Recent instances of global crisis reporting on climate change and the financial crisis are early embryos of a new form of journalism that is increasingly needed in global times: global journalism. Instead of associating global journalism with national comparisons of media systems or defining it as an ethically "corrective" form of journalism, Peter Berglez sets out to develop the idea of global journalism as an epistemological updating of everyday mainstream news media. He theoretically understands and explains global journalism as a concrete practice, which can be applied in research, training, and reporting. He argues that the future of professional news journalism is about leaving behind the dominant national outlook for the sake of a more integrated (global) outlook on society. Emerging examples of global journalism are analyzed throughout the book alongside the historical background and the challenges it faces.

All active researchers devote much of their energies to documenting their results in journal papers, and all would-be researchers can expect to do so. The objective of "Writing For Your PeerS" is to help both experienced and inexperienced authors to write better scholarly papers in all areas of specialization. This comprehensive guide to writing journal papers will be indispensable to students and professional researchers across a range of disciplines, as well as to engineers, members of industry. academia, amd government who are doing or planning to do applied or theoretical research.

Everything you need to know about writing for business - from working out the message you want to send, to understanding your audience. As everyone adjusts to hybrid and remote ways of working with others around the world, and we develop more ways of communicating, how you can use words to engage, inform, persuade, or sell to others is increasingly important. And writing clear, error-free content that is appropriate for its intended purpose is something that anyone can learn to do. Writing Skills for Business is packed full of quick tips and nuggets of advice on how to communicate better in your writing. From choosing the most relevant type of communication, to understanding the needs of your intended audience, and selecting the right layout and the most persuasive tone and style, this new guide will help you produce the most effective communications - whether that's internal reports, business plans, day-to-day emails and team briefings, social media posts or slideshow presentations. Practical, easy to read and jargon-free, the book contains step-by-step guidance and action points, top tips to bear in mind for the future, common mistakes and advice on how to avoid them, summaries of key points, and some resources links for those looking to improve their writing skills even further.

This book brings together methods designed by psychologists, linguists, and practitioners who aim to study writing both within the laboratory and the workplace. Its primary focus is upon the computer-based techniques and methods available today that enable and foster new systematic investigations of writing theories and processes. It is of interest to writing professionals, teachers of writing, as well as those, like journalists, whose careers depend on managing multiple constraints and audiences for their work.

The debate about access to scientific research raises questions about the current effectiveness of scholarly communication processes. This book explores, from an independent point of view, the current state of the STM publishing market, new publishing technologies and business models as well as the information habit of researchers, the politics of research funders, and the demand for scientific research as a public good. The book also investigates the democratisation of science including how the information needs of knowledge workers outside academia can be embraced in future.

Breaks down a dramaturgy's key roles and competencies, mapping out the profession for both current and future dramaturgs. The Basics format ensures a clear, accessible and jargon-free explanation of every aspect of the craft, making this the ideal introduction. Dramaturgy itself is one of the main theatrical skills, distinct from acting and directing but only relatively recently having begun to receive proper attention and recognition.

Technologies may change, but the need for clear and accurate communication never goes out of style. That is why for more than one hundred years The Chicago Manual of Style has remained the definitive guide for anyone who works with words. In the seven years since the previous edition debuted, we have seen an extraordinary evolution in the way we create and share knowledge. This seventeenth edition of The Chicago Manual of Style has been prepared with an eye toward how we find, create, and cite information that readers are as likely to access from their pockets as from a bookshelf. It offers updated guidelines on electronic workflows and publication formats, tools for PDF annotation and citation management, web accessibility standards, and effective use of metadata, abstracts, and keywords. It recognizes the needs of those who are self-publishing or following open access or Creative Commons publishing models. The citation chapters reflect the ever-expanding universe of electronic sources--including social media posts and comments, private messages, and app content--and also offer updated guidelines on such issues as DOIs, time stamps, and e-book locators. Other improvements are independent of technological change. The chapter on grammar and usage includes an expanded glossary of problematic words and phrases and a new section on syntax as well as updated guidance on gender-neutral pronouns and bias-free language. Key sections on punctuation and basic citation style have been reorganized and clarified. To facilitate navigation, headings and paragraph titles have been revised and clarified throughout. And the bibliography has been updated and expanded to include the latest and best resources available. This edition continues to reflect expert insights gathered from Chicago's own staff and from an advisory board of publishing experts from across the profession. It also includes suggestions inspired by emails, calls, and even tweets from readers. No matter how much the means of communication change, The Chicago Manual of Style remains the ultimate resource for those who care about getting the details right.

