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Pieter Bruegel the Elder - Art Discourse in the Sixteenth-Century Netherlands (Hardcover, New edition)
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Pieter Bruegel the Elder - Art Discourse in the Sixteenth-Century Netherlands (Hardcover, New edition)
Series: Visual Culture in Early Modernity
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Pieter Bruegel the Elder: Art Discourse in the Sixteenth-Century
Netherlands examines the later images by Bruegel in the context of
two contemporary discourses - art theoretical and convivial. The
first concerns the purely visual interactions between artists and
artistic practices that unfold in pictures, which often transgress
the categorical boundaries modern scholars place on their work,
such as sacred and profane, antique and modern, and Italian and
Northern. In this context, the images themselves - those of
Bruegel, his contemporaries and predecessors - make up the primary
source material from which the author argues. The second deals with
the dialogue that occurred between viewers in front of pictures and
the way in which pictorial strategies facilitated their visual
experience and challenged their analytical capabilities. In this
regard, the author expands his base of primary sources to include
convivial texts, dialogues and correspondences, and texts by
rhetoricians and Northern humanists addressing art theoretical
issues. Challenging the conventional wisdom that the artist
eschewed Italianate influences, this study demonstrates how
Bruegel's later peasant paintings reveal a complicated artistic
dialogue in which visual concepts and pictorial motifs from Italian
and classical ideas are employed for a subject that was
increasingly recognized in the sixteenth century as a specifically
Northern phenomenon. Similar to the Dutch rhetorician societies and
French Pleiade poets who cultivated the vernacular language using
classical Latin, the function of this interpictorial discourse, the
author argues, was not simply to imitate international trends, a
common practice during the period, but to use it to cultivate his
own visual vernacular language. Although the focus is primarily on
Bruegel's later work, the author's conclusions are applied to
sketch a broader understanding of both the artist himself and the
vibrant artistic dialogue occurring in the Netherl
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