Originally published in 1996, the articles in this book are revised, expanded papers from a session at the 17th International Congress of the Arthurian Society held in 1993. The chapters cover Arthurian studies' directions at the time, showcasing analysis of varied aspects of visual representation and relation to literary themes. Close attention to the historical context is a key feature of this work, investigating the linkage between texts and images in the Middle Ages and beyond.

Discrete inquiries into 15 forms of the Arthurian legends produced over the last century explore how they have altered the tradition. They consider works from the US and Europe, and those aimed at popular and elite audiences. The overall conclusion is that the "Arthurian revival" is an ongoing event, and has become multivalent, multinational, and multimedia. Originally published in 1992.

The legacy of late medieval Franciscan thought is uncontested: for generations, the influence of late-13th and 14th century Franciscans on the development of modern thought has been celebrated by some and loathed by others. However, the legacy of early Franciscan thought, as it developed in the first generation of Franciscan thinkers who worked at the recently-founded University of Paris in the first half of the 13th century, is a virtually foreign concept in the relevant scholarship. The reason for this is that early Franciscans are widely regarded as mere codifiers and perpetrators of the earlier medieval, largely Augustinian, tradition, from which later Franciscans supposedly departed. In this study, leading scholars of both periods in the Franciscan intellectual tradition join forces to highlight the continuity between early and late Franciscan thinkers which is often overlooked by those who emphasize their discrepancies in terms of methodology and sources. At the same time, the contributors seek to paint a more nuanced picture of the tradition's legacy to Western thought, highlighting aspects of it that were passed down for generations to follow as well as the extremely different contexts and ends for which originally Franciscan ideas came to be employed in later medieval and modern thought.

This monograph - which was very well received when originally published in France - contains a great deal of detailed information about the attitudes towards learning and written culture among members of the nobility in different parts of Europe in the Middle Ages. An encounter between a warring knight and the world of learning could seem a paradox. It is nonetheless related with the Twelfth-Century Renaissance, an essential intellectual movement for western history. Knights not only fought in battles, but also moved in sophisticated courts. Knights were interested on Latin classics and reading, and writing poetry. Supportive of "jongleurs" and minstrels, they enjoyed literary conversations with clerics who would attempt to reform their behaviour, which was often brutal. These lettered warriors, while improving their culture, learned to repress their own violence and were initiated to courtesy: selective language, measured gestures, elegance in dress, and manners at the table. Their association with women, who were often learned, became more gallant. A revolution of thought occurred among lay elites who, in contact with clergy, began to use their weapons for common welfare.This new conduct was a tangible sign of Medievalist society's leap forward towards modernity.

This collection of essays by eight leading scholars is a landmark event in the study of crusading in the late middle ages. It is the outcome of an international network funded by the Leverhulme Trust whose members examined the persistence of crusading activity in the fifteenth century from three viewpoints, goals, agencies and resonances. The crusading fronts considered include the conflict with the Ottoman Turks in the Mediterranean and western Balkans, the Teutonic Order's activities in the Baltic region, and the Hussite crusades. The authors review criticism of crusading propaganda on behalf of the crusade, the influence on crusading of demands for Church reform, the impact of printing, expanding knowledge of the world beyond the Christian lands, and new sensibilities about the sufferings of non-combatants.

The interdisciplinary study investigates the relationship between Norse and Saami peoples in the medieval period and focuses on the multifaceted portrayal of Saami peoples in medieval texts. The investigative analysis is anchored in postcolonial methodologies and argues for the inherent need to decolonise the medieval source-material as well as recent historiography. This is achieved by presenting the historiographic and political background of research into Norse-Saami relations, before introducing an overview of textual sources discussing Saami peoples from the classical period to the late 1400s, an analysis of the textual motifs associated with the Saami in medieval literature (their relevance and prevalence), geo-political affairs, trading relations, personal relations and Saami presence in the south. By using decolonising tools to read Norse-Saami relations in medieval texts, influenced by archaeological material and postcolonial frameworks, the study challenges lingering colonial assumptions about the role of the Saami in Norse society. The current research episteme is re-adjusted to offer alternative readings of Saami characters and emphasis is put on agency, fluidity and the dynamic realities of the Saami medieval pasts.

This book is the first English translation of Felice di Michele Brancacci's diary of his 1422 mission to the court of Sultan Al-Ashraf Seyf-ad-Din Barsbay of Egypt. Following the purchase of Port of Pisa in 1421, and the building of a galley system, Florence went on to assume a more active role in Levant trade, and this rich text recounts the maiden voyage of the Florentine galleys to Egypt. The text portrays the transnational experiences of Brancacci including those between the East and West, Christians and Muslims, and the ancient and modern worlds. The accompanying critical introduction discusses the unexpected motifs in Brancacci's voyage, as well as tracing the aftershocks of what was a traumatic Egyptian experience for him. It shows that this aftershock was then measured, captured, and memorialized in the iconic image of Tribute Money, the fresco he commissioned from Masaccio, on his return to his own world in Florence.

