From the time it was founded in 1825, Akron was a town on the move. Once known as the "Rubber Capitol of the World," it brought droves of new workers to downtown and the suburban areas. With expansion came a need for entertainment, and wrestling was there for the multitudes. From the contrast of high school amateurs on mats to snarling villains and heroes in the professional ring, the sport thrived. There were the early days of traveling carnivals, with circuit-riding wrestlers who would take on all comers from the audience, to secretive fights set by shifty promoters in railroad yards with onlookers placing bets. There were the glory days of the Akron Armory--offering the crowd a chance to see such luminaries as the cigar-chewing Killer Tim Brooks, the smiling Johnny Powers, or the devious Don Kent--and beyond after the famed arena closed.

One of the most charismatic showmen ever to grace a WWE ring recounts his life, his phenomenal career, and how he finally found the one thing that gave his life meaning--his faith. Reprint. 35,000 first printing.

Is it sport or is it entertainment? As presented by World Wrestling Entertainment, Inc., the most well-known promoter of professional wrestling, it is hard for the uninitiated to tell. A refuge for the very athletic, and often a breeding ground for the highly dysfunctional, professional wrestling is, in the truest sense, life on the fringes. Headlocks and Dropkicks: A Butt-Kicking Ride through the World of Professional Wrestling chronicles sportswriter Ted A. Kluck's effort to become a professional wrestler at a popular wrestling school in the suburbs of Chicago. In training to become a wrestler, Kluck was able to delve into the traveling-circus elements of the sport and talk to the people who make it work-promoters, bookers, and the wrestlers themselves. Wrestling has weathered manifold changes in American taste to survive and thrive as it does today. Kluck examines the tension between the good vs. evil tales that permeated wrestling in the early to mid 1980s, along with the seamy soap opera storylines that seem to drive it today. He also takes time to catch up with the biggest stars the sport has produced-some of whom have parlayed their fame into financial security and others who are currently looking to reclaim their past glory. 15 illustrations

"The Wrestler's Body" tells the story of a way of life organized in terms of physical self-development. While Indian wrestlers are competitive athletes, they are also moral reformers whose conception of self and society is fundamentally somatic. Using the insights of anthropology, Joseph Alter writes an ethnography of the wrestler's physique that elucidates the somatic structure of the wrestler's identity and ideology.
Young men in North India may choose to join an "akhara, " or gymnasium, where they subject themselves to a complex program of physical and moral fitness. Alter's first-hand description of each detail of the wrestler's regimen offers a unique perspective on South Asian culture and society. Wrestlers feel that moral reform of Indian national character is essential and advocate their way of life as an ideology of national health. Everyone is called on to become a wrestler and build collective strength through self-discipline.

Phil shares his personal ecstasy and anguish in learning the lessons of life through wrestling. The vivid and intimate descriptions of his hilarious and sometimes terrifying experiences keep you wanting to read more about his life.

What makes a great match? For some fans, it is drama and suspense, and for others, it is tables and chairs. In My Favorite Match, the wrestlers themselves will settle the score, taking readers through some of the most extreme, unbelievable, and memorable matches in sports entertainment history. My Favorite Match is based on exclusive interviews from huge names in the sports entertainment world, including Shawn Michaels, Dusty Rhodes, Mark Henry, Roddy Piper, Rey Mysterio, and many more. Fans will re-live the pain, the emotion, and the sheer athleticism through the eyes of the wrestlers who lived to tell about it.

In this book, Lowery A. Woodall III explores the ways that diverse populations are portrayed, stereotyped, and sometimes villainized in the WWE's colorful and dramatic programming. Each chapter examines the surprisingly complex and multilayered representation of marginalized populations throughout the modern history of the WWE under the leadership of Vincent K. McMahon. Through weekly shows like Raw and SmackDown, pay-per-view spectaculars like WrestleMania, and a vast library of wrestling-related material on their streaming platform, Woodall argues that the WWE and McMahon have created calculated and carefully curated representations of diversity that are viewed by millions of fans worldwide. What effects do those representations have on the men, women, and children who consume WWE content? How are wrestlers and performers impacted by their on-screen portrayals? This book explores these questions and demonstrates that when representations are inaccurate or problematic, more than just kayfabe is in danger of being broken. Scholars of professional wrestling studies, media studies, and communication studies will find this book of particular interest.