In Scandinavia the study of disputes is still a relatively new topic: The papers offered here discuss how conflicts were handled in Scandinavian societies in the Middle Ages before the emergence of strong centralized states. What strategies did people use to contest power, property, rights, honour, and other kinds of material or symbolic assets? Seven essays by Scandinavian scholars are supplemented by contributions from Stephen White, John Hudson and Gerd Althoff, to provide a new baseline for discussing both the strategies pursued in the political game and those used to settle local disputes. Using practice and process as key analytical concepts, these authors explore formal law and litigation in conjunction with non-formal legal proceedings such as out-of-court mediation, rituals, emotional posturing, and feuding. Their insights place the Northern medieval world in a European context of dispute studies. With introductory sections on social structure, sources materials, and the historiography of Scandinavian dispute studies. Contributors are Gerd Althoff, Catharina Andersson, Kim Esmark, Lars Ivar Hansen, Lars Hermanson, John Hudson, Audur G. Magnusdottir, Hans Jacob Orning, Helle Vogt and Stephen D. White.

Fresh insights into the development of the tournament as an opportunity for social display. The period from the thirteenth to the sixteenth century witnessed a rapid development of the tournament. Alongside the original tourney - a mass battle fought between opposing armies of knights with minimal and rudimentary regulation - new forms of chivalric military contests emerged, in which entertainment featured alongside the necessity of practice for war. The joust featured individual combats, with increasingly elaborate rules and variations in form and accompanying pageantry, while the passage of arms placed tournaments within theatrical and allegorical formats. This volume brings together the latest research on the late medieval tournament, demonstrating how such events, particularly at the courts of France, Burgundy, England and the German principalities, were increasingly integrated in wider festivities, ceremonies and diplomatic negotiations. Published in association with the Royal Armouries, it will appeal to all those interested in chivalric culture and medieval warfare.

In medieval Europe hostages were given, not taken. They were a means of guarantee used to secure transactions ranging from treaties to wartime commitments to financial transactions. In principle, the force of the guarantee lay in the threat to the life of the hostage if the agreement were broken but, while violation of agreements was common, execution of hostages was a rarity. Medieval hostages are thus best understood not as simple pledges, but as a political institution characteristic of the medieval millennium, embedded in its changing historical contexts. In the Early Middle Ages, hostageship was principally seen in warfare and diplomacy, operating within structures of kinship and practices of alliance characteristic of elite political society. From the eleventh century, hostageship diversified, despite the spread of a legal and financial culture that would seem to have made it superfluous. Hostages in the Middle Ages traces the development of this institution from Late Antiquity through the period of the Hundred Years War, across Europe and the Mediterranean World. It explores the logic of agreements, the identity of hostages, and the conditions of their confinement, while shedding light on a wide range of subjects, from sieges and treaties, to captivity and ransom, to the Peace of God and the Crusades, to the rise of towns and representation, to political communication and shifting gender dynamics. The book closes by examining the reasons for the decline of hostageship in the Early Modern era, and the rise the modern variety of hostageship that was addressed by the Nuremberg tribunals and the United Nations in the twentieth century.

A lively exploration of the medieval and early modern attitudes towards dance, as the perception of dancers changed from saints dancing after Christ into cows dancing after the devil. The devil's cows, impudent camels, or damsels animated by the devil: late medieval and early modern authors used these descriptors and more to talk about dancers, particularly women. Yet, dance was not always considered entirely sinful or connected primarily to women: in some early medieval texts, dancers were exhorted to dance to God, arm-in-arm with their neighbors, and parishes were filled with danced expressions of faith. What led to the transformation of dancers from saints dancing after Christ into cows dancing after the devil? Drawing on the evidence from medieval and early modern sermons, and in particular the narratives of the cursed carolers and the dance of Salome, this book explores these changing understandings of dance as they relate to religion, gender, sin, and community within the English parish. In parishes both before and during the English Reformations, dance played an integral role in creating, maintaining, uniting, or fracturing community. But as theological understandings of sacrilege, sin, and proper worship changed, the meanings of dance and gender shifted as well. Redefining dance had tangible ramifications for the men and women of the parish, as new definitions of what it meant to perform one's gender collided with discourses about holiness and transgression, leading to closer scrutiny and monitoring of the bodies of the faithful.

