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Salvage Poetics - Post-Holocaust American Jewish Folk Ethnographies (Hardcover)
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Salvage Poetics - Post-Holocaust American Jewish Folk Ethnographies (Hardcover)
Series: Raphael Patai Series in Jewish Folklore and Anthropology
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Salvage Poetics: Post-Holocaust American Jewish Folk Ethnographies
explores how American Jewish post-Holocaust writers, scholars, and
editors adapted pre-Holocaust works, such as Yiddish fiction and
documentary photography, for popular consumption by American Jews
in the post-Holocaust decades. These texts, Jelen argues, served to
help clarify the role of East European Jewish identity in the
construction of a post-Holocaust American one. In her analysis of a
variety of "hybrid" texts-those that exist on the border between
ethnography and art-Jelen traces the gradual shift from verbal to
visual Jewish literacy among Jewish Americans after the Holocaust.
S. Ansky's ethnographic expedition (1912-1914) and Martin Buber's
adaptation and compilation of Hasidic tales (1906-1935) are
presented as a means of contextualizing the role of an ethnographic
consciousness in modern Jewish experience and the way in which
literary adaptations and mediations create opportunities for the
creation of folk ethnographic hybrid texts. Salvage Poetics looks
at classical texts of the American Jewish experience in the second
half of the twentieth century, such as Maurice Samuel's The World
of Sholem Aleichem (1944), Abraham Joshua Heschel's The Earth Is
the Lord's (1950), Elizabeth Herzog and Mark Zborowski's Life Is
with People (1952), Lucy Dawidowicz's The Golden Tradition (1967),
and Roman Vishniac's A Vanished World (1983), alongside other texts
that consider the symbiotic relationship between pre-Holocaust
aesthetic artifacts and their postwar reframings and
reconsiderations. Salvage Poetics is particularly attentive to how
literary scholars deploy the notion of "ethnography" in their
readings of literature in languages and/or cultures that are
considered "dead" or "dying" and how their definition of an
"ethnographic" literary text speaks to and enhance the scientific
discipline of ethnography. This book makes a fresh contribution to
the fields of American Jewish cultural and literary studies and art
history.
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