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Dream, Creativity, and Madness in Nineteenth-Century France (Hardcover, New)
Loot Price: R5,955
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Dream, Creativity, and Madness in Nineteenth-Century France (Hardcover, New)
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This is an important new analysis of the problematic relationship
between dreams and madness as perceived by nineteenth-century
French writers, thinkers, and doctors. Those wishing to know the
nature of madness, wrote Voltaire, should observe their dreams. The
relationship between the dream-state and madness is a key theme of
nineteenth-century European, and specifically French, thought. The
meaning of dreams and associated phenomena such as somnambulism,
ecstasy, and hallucinations (including those induced by hashish)
preoccupied writers, philosophers, and psychiatrists. In this
path-breaking cross-disciplinary study, Tony James shows how
doctors (such as Esquirol, Lelut, and Janet), thinkers (including
Maine de Biran and Taine), and writers (for example, Balzac,
Nerval, Baudelaire, Victor Hugo, and Rimbaud) grappled in very
different ways with the problems raised by the so-called 'phenomena
of sleep'. Were historical figures such as Socrates or Pascal in
fact mad? Might dream be a source of creativity, rather than a
merely subsidiary, 'automatic' function? What of lucid dreaming? By
exploring these questions, Dreams, Madness, and Creativity in
Nineteenth-Century France makes good a considerable gap in the
history of pre-Freudian psychology and sheds new and fascinating
light on the central French writers of the period.
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