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Tender Violence - Domestic Visions in an Age of U.S. Imperialism (Paperback, New edition)
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Tender Violence - Domestic Visions in an Age of U.S. Imperialism (Paperback, New edition)
Series: Cultural Studies of the United States
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Laura Wexler presents an incisive analysis of how the first
American female photojournalists contributed to a ""doctrine
vision"" that reinforced the imperialism and racism of America
around the dawn of the 20th century. These women photographers,
white and middle class, constructed images of war disguised as
peace through a mechanism Wexler calls the ""averted eye"", which
had its origins in the private domain of family photography. Wexler
examines the work of Frances Benjamin Johnston, Gertrude Kasebier,
Alice Austen, the Gerhard sisters and Jessie Tarbox Beals. The book
includes over 150 photographs taken between 1898 and 1904, such as
photos Johnston took aboard Admiral Dewey's flagship as it returned
home from conquering Manila, Austen's photos of immigrants at Ellis
Island, and Beal's images of the St Louis World's Fair of 1904. In
a groundbreaking approach to the study of photography, Wexler
raises up these images as ""texts"" to be analyzed alongside other
texts of the period for what they say about the discourses of
power. This study is relevant not only to the fields of history of
photography and gender studies, but also to our growing
understanding of US imperialism during this period.
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