* The only book that provides a thorough introduction to the current state of play in Australian theatre, including coverage of previously marginalized voices; * Platforms previously marginalized voices in Australia, covering the work of writers of colour, queer writers and gender diverse writers; * Includes a series of duologues between major contemporary Australian playwrights which are provided in both written and podcast form.

Writing Economics is a guide designed to introduce students to the means and methods of writing on topics related to the discipline of economics. Understanding the way economists see the world is a necessary step on the way to good economics writing. This book takes the following step by step approach by describing: * the keys needed to succeed as a writer of economics and an overview of the writing process from beginning to end * the basic methods economists use to analyze data and communicate their ideas * suggestions for finding and focusing one's topic, including standard economic sources and techniques for doing economic research * how to write papers * ways of citing sources and creating a bibliography The book also contains useful appendices, which provide details of statistical sources and relevant electronic indices. Used as a standard guide for economics students at Harvard University, the book should prove to be of immense practical use economics students the world over.

A growing number of information providers are now online, and as a result being able to produce copy that is suitable for an online readership is of increasing importance. In this text the basic principles of copywriting are covered, along with more specific guidance on writing for online sources. The differences between writing for online and offline are highlighted to enable the reader to distinguish between the two and consequently write the best form of copy for the end source.
Different sources of online content require different approaches, and therefore the author takes a structured approach, taking each of these channels in turn, for example writing for web sites, writing for email, ezines and newsletters, writing for search engines, and writing for online ads. By approaching each topic individually, specific guidance is provided enabling the reader to be properly equipped with the tools required to write the most appropriate copy for the task in hand.
* Helps its readers to write, edit and publish more effective content for the online readership
* Addresses B2B issues as well as B2C - this area is often neglected
* Set out in a clearly structured style to enable readers to scan the material therefore making the content easily accessible

Jokes and humorous urban legends make up all 100 proof-reading exercises in this useful and engaging book. The errors include a little bit of everything - missing punctuation, spelling mistakes, errors in usage, sentence fragments, and more. Each exercise includes teaching notes and an example of a possible correction.

Learn the craft of writing a high-quality, high-mark university essay with this step-by-step guide. Suitable for all students - from making the transition to university study that much easier to refining your technique for the final year - this accessible and concise book leads you through the complete essay-writing process in five straightforward steps. The book is packed with best practice tips, common student mistakes (and how to avoid them!), and practical templates that have been designed to help you write your university essays. You will discover new techniques for deconstructing essay questions, like GALA; a complete Harvard Referencing catalogue, showing you how to properly record sources and references; and a generic essay template to help you cover everything necessary for those top marks. Once you read this book, you will never have to ask the following questions - because you will know the answers: * What is this question asking me to do? * How should I structure my essay? * What goes in an Introduction? * How do I write a meaningful paragraph? * How do I cite a source properly? * What is 'background information'? * How do I evaluate someone's work? * What goes in a Conclusion? * How do I create a reference list? * What do I do with feedback?

What they are saying about Don't Mess with the Press: Tony Seton's Don't Mess with the Press is instructive and delightful. Both the beginner who is already on her way and the veteran broadcaster who thinks he has all the answers should read it. It is a must for any journalist interested in more than wardrobe, hairspray and salary. The glossary is worth the price of the book. -- Doug White, WJAR Anchor Superb -- Tim O'Brien, ABC/CNN Correspondent At some point--often in despair or a heavy sweat--every journalist exclaims: Why didn't someone tell me that? Tony Seton's years of experience provide a collection of such moments of enlightenment for aspiring and perspiring broadcasters. -- Charles Bierbauer, ABC/CNN Correspondent Anyone who wants to know what the increasingly disreputable TV news business could be ought to read this book, because it's written by a guy who helped make it what it once was. -- Greg Dobbs, ABC Producer/Correspondent Don't Mess with the Press provides a great understanding of both the philosophical underpinning of news as well as the nuts and bolts of producing a newscast. the field of broadcast journalism. -- J-school professor This is an extraordinarily entertaining book, riddled with anecdotes to tickle the funny-bones of those who have devoted their careers to the fascinating, often thrilling, world of television news. It's greater value, however, may be for those who haven't but are interested in giving broadcast journalism a try.] This book is essential reading for the would-be television journalist, told by one who has done it all. Like so much of Tony's work that we so valued at ABC News, this is a tour de force. -- Tim O'Brien, ABC/CNN Correspondent