Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900
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Suffering and Sentiment in Romantic Military Art (Paperback)
Loot Price: R1,496
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Suffering and Sentiment in Romantic Military Art (Paperback)
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In a moving intervention into Romantic-era depictions of the dead
and wounded, Philip Shaw's timely study directs our gaze to the
neglected figure of the common soldier. How suffering and sentiment
were portrayed in a variety of visual and verbal media is Shaw's
particular concern, as he examines a wide range of print and visual
media, from paintings to sketches to political prose and anti-war
poetry, and from writings on culture and aesthetics to graphic
satires and early photographs. Whilst classical portraiture and
history painting certainly conspired with official ideologies to
deflect attention from the true costs of war, other works of art,
literary as well as visual, proffered representations that
countered the view that suffering on and off the battlefield is
noble or heroic. Shaw uncovers a history of changing attitudes
towards suffering, from mid-eighteenth century ambivalence to late
eighteenth- and early nineteenth-century concepts of moral
sentiment. Thus, Shaw's story is one of how images of death and
wounding facilitated and queried these shifts in the perception of
war, qualifying as well as consolidating ideas of individual and
national unanimity. Informed by readings of the letters and
journals of serving soldiers, surgeons' notebooks and sketches, and
the writings of peace and war agitators, Shaw's study shows how an
attention to the depiction of suffering and the development of
'liberal' sentiment enables a reconfiguring of historical and
theoretical notions of the body as a site of pain and as a locus of
violent national imaginings.
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