R.C. Van Caenegem is the successor of Henri Pirenne and of F.L. Ganshof at the University of Ghent. These essays reflect Van Caenegem's main interests over his career: the Common Law in England and Customary Law in the Low Countries; the differences between institutional development in England and in the rest of Europe; and the forces making for autocratic as opposed to representative government. A number of pieces discuss the nature of history itself: how it compares with the sciences and what it can teach us. Two essays commemorate the lives and work of Pirenne and Ganshof.

This edited collection opens new ways to look at queenship in areas and countries not usually studied and reflects the increasingly interdisciplinary work and geographic range of the field. This book is a forerunner in queenship and re-invents the reputations of the women and some of the men. The contributors answers questions about the nature of queenship, reputation of queens, and gender roles in the medieval and early modern west. The essays question the viability of propaganda, gossip, and rumor that still characterizes some queens in modern histories. The wide geographic range covered by the contributors moves queenship studies beyond France and England to understudied places such as Sweden and Hungary. Even the essays on more familiar countries explores areas not usually studied, such as the role of Edward II's stepmother, Margaret of France in Gaveston's downfall. The chapters clearly have a common thread and the editors' summary and description of the collection is valuable in assisting the reader. The collection is divided into two sections "Biography, Gossip, and History" and "Politics, Ambition, and Scandal." The editors and contributors, including Zita Eva Rohr and Elena Woodacre, are scholars at the top of their field and several and engage and debate with recent scholarship. This collection will appeal internationally to literary scholars and gender studies scholars as well historians interested in the countries included in the collection.

Denys Hay is one of the best known British historians of the Renaissance. His work is marked by a judicious and readable style, an equal interest in the affairs of England and Italy, and an ability to hold in balance the claims of political and cultural history. This collection brings together the important part of Professor Hay's work that has appeared as essays and represents all his major interests.

An entertaining collection of strange, delightful and unexpectedly apt words from the origins of English, which illuminates the lives, beliefs and habits of our linguistic ancestors. 'A marvelous book' Neil Gaiman 'Wonderful' - Tom Holland 'A lovely, lovely read' - Lucy Mangan 'Splendid' - David Crystal 'Thorough, entertaining, and absolutely fascinating.' Paul Anthony Jones, Haggard Hawks In this beautiful little book, Hana Videen has gathered gems of words together to create a glorious trove and illuminate the lives, beliefs and habits of our linguistic ancestors. We discover a world where choking on a bit of bread might prove your guilt, where fiend-ship was as likely as friend-ship, and you might grow up to be a laughter-smith. These are the magical roots of our own language: you'll never see English in the same way again.

This book surveys how the peoples bordering the Mediterranean, North Sea, English Channel and eastern Atlantic related to the sea in all its aspects between approximately 1000-1500 A.D. How was the sea represented in poems and other writings? What kinds of boats were used and how were they built? How easy was it to navigate on short or long passages? Was seaborne trade crucial to the economy of this area? Did naval warfare loom large in the minds of medieval rulers? What can be said more generally about the lives of those who went to sea or who lived by its shores? These are the major questions which are addressed in this book, which is based on extensive research in both maritime archives and also in secondary literature. It concludes by pointing out how the relatively enclosed maritime world of Western Europe was radically changed by the voyages of the late fifteenth century across the Atlantic to the Caribbean and round Africa to India.

Medieval London Widows, 1300-1500 shows that it is possible to expand the repertoire of examples of medieval women with personalities and individuality beyond the well-known triad of Margaret Paston, Margery Kempe and the Wife of Bath. The rich documentation of London records allows these women to speak for themselves. They do so largely through their wills, which themselves exemplify the ability of widows to make choices and to order their lives.

The English poet John Gower (ca. 1340-1408) wrote important Latin poems witnessing the two crucial political events of his day: the Peasants' Revolt of 1381 and in 1399 the deposition of Richard II, in the Visio Anglie (A Vision of England) and Cronica tripertita (A Chronicle in Three Parts), respectively. Both poems, usually transmitted with Gower's major Latin work, Vox clamantis, are key primary sources for the historical record, as well as marking culminating points in the development of English literature. The earlier Visio Anglie is verbally derivative of numerous, varied sources, by way of its literary allusions, but is also highly original in its invention and disposition. On the other hand, the Cronica tripertita's organization, even in details, is highly derivative, and from a single source, but its verbal texture is all invented. This volume includes Latin texts of these poems of Gower, newly established from the manuscripts, with commentary on Gower's relation with the rest of the contemporary historical record and with his literary forebears and contemporaries, including Ovid, Virgil, Peter Riga, Nigel Witeker, and Godfrey of Viterbo. This volume also includes Modern English verse translations of the two poems, which are at once critically accurate and enjoyably accessible.