Equine Medicine and Popular Romance in Late Medieval England explores a seldom-studied trove of English veterinary manuals, illuminating how the daily care of horses they describe reshapes our understanding of equine representation in the popular romance of late medieval England. A saint removes a horse’s leg the more easily to shoe him; a wild horse transforms spur wounds into the self-healing practice of bleeding; a messenger calculates time through his horse’s body. Such are the rich and conflicted visions of horse/human connection in the period. Exploring this imagined relation, Francine McGregor reveals a cultural undercurrent in which medieval England is so reliant on equine bodies that human anxieties, desires, and very orientation in daily life are often figured through them. This book illuminates the complex and contradictory yearnings shaping medieval perceptions of the horse, the self, and the identities born of their affinity.

The Umayyad caliphate, ruling over much of what is now the modern Middle East after the death of the Prophet Muhammad, governe from Damascus from 661 to750CE, when they were expelled by the Abbasids. Here, Mohammad Rihan sheds light on the tribal system of this empir, by looking at one of its Syrian tribes; the 'Amila, based around today's Jabal 'Amil in southern Lebanon. Using this tribe as a lens through which to examine the wider Umayyad world, he looks at the political structures and conflicts that prevailed at the time, seeking to nuance the understanding of the relationship between the tribes and the ruling elite. For Rihan, early Islamic political history can only be understood in the context of the tribal history. This book thus illustrates how the political and social milieu of the 'Amila tribe sheds light on the wider history of the Umayyad world. Utilizing a wide range of sources, from the books of genealogies to poetry, Rihan expertly portrays Umayyad political life. First providing a background on 'Amila's tribal structure and its functions and dynamics, Rihan then presents the pre-Islamic past of the tribe. Building on this, he then investigates the role the 'Amila played in the emergence of the Umayyad state to understand the ways in which political life developed for the tribes and their relations with those holding political power in the region. By exploring the literature, culture, kinship structures and the socio-political conditions of the tribe, this book highlights the ways in which alliances and divisions shifted and were used by caliphs of the period and offers new insights into the Middle East at a pivotal point in its early and medieval history. This historical analysis thus not only illuminates the political condition of the Umayyad world, but also investigates the ever-important relationship between tribal political structures and state-based rule.

In Imago Mortis: Mediating Images of Death in Late Medieval Culture, Ashby Kinch argues for the affirmative quality of late medieval death art and literature, providing a new, interdisciplinary approach to a well-known body of material. He demonstrates the surprising and effective ways that late medieval artists appropriated images of death and dying as a means to affirm their artistic, social, and political identities. The book dedicates each of its three sections to a pairing of a visual convention (deathbed scenes, the Three Living and Three Dead, and the Dance of Death) and a Middle English literary text (Hoccleve's Lerne for to die, Audelay's Three Dead Kings, and Lydgate's Dance of Death).

Today medievalism is increasingly intelligible as a cultural lingua franca, produced in trans- and international contexts with a view to reaching popular international audiences, some of mass scope. This book offers new perspectives on international relations and how global concerns are made available through contemporary medievalist texts. It questions how research in medievalism may help us rethink the terms of internationalism and globalism within popular cultures, ideologies, and political formations. It investigates how the diverse media of medievalism (print; film and television; arts and crafts; fashion; digital media; clubs and fandom) affect its cultural meaning and circulation, and its social function, and engage questions of desire, gender and identity construction. As a whole, International Medievalism and Popular Culture differs from those studies which have concentrated on imaginative appropriations of the middle ages for domestic cultural contexts. It investigates rather how contemporary cultures engage with medievalism to map and model ideas of the international, the trans-national, the cosmopolitan and the global. This book includes examples from Europe, Britain, North America, Australia and the Arab world. It discusses the formation and the impact of popular medievalism in the globalised worlds of Braveheart, Disney and Harry Potter, but it also explores how the contemporary medieval imaginary generates international cultural perspectives, for example in considering Middle Eastern reception of Ridley Scott's Kingdom of Heaven, the Byzantinism of Julia Kristeva, and Hedley Bull's postnationalist 'new medievalism'. International Medievalism in Popular Culture is an important contribution to medieval studies, cultural studies, and historical studies. It will be of value to undergraduate, postgraduate and academic readers, as well as to all interested in popular culture or medievalism.

