architecture. Architecture and Pilgrimage, 1000-1500: Southern Europe and Beyond synthesizes the work of a distinguished international group of scholars. It takes a broad view of architecture, to include cities, routes, ritual topographies and human interaction with the natural environment, as well as specific buildings and shrines, and considers how these were perceived, represented and remembered. The essays explore both the ways in which the physical embodiment of pilgrimage cultures is shared, and what we can learn from the differences. The chosen period reflects the flowering of medieval and early modern pilgrimage. The perspective is that of the pilgrim journeying within - or embarking from - Southern Europe, with a particular emphasis on Italy. The book pursues the connections between pilgrimage and architecture through the investigation of such issues as theology, liturgy, patronage, miracles and healing, relics, and individual and communal memory. Moreover, it explores how pilgrimage may be regarded on various levels, from a physical journey towards a holy site to a more symbolic and internalized idea of pilgrimage of the soul.