"The Song of Roland" is acknowledged today as the first masterpiece of French vernacular literature and one of the world's greatest epic poems. The earliest extant example of a medieval "chanson de geste" ("song of deeds"), its four thousand lines represent the most famous literary celebration of Carolingian mythology from the Middle Ages. Written down around the year 1090, the Song of Roland's finely crafted verses tell of the betrayal and defeat of Charlemagne's beloved nephew at the Pass of Roncevaux in the Pyrenees and of the revenge subsequently sought on his behalf. Although the identity of the surviving work's author cannot be known with certainty, his poetic genius cannot be doubted. His mastery of chanson de geste compositional techniques transformed an historically minor military setback - the ambush and slaughter of the great emperor's rearguard by a band of Basque highlanders in August 778 - into the most immediately popular and subsequently cherished artistic expression of medieval chivalry, kingship, national pride, feudal and Christian service in the Western world. Michael Newth's new verse translation of the "Chanson de Roland" - the first in English for over fifty years to preserve the full poetic diction of the medieval composition - recaptures the form, feel and flow of the original work in performance by restoring the genre's "verbal music" to the *Song* of Roland. Newth's introduction traces the extant work's origins, examines its artistic achievements and summarizes its enormous influence on the social and artistic consciousness of medieval France and beyond. His text is followed by a glossary of medieval terms used in the translation and suggestions for further reading about the Roland phenomenon and its surviving one hundred or so fellow chansons de geste. This translation of the "Chanson de Roland" meets the need for a new version of the great poem to illustrate its relevance and widen its appeal to English readers of the twenty-first century, and it also highlights its potential as a viable piece of performance art.

This book examines the broad varieties of religious belief, religious practices, and the influence of religion within medieval society. Religion in the Middle Ages was not monolithic. Medieval religion and the Latin Church are not synonymous. While theology and liturgy are important, an examination of animal trials, gargoyles, last judgments, various aspects of the medieval underworld, and the quest for salvation illuminate lesser known dimensions of religion in the Middle Ages. Several themes run throughout the book including visual culture, heresy and heretics, law and legal procedure, along with sexuality and an awareness of mentalities and anxieties. Although an expanse of 800 years has passed, the remains of those other Middle Ages can be seen today, forcing us to reassess our evaluations of this alluring and often overlooked past.

Saint Christina the Astonishing was born into a poor Belgian family in 1150. She 'died' aged 22 but at her requiem she rose from her coffin and flew away like a bird, wanting to escape the smell of sinful humanity. This was the first of many mad, disobedient exploits in her long and remarkable life. Jane Draycott and Lesley Saunders retell - through their own poems as well as brief extracts from medieval religious writers - Christina's story as a woman's search for selfhood. The book includes artworks from Peter Hay, which he created for the original edition in direct response to the poetry. First published in 1998 and long out of print, this new edition makes Jane Draycott and Lesley Saunders' sensual and exhilarating poetic collaboration available once more. 'Ascetic and excessive, exasperating, sometimes absurd, the life of the little-known St Christina provokes fantasies and questions. Was she a wonder worker? Or an anorexic, fuelled by hatred of the flesh? Or a powerful woman whose legendary flights set her free from her time and her place? Rather than offering pieties or diagnoses, Lesley Saunders and Jane Draycott, invite us to a feast of soul food. Their two distinctive voices meet the voices of the Middle Ages in an extraordinary blend of the sacred and the profane, the rapt and the irreverent, playful, sensual and deeply felt.' Philip Gross 'Poetry as exciting as this is rare: fusing an earthy sensuality with the spiritual, it lets us hear Christina's voice ringing clearly from the rafters.' Robyn Bolam

An engaging, richly illustrated account of parish churches and churchgoers in England, from the Anglo-Saxons to the mid-sixteenth century Parish churches were at the heart of English religious and social life in the Middle Ages and the sixteenth century. In this comprehensive study, Nicholas Orme shows how they came into existence, who staffed them, and how their buildings were used. He explains who went to church, who did not attend, how people behaved there, and how they-not merely the clergy-affected how worship was staged. The book provides an accessible account of what happened in the daily and weekly services, and how churches marked the seasons of Christmas, Lent, Easter, and summer. It describes how they celebrated the great events of life: birth, coming of age, and marriage, and gave comfort in sickness and death. A final chapter covers the English Reformation in the sixteenth century and shows how, alongside its changes, much that went on in parish churches remained as before.

This series of documents, covering the first hundred years after the Provisions of Oxford in 1258, is given in translation so that all who are interested in the history of parliament but have little Latin and less Old French may consult them.