Volume XXI/2 of History of Universities contains the customary mix of learned articles, book reviews, conference reports, and bibliographical information, which makes this publication such an indispensable tool for the historian of higher education. Its contributions range widely geographically, chronologically, and in subject-matter. The volume is, as always, a lively combination of original research and invaluable reference material.

In this book Norman Housley, one of the most distinguished historians of the medieval period, provides an introduction to the complex history of crusading.

Steers readers through the key debates in this popular area of medieval history.
Draws on the author's 30 years' experience of crusading scholarship.
Issues addressed range from the definition of 'crusade', through the motivation and intentions of the crusaders, to the consequences of the crusades for European society

This volume places the satirical works of the Middle Byzantine period in a wider political and socio-cultural context, exploring not only their various forms but also their functions and meanings. The volume is divided into four parts. The first part provides the backgrounds of the authors and texts discussed in the volume. The second concerns the manifold functions and appearances of Byzantine satirical texts. Part three offers detailed analyses of three largely unexplored texts (the Charidemos, the Philopatris, and the Anacharsis). The last section moves from the individual texts to the larger picture of satirical modes in Middle Byzantium. Contributors are Baukje van den Berg, Floris Bernard, Stavroula Constantinou, Eric Cullhed, Janek Kucharski, Marketa Kulhankova, Paul Magdalino, Henry Maguire, Przemyslaw Marciniak, Charis Messis, Ingela Nilsson, Emilie van Opstall, Panagiotis Roilos, and Nikos Zagklas. See inside the book.

This book's concern is with notoriously obscure ancient poets-riddlers, whom it argues to have been an essential, albeit necessarily marginal, element of the literary landscape of Antiquity, which, in addition, exerted subtle yet lasting influence on European culture. The three first essays in this book trace a direct line of influence between the early Hellenistic scholar-poet Simias of Rhodes, the late Republican Roman experimentalist Laevius and Constantine the Great's virtuoso panegyrist Optatian Porfyry, whereas the fourth essay discusses the preservation and transformation of the model invented by Simias in Byzantium. The Appendix reflects on the triumph of this intellectual paradigm in Neo-Latin Jesuit education by investigating the case of a peripheral yet highly influential Central European college at the turn of the sixteenth and seventeenth centuries. This book is at once a contribution to the scholarship on the reception of Hellenistic poetry and to the study of ancient 'technopaegnia' (i.e. playful poetry) and their cultural influence in Antiquity, Byzantium and post-mediaeval Europe.

The collection Migration, Integration and Connectivity on the Southeastern Frontier of the Carolingian Empire offers insights into the Carolingian southeastern frontier-zone from historical, art-historical and archaeological perspectives. Chapters in this volume discuss the significance of the early medieval period for scholarly and public discourses in the Western Balkans and Central Europe, and the transfer of knowledge between local scholarship and macro-narratives of Mediterranean and Western history. Other essays explore the ways local communities around the Adriatic (Istria, Dalmatia, Dalmatian hinterland, southern Pannonia) established and maintained social networks and integrated foreign cultural templates into their existing cultural habitus. Contributors are Mladen Ancic, Ivan Basic, Goran Bilogrivic, Neven Budak, Florin Curta, Danijel Dzino, Kresimir Filipec, Richard Hodges, Nikola Jaksic, Miljenko Jurkovic, Ante Milosevic, Marko Petrak, Peter Stih, Trpimir Vedris.

In War, Entrepreneurs, and the State, Jeff Fynn-Paul (Leiden) assembles an internationally acclaimed selection of authors to push forward the debate on the role of entrepreneurs in making war and building states in Europe and the Ottoman Empire. Topics covered include logistics, supply, recruitment, and the finance of war. Chapters have been carefully commissioned with an eye towards complementarity. In an introduction co-written with Marjolein 't Hart and Griet Vermeesch, Fynn-Paul challenges existing discourses of military entrepreneurialism. A new benchmark is proposed: did states choose to work with entrepreneurs, or to restrict their activities and subvert the market? From the introduction and the individual chapters, a new more expansive vision of the military entrepreneur emerges. Contributors are: Carlos Alvarez-Nogal, Pepijn Brandon, William Caferro, Stephen Conway, Thomas Goossens, Aaron Graham, Rhoads Murphey, David Parrott, Helen Paul, Guy Rowlands, Kahraman Sakul, Marjolein 't Hart, Andrea Thiele, and Rafael Torres Sanchez.

Bringing together the work of scholars from disparate fields of enquiry, this volume provides a timely and stimulating exploration of the themes of transmission and translation, charting developments, adaptations and exchanges - textual, visual, material and conceptual - that reverberated across the medieval world, within wide-ranging temporal and geographical contexts. Such transactions generated a multiplicity of fusions expressed in diverse and often startling ways - architecturally, textually and through peoples' lived experiences - that informed attitudes of selfhood and 'otherness', senses of belonging and ownership, and concepts of regionality, that have been further embraced in modern and contemporary arenas of political and cultural discourse. Contributors are Tarren Andrews, Edel Bhreathnach, Cher Casey, Katherine Cross, Amanda Doviak, Elisa Foster, Matthias Friedrich, Jane Hawkes, Megan Henvey, Aideen Ireland, Alison Killilea, Ross McIntire, Lesley Milner, John Mitchell, Nino Simonishvili, and Rachael Vause.

Byrhtferth of Ramsey was one of the most learned scholars of late Anglo-Saxon England, and his two saints' Lives-of Oswald, a powerful bishop of Worcester and York in the tenth century (d. 992), and Ecgwine, the seventh-century founder of Evesham-are among the most important historical sources for our understanding of late Anglo-Saxon England.
The Life of St Oswald is the longest surviving work of Anglo-Saxon hagiography, and it is the principal source for much of our knowledge of tenth-century England, especially the monastic reform movement, the role of King Edgar, the murder of Edward king and Martyr, and the so-called "anti-monastic reaction" (of which he is the unique witness). Much less is known about St Ecgwine, both by us and by Byrhtferth, but Byrhtferth's writing has exceptional value once again for the light it throws on tenth-century monasticism and the role of King Edgar in this process.
Both Lives have been printed only once before, in the nineteenth century, in editions which are riddled with errors and which have misled scholarship for over a century. Neither work has ever been translated into English. The present edition includes facing-page translations, which will make these works accessible to a scholarly audience for the first time. Byrhtferth's Latin is unusually idiosyncratic and difficult, and was frequently misunderstood by the scribe who copied the unique manuscript in which the Lives are preserved. The texts are also accompanied by extensive notes, which explain the historical implications and the often impenetrable Latin. One of the principal features of the new edition is that corruption in the transmitted text has been emended where necessary, based on knowledge of Byrhtferth's Latin style (analyzed, for example, in the EETS edition of Byrhtferth's Enchiridion, ed. Lapidge and Baker in 1994).
A new edition of Byrhtferth's two saints' Lives has been long awaited, and will be indispensable to the study of Anglo-Saxon history and literature; the texts also throw considerable new light on the archaeology of Anglo-Saxon ecclesiastical sites such as York, Worcester, Ramsey and Evesham.

Essays illuminate a wide range of topics from the Middle Ages, from the seals of an empress to priests' wives and the undead. This volume of the Haskins Society Journal demonstrates the Society's continued engagement with historical and interdisciplinary research from the early to the central Middle Ages on a broad range of topics including militarism, piety, the miraculous and the monstrous. Chapters explore material culture through a mythic eleventh-century papal banner and the seals and coins of the Empress Matilda; offer new insights into Carolingian hagiography and into the undead in the Historia rerum Anglicarum. Further chapters feature new evidence on the role of priests' wives, the tensions of multiple lordships, shifting identities in the Irish Sea world, and the didactic use of royal anger. A fresh examination of Aelred of Rievaulx's Relatio de Standaro and a re-assessment of Flemish documentary practice continue the Haskins Society's commitment to primary source analysis. Two essays on the thirteenth century, including links between Crusade spirituality and lay penitential strategies and an investigation into the economic costs of waging war, round out the volume. Contributors: DAN ARMSTRONG, DAVID S. BACHRACH, DANIEL M. BACHRACH, JILLIAN M. BJERKE, HANNAH BOSTON, MARIAH COOPER, FIONA J. GRIFFITHS, JESSE M. HARRINGTON, JEAN-FRANCOIS NIEUS, ALICE RIO, CHARITY URBANSKI, PATRICK WADDEN, MEGHAN WOOLLEY, LU ZUO

This is the first biography of Barbara of Cilli (1392-1451), Hungarian, Roman-German and Bohemian queen through her marriage to King and later Emperor Sigismund of Luxembourg (1368-1437). While Emperor Sigismund has enjoyed substantial historical attention, Barbara has remained in his shadow, despite her significant political, economic, and cultural influence. Barbara's image is still preserved today as the "Black Queen" or the "German Messalina". She has been transformed into a mystical or even demonic figure in folklore - a prime example of the creation and functioning of historical stereotypes - yet as a historical figure she emerges as an influential and exceptional queen.

Veneration of the saints is one of the defining characteristics of early medieval society and culture. This important book by a group of distinguished experts adopts for the first time an interdisciplinary approach to examine the innumerable local cults which developed in western Europe between about 400 and 1000, concentrating especially on Celtic and Anglo-Saxon saints. The volume combines wide-ranging surveys with crucial reference material, including a handlist of all known Anglo-Saxon saints.

Constant J. Mews offers an intellectual biography of two of the best known personalities of the twelfth century. Peter Abelard was a controversial logician at the cathedral school of Notre-Dame in Paris when he first met Heloise, who was the brilliant and outspoken niece of a cathedral canon and who was then engaged in the study of philosophy. After an intense love affair and the birth of a child, they married in secret in a bid to placate her uncle. Nonetheless the vengeful canon Fulbert had Abelard castrated, following which he became a monk at St. Denis, while Heloise became a nun at Argenteuil. Mews, a recognized authority on Abelard's writings, traces his evolution as a thinker from his earliest work on dialectic (paying particular attention to his debt to Roscelin of Compiegne and William of Champeaux) to his most mature reflections on theology and ethics. Abelard's interest in the doctrine of universals was one part of his broader philosophical interest in language, theology, and ethics, says Mews. He argues that Heloise played a significant role in broadening Abelard's intellectual interests during the period 1115-17, as reflected in a passionate correspondence in which the pair articulated and debated the nature of their love. Mews believes that the sudden end of this early relationship provoked Abelard to return to writing about language with new depth, and to begin applying these concerns to theology. Only after Abelard and Heloise resumed close epistolary contact in the early 1130s, however, did Abelard start to develop his thinking about sin and redemption--in ways that respond closely to the concerns of Heloise. Mews emphasizes both continuity and development in what these two very original thinkers had to say."

Religious figures of remembrance served to consolidate first dynastic rule and later nation-state legitimacy and community. This book explains the interweaving of (Eastern) Roman, medieval Serbian and Bulgarian contexts as well as Ottoman and Western European national discourses or reinvented traditions. We can distinguish a secularization and nationalization of the religious contexts in the 19th century within historicism, followed by a nationalization of God and a sacralization of the nation until the end of WWII. Contrary to the national views, the origins of the modern content of these discourses lie only to a very limited extent in the Middle Ages or in the Early Modern period, as this study shows. Please note, this is volume 2 of a 2-volume set. Click here to see volume 1.

The Church in Ancient Society provides a full and enjoyable narrative history of the first six centuries of the Christian Church. Ancient Greek and Roman society had many gods and an addiction to astrology and divination. This introduction to the period traces the process by which Christianity changed this and so provided a foundation for the modern world: the teaching of Jesus created a lasting community, which grew to command the allegiance of the Roman